Evidentiary Realism

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CREDITS Curated and organized by Paolo Cirio. Produced by NOME, Berlin. Presented in NYC with Fridman Gallery. With the collaboration of Paula Cooper Gallery, NYC; Fridman Gallery, NYC; Pierogi Gallery, NYC; and P.P.O.W., NYC; Robert Koch Gallery, San Francisco; Charlie James Gallery, Los Angeles; Annely Juda Fine Art, London; Sprüth Magers Gallery, Berlin. Research and assistance: Jesi Khadivi, Abraham Adams, Anna Gien, Rosario Güiraldes. Catalogue Editor: Paolo Cirio. Editing: Jesi Khadivi. Creative direction: 515 Creative Shop. Graphic design: Zarah Landes. NOME Director: Luca Barbeni. Managing Director: Olga Boiocchi. Press: Tabea Hamperl. Thanks to Torsten Oetken, Nino Caltabiano, Milena Maffei. ISBN 978-0-359-46095-3 ISBN 978-0-244-34273-9 90000 9 780359 460953 171
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INDEX Preface 1 Evidentiary Realism
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P reface Evidentiary Realism aims t
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Evidentiary Realism by Paolo Cirio
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legacy of realism [..] explore the
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Such politics of representation and
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Despite its agenda to expose the co
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new theoretical revaluation of docu
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158
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Comparison of 3 Art Exhibition Visi
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T he Chase Advantage by H ans Haake
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emind us of a “para-site” outsi
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governed by the influence of major
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many forms, though evidence of it m
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16. Text of MoMA Poll (1970): “Qu
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Hans Haacke (b. 1936, Germany) is b
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M ary Carter Resorts Study by M ark
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G e o r g e W. B u s h , H a r k e
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Papers disclose multiple conflicts
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Drawing on and departing from the t
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His drawings also share a clean qua
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Mark Lombardi (b. 1951 - 2000, U.S.
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158
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I Thought I Was Seeing Convicts by
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The idea of Panopticon is based on
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This short overview suggests that t
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Antje Ehmann, Kodwo Eshun (ed.), Ha
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Harun Farocki (1944 - 2014, Germany
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THE WHITE HOUSE 2002 GREEN WHITE by
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Can We See Torture? by Joshua Craze
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have been transformed into painting
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Jenny Holzer (b. 1950, U.S.) is an
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The Video Diaries by Khaled Hafez T
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have been visibly manipulated by al
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artist himself, Video Diaries is th
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Nicola Trezzi (b. 1982, Italy) is a
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Mengele’s Skull, 2012. Thomas Kee
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H ow To Make a Face Appear: The Cas
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monocrops and fires in Indonesia. T
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Heather Davis (b. 1979, Canada) is
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Sweetness is a Materiel of War, 201
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C hemical Interventions by Mary Ann
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interdependence of living organisms
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The titles Stolle uses in the Monsa
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Kirsten Stolle (b. 1967, U.S.) is a
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Camouflage by S uzanne Treister In
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Having worked on video games since
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The watercolours on the surface, po
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Giulia Bini (b. 1984, Italy) is a c
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Information of Note, 2014. Josh Beg
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The Eye Of The Law by Nijah Cunning
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of composition in his works; how, i
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The eye of the law does not see a t
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Nijah Cunningham (b.1985, U.S.) spe
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The Other Nefertiti, 2015. Nora Al-
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Conflicting Evidence by Susanne Lee
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115 For Bénédicte Savoy, who rece
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objects at the time were purchased
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Since 2009 Nora Al-Badri and Jan Ni
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Page 129 and 130: S eamless Transitions by James Brid
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Page 135 and 136: Notes: 1. See for example his discu
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Page 141 and 142: Ingrid Burrington started to look a
Page 143 and 144: invasion of the territory by Nicara
Page 145 and 146: Notes: 1. Hilary McGann for CNNmone
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Page 149 and 150: Strange Bedfellows, 2016 Navine G.
Page 151 and 152: An Unfolding Interface by Natasha H
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Page 159 and 160: A People’s Archive of Sinking and
Page 161 and 162: For Timothy Morton environmentalist
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Page 167 and 168: Amy Balkin (b. 1967, U.S.) is an Am
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Page 171 and 172: M y Father’s FBI File by Sadie Ba
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Page 175 and 176: country. This evidence exists in th
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