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This Is London - 31 January 2020

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Acosta Danza Temporada Verano.

Photo: Santiel Rodriguez.

ACOSTA DANZA MAKE THEIR

LINBURY THEATRE DEBUT

Former Principal dancer of The Royal

Ballet Carlos Acosta is bringing his

acclaimed Cuban company Acosta

Danza to the Royal Opera House from

13 to 24 February. Making their debut in

the Linbury Theatre, The Royal Ballet’s

international stage for dance, the

company present a varied bill of five

contemporary works created by

internationally acclaimed

choreographers.

Rafael Bonachela is to present

Soledad, an evocative pas de deux set to

music by Chavela Vargas and Gideon

Kremer which receives its UK premiere

during this run. Maria Rovira’s Impronta,

a work created specifically for Acosta

Danza is also performed for the first time

in the UK alongside Marianela Boán’s El

cruce sobre el Niágara [The Crossing

Over Niagra], based on Alonso Alegría’s

play about 19th-century tightrope walker

Charles Blondin, who famously crossed

Niagra Falls bearing his friend on his

shoulders.

Russell Maliphant’s acclaimed solo

Two also features and is performed by

Carlos Acosta, and the bill is completed

with the world premiere of Mundo

Interpretado (Interpreted World), a new

work by Juliano Nunes, returning to the

Royal Opera House following his 2019

debut with Two Sides Of..., presented as

part of New Work New Music.

TANZTHEATER WUPPERTAL PINA

BAUSCH UK PREMIERE

Staged for the first time in over 29

years and receiving its UK premiere at

Sadler’s Wells is Pina Bausch’s early

monumental masterpiece Bluebeard.

Following eight performances at Opera

House Wuppertal, the acclaimed

production arrives at Sadler’s Wells from

Wednesday 12 to Saturday 15 February.

The work first premiered in 1977 and

was presented in 12 cities until the mid

90’s, including Cologne, Los Angeles,

Venice, Paris and Tokyo.

Bausch uses Bartók's Opera as a

world of direct images, focussing on the

hopeless lack of understanding between

man and woman. A brave experiment

combining elements from different

genres, it is a disturbing and, at the

same time, a moving balancing act

across various forms of love, tenderness

and violence.

43 years after its world premiere, the

new restaging is led by rehearsal

directors Helena Pikon and Barbara

Kaufmann as well as original cast

members Jan Minarik and Beatrice

Libonati. Pina Bausch wrote dance

history. She not only founded the worldfamous

company in Wuppertal, she

shaped a whole genre – dance theatre –

and influenced countless other artists,

choreographers and directors worldwide

who credit her and her work.

Ticket Office: 020 7863 8000.

HOLY WEEK FESTIVAL 2020 AT

ST JOHN’S SMITH SQUARE

Returning for a fourth successive

year, St John’s Smith Square and

Tenebrae are to present the Holy Week

Festival 2020 running from 5-12 April.

Curated in partnership with Tenebrae

and Nigel Short, St John’s Smith Square

will host workshops, ticketed concerts

and free late-night liturgical events

exploring a vast range of sacred music

in celebration of Holy Week. New for

2020 is a focus on mental health and

wellbeing, including a pre-concert panel

discussion on music and lamentation

(8 April), and a guided meditation to

open the Festival ahead of a reflective

concert from Siglo de Oro (5 April).

In creating the Holy Week Festival,

Nigel Short wanted to curate a festival

that celebrates the choral music of Lent

under one roof, where people can really

immerse themselves and reflect on

music and the Easter story.

Pina Bausch: Bluebeard. Photo: Maarten Vanden Abeele. Nigel Short. Photo: Sim Cannetty-Clarke.

T H I S I S L O N D O N M A G A Z I N E • T H I S I S L O N D O N O N L I N E

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