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Fall 2019

Fall 2019. Volume 1. Issue 1.

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“Yet, through all of

these atrocities, I

always had a song

in my spirit that

kept me waiting

and hopeful for

the time when, on

this side of heaven,

I would enjoy

the decency and

respect all of God’s

children deserve.”

the knowledge that retribution

was pointless and justice was not

anticipated. Yet, through all of

these atrocities, I always had a song

in my spirit that kept me waiting

and hopeful for the time when, on

this side of heaven, I would enjoy

the decency and respect all of

God’s children deserve.

In the midst of my development,

my family felt strongly about

taking steps to ensure our growth

and well-being. In the ’60s, my

family became the first in their

area to integrate their children

into public school (one other

family soon followed). I had the

opportunity to put into practice the

uncompromised word of God in my

own life.

As a middle school student, I

attended an all-white school where

daily atrocities were visited upon

me and my siblings. While these

were times of trials and tribulations

(a common colloquial expression in

our church), I further retreated into

music and found solace and hope

that would keep me grounded in

my faith.

It was through music that I first

began to see justice and equality

without consideration of my race.

“It was through music that

I first began to see justice

and equality without

consideration of my race.”

As a junior in high school and

longtime participant of the music

programs in these predominantly

white schools, I was chosen as

the student conductor of the

concert choir — the highest honor

you could receive in the music

department. It was there that my

passion for music and faith in God

came together to show me

God’s faithfulness.

From there I chose to attend a

predominantly white institution

(PWI, for short) for college and

was one of the first ten black

students to be enrolled at one

of the elite Christian colleges in

the nation. As a freshman, I was

chosen to lead a song in chapel for

the Cantata Choir. God continued

to use music as a conduit for my

well-being while also continuing to

break down old institutions that

sought to oppress and hold a race

of people hostage and captive to

hate and injustice.

I graduated in 4 years (yay!) but

before leaving, I was led to take

my music, as I knew it in the history

and culture of black worship, to

my PWI campus. In my junior year,

I started the first gospel choir on

campus (The Gospel Truth Singers)

and by that time, there were a few

more black students on campus.

Without hesitation, whether

they could sing or not, they all

joined with me in fellowship and

worship. It became the single

most important place for comfort,

support and hospitality for black

students at my college during

those years.

Of course, I continued for many

years in music ministry at several

churches in Mississippi and

eventually in Los Angeles and

San Francisco. Again at the

University of San Francisco, I

started the first gospel choir on the

campus and the exposure of that

group eventually led me to

San Diego!

There are many avenues where

we as a society long for and work

for justice, reconciliation, equality,

fairness and acceptance. For me,

that journey has always revolved

around music and for that, I am

greatly blessed.

Writer: Dr. Jeffrey Carr

Editor: Kayla Wong

Photographers: Bethany Endo

& Marcus Emerson

Designer: Jannah Maling

24

JOURNEY TO IDENTITY | 25

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