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FEBRUARY 2020
INCONCERT
YOUR NASHVILLE SYMPHONY • LIVE AT THE SCHERMERHORN
Beethoven’s
Birthday Bash
February 20 to 23
StarWars In Concert:
Return of the Jedi
February 6 to 9
Boudleaux & Felice
Bryant Centennial
Celebration
February 13
Dee Dee Bridgewater
& Bill Charlap
February 28
Winter Getaway
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Announcing
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From Darkness to Sight
From Darkness to Sight chronicles the remarkable life journey of Dr. Ming Wang,
Harvard & MIT (MD, magna cum laude); PhD (laser physics), a world-renowned
laser eye surgeon, philanthropist, and Kiwanis Nashvillian of the Year.
As a teenager, Ming fought valiantly to escape
one of history's darkest eras - China's
Cultural Revolution - during which millions of
innocent youth were deported to remote areas to
face a life sentence of poverty and hard labor. He
eventually made his way to the U.S. with $50 in
his pocket, where against all odds, he earned a
PhD in laser physics and graduated with the
highest honors from Harvard Medical School
and MIT.
Dr. Wang has performed over 55,000 eye
procedures including on over 4,000 physicians.
He has published 9 textbooks, holds several U.S.
patents, and performed the world's first laser
artificial cornea implantation. Drs. Ming
Wang and Joshua Frenkel are currently the
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Implantable Contact Lens (21+), 3D Forever
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(60+). Dr. Wang established a non-profit charity,
which to date has helped patients from over 40
states in the U.S. and 55 countries, with all sight
restoration surgeries performed free-of-charge.
IOR>: O,; c\ SENATOR WILLIAM FRIS- MD
A JOURNEY FROM HARDSHIP TO HEALING
MING WANG
Hmard MIT (M 1:
PhD {laser ::ih·;':1
Major motion picture coming soon
Ming and his younger brother Ming-yu
JO 'Wa Minqxu
'With best wishes,
(?
With President Ronald Reagan at The White House
Harvard & MIT (MD); PhD (laser physics)
Your Nashville Symphony
Live at the Schermerhorn
APPALACHIAN
SPRING
March 6 & 7
March 8*
CELTIC
JOURNEY
March 12 to 14
THE
GOLD RUSH
An American Musical Adventure
with the Nashville Symphony
March 14 at 11 am
BEETHOVEN’S
PASTORAL SYMPHONY
March 15*
March 19 to 21
diSCO
FEVER
March 22*
March 26 to 28
*Presented without the Nashville Symphony.
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POPS SERIES PARTNER
FAMILY SERIES
FEBRUARY 2020
INCONCERT
A PUBLICATION OF THE NASHVILLE SYMPHONY
6
Orchestra Roster
7
Conductors
19
CLASSICAL SERIES
Romantic Rhapsodies
January 30 to February 1
26
MOVIE SERIES
StarWars In Concert:
Return of the Jedi
with the Nashville Symphony
February 6 to 9
27
SPECIAL EVENT
Boudleaux & Felice Bryant
Centennial Celebration
February 13
31
SPECIAL EVENT
Valentine’s with
Patti LaBelle
and the Nashville Symphony
February 14
32
CLASSICAL SERIES
Beethoven’s Birthday
Bash
February 20 to 23
40
BLAKEFORD JAZZ SERIES
Dee Dee Bridgewater
& Bill Charlap
February 28
42
Board of
Directors Roster
42
Annual Fund:
Individuals
58
Annual Fund:
Corporations
60
Capital Funds Donors
62
Legacy Society
63
Staff Roster
The Nashville Symphony
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through excellence in
musical performance.
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INCONCERT
5
2019/20 NASHVILLE
SYMPHONY ORCHESTRA
GIANCARLO GUERRERO
Music Director
Martha & Bronson Ingram Music Director Chair
NATHAN ASPINALL
Assistant Conductor
ENRICO LOPEZ-YAÑEZ
Principal Pops Conductor
TUCKER BIDDLECOMBE
Chorus Director
FIRST VIOLINS*
Jun Iwasaki, Concertmaster
Walter Buchanan Sharp Chair
Erin Hall,
Acting Associate Concertmaster
Gerald Greer,
Acting Assistant Concertmaster
Mary Kathryn
Van Osdale,
Concertmaster Emerita
Denise Baker
Kristi Seehafer
John Maple
Alison Hoffman
Paul Tobias
Beverly Drukker
Anna Lisa Hoepfinger
Kirsten Mitchell
Isabel Bartles
Alicia Enstrom+
SECOND VIOLINS*
Carolyn Wann Bailey,
Principal
Jung-Min Shin
Acting Assistant Principal
Jessica Blackwell
Annaliese Kowert+
Jimin Lim
Zoya Leybin+
Benjamin Lloyd
Louise Morrison
Laura Ross
Esther Sanders+
Johna Smith
VIOLAS*
Daniel Reinker, Principal
Shu-Zheng Yang,
Assistant Principal
Judith Ablon
Hari Bernstein ◊
Emilio Carlo+
Bruce Christensen
Michelle Lackey Collins
Christopher Farrell
Tony Parce
Melinda Whitley
Clare Yang
CELLOS*
Kevin Bate, Principal
James Victor Miller Chair
Xiao-Fan Zhang,
Acting Assistant Principal
Anthony LaMarchina,
Principal Cello Emeritus
Bradley Mansell
Lynn Marie Peithman
Stephen Drake
Christopher Stenstrom
Keith Nicholas
Andrew Dunn+
BASSES*
Joel Reist, Principal
Glen Wanner,
Assistant Principal
Matthew Abramo
Kevin Jablonski
Katherine Munagian
Tim Pearson+
FLUTES
Érik Gratton, Principal
Anne Potter Wilson Chair
Leslie Fagan,
Assistant Principal
Gloria Yun
Norma Grobman Rogers Chair
PICCOLO
Gloria Yun
Norma Grobman Rogers Chair
OBOES
Titus Underwood, Principal
Ellen Menking,
Assistant Principal
Roger Wiesmeyer
ENGLISH HORN
Roger Wiesmeyer
CLARINETS
James Zimmermann,
Principal
Katherine Kohler,
Assistant Principal
Daniel Lochrie
E-FLAT CLARINET
Katherine Kohler
BASS CLARINET
Daniel Lochrie
BASSOONS
Julia Harguindey, Principal
Dawn Hartley,
Assistant Principal
Gil Perel
CONTRA BASSOON
Gil Perel
HORNS
Leslie Norton, Principal
Beth Beeson
Patrick Walle,
Associate Principal/3rd Horn
Hunter Sholar
Radu V. Rusu,
Assistant Principal/Utility Horn
TRUMPETS
Jeffrey Bailey, Principal
Patrick Kunkee, Co-Principal
Alexander Blazek
TROMBONES
Paul Jenkins, Principal ◊
Derek Hawkes,
Assistant Principal
BASS TROMBONE
Steven Brown
TUBA
Gilbert Long, Principal
TIMPANI
Joshua Hickman, Principal
PERCUSSION
Sam Bacco, Principal ◊
Richard Graber,
Acting Principal
HARP
Licia Jaskunas, Principal
KEYBOARD
Robert Marler, Principal
LIBRARIANS
Luke Bryson, Librarian
David Jackson,
Library Assistant
ORCHESTRA
PERSONNEL
MANAGER
John Wesolowski
ASSISTANT
ORCHESTRA
PERSONNEL
MANAGER
Joseph Demko
STAGE MANAGER
W. Paul Holt
* Seating Section Revolves + Replacement ◊ Leave of Absence
6 FEBRUARY 2020
CONDUCTORS
MUSIC DIRECTOR
GIANCARLO
GUERRERO
Martha & Bronson Ingram Music Director Chair
Giancarlo Guerrero is a six-time GRAMMY®
Award-winning conductor now in his 11th
season as Music Director of the Nashville
Symphony. Guerrero is also Music Director of the
Wrocław Philharmonic at the National Forum of
Music in Poland and Principal Guest Conductor of
the Gulbenkian Orchestra in Lisbon, Portugal. He
has been praised for his “charismatic conducting
and attention to detail” (Seattle Times) in “viscerally
powerful performances” (Boston Globe) that are
“at once vigorous, passionate and nuanced”
(BachTrack).
Through commissions, recordings and world
premieres, Guerrero and the Nashville Symphony
have championed the works of American composers
who are defining today’s musical landscape,
making Nashville a destination for contemporary
orchestral music. Guerrero has presented 11 world
premieres with the Nashville Symphony, including
the GRAMMY®-winning performance of Michael
Daugherty’s Tales of Hemingway and Terry Riley’s
The Palmian Chord Ryddle.
Guerrero’s rich discography with the Nashville
Symphony numbers 17 recordings, including
the 2019 Naxos release of Jonathan Leshnoff’s
Symphony No. 4 “Heichalos.” The work was
commissioned by the Nashville Symphony for the
Violins of Hope, a collection of restored instruments
that survived the Holocaust. This recording marks
the first time the instruments have been heard
on a commercially available album. Other albums
have been dedicated to the music of composers
as diverse as Jennifer Higdon, Richard Danielpour,
Joan Tower and Béla Fleck.
During the 2019/20 season, Naxos will release
recordings of Aaron Jay Kernis’ Symphony No. 4
and Christopher Rouse’s Concerto for Orchestra,
both recorded with the Nashville Symphony. As
part of his commitment to fostering contemporary
music, Guerrero, together with composer Aaron Jay
Kernis, guided the creation of Nashville Symphony’s
biennial Composer Lab & Workshop for young and
emerging composers.
Guerrero’s 2019/20 season will include return
engagements with the Boston Symphony,
Orquestra Sinfônica do Estado de São Paulo,
Deutsches Symphonie-Orchester Berlin, Bamberg
Symphony, Frankfurt Opera and Museums
Orchestra, and the New Zealand Symphony. In
January 2020, Guerrero will conduct the Wrocław
Philharmonic on a 12-city North American tour.
Guerrero has appeared with prominent
North American orchestras, including those of
Baltimore, Cincinnati, Chicago, Cleveland, Dallas,
Detroit, Houston, Indianapolis, Los Angeles,
Milwaukee, Montréal, Philadelphia, Seattle,
Toronto and Vancouver, as well as the National
Symphony Orchestra. He has developed a strong
international guest-conducting profile and has
worked in recent seasons with the Frankfurt Radio
Symphony, Brussels Philharmonic, Deutsches
Radio Philharmonie, Orchestre Philharmonique
de Radio France, Netherlands Philharmonic,
Residentie Orkest, NDR in Hannover, Orquesta
Sinfónica de Galicia and the London Philharmonic
Orchestra, as well as the Queensland Symphony
and Sydney Symphony in Australia. Guerrero
was honored as the keynote speaker at the 2019
League of American Orchestras conference,
where his address on transforming “inspiration
and innovation into meaningful action” was met
with a unified standing ovation.
Guerrero made his debut with Houston Grand
Opera in 2015 conducting Puccini's Madama
INCONCERT
7
CONDUCTORS
Butterfly. Early in his career, he worked regularly
with the Costa Rican Lyric Opera and has conducted
new productions of Carmen, La bohème and
Rigoletto. In 2008 he gave the Australian premiere
of Osvaldo Golijov's one-act opera Ainadamar at
the Adelaide Festival.
Guerrero previously held posts as the Principal
Guest Conductor of The Cleveland Orchestra
Miami (2011-2016), Music Director of the Eugene
Symphony (2002-2009), and Associate Conductor
of the Minnesota Orchestra (1999-2004).
Born in Nicaragua, Guerrero immigrated during
his childhood to Costa Rica, where he joined
the local youth symphony. As a promising young
student, he came to the United States to study
percussion and conducting at Baylor University in
Texas; he earned his master’s degree in conducting
at Northwestern, where he studied with Victor
Yampolsky. Given his beginnings in civic youth
orchestras, Guerrero is particularly engaged with
conducting training orchestras and has worked
with the Curtis School of Music, Colburn School
in Los Angeles, and Yale Philharmonia, as well
as with the Nashville Symphony’s Accelerando
program. In recent years, he has also developed
a relationship with the National Youth Orchestra
(NYO2) in New York, created and operated by the
Weill Institute of Music at Carnegie Hall.
ENRICO
LOPEZ-YAÑEZ
Principal Pops Conductor
Enrico Lopez-Yañez is the Principal Pops
Conductor of the Nashville Symphony.
Appointed in 2019, he leads the Symphony’s
Pops Series and Family Series. Since working
with the Nashville Symphony, Lopez-Yañez has
conducted concerts with a broad spectrum
of artists, including Toby Keith, Richard Marx,
Jennifer Nettles, Renée Elise Goldsberry, Megan
Hilty, Hanson, Kenny Loggins and more.
During the 2019/20 season, Lopez-Yañez will
make appearances with the San Diego Symphony,
Indianapolis Symphony and Edmonton Symphony,
and return performances with the Detroit
Symphony, Rochester Philharmonic and Sarasota
Orchestra. He has appeared with orchestras
throughout the United States, including the Utah
Symphony, Omaha Symphony and Oklahoma City
Philharmonic.
As artistic director and co-founder of Symphonica
Productions, LLC, Lopez-Yañez curates and leads
programs designed to cultivate new audiences. An
enthusiastic proponent of innovating the concert
experience, he has created exciting education,
classical and pops concerts for orchestras across
the United States.
Sharing an equal love for opera, Lopez-Yañez
served as Assistant Conductor and Chorus Master
for the Berkshire Opera Festival, where his work
was met with rave reviews. He has led opera
gala concerts in San Diego and Aguascalientes
(Mexico), as well as a production of Madama
Butterfly with Main Street Opera in Chicago.
Lopez-Yañez is an active producer, composer
and arranger whose work can be heard on
numerous albums, including the UNESCO benefit
Action Moves People United and the children’s
music collection The Spaceship That Fell in My
Backyard, winner of the John Lennon Songwriting
Contest, Global Music Awards, Hollywood Music
and Media Awards, and more.
Lopez-Yañez previously held the position of
Assistant Conductor with the Nashville Symphony
and Omaha Symphony. He holds a Master’s in
Music from the University of Maryland and received
a Master’s in Music and his Baccalaureate from
UCLA, where he graduated summa cum laude.
For more information, visit
www.enricolopezyanez.com.
8 FEBRUARY 2020
Conductors continue on page 17
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MUSIC • THEATRE • DANCE
NATHAN ASPINALL
Assistant Conductor
Nathan Aspinall
begins his role as
Assistant Conductor
of the Nashville Symphony with the 2019/20
season. Previously, he was Assistant Conductor
of Jacksonville Symphony. On a tour of South
Florida with pianist Bezhod Abduraimov, he
led performances of Shostakovich’s Symphony
No. 5 and Rachmaninoff’s Piano Concerto No. 3.
Kevin Wilt of the Palm Beach Daily News said
of the performance, “In recent years the Kravis
Center has heard performances by the Chicago
Symphony, the Royal Philharmonic, The Philadelphia
Orchestra and more. This one was just as polished
as any of those.”
During the 2018/19 season, Aspinall led
Jacksonville Symphony in two masterworks
subscription programs and a tour with organist
Cameron Carpenter. He was selected as one of
two conducting fellows at the Tanglewood Music
CONDUCTORS
Festival during the summer of 2019.
Formerly, Aspinall held the position of Young
Conductor with the Queensland Symphony
Orchestra in Australia, where he assisted Chief
Conductor Johannes Fritzsch and visiting guest
conductors, and where he conducted concerts
for the orchestra’s education series. He studied
French horn and conducting at the University of
Queensland and upon graduation was awarded
the Hugh Brandon Prize. In 2012, he attended
the Aspen Music Festival, where he was awarded
the Robert J. Harth Conducting Prize.
Aspinall has guest-conducted several symphony
orchestras, as well as the Queensland Conservatorium
Chamber Orchestra. Festival appearances and
masterclasses have included the Cabrillo Festival
of Contemporary Music, Oregon Bach Festival
and the Tanglewood Music Center Conducting
Seminar. He studied Orchestral Conducting at
New England Conservatory in Boston.
Now entering his
fourth season as
director of the Nashville
Symphony Chorus,
Dr. Tucker Biddlecombe has raised the bar of
excellence for Nashville’s premier choral ensemble
through intense musical preparation, diverse
programming and community building. Under
his direction, the Chorus has expanded to 170
members and recently toured Prague, Czech
Republic, performing Orff’s Carmina Burana. He
also serves as Associate Professor and Director
of Choral Studies at Vanderbilt University’s Blair
School of Music, where he directs the Vanderbilt
Chorale and Symphonic Choir and teaches courses
in choral conducting and music education.
Biddlecombe’s work with the Nashville
Symphony has included chorus preparation for
the world-premiere recording of John Harbison’s
Requiem (Naxos) and concert performances of
choral orchestral masterworks by Stravinsky, Ravel,
Haydn, Verdi, Handel and Mahler. He conducts
the orchestra and chorus in performance during
the annual Voices of Spring concert. In 2018
the Vanderbilt Chorale released its first solo
TUCKER BIDDLECOMBE
Chorus Director
album, Music in the Listening Place (Navona),
with Gramophone UK noting that the Chorale
“launch into each track with the earnest passion
that only university music students can innocently
and genuinely provide.” Biddlecombe made his
Carnegie Hall debut in 2019 conducting Morten
Lauridsen’s Lux Aeterna.
A passionate advocate of music education and
a veteran teacher, Biddlecombe is active in school
music programs, working with teachers as a side-by
side coach with Metro Nashville Public Schools. In
2019 he completed a residency with the Central
Conservatory in Beijing, China, where he was
honored to work with student and professional
choral educators. He is in demand as a conductor
and clinician, having served as a clinician to choirs
in 25 states.
A native of Buffalo, New York, Biddlecombe is
a graduate of SUNY Potsdam and Florida State
University, where he completed doctoral studies
in choral conducting and music education with
André Thomas. He resides in Nashville with his
wife Mary Biddlecombe, Artistic Director of the
Blair Children’s Chorus.
INCONCERT
17
CLASSICAL SERIES
ROMANTIC
RHAPSODIES
THURSDAY, JANUARY 30, AT 7 PM
FRIDAY & SATURDAY, JANUARY 31 & FEBRUARY 1, AT 8 PM
NASHVILLE SYMPHONY
LAWRENCE FOSTER, conductor
JUN IWASAKI, violin
CLASSICAL SERIES
RADIO PARTNER
JOHANNES BRAHMS
Symphony No. 3 in F major, Op. 90 - 33 minutes
Allegro con brio
Andante
Poco allegretto
Allegro
CLASSICAL SERIES
MEDIA PARTNER
– INTERMISSION –
BÉLA BARTÓK
Rhapsody No. 1 for Violin and
Orchestra- 10 minutes
Lassú
Friss
JUN IWASAKI, VIOLIN
This concert will last one hour and 55 minutes,
including a 20-minute intermission.
This concert is being recorded for future
broadcast. To ensure the highest-quality
recording, please keep noise to a minimum.
GEORGE ENESCU
Romanian Rhapsody in D major,
Op. 11, No. 2- 11 minutes
BÉLA BARTÓK
Rhapsody No. 2 for Violin and
Orchestra- 11 minutes
Lassú
Friss
JUN IWASAKI, VIOLIN
GEORGE ENESCU
Romanian Rhapsody in A major,
Op. 11, No. 1- 11 minutes
INCONCERT
19
CLASSICAL
PROGRAM SUMMARY
Beethoven’s dominating position in the music of the 19th century was both an inspiration
and a serious problem for composers like Johannes Brahms. Through great effort, Brahms
eventually found his own voice as a symphonist. His Third Symphony is a work of special
genius that shows the extraordinarily original and individual approach he developed.
You might also see the Beethoven’s-looming position in orchestral music as a metaphor for
the domination of a Austro-Germanic repertoire in American concert programming. Against
this gravitational pull, composers like Belá Bartók and George Enescu mined the authentic
folk musics of Eastern Europe for the material they transformed into glorious virtuoso
vehicles in the pairs of rhapsodies that comprise the rest of this program.
JOHANNES BRAHMS
Symphony No. 3 in F major, Op. 90
Born on May 7, 1833, in
Hamburg, Germany;
Died on April 3, 1897,
in Vienna
First performance:
December 2, 1883, with Hans
Richter leading the Vienna
Philharmonic in its premiere on
in Vienna
Composed:
1882-1883
Estimated
length:
33 minutes
First Nashville Symphony
performance:
January 15, 1957, with music
director Guy Taylor
Johannes Brahms took years to overcome
the paralyzing effect of Beethoven’s
symphonic achievement — what was left to
be done in the genre after that? — patiently
working toward the breakthrough of his First
Symphony, which he unveiled in 1876. Its
success emboldened the now middle-aged
composer with confidence, and he went on to
produce his Second Symphony with remarkable
speed. After another pause of several years,
Brahms returned to the genre with his Third
Symphony in F major. Despite attempts by the
composer’s enemies to disrupt the premiere,
the work earned an enthusiastic reception.
Yet as the official Brahms canon eventually
took shape, the Third came to be regarded as
one of the most elusive of his compositions, rich
in subtleties and paradoxes — the connoisseur’s
Brahms. The critic Eduard Hanslick, an
important advocate of the composer in these
years, observed: “Many music lovers will prefer
the titanic force of the First Symphony; others,
the untroubled charm of the Second. But the
Third strikes me as being artistically the most
nearly perfect.”
Undue emphasis on the “Beethoven
problem” by Brahms’ contemporaries tended
to obscure how truly original his approach to
the symphony was. This had happened with
the First (which echoed both Beethoven’s
“Ode to Joy” and the fate-filled power of his
Fifth Symphony), while the relaxed lyricism of
Brahms’ Second Symphony evoked comparisons
with Beethoven’s Sixth, the “Pastoral.” Similarly,
Brahms’ Third Symphony — even according
to its original conductor — was said to share
a “heroic” quality with Beethoven’s own Third
Symphony, the Eroica.
20
FEBRUARY 2020
CLASSICAL
Yet for all its moments of surging, dynamic
passion, Brahms’ Third is remarkably antiheroic.
Its sound world is saturated with
deliciously unexpected moments of inwardlooking
intimacy. More fundamentally, the
Third subverts the ultimate “heroic” paradigm
of an aggressively victorious conclusion. That
each of the preceding movements ends quietly
only emphasizes the novelty of its ethereal
closure, which predates the famously subdued
endings of Tchaikovsky’s “Pathétique” and
Mahler’s Fourth and Ninth Symphonies.
WHAT TO LISTEN FOR
The opening ranks among the most
striking in the literature, with three
sustained chords that lead right into the first
theme proper, launching what sounds like
an epic journey in fully “heroic” mode. As
it happens, the Third is the briefest, most
compact of Brahms’ four symphonies. Instead
of taking a far-ranging journey, it will come
full circle to end with a variant on this gesture.
As for those first three ascending chords, they
outline a basic musical figure that is part of
the score’s DNA.
A famous bit of lore holds that Brahms
had devised a personal code for his status
as a bachelor: F-A-F, cor-responding to the
initials of the phrase “frei aber froh” (“free/
unattached but happy”), which represents the
Third’s three-note motto. Brahms scholars
have debunked the validity of this particular
association, but, in purely musical terms,
the F-A-F motif does serve as a significant
unifying element.
The sweeping first theme is connected to
another personal element: Brahms’ memories
of his former mentor Schumann. Here, the
reference is to the grand opening theme of the
latter’s “Rhenish” Symphony, weaving a kind
of homage into the Third. But the music is
unmistakably Brahmsian, and his style shapes
every parameter.
The same holds for the fertile lyricism of the
Third, which is among the most exquisitely
tuneful of Brahms’ works: savor, for example,
the exquisite grace of the second theme, which
is initially sung by clarinet and bassoon. This
undergoes some surprising transformations —
even borrowing the more passionate character
of the first theme — before the movement
winds down to a subdued close.
The two middle movements, which feature
some of Brahms’ subtlest orchestral touches,
reinforce the wistful, autumnal character often
associated with the Third. The Andante brings
the earlier clarinet-bassoon combination to the
fore. Together, these instruments present the
chorale-like main theme, as well as the second
one, which “disappears” but returns later in
the final movement. Instead of a scherzo,
Brahms offers a poignant intermezzo (in C
minor to the Andante’s C major). Its chief
melody imitates the rhythm of breathing, as
if alternately inhaling and exhaling its sighs.
New rhythmic figures flicker through the
intervening middle section.
The final movement begins in F minor, with
a mysteriously meandering theme given by
the strings in unison. Its suppressed quality
contrasts with the violent outbursts that
follow, but Brahms continually implies new
connections and links between the various
musical ideas.
Eventually, the second theme from the
Andante reappears, preparing the way for the
return to the beginning in the highly original
coda. In fact, it’s possible to think of the Third
as a single “super-movement” made of four
large sections. Brahms swerves back to F
major and prepares for the recall of the final
measures. With a sense of inevitability that
doesn’t resort to the ham-fisted rhetoric of a
Big Statement, the symphony’s opening theme
lands into place and gently spirals downward
through the strings.
The Symphony No. 3 is scored for 2 flutes, 2 oboes,
2 clarinets, 2 bassoons, contrabassoon, 4 horns,
2 trumpets, 3 trombones, timpani and strings.
INCONCERT
21
CLASSICAL
Born on March 25, 1881,
in Nagyszentmiklós in the
Habsburg Empire (now
Sînnicolau Mare, Romania)
Died on September 26, 1945,
in New York City
BÉLA BARTÓK
Rhapsodies No. 1 and 2
First performance:
Rhapsody No. 1: November 1, 1929, in
Königsberg, with Josef Szigeti as the soloist
and Hermann Scherchen conducting;
Rhapsody No. 2: November 26, 1929, in
Budapest, with Zoltán Székely as the soloist
and Ernő Dohnányi conducting
Composed:
1928-29 (No. 2
revised 1944-45)
Estimated
length:
21 minutes
(combined)
Béla Bartók’s two Rhapsodies for violin,
which date from the late 1920s, exemplify
the evolution of the Hungarian composer’s
thinking about the use of folk material and
its capacity for renewing modern musical
language — rather than serving as a nostalgic
nod to the past. Toward the end of a decade
in which he had composed some of the most
radically challenging scores of his career,
Bartók seems to have recognized the audience’s
need for more readily accessible material.
The Rhapsodies were conceived as versatile
vehicles for performance as well: Bartók
initially composed these pieces for violin
and piano, but then prepared versions for solo
violin and orchestra and even for string trio;
he additionally published a cello and piano
version of the Rhapsody No. 1.
The Rhapsodies are not mere transcriptions
of appealing folk tunes, neatly packaged for the
concert hall. Bartók focused great attention
on how to distill the flavor and spirit of his
authentic sources. He also made them vehicles
for virtuoso performance, evoking folk styles
of fiddle playing, as well as the artistry he
would further explore in his Second Violin
Concerto, from 1938.
By casting these pieces as “rhapsodies,”
Bartók moreover reclaimed a genre type that
had been popularized by his fellow Hungarian
Franz Liszt in the Hungarian Rhapsodies. Th e
First Nashville Symphony
performance:
These are the orchestra’s first
performances.
two-part structure associated with this type
of rhapsody — beginning with a slow section
that segues into a virtuosically whirling fast
one — derives from the so-called verbunkos,
a form of traditional dance music used in the
mid-19th century to lure recruits into the
Austro-Hungarian military.
Bartók brushes aside the Romantic tropes
with which this genre had become encrusted
— tropes that can even be found in his own
early works in the genre. He draws instead
on the fresh perspective he gained from his
extensive research into authentic folk music
sources from Eastern Europe and beyond.
WHAT TO LISTEN FOR
T
he standard verbunkos dance unfolds in
two parts, moving from a slow preliminary
section (lassú) to a fast-paced, wildly virtuosic
movement (friss). The authentic folk style,
which Bartók painstakingly replicates, also
refers to specific melodic and rhythmic
contours, such as the typically assertive dotted
rhythm of the first theme in the lassú that
opens the Rhapsody No. 1.
Bartók drew on his store of Romanian folk
material for five of the six melodies used in
this piece, while only one (in the middle part
of the lassú) is of Hungarian origin. The first
tune in the sequence comprising the friss
22
FEBRUARY 2020
CLASSICAL
section resembles (purely by accident) the
beginning of “Simple Gifts,” the Shaker melody
Aaron Copland later adapted for Appalachian
Spring. The Rhapsody No. 1 contains the
only instance in Bartók’s oeuvre that calls
(optionally) for a cimbalom, the hammered
dulcimer associated with Magyar and other
Central-Eastern European folk culture. The
Classical form of the rondo — in which the
main theme is contrasted with a series of
intervening episodes — is superimposed onto
the slow first movement of the Rhapsody
No. 2, followed by a rich offering of no fewer
than seven dance tunes in the fast movement.
In this evening’s performance, we hear the
alternate ending that Bartók provided for the
Rhapsody No 1.
In addition to solo violin, the Rhapsodies are
scored for 2 flutes (2nd doubling piccolo), 2 oboes,
2 clarinets (2nd doubling bass clarinet), 2 bassoons,
2 horns, 2 trumpets, trombone, tuba, percussion,
cimbalom (for Rhapsody No. 1) and strings.
GEORGE ENESCU
Romanian Rhapsodies No. 1 in A major and No. 2 in D major
Born on August 19, 1881, in Liveni
Vîrnav, Romania (a village since
renamed after the composer)
First performance:
March 8, 1903, in Bucharest, with the
composer conducting.
Died on May 4, 1955, in Paris
Composed:
1901
Estimated
length:
22 minutes
(combined)
First Nashville Symphony
performance:
Rhapsody No. 1 was first performed on
December 11, 1952, with music director
Guy Taylor; Rhapsody No. 2 was first
performed on December 2-3, 1968,
with music director Thor Johnson
There is an instructive irony in the fact
that this music, so closely identified
with a particular national origin, was in fact
composed in the cosmopolitan capital of
Paris, where George Enescu had come from his
native Romania to study at the Conservatoire.
A versatile performer, he was also a busy
conductor and pianist, but he became especially
associated with the violin and was the teacher
of such legendary figures as Yehudi Menuhin
and Arthur Grumiaux.
Born in 1881 into a large family in northern
Romania, where he was the only child
to survive infancy, Enescu was regularly
compared to Mozart and ranks among the
most extraordinary child prodigies in music
history. He gained admission to the Vienna
Conservatory at age 7 — by then he was both
playing violin and composing — and headed
to Paris in 1895 to continue his studies.
Enescu was only 16 when his Op. 1 suite
Poème Roumain was premiered in Paris. In
1901, at age 20, he wrote his pair of Romanian
Rhapsodies for orchestra, which were first heard
in reverse order (according to the composer’s
preference) in a concert in Bucharest in 1903.
These were published together as Op. 11. There
is a tantalizing reference in some documents to
a “Third Rhapsody in G minor,” also allegedly
part of this publication, but no evidence for
such a score exists.
The First Rhapsody in particular gained
great popularity — it’s easy to understand
why — causing Enescu later to complain that it
INCONCERT
23
CLASSICAL
eclipsed interest in his subsequent development
as a composer.
Enescu would spend much of his life shuttling
between his base in Paris (where he is buried)
and Romania. Yet for all his identification as
the proud musical voice of his native country,
he was a widely traveled cosmopolitan and
developed a deep interest in world music as
well.
WHAT TO LISTEN FOR
Enescu’s fresh approach makes the language
of both Romanian Rhapsodies especially
engaging. He drew from actual Romanian
folk tunes for his musical material, but he also
sought to imitate the effects of folk playing in
his instrumentation, which features numerous
notable solos. Each rhapsody contains
quotations from Romanian folk song and draws
on Eastern European scales and intervals that
sounded “exotic” to Parisian audiences. The
episodic nature of the music also conveys an
improvisatory air, though Enescu’s method of
composition was, in fact, carefully calculated.
The musicologist Maria Zlateva explains
that the more extroverted Rhapsody No. 1
is distinguished by its use of popular dance
idioms, which gradually increase in speed, to
present “colorful episodes portraying festive
scenes from rural life,” while No. 2 is more
focused on “the realm of song, only periodically
interrupted by dance rhythms.”
The composer Pascal Bentoiu observed that
“Ensescu succeeds in materializing the most
profound Romanian expression not because
he might have used certain melodic cells
derived with scientific certainty from folk
music, but because of his enormous capacity
for sentimental solidarity…for Einfühling
[empathy].”
In addition to solo violin, the Romanian Rhapsodies
are scored for 3 flutes (3rd doubling piccolo),
2 oboes (2nd doubling English horn), 2 clarinets,
2 bassoons, 4 horns, 2 trumpets, 2 cornets in
Rhapsody No. 1, 3 trombones, timpani, percussion,
2 harps and strings.
— Thomas May is the Nashville Symphony’s
program annotator.
ABOUT THE ARTISTS
LAWRENCE
FOSTER
conductor
Lawrence Foster
celebrates his
seventh year as music director of Opéra de
Marseille in the 2019/20 season, as well as his
first as artistic director and chief conductor of
the National Polish Radio Symphony Orchestra.
Known for his exhilarating and expressive
performances in a wide range of music, he
enjoys a major career spanning the U.S., Europe
and Asia. He is a champion of the music of
Enescu, and his interpretations are renowned
for their faithfulness to the score.
Foster begins his tenure with the National
Polish Radio Symphony at the prestigious
Enescu Festival, performing music by Adrian
Pop, Chopin and Lutosławski. During the
season he conducts the complete Schumann
symphonies, the piano concertos of Liszt,
Berlioz’s Roméo et Juliette, and a concert
performance of Ravel’s L’heure espagnole. He
takes part in Beethoven’s 250th anniversary
year with the Third and Ninth symphonies, and
he conducts repertoire ranging from Vivaldi,
Mozart and Mendelssohn to Tchaikovsky,
24
FEBRUARY 2020
CLASSICAL
Enescu and Bartók.
Foster’s opera season opens at Opéra de
Marseille with Die Zauberflöte. As a guest
conductor he returns to Oper Frankfurt
for Britten’s Peter Grimes and to Opéra de
Monte-Carlo for Kurt Weill’s Street Scene.
He has conducted in major opera houses
around the world, with highlights including
Troilus and Cressida at the Royal Opera House
Covent Garden, recorded for EMI; the first
performance of Berg’s Lulu at Houston Opera;
and Enescu’s Oedipe at the Deutsche Oper,
also recorded for EMI.
Following his successful 10-year tenure as
artistic director and chief conductor of the
Gulbenkian Orchestra, he now serves as its
conductor laureate. He has also held music
directorships with the Orquestra Simfònica
de Barcelona, Orchestre Philharmonique de
Monte Carlo, Houston Symphony, Orchestre
de Chambre de Lausanne, Orchestre et Opéra
National de Montpellier and the Aspen Festival
Music School.
Born in Los Angeles to Romanian parents,
Foster served as artistic director of the Georg
Enescu Festival from 1998 to 2001. In 2003
he was decorated by the Romanian president
for services to Romanian music.
JUN
IWASAKI
violin
Jun Iwasaki
was appointed
concertmaster of the Nashville Symphony
by music director Giancarlo Guerrero at the
beginning of the 2011/12 season. A graduate of
the Cleveland Institute of Music’s prestigious
Concertmaster Academy, he has been hailed
for his combination of dazzling technique and
lyrical musicianship. In a review of Iwasaki’s
performance at the Mimir Chamber Music
Festival, the Fort Worth Star Telegram called
him “the magician of the evening. He could
reach into his violin and pull out bouquets of
sound, then reach behind your ear and touch
your soul.”
Prior to joining the Nashville Symphony,
Iwasaki served as concertmaster of the Oregon
Symphony from 2007-11, and he performed
with that ensemble at the first annual Spring
For Music Festival in 2011. Throughout his
career, he has appeared with numerous other
orchestras, including the Tokyo Symphony
Orchestra, Columbia Symphony Orchestra,
Blossom Festival Orchestra, Rome (Georgia)
Philharmonic, New Bedford Symphony,
Canton Symphony, Richardson Symphony,
Cleveland Pops Orchestra, Plano Symphony
Orchestra and the Cleveland Institute of Music
Orchestra. In addition, he has served as guest
concertmaster of the São Paulo Symphony
Orchestra in 2015, Santa Barbara Symphony
in 2010 and National Arts Center Orchestra
in Ottawa in 2006. He served in the same
position with the Canton (Ohio) Symphony
Orchestra from 2005-07.
In addition to teaching at Vanderbilt
University’s Blair School of Music, Iwasaki
is the artistic director of Portland Summer
Ensembles in Portland, Oregon, a workshop for
young musicians focusing on chamber music.
INCONCERT
25
MOVIE SERIES
STAR WARS IN CONCERT:
RETURN OF THE JEDI
with the Nashville Symphony
THURSDAY TO SATURDAY, FEBRUARY 6 TO 8, AT 7 PM
SUNDAY, FEBRUARY 9, AT 2 PM
NASHVILLE SYMPHONY
NATHAN ASPINALL, conductor
JOHN WILLIAMS
STAR WARS RETURN OF THE JEDI
Feature Film with Orchestra
Starring:
Mark Hamill
Harrison Ford
Carrie Fisher
Billy Dee Williams
Anthony Daniels as C-3PO
Co-Starring:
David Prowse
Kenny Baker
Peter Mayhew
Frank Oz
Directed by Richard Marquand
Produced by Howard Kazanjian
Story by George Lucas
Screenplay by Lawrence Kasdan
and George Lucas
Executive Producer: George Lucas
Music by John Williams
STAR WARS FILM CONCERT SERIES
PRODUCTION CREDITS
President, Disney Music Group: Ken Bunt
SVP/GM, Disney Concerts: Chip McLean
Music Preparation: Mark Graham, Matthew Voogt,
Joann Kane Music Service
Business Affairs, Disney Concerts:
Darryl Franklin, Gina Lorscheider
Supervising Technical Director:
Alex Levy – Epilogue Media
Film Preparation: Ramiro Belgardt
Operations, Disney Concerts: Brannon Fells,
Royd Haston
Business Affairs, Lucasfilm: Rhonda Hjort, Chris Holm
Business Affairs, Warner-Chappell: Scott McDowell
Disney Music Library
This concert will last two hours and 30 minutes,
including a 20-minute intermission.
THANK YOU TO OUR
CONCERT PARTNER
MPAA PG Rating
Original Motion Picture Soundtrack
Disneymusicemporium.com
Presentation licensed by Disney Concerts in association
with 20th Century Fox, Lucasfilm Ltd., and Warner/
Chappell Music. All rights reserved.
26 FEBRUARY 2020
SPECIAL EVENT
BOUDLEAUX & FELICE BRYANT
CENTENNIAL CELEBRATION:
A Diamond Anniversary Love Story in Song
THURSDAY, FEBRUARY 13, AT 7:30 PM
NASHVILLE SYMPHONY
ENRICO LOPEZ-YAÑEZ, conductor
DEL & CAROLYN SMITH BRYANT, emcees
CHRIS SCRUGGS, steel guitar
JAMEY JOHNSON, vocals
STEVE TYRELL, vocals
THE WAR AND TREATY
MEMBERS OF THE UT-KNOXVILLE PRIDE
OF THE SOUTHLAND MARCHING BAND
Proceeds will benefit The Heads Up Penny
Foundation and the Nashville Symphony's
education programs
BOUDLEAUX'S BIRTHDAY
BASH UNDERWRITER
Selections to be announced from the stage.
This concert will last approximately two hours,
including a 20-minute intermission.
ABOUT THE ARTISTS
BOUDLEAUX AND FELICE BRYANT
Husband and wife,
and legendary
lyrical partners, Boudleaux
and Felice Bryant, the first
professional songwriters
of Nashville, have sold over half a billion
records and shaped the soundtrack of millions
of lives with hits including “Bye Bye Love,”
“Wake Up Little Susie,” “All I Have to Do Is
Dream,” “Love Hurts,” “Rocky Top,” “Country
Boy” and many more.
The Bryants wrote more than 6,000 songs,
more than 900 of which were recorded and
performed by artists working in many different
musical genres, including The Beach Boys,
Tony Bennett, The Osborne Brothers, Ray
Charles, Kenny Chesney, Jimmy Dickens,
Bob Dylan, the Everly Brothers, the Grateful
Dead, Joan Jett, Gram Parsons, Phish, Eddie
Vedder, Simon & Garfunkel and countless
others. They were elected to the Nashville
Songwriters Hall of Fame in 1972, the National
Academy of Popular Music’s Songwriters Hall
of Fame in 1986 and the Country Music Hall
of Fame in 1991.
In 2019, the Americana Music Association
awarded the Bryants a lifetime achievement
award, and the Country Music Hall of Fame
debuted a personal exhibit of writing journals
and other career artifacts, which will be on
display through August 2, 2020. In November,
BMI recognized “Rocky Top” with the inaugural
Evergreen Award, which highlights one-ofa-kind
songs that have left an unforgettable
imprint on our lives and an enduring legacy
through the years.
INCONCERT
27
SPECIAL EVENT
JAMEY
JOHNSON
vocals
Eleven-time
GRAMMY®nominated
singer-songwriter Jamey Johnson
is “one of the greatest country singers of our
time,” according to The Washington Post. He
is one of only a few people in the history of
country music to win two Song of the Year
Awards from both the CMA and ACM.
Johnson’s 2008 album That Lonesome Song
was certified Platinum, and his ambitious 2010
double album, The Guitar Song, received a
Gold certification. He has received tremendous
praise from The New York Times, Rolling Stone,
The Wall Street Journal and other publications.
In 2012, the Alabama native released the
GRAMMY®-nominated Living for a Song: A
Tribute to Hank Cochran, which paired him
with Willie Nelson, Alison Krauss, Emmylou
Harris, Ray Price, Elvis Costello, George Strait,
Vince Gill and Merle Haggard. In 2013, the
Nashville Scene’s 13th annual Country Music
Critics’ Poll named it the year’s best album.
In 2011, the same poll named Johnson’s The
Guitar Song as the year’s best album, and
Johnson as best male vocalist, best songwriter
and artist of the year.
STEVE
TYRELL
vocals
In his nearly five
decades in the music
business, Steve Tyrell has achieved success as a
singer, producer, musical supervisor and radio
host. His performances in Father of the Bride
and Father of the Bride II helped Tyrell reinvent
and repopularize classic pop standards for a
modern-day audience. All 10 of his albums of
American standards have achieved Top Five
status on Billboard’s Jazz charts, with his latest,
A Song for You, reaching No. 1.
Tyrell has had the pleasure of singing for
three out of the last four presidents, and for
heads of state including Israeli Prime Minister
Benjamin Netanyahu, President Juan Manuel
Santos of Colombia and Archbishop Desmond
Tutu, as well as at Buckingham Palace.
Tyrell’s work in the studio as a record
producer has included collaborations with such
diverse and legendary artists as Rod Stewart,
Diana Ross, Ray Charles and Linda Ronstadt.
THE WAR
AND TREATY
As The War and
Treaty, Michael
and Tanya Trotter have
been compared to Ike and Tina Turner, and
they recently earned the Americana Music
Association’s 2019 Emerging Act of the Year.
Funky bass lines, keys, lap steel, acoustic
strings and stripped-down percussion create
a swampy Southern soul bed for the couple’s
transcendent vocals.
Michael is a wounded warrior who found
his voice while serving in Iraq, when he was
pulled from the frontlines to write songs for
the fallen. Tanya is drawn to singing’s power
to take another’s pain away. This tour-de-force
duo swaggers with confidence only gained by
artists who are wholly, proudly, themselves.
28 FEBRUARY 2020
SPECIAL EVENT
CHRIS
SCRUGGS
native son of
A Nashville, Chris
Scruggs comes from
a long line of legendary country music
performers and is one of the world’s few
living masters of non-pedal steel guitar. He
was raised listening to the compositions of
the great Felice and Boudleaux Bryant, and
discovered the steel guitar artistry of Jerry
Byrd as a teenager.
“The lifelong influence I have felt, from
both the Bryant and Byrd legacies, makes this
once-in-a-lifetime opportunity to perform
Polynesian Suite live, and in its entirety, a
crowning career moment,” Scruggs says.
Scruggs has worked live and in the studio
with an eclectic range of performers, from rock
greats like Michael Nesmith, Roger McGuinn
and Chris Hillman, to country and Americana
icons like Charlie Louvin, Jim Lauderdale and
Ray Price. He is currently a member of Marty
Stuart’s Fabulous Superlatives.
PRIDE OF THE SOUTHLAND MARCHING BAND
The University of
Tennessee Marching
Band, known as the
“Pride of the Southland,”
has represented The University of Tennessee
and the State of Tennessee since its organization
following the Civil War. What began as a
small all-male band attached to the Military
Department on the Knoxville campus has
grown to a 350-member marching band
known worldwide for its outstanding musical
performance and precision marching.
The ensemble made its first appearance at
a UT football game in 1902, and underwent
considerable change in the 1940s, introducing
female musicians into the band and expanding
its halftime show performances. It was during
this era that a Knoxville sportswriter dubbed
the band the “Pride of the Southland.”
In 1972, band director Dr. W.J. Julian
introduced a new song to Neyland Stadium
crowds – “Rocky Top!” – which became
the school’s unofficial fight song, and also
established countless other traditions that
continue to this day.
THE MILK
CARTON KIDS
The Milk Carton
Kids began sticking
together in 2011, when
Los Angeles natives Joey Ryan and Kenneth
Pattengale decided to pull the plug on their
respective solo careers and join forces. That
spring, Prologue introduced the duo's blend
of harmony-driven folk and unplugged
Americana.
What followed was a multi-year blur of
milestones, from GRAMMY® nominations
to TV appearances to a near-infinite string of
tour dates. The Milk Carton Kids performed
their concerts the same way they recorded
their songs — huddled around the same
microphone, guitars in hand, capturing the
magic of the moment — and that raw intimacy
helped draw audiences' attention.
Their latest release, The Only Ones, finds
the duo revisiting their acoustic roots from
new angles and experimenting with longer
song structures. Featuring some of their best
work to date, the album shines its light on the
warm blend of Ryan and Pattengale's voices
and the interplay of their guitars, creating
both a revival of something familiar and an
embrace of something fresh.
INCONCERT
29
SPECIAL EVENT
THE
MCCRARY
SISTERS
he McCrary Sisters
T sing a unique style of
gospel. Influenced by classic soul, Americana,
blues and R&B, these sisters bring an
indescribable joy to singing. Dynamic, powerful
and thrilling are just a few words to describe
The McCrary Sisters’ live performances.
Steeped in tight soulful harmonies, the Sisters
will have the audience dancing in the aisles
celebrating life with words of hope and love.
Ann, Deborah, Regina and Alfreda are the
daughters of the late Rev. Samuel McCrary —
one of the original members of the legendary
gospel quartet The Fairfield Four. The daughters
were raised in harmony, singing at home and
at their father’s church, but word soon spread
of their individual accomplished voices and
each began sharing the family vocal legacy as
solo artists with a wide range of performers
including Bob Dylan, Elvis, Isaac Hayes and
Stevie Wonder.
In 2011, the Sisters officially formed
their own group and have since recorded or
performed with Delbert McClinton, Black
Keys, Martina McBride, Eric Church, Patty
Griffin, Buddy Miller, Jonny Lang, Robert
Randolph, The Winans, Donnie McClurkin,
Rosanne Cash, Carrie Underwood, Hank
Williams Jr., Dr. John, Widespread Panic,
Sheryl Crow, Maren Morris, Gregg Allman
and many more.
Live at the Schermerhorn
March 8 March 22
TICKETS: 615.687.6400 | NashvilleSymphony.org
30 FEBRUARY 2020
SPECIAL EVENT
Valentine’s with
PATTI LABELLE
and the Nashville Symphony
FRIDAY, FEBRUARY 14, AT 8 PM
NASHVILLE SYMPHONY
ENRICO LOPEZ-YAÑEZ, conductor
This performance made possible
by Mr. Michael Carter, Sr. &
Mrs. Pamela Carter.
Selections to be announced from the stage.
This concert will last approximately two hours,
including a 20-minute intermission.
PATTI LABELLE
JOHN STANLEY, piano/musical director
STANTON LEWIS, keyboards
DANNY NIXON, keyboards
ERIC SEATS, drums
ERIC DUBOSE, guitar
ALEX EVANS, bass
NORMAN JEFF BRADSHAW, trombone
MATTHEW CAPPY, trumpet
MICHAEL BURTON, saxophone
BRENDA ROY, background vocals
DEBBIE HENRY RAMSEY, background vocals
ANTHONY WILLIAMS, background vocals/percussion
ABOUT THE ARTIST
PATTI
LABELLE
Beautiful” simply
does not describe
the incomparable force known to the world
as Patti LaBelle. As time continues to evolve,
the soulful songbird’s name has become
synonymous with grace, style, elegance and
class. Belting out classic rhythm and blues,
pop standards and spiritual sonnets have
resulted in the versatility for which she is
known and revered.
It is a small wonder that LaBelle has time
for anything else in between recording and
touring. She has written six books including,
Don’t Block the Blessings and her most recent,
Desserts LaBelle. Several years ago, she
introduced Patti’s Good Life, a successful food
line that includes a variety of pies, cobblers
and cakes. She has also starred in a highly
rated cooking show, Patti LaBelle's Place, on
the Cooking Channel. In 2017, she released
her first jazz album, Bel Hommage, on her
own record label, GPE Records. And most
recently, she expanded the Patti’s Good Life
line to include frozen comfort foods
Her work as a humanitarian is just as
legendary. She remains an advocate for
adoption, diabetes, cancer, HIV/AIDS and
many other causes and nonprofit initiatives.
While she has reached the heights of success
throughout her 50-plus-year career, she has
also endured and survived personal strife.
Within a 10-year period, she lost her mother,
three sisters and best friend to diabetes and
cancer. In 1994, she was diagnosed with
diabetes and shortly thereafter became a
spokesperson for the American Diabetes
Association.
The same motivation that saw Patricia
Louise Holte blossom from a choir member to
lead vocalist for Patti LaBelle & The Bluebelles,
and later into a solo artist, is the same energy
that keeps her fire burning at 75 years young.
INCONCERT
31
CLASSICAL SERIES
BEETHOVEN’S
BIRTHDAY BASH
THURSDAY, FEBRUARY 20, AT 7 PM
FRIDAY & SATURDAY, FEBRUARY 21 & 22, AT 8 PM
SUNDAY, FEBRUARY 23, AT 2 PM
NASHVILLE SYMPHONY
GIANCARLO GUERRERO, conductor
BARRY DOUGLAS, piano
THANK YOU TO OUR
CONCERT PARTNER
LUDWIG VAN BEETHOVEN
Leonore Overture No. 3, Op. 72A - 14 minutes
LUDWIG VAN BEETHOVEN
Concerto No. 1 in C major for Piano
and Orchestra, Op. 15 - 36 minutes
Allegro con brio
Largo
Rondo: Allegro
Barry Douglas, piano
– INTERMISSION –
LUDWIG VAN BEETHOVEN
Symphony No. 3 in E-Flat major,
Op. 55, “Eroica” - 47 minutes
Allegro con brio
Marcia funebre: Adagio assai
Scherzo: Allegro vivace
Finale: Allegro molto
CLASSICAL SERIES
RADIO PARTNER
CLASSICAL SERIES
MEDIA PARTNER
This concert will last 2 hours and 10 minutes,
including a 20-minute intermission.
This concert is being recorded for future
broadcast. To ensure the highest-quality
recording, please keep noise to a minimum.
32
FEBRUARY 2020
PROGRAM SUMMARY
CLASSICAL
Part of what enabled Beethoven to become “Beethoven” — the larger-than-life figure
we know today — was the fact that he lived through an era of dynamic transformation.
According to John Clubbe in his brand-new biography of the composer, the decades from
1790 to 1810 “appeared to mark the beginning of a new stage” in human history…. Poets and
musicians differentiated and refined the inner life.” It was precisely during these decades
that Beethoven set out from his native Bonn to settle in Vienna and composed many of the
works for which he is still best known. The three pieces we hear on this program all date
from these years. The First Piano Concerto (in fact, the second to be completed) reminds
us of Beethoven’s roots in the Classical style forged by the geniuses he was up against —
Mozart and Haydn — while also revealing the uniqueness of his approach. The name he gave
to his Third Symphony, Eroica, is typically used to describe the “heroic” style that Beethoven
went on to forge — not from scratch, to be sure, but through a profoundly personal and at
times revolutionary rethinking of what he had learned from his predecessors. This style is
inherently theatrical, conveying a sense of individual struggle and triumph — as Beethoven’s
only opera, Fidelio, explicitly stages.
LUDWIG VAN BEETHOVEN
Leonore Overture No. 3, Op. 72a
Born on December 16, 1770,
in Bonn, Germany
Died on March 26, 1827,
in Vienna
First performance:
March 29, 1806, at the Theater
an der Wien in Vienna
Composed:
1804-06
Estimated
length:
14 minutes
First Nashville Symphony
performance:
April 29, 1947, with music
director William Strickland
Beethoven’s only opera dramatizes a regime
based on cruelty and injustice being
toppled through the power of courageous
love. It has lost none of its urgency as societies
careen from crisis to crisis. Merely performing
Fidelio can signal an implicit political or social
critique, for the walled grimness of its prison
setting has remained distressingly relevant.
With the slightest of allegorical touches, Fidelio
can seem convincingly “about” the Third Reich,
the Soviet gulag or the most contemporary
permutations of the fascist impulse.
The story of Fidelio is straightforward. Set
in a prison outside Seville, it centers around
the heroic plan of a noblewoman, Leonore,
to search for her husband, Florestan, who has
been “disappeared” as a political prisoner. His
actual crime is never specified, but it clearly
has to do with his opposition to the unjust
policies of the prison governor, Don Pizarro,
who has placed him in solitary confinement in
the lowest dungeon out of revenge. Using the
assumed identity “Fidelio,” Leonore disguises
herself as a man to gain access to the prison. In
the end, Pizarro’s atrocities are uncovered and
Florestan and his fellow prisoners are freed.
Beethoven referred to Fidelio as his “child of
sorrow” because it cost him so much struggle
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33
CLASSICAL
to write — for the story meant so much to him.
But it was also troublesome because Beethoven,
not a man easily given to compromise, had to
accommodate the practical necessities of the
theater. The first version of the opera, given
on November 20, 1805 (the year the Eroica
was introduced to the public) was a failure.
Beethoven quickly withdrew it but introduced
a tighter, revised version the following spring.
The overture we hear was intended for that
production. Beethoven wrote still another
overture a couple years later for a production
in Prague that never materialized. Finally, in
1814 he created the version of the opera that
became most widely known, changing its name
from Leonore to Fidelio, and writing a much
more compact, brisk overture.
WHAT TO LISTEN FOR
Leonore No. 3 turned out to be,
paradoxically, too dramatic for the opera
house. Adopting the “heroic” manner of the
recent Eroica, it encapsulates the very soul of
the drama in purely instrumental terms and
thus, Beethoven came to realize, overwhelms
the ensuing opera instead of preparing for
it. Gustav Mahler conducted a celebrated
production that ingeniously made a place
for the Leonore No. 3 during the scene change
before the triumphant finale in which the
prisoners are liberated. In any case, it has
long been a concert favorite as a symphonic
counterpart to the idealism expressed in the
opera.
The slow introduction descends — literally,
in a stepwise motion at the beginning — into
the despairing depths of the dungeon where
Florestan languishes but has a vision of hope
that his wife will save him. The musical material
is essentially taken from the point of view of
Florestan, who can be seen as an alter ego for
Beethoven (who was imprisoned, in his own
way, by deafness). Both muscular and nimble,
the main theme of the Allegro is Beethoven
at his most dramatic.
The hope anticipated earlier in the music
returns, but so do the shadows, eventually
leading to an extraordinary climactic moment
in which the atmosphere suddenly changes.
As he does in the opera itself, Beethoven
uses a trumpet fanfare to symbolize the
abrupt end of Pizarro’s corrupt power and
the prisoners’ coming liberation. In the final
pages, Beethoven achieves a remarkable effect
by overlaying a series of patterns that scurry
through the strings. These build tension to
an unbearable level before the dam bursts
and the full ensemble joins in unstoppable,
joyous excitement.
The Leonore Overture No. 3 is scored for pairs
of flutes, oboes, clarinets and bassoons; 4 horns;
2 trumpets; 3 trombones; timpani and strings.
Concerto No. 1 in C major for Piano and Orchestra, Op. 15
Composed: c. 1795, with later revisions before publication in 1801
Estimated length: 36 minutes
First performance:
Possibly during Beethoven’s first public
concert in Vienna, on March 29, 1795
As far back as his teenage years in Bonn,
we can find evidence of Beethoven’s
preoccupation with the concerto genre. He
tried his hand at composing a piano concerto
that, technically speaking, is the chronological
First Nashville Symphony performance:
January 31-February 2, 1980, with guest conductor
Jorge Mester and soloist Lydia Artymiw
“No. 1” (only a piano score survives), and the
work that officially became known as the Piano
Concerto No. 2 (Op. 17) has its origins in the
Bonn years as well. At this very time, Mozart
was producing his famous series of piano
34
FEBRUARY 2020
CLASSICAL
concertos in Vienna. For Mozart, keyboard
concertos provided much-needed income
to support his new freelance career and kept
his name before the public. When Beethoven
resettled in 1792 in the “land of the clavier,”
as his predecessor once described Vienna, he
would repeat that pattern, relying on his talents
as a keyboard performer to build a reputation.
Contemporary diarists recorded the
spellbinding effect of Beethoven’s performances
in intimate recital-improvisations, which often
resulted in snapped strings and splintered
hammers, given the more delicate instruments
available at the time — Beethoven was
continually in search of a more expressive,
more robust keyboard.
Carl Czerny, a freakishly young prodigy
when Beethoven took him on as a pupil, later
recalled the charismatic impact made by his
famous improvisations: “There was something
wonderful in his expression in addition to
the beauty and originality of his ideas and
his spirited style of playing them.” Czerny
added that Beethoven “would burst into loud
laughter and banter his hearers” after seeing
how his playing had brought many of them
to tears. His fans became eager bystanders
during the keyboard duels to which Beethoven
challenged his rivals.
As had been the case with Mozart, the
concerto format proved useful to Beethoven
because it showcased his art not just as a
composer, but also as a performer — at least
before his deafness reached the point when he
could no longer function as a concert pianist.
He was the soloist for four of his five piano
concertos. The first three of these, in particular,
incorporate many of the tricks of the trade
Beethoven had learned from Mozart — along
with several strategies learned from his teacher
Haydn (a teacher with whom the student had
a rapport that notoriously lacked harmony).
It’s tempting to accuse Beethoven (and, some
decades later, Chopin) of deliberately setting
out to confuse posterity, since in each case their
“First Piano Concerto” was chronologically
the second to be composed. Though he had
completed his Concerto No. 2 in B-flat prior
to this one, Beethoven made a savvy choice
to hold off on publishing it so that the more
overtly brilliant Concerto in C major would be
his first publication in the genre — and make
it clear that he was the real heir to Mozart, a
dazzling new talent to whom attention must
be paid.
WHAT TO LISTEN FOR
I
n the lengthy opening movement, Beethoven
makes sure to evoke the poised grandeur of
Mozart’s C major concertos, but he cleverly
teases us with a deceptively quiet initial
statement of the first theme. The militaristic
pomp and march-like character of the first and
third themes, emphasized by assertive trumpets
and drums, make them close cousins. A lyrical
second theme intervenes, but Beethoven has
another trick in store: he makes us wait until
the solo piano partners with the orchestra
before allowing us to hear this melody unfold
to completion. In other words, nothing will
be rote or predictable here. At the same time,
it’s a good way of indicating how Beethoven is
thinking big in this first movement, creating
architecture on the grand scale.
The soloist’s entrance is strangely oblique.
In his fascinating study of all the Beethoven
concertos, the musicologist Leon Plantinga
points out that, throughout this entire
movement, the piano comments and elaborates
on the first theme but never actually quite plays
the theme itself. Characterizing the rapport
Beethoven sets up between the soloist and
orchestra, he writes: “It is as if the mass of the
orchestra is easily roused to overt, forceful
action, while its leader favors a more nuanced,
artful approach.”
Beethoven takes the section in which these
themes are developed as an occasion for
a genuinely unusual harmonic odyssey, a
fantasy of hushed suspense that continually
reveals new angles on what had seemed such
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35
CLASSICAL
obvious and straightforward material. This
culminates in a notoriously tricky right-hand
octave sweep down the keyboard to launch the
reprise. Here, and in an enormous alternative
cadenza Beethoven later penned, we can
probably obtain a good impression of what
one of his wildly ranging improvisations must
have sounded like.
The Largo showcases Beethoven’s undeniable
gift for serene melody — its delivery and
ornamentation are also important components
of the virtuoso’s toolkit — and settles in a
reposeful A-flat major far afield from the busy
C major of the outer movements. Though
he lightens the orchestral texture (no flutes
or oboes, let alone trumpets and drums),
Beethoven actually generates a new sound
world, thanks in part to the solo clarinet’s role
as a soulful partner for the piano’s rhapsodic
meditations. This movement demands the
utmost in what Czerny described as Beethoven’s
“cantabile expression” and “refined tone and
elegant delivery.”
If Beethoven puts his own stamp on Mozart’s
archetypal concerto in the first two movements,
the finale represents an extreme take on
Haydn’s vigorously earthy humor. Listen for the
contrasting central episode, a very scenic detour
in A minor full of interesting new flavors. As for
the main rondo tune itself, a catchy ear worm,
Beethoven restates its three reappearances with
delightfully engaging theatricality — above
all, before his final orchestral statement of this
tune, when the soloist strays into nearby but
dangerously dissonant B major, as if trying
to get everybody in trouble before the flute
gingerly leads everyone back to the sure path of
C major. In the coda, Beethoven unexpectedly
introduces a brief spell of wistful nostalgia —
only to pull the carpet out from underneath
such indulgence with a final orchestral flourish.
In addition to solo piano, the Concerto is scored
for flute, 2 oboes, 2 clarinets, 2 bassoons, 2 horns,
2 trumpets, timpani and strings.
BARRY
DOUGLAS
piano
Barry Douglas has
established a major
international career since winning the Gold
Medal at the 1986 Tchaikovsky International
Piano Competition. As artistic director of the
chamber orchestra Camerata Ireland and the
Clandeboye Festival, he continues to celebrate
his Irish heritage while also maintaining a
busy international touring schedule that has
included appearances with major orchestras
around the world.
Career highlights include recital tours
in the United Kingdom and U.S. and new
collaborations with both the Endellion
String Quartet and the Borodin Quartet, as
well performances of Tchaikovsky with the
RTE Orchestra (Dublin), Ulster Orchestra
(Belfast), London Symphony Orchestra and St.
Petersburg Philharmonic, all marking the 30th
anniversary of his Tchaikovsky International
Competition win.
An exclusive Chandos recording artist,
Douglas has released critically acclaimed
recordings of all of Brahms’ solo piano works,
as well as the solo piano works of both Schubert
and Tchaikovsky. He has also released two
albums that feature his own arrangements of
Irish folk music.
Douglas founded Camerata Ireland in 1999
to celebrate and nurture the very best of
young musicians from both Northern and the
Republic of Ireland. In addition to striving for
musical excellence, one of the orchestra’s aims
is to further the peace process in Ireland by
promoting dialogue and collaboration through
its musical education programs. He regularly
tours with the ensemble throughout the world
and visited the U.S. in the spring of 2018.
Douglas received the Order of the British
Empire (OBE) in the 2002 New Year’s Honours
List for services to music.
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FEBRUARY 2020
CLASSICAL
Symphony No. 3 in E-flat major, Op. 55 “Eroica”
Composed: 1802-04
Estimated length: 47 minutes
First performance:
In the summer of 1804, in a private performance at the estate of
Beethoven's patron Prince Franz Joseph von Lobkowitz, to whom
he dedicated the work. The first official public performance
followed in Vienna on April 7, 1805.
First Nashville Symphony
performance:
November 29, 1949,
with music director
William Strickland
The Eroica is rightly described as a giant
advance in the history of Western music.
But along with its central historical significance
in claiming a lofty new position for symphonic
music, the Eroica is closely connected to
the personal breakthrough it represents in
Beethoven’s own life. The music is part of his
creative response to the profound crisis of his
early 30s, shortly after the turn of the 19th
century. What Beethoven probably hoped
was a passing phase of troubled hearing,
which had been tormenting him for several
years, in fact marked the onset of permanent
deafness, an appalling nightmare for an active
musician. In the summer of 1802, doctor’s
orders were to take it easy and spend some
time in Heiligenstadt, then a distant suburb,
peacefully removed from the hectic pace of
Vienna. The promised cure, however, didn’t
happen, and Beethoven’s despair led him to
contemplate suicide.
The so-called Heiligenstadt Testament is the
moving confessional letter that the composer
penned in the form of a will that autumn.
Beethoven recounts in it the reasons for his
depression, how he had felt the need to keep
his growing deafness hidden from the world
and was misunderstood as “misanthropic” by
nature. He then explains his determination to
continue living, prompted by an overpowering
conviction of artistic mission: “It seemed
impossible to leave the world until I had
produced all that I felt called upon me to
produce, and so I endured this wretched
existence.” This renewed sense of purpose
went hand in hand with a desire to forge what
Beethoven was calling “a new path” in music.
This new attitude bore fruit in the Third
Symphony, which soon absorbed Beethoven.
Almost everything about this symphony
indicates that the stakes have been raised to
a higher level. Its only “traditional” aspect
is the instrumentation, which calls on the
standard forces used by Mozart and Haydn in
their mature symphonies, with the exception
of three horns instead of two. What are some
examples of this sea change? They extend from
the large-scale architecture of the work, which
dramatically expands the dimensions of the
symphony, to shocking shifts in harmonic
thought and an intensification of familiar
devices, such as changes in volume.
A quick word on the famous French
connection: the story goes that Beethoven’s
admiration for Napoleon Bonaparte as a
heroic force for revolutionary change soured
when the French leader had himself crowned
emperor in December 1804. Yet while the
idealistic Beethoven abhorred tyranny and
did in fact violently scratch out his original
dedication from the title page of the score,
he hadn’t categorically ruled out the practical
advantages of such a dedication (at the time he
was considering resettling in Paris). In the end,
he published the work as a “Heroic Symphony”
(Sinfonia Eroica), which was “composed to
celebrate the memory of a great man.”
INCONCERT
37
CLASSICAL
WHAT TO LISTEN FOR
All manner of imagery has been invoked
to get to the heart of this urgent music.
The first movement has been said to suggest
scenarios ranging from a metaphoric battlefield
(with the assertive opening chords as “cannon
shots,” etc.) to the tireless energy of early
industrialism. What is unmistakable is the
driving, epic force that resonates. The famous
“surprise” note of C-sharp (outside the home
key of E-flat major), which appears when the
cellos come to rest as they state the first theme,
is an emblem for this musical eagerness to
encounter experience head on, no matter
where it leads.
And this certainly includes pain along with
joy, although the music as a whole seems to
be reaching for an optimistic outlook. Unlike
the Fifth Symphony, which achieves drama via
intense compression, the Eroica uses expansion
to convey this sense of experience: through
distant keys, a plenitude of thematic material
and a swelling of the form traditionally used
for the opening movement of a Classical
symphony. The thrilling coda, for example, is
no longer a quick wrap-up, but an enormous
counterweight to the development of ideas
preceding it.
Beethoven writes a monumental funeral
march rather than a lyrical slow movement,
a meditation on death to follow the epic life
journey of the opening movement. Mahler
would later turn to this as a template for some
of the marches in his own symphonies. Here,
Beethoven balances public mourning against
private grief. Notice the “personal” sound of
the oboe, highlighted as a leading character
in each of the four movements, set against the
more formal public rhetoric of the strings.
Where Beethoven introduced pain into
the surging course of the first movement, he
reverses the pattern here: a bright streak of
hope intrudes (again, introduced by the oboe)
before the march returns to its tragic C minor,
now unfolding in a fugue of overpowering
majesty. The final pages of the march are
almost cinematic, as Beethoven suggests an
individual mourner breaking down, unable to
go on, while the crowd eventually proceeds.
In place of a classical minuet, the Scherzo
brings a return to the surging life force of the
first movement, yet on a more elementary level.
Beethoven focuses on the inherent tension —
and playfulness — of pairs of chords jostling
against a backdrop of triple meter. The reason
behind his choice of three horns becomes
apparent when that section gets its spotlight
in the echoing calls of the trio.
Capping the Eroica is a marvelously
innovative final movement made up of
variations: not only on a theme (the tune
introduced a few minutes in by the oboe),
but on the simpler bass line underpinning
it as well, which we hear as a sort of teasing
prelude. Beethoven had used the theme in
several earlier compositions, including a
ballet titled The Creatures of Prometheus, and
that mythological reference adds yet another
dimension to the Eroica. Some see the defiant
god Prometheus, who endured terrible suffering
to bring humanity enlightenment, as the true
hero of the work. Beethoven reconsiders this
previously used musical material in the light
of the “new path” we have heard throughout
the Eroica. This unassuming tune is revealed
to contain enormous potential, from the
chattering virtuosity of the flute to the nobly
triumphant climax for the entire orchestra,
which wells into a frightening reminiscence
of the tragic depths of the Funeral March. In
his ingenious transformations, Beethoven
uncovers the creative self as the true hero of
the music.
The Eroica is scored for pairs of flutes, oboes,
clarinets, and bassoons; 3 horns; 2 trumpets;
timpani and strings.
— Thomas May is the Nashville Symphony’s
program annotator.
38
FEBRUARY 2020
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BLAKEFORD JAZZ SERIES
DEE DEE
BRIDGEWATER
& BILL CHARLAP
FRIDAY, FEBRUARY 28, AT 8 PM
DEE DEE
BRIDGEWATER, vocals
BILL CHARLAP, piano
THANK YOU TO OUR
JAZZ SERIES PARTNER
Selections to be announced from the stage.
This concert will last approximately
90 minutes.
ABOUT THE ARTISTS
DEE DEE
BRIDGEWATER
vocals
Over the course of a
multifaceted career
spanning four decades, GRAMMY®- and Tony
Award-winning jazz giant Dee Dee Bridgewater
has ascended to the upper echelon of vocalists,
putting her unique spin on standards, as well as
taking intrepid leaps of faith in re-envisioning
jazz classics. Ever the fearless voyager, explorer,
pioneer and keeper of tradition, Bridgewater
most recently won a GRAMMY® in 2010 for
Best Jazz Vocal Album, for Eleanora Fagan
(1915-1959): To Billie With Love From Dee Dee.
Bridgewater’s career has always bridged
musical genres. She earned her first professional
experience as a member of the legendary Thad
Jones/Mel Louis Big Band, and throughout the
’70s she performed with such jazz notables as
Max Roach, Sonny Rollins, Dexter Gordon
and Dizzy Gillespie. After a foray into the
pop world during the 1980s, she relocated
to Paris and began to turn her attention
back to jazz. Signing with Universal Music
Group as a producer — Bridgewater produces
all of her CDs — she released a series of
critically acclaimed titles, beginning with
Keeping Tradition in 1993. All but one
of Bridgewater’s albums, including her
double-GRAMMY®-winning tribute to Ella
Fitzgerald, Dear Ella, have received
GRAMMY® nominations.
Bridgewater also pursued a parallel career
in musical theater, winning a Tony Award
for her role as “Glinda” in The Wiz in 1975.
Having recently completed a run as the lead
role of Billie Holiday in the off-Broadway
production of Lady Day, her other theatrical
credits include Sophisticated Ladies, Black
Ballad, Carmen, Cabaret and the off-Broadway
and West End productions of Lady Day,
for which Bridgewater received a British
40
FEBRUARY 2020
JAZZ
Laurence Olivier nomination for Best Actress
in a Musical.
As a Goodwill Ambassador to the United
Nations’ Food and Agriculture Organization
(FAO), Bridgewater has appealed for
international solidarity to finance global
grassroots projects in the fight against world
hunger. She was recently honored with a stage
dedication in her name at the new People’s
Health New Orleans Jazz Market. In 2017,
Bridgewater was the recipient of an NEA Jazz
Masters Fellows Award.
BILL
CHARLAP
piano
One of the world’s
premier jazz pianists,
Bill Charlap has performed and recorded with
many leading artists of our time, ranging from
jazz masters Phil Woods and Wynton Marsalis
to singers Tony Bennett and Barbra Streisand.
Since 1997, he has led the Bill Charlap Trio
with bassist Peter Washington and drummer
Kenny Washington, now recognized as one of
the leading jazz groups.
Charlap is the artistic director of New York
City’s Jazz in July Festival at the 92nd Street
Y, and he has produced concerts for Jazz at
Lincoln Center, the JVC Jazz Festival and the
Hollywood Bowl. A two-time GRAMMY®
nominee, Charlap is married to renowned
jazz pianist Renee Rosnes. In the spring of
2010, the pair released Double Portrait, their
acclaimed duo piano recording on the Blue
Note label.
According to Time magazine, “Charlap
approaches a song the way a lover approaches
his beloved…. When he sits down to play, the
result is an embrace, an act of possession. The
tune rises, falls, disappears and resurfaces
in new forms as Charlap ranges over the
keyboard with nimble, crisply swinging lines,
subtly layered textures, dense chords and spiky
interjections.”
Live at the Schermerhorn
THE HOT
SARDINES
April 24
GREGORY
PORTER
June 5
TICKETS: 615.687.6400 | NashvilleSymphony.org
INCONCERT
41
INDIVIDUALS
The Nashville Symphony is deeply grateful to the following individuals
who support its concert season and its services to the community through
their generous contributions to the Annual Fund and support for Special
Events. Donors as of December 19, 2019.
MARTHA RIVERS INGRAM SOCIETY Gifts of $50,000 +
Mr. Newman & Mr. Johnathon Arndt ◊
Mr. & Mrs. Jack O. Bovender Jr.
Mr. Michael Carter, Sr. &
Mrs. Pamela Carter ◊
Mr. & Mrs. Kevin W. Crumbo ◊
Mr. & Mrs. Andrew Giacobone ◊
Mrs. Martha Rivers Ingram ◊
Donna & Ralph Korpman
Richard & Sharalena Miller ◊
Mr. & Mrs. Robert D. Olsen ◊
Drs. Mark & Nancy Peacock ◊
Mr. & Mrs. James C. Seabury III ◊
WALTER SHARP SOCIETY Gifts of $25,000 - $49,999
Mr. & Mrs. James Ayers
Mr. Russell W. Bates ◊
Mr. & Mrs. Dennis Bottorff ◊
Mr. & Mrs. Martin S. Brown Sr.*
Mr. & Mrs. Richard W. Carlton
The Rev. & Mrs. Fred Dettwiller
Mr. & Mrs. Anthony Giarratana
Giancarlo & Shirley Guerrero ◊
Mr.* & Mrs. Spencer Hays ◊
Orrin and Lee Ann Ingram
Mr. & Mrs. Ben R. Rechter ◊
Mr. Ronald P. Soltman,
in memory of Judith Cram ◊
Mr. & Mrs. Mark Tillinger ◊
Mr. & Mrs. Steve Turner ◊
David* & Gail Williams ◊
Mr. & Mrs. Joel Williams ◊
VIRTUOSO SOCIETY Gifts of $15,000 - $24,999
Anonymous
Mr. and Mrs. Stephen Bailey
Mr. & Mrs. Ward Baker
Mrs. Melinda S. & Dr. Jeffrey R. Balser ◊
H. Victor Braren, M.D. ◊
Mr. & Mrs. Colin A. Butler ◊
Mr. & Mrs. John Chadwick
Carol & Frank Daniels III ◊
Tommy & Julie Frist
Mrs. & Mrs. Paul Gravette
Ms. Gail Danner Greil ◊
Brenda & David Griffin ◊
Patricia & H. Rodes Hart ◊
Mr. and Mrs. James A. Haslam II
Vicki & Rick Horne ◊
Drs. Edmund & Lauren Parker Jackson ◊
Mr. & Mrs. T. K. Kimbrell ◊
Dr. & Mrs. Howard S. Kirshner ◊
Mr. Neil B. Krugman and
Ms. Leona Pratt
Ellen Harrison Martin ◊
Mr. and Mrs. Robert A. McCabe Jr. ◊
Mr. & Mrs. David K. Morgan ◊
Mr. & Mrs. Mark E. Nicol ◊
Mr. & Mrs. Philip M. Pfeffer ◊
Mr. & Mrs. Gustavus A. Puryear IV ◊
Anne & Joe Russell ◊
Mr. & Mrs. Rick Scarola
Ron & Diane Shafer ◊
Mr. Robert J. Turner & Mr. Jay Jones ◊
Alan D. & Jan L. Valentine ◊
The Harris Widener Family Fund ◊
2019/20 BOARD OF DIRECTORS
OFFICERS
DIRECTORS
Mark Peacock
Board Chair
Pamela Carter
Chair Elect
Kevin Crumbo
Immediate Past Chair
Rev. Dexter
Sutton Brewer
Vice Chair
Russell Bates
Treasurer
Hank Ingram
Secretary
Alan D. Valentine
President & CEO
+ Indicates Young Leaders Intern
Newman Arndt
Melinda Balser
Dr. H. Victor Braren
Mary Cavarra
Michelle Collins
Carol Daniels
Nick Deidiker
James Edward
Demont, II +
Christopher Farrell
Andrew Giacobone
Edward A. Goodrich
Brenda P. Griffin
Derek Hawkes
Michael W. Hayes
Christopher T. Holmes
Vicki Horne
Emily Humphreys
Lee Ann Ingram
Martha R. Ingram
Dr. Edmund Jackson
Jay Jones
Laura Kimbrell
Sandra Lipman
Cynthia Clark
Matthews
Andy Miller
Richard L. Miller
Pat Murphy
Bob Olsen
Victoria Pao
Jeremie Papin
W. Brantley
Phillips, Jr.
Ric J. Potenz
Jennifer H. Puryear
Dr. Janice Riley-Burt
E. Kelly Sanford
Carolyn W. Schott
James C. Seabury III
Luis Solana
Karl Sprules
Mark Tillinger
Glen Wanner
Jonathan G. Weaver
James W. White
Peri Widener
Betsy Wills
Clare Yang
Alan R. Yuspeh
Shirley Zeitlin
2019/20 ASSOCIATE BOARD OF DIRECTORS
OFFICERS
DIRECTORS
Nicholas Deidiker
Chair
Allison Reed
Past Chair
Hank Ingram
Chair Emeritus
Andrew Hard
Secretary
Andrew Martin
Treasurer
Amanda Kane
Communications Chair
Victor Evans
Membership Chair
Kayla Counts
Events Chair
Catherine Grace
Spirits of Summer Chair
Lenai Augustine
Samantha Breske
Brian Cook
Amos Glass
Sarah Kendrick
Laura Kimbrell
Megan Koch
Ryan Lipscomb
Jason Palmer
Cassandra Petty
James Richfield
Ginny Stalker
Taylor Vickery
42 FEBRUARY 2020
INDIVIDUAL PATRONS
Jay Jones, Chair
Ric Potenz, Chair Emeritus
SPRING 2020
ENGAGEMENT EVENTS
Backstage Post-Concert Toast
January 31
Insider’s Access Event: Learn About Viola
February 26
Governing Members
receive access to
Pre-Concert Irish Whiskey Tasting
Founders Hall donor lounge,
March 12-14
complimentary drinks, special
Hot Sardines Pre-Concert Happy Hour
access, exclusive invitations
and behind-the-scenes
April 24
experiences. Membership
Musician Recognition Dinner
is offered with an annual
May 13
gift of $3,000 and purchase of
4+ concerts. Visit NashvilleSymphony.org/GoverningMembers for more information.
MUSICIANS CIRCLE Gifts of $10,000 - $14,999
Anonymous
Mr. & Mrs. Ward A. Baker
Mr. & Mrs. John H. Bailey III
Clara and Wesley Belden ◊
Belvins, Inc. ◊
Mrs. J.C. Bradford Jr. ◊
Ann & Frank Bumstead ◊
Drs. Rodney & Janice Burt ◊
Mary & Joseph Cavarra ◊
Mrs. William Sherrard Cochran Sr.
Mr.* & Mrs. W. Ovid Collins
Ben & Julie Cundiff ◊
Mr. & Mrs. Brownlee O. Currey Jr.
Hilton & Sallie Dean ◊
Nick & Connie Deidiker ◊
Mr. & Mrs. Robert S. Doochin ◊
Tom & Judy Foster ◊
Allis Dale & John Gillmor ◊
Mr. & Mrs. F. David Haas ◊
Dick & Vicki Hammer ◊
Gregory T. Hersh ◊
Mr. Robert C. Hilton
Mr. and Mrs. J. L. Holloway
Hank Ingram ◊
Mr. & Mrs. Charles L. Irby Sr. ◊
Mr. and Mrs. R. Milton Johnson
Retired COL's, Steve & Julie Lomax ◊
Mr. & Mrs. Robert J. Mendes
The Honorable Gilbert S. Merritt ◊
Victoria & William Pao ◊
Mr. Randy Bernard
Ms. Carolyn W. Schott
Mrs. Nelson Severinghaus ◊
David & Niki Smith ◊
Mr. Karl Sprules
Margaret* & Cal Turner ◊
Mr. & Mrs. James F. Turner Jr. ◊
Jimmie D. & Patricia L. White ◊
STRADIVARIUS SOCIETY Gifts of $5,000 - $9,999
Anonymous
Dr. & Mrs. Gregg P. Allen ◊
Mr. and Mrs. Gregory T. Allen
Mr. & Mrs. Timothy W. Arnold
Brian & Beth Bachmann
Judy & Joe Barker ◊
Ned Bates and Brigette Anschuetz ◊
Michael V. and Sharry D. Beard ◊
Mr. & Mrs. Earl Bentz
Dr. & Mrs. Frank H. Boehm ◊
Mr. & Mrs. Charles C. Boyd
Mr. & Mrs. Harold Brewer
Chuck & Sandra Cagle ◊
John E. Cain III
Mike & Jane Ann Cain ◊
Ms. Pamela Casey ◊
Fred Cassetty ◊
Dr. Elizabeth Cato
Dorit & Donald Cochron ◊
Brian & Haden Cook ◊
Ms. Amy J. Smith and
Mr. Michael Cronin
Mr. & Mrs. Justin Dell Crosslin
Drs. Michael S. and Rowena D. Cuffe
Mr. & Mrs. J. Bradford Currie
BioVentures, Inc. ◊
Mr. Robert J. Deal and
Mr. Jason T. Bradshaw
Mr. & Mrs. Robert J. Dennis ◊
Marty & Betty Dickens ◊
Laura & Wayne* Dugas ◊
Mr. and Mrs. Burton Dye ◊
Mr. & Mrs. Jere Mann Ervin
Mrs. Annette S. Eskind ◊
Dr. & Mrs. Jeffrey B. Eskind ◊
The Jane & Richard Eskind
& Family Foundation ◊
Laurie & Steven Eskind
Marilyn Ezell
Jennifer & Billy Frist
Mr. and Mrs. Jeffrey D. Fuller
Ed & Nancy Goodrich ◊
Dr. and Mrs. Donald Griffin
Carl & Connie Haley ◊
Carolyn N. and Terry W. Hamby ◊
Mr. & Mrs. Tom Harrington ◊
Mr. Donald B. Hastings
Mr. & Mrs. J. Michael Hayes
Dr. Jan Van Eys & Judith Hodges ◊
Steven & Catherine Hoffman
Barron Patterson & Burton Jablin
Keith & Nancy* Johnson
Ms. Sarah Kendrick ◊
Mr. & Mrs. Stewart Koch
Mr. & Mrs. David Kretchmer
Heloise Werthan Kuhn ◊
Drs. Paul & Dana Latour
Dr. & Mrs. George R. Lee ◊
Dr. and Mrs. Joseph B. Ledbetter Jr.
Mr. & Mrs. Ryan C. Lipscomb ◊
* denotes donors who are deceased ◊ denotes donors who are Governing Members
INCONCERT
43
INDIVIDUAL PATRONS
Mr. Mark E. Lopez &
Jonathan Norris &
Carol & John T. Rochford ◊
Carol A. Tate ◊
Mr. Patrick J. Boggs ◊
Jennifer Carlat ◊
Mr. & Mrs. David L. Rollins
Mr. & Mrs. Matthew K. Taylor ◊
Myles & Joan MacDonald ◊
Mr. & Mrs.* Robert J. Notestine ◊
Mr. & Mrs. John B. Rosen ◊
Mr. and Mrs. Bradley D. Thacker
Red & Shari Martin ◊
Mr. & Mrs. Larry D. Odom ◊
Dr. Norm Scarborough &
Mr. and Mrs. George B. Tomlin Jr.
Dr. Shawn Mathis &
Dr. Christopher J. Ott &
Ms. Kimberly Hewell ◊
Peggy & John Warner ◊
Mrs. Vida Mathis ◊
Mr. Jeremy R. Simons
Joe & Dorothy Scarlett ◊
Mrs. Lisa W. Wheeler ◊
Ms. Jennifer McCoy &
Mr. and Mrs. Laurence M. Papel
Dr. & Mrs. John Schneider ◊
Jerry & Ernie Williams ◊
Mr. JT Dominick ◊
Todd & Diandra Peacock ◊
Mrs. J. Ronald Scott ◊
Barbara & Bud* Zander ◊
Jayne Menkemeller ◊
Peggy & Hal Pennington
The Shields Family Foundation ◊
Mr. Nicholas S. Zeppos and
Edward D. & Linda F. Miles ◊
Joelle & Brant Phillips
Mr.* & Mrs. Martin E. Simmons
Ms. Lydia A. Howarth ◊
Christopher & Patricia Mixon ◊
CW Pinson, M.D., MBA ◊
Mr. & Mrs. Irvin Small ◊
Mr. & Mrs. A. Bruce Moore Jr.
DeDe Priest ◊
Michael & Grace Sposato ◊
Mrs. Gwen Noe ◊
Mrs. Donna L. Richardson
Dr. & Mrs. Jack Stalker ◊
GOLDEN BATON SOCIETY Gifts of $3,000 - $4,999
Anonymous (6)
Mr. & Mrs. John V. Abbott ◊
Mr. & Mrs.
Stephen M. Abelman ◊
Shelley Alexander ◊
Mr. and Mrs. C. Dale Allen
Mr. and Mrs.
William F. Andrews
Mr. and Mrs. Davir F. Arnholt
Jeremy & Rebecca Atack ◊
Jon K. & Colleen Atwood ◊
Grace & Carl Awh ◊
David Baldwin &
Melissa K. Moss ◊
Elisabetha Baugh ◊
Dr. & Mrs. John Baxter ◊
Dr. & Mrs. Robert O. Begtrup ◊
Betty C. Bellamy ◊
Dr. and Mrs. Randy Bellows ◊
Dr. Eric & Elaine Berg ◊
Celia Applegate &
David Blackbourn ◊
Dennis & Tammy Boehms ◊
Mr. & Mrs. Jerry D. Bostelman
Jamey Bowen & Norman Wells ◊
Randal & Priscilla Braker ◊
Mary Lawrence Breinig ◊
Dr. & Mrs. Phillip L. Bressman ◊
Steven & Cassandra Brosvik ◊
Mr. and Mrs. Gary M. Brown
Mr. & Mrs. Steve R. Brubaker ◊
Mr. and Mrs. Del R. Bryant
Dr. Melinda and
Mr. John B. Buntin
Ms. Betsy Calabrace ◊
Mr. and Mrs. John P. Campbell III
Mary Taylor Gallagher &
Chris Cardwell
Sykes & Ann Cargile ◊
David L. Carlton ◊
Crom & Kathy Carmichael ◊
Tom & Kathi Carr ◊
Dr. & Mrs. Dennis C. Carter ◊
Mrs. Joanne Cato
Mr. & Mrs. Cooper Chilton ◊
Catherine Chitwood ◊
David & Starling Clark
Jay & Ellen Clayton ◊
Terry & Holly Clyne ◊
Ed & Pat Cole ◊
Marjorie Collins ◊
Dr. Michael Conver
Mr. & Mrs. Charles W. Cook Jr. ◊
Kathy & Scott Corlew ◊
Teresa Corlew & Wes Allen ◊
Roger & Barbara Cottrell
David Coulam &
Lucy A. Visceglia ◊
Mr. & Mrs. Donald L. Counts, III
Mr. & Mrs. Roy J. Covert
Joel* & Charlotte Covington ◊
Dr. Leslie J. Crofford
Janine Cundiff ◊
Angela & Charles Curtiss ◊
Dr. and Mrs. Charles E. Daley III ◊
Myrtianne Downs ◊
Stephen & Kimberly Drake ◊
Mr.* & Mrs. Glenn Eaden
Dr. Mac & Brenda Edington
Drs. James & Rena Ellzy ◊
Mr. Owen T. Embry ◊
Mr. M. Bradshaw Darnall III
Dr. Noelle Daugherty &
Dr. Jack Erter ◊
Victor Evans
Dr. Meredith A. Ezell
Ms. Paula Fairchild ◊
Mr. & Mrs. Will Fischer ◊
Dr. Arthur C. Fleischer
& Family ◊
John & Barbara Fletcher ◊
Mr. & Mrs. Pete Franks ◊
Mrs. Karyn Frist
Cathey & Wilford Fuqua ◊
Dr. Ronald E. Galbraith &
Mrs. Faith H. Galbraith ◊
Ms. Harper Ganick
Mr. & Mrs. Mike Gann ◊
Harris A. Gilbert ◊
Mr. & Mrs. Roy J. Gilleland III ◊
Mr. Amos R. Glass ◊
Andrew & Alene Gnyp ◊
Mr. & Mrs. Steve T. Greene ◊
Mr. Gerald C. Greer and
Dr. Scott Hoffman
Dr. & Mrs. Benjamin D. Griffin
Karen & Daniel Grossman
& Family ◊
John & Libbey Hagewood ◊
Mr. & Mrs. Gregory Hagood
Mrs. Robbie J. Hampton ◊
Ted Hanson ◊
Dr. Edward Hantel ◊
Suzy Heer ◊
Mr. & Mrs. Robert E. Henry ◊
Ms. Cornelia B. Holland ◊
Mr. and Mrs.
Christopher T. Holmes
Drs. Robert Hines* &
Mary Hooks ◊
Mr. & Mrs. Donald J. Israel ◊
Mr. & Mrs. Clay T. Jackson ◊
Mr. & Mrs. John F. Jacques ◊
Janet & Philip Jamieson ◊
Mr. & Mrs. Lou Jennings ◊
George & Shirley Johnston ◊
Mr. Mountaine M. Jonas ◊
Ms. Amanda K. Kane ◊
Mr. and Mrs. John S. Kendall
Mrs. Edward C. Kennedy
William Killebrew
Tom & Darlene Klaritch ◊
Mr. & Mrs. David J. Klintworth ◊
Anne Knauff ◊
Walter & Sarah Knestrick ◊
Jack T. & Sophie Knott ◊
Mr. & Mrs. Michael A. Koban Jr. ◊
Ms. Pamela L. Koerner ◊
Mr. & Mrs. Edward J. Kovach ◊
Mrs. Nona Jane Kroha ◊
Kevin & Nicole Krushenski ◊
Mr. Paul H. Kuhn, Jr. ◊
Mr. & Mrs. Mike LaDouceur ◊
Robert & Carol Lampe
Mr. & Mrs. Thomas W. Land
Mr. Edward Lanquist ◊
Martha & Larry Larkin ◊
Kevin & May Lavender
Dr. Michelle Law ◊
Mr. & Mrs. Joseph C. Lentini ◊
Hon. & Mrs. Thomas R. Lewis ◊
Marye & Bill Lewis ◊
Dr. & Mrs. Nicholas Lippolis ◊
Mr. Brent D. Longtin &
Mr. Douglas A. Darsow ◊
Mr. & Mrs.* George Luscombe II ◊
Mr. John Maddux ◊
Ms. Orlene Makinson ◊
Mr. and Mrs. David L. Manning
Lynn & Jack May ◊
Mr. & Mrs. Chet Melvin ◊
Dr. Mark &
Mrs. Theresa Messenger ◊
Ms. Jennifer L. Michaeli
Laurie Miller ◊
Mr. David K. Mitchell ◊
Mr. & Mrs. S. Moharreri ◊
Mr. & Mrs. James Moore ◊
Bill & Cindy Morelli
Dr. & Mrs. Kelvin A. Moses ◊
Matt & Rhonda Mulroy ◊
James & Patricia Munro ◊
Mr. & Mrs. Joseph L. Nave Jr. ◊
Mr. and Mrs. Michael S. Neal
Leslie & Scott Newman ◊
Dr. Agatha L. Nolen ◊
Mr. & Mrs. Robert J. Notestine
Dr. John A. Oates Jr.* &
Meredith S. Oates ◊
Mr. & Mrs. John Ohlinger ◊
David & Pamela Palmer ◊
Susan Holt & Mark Patterson ◊
Drs. Teresa & Phillip Patterson ◊
Mr. Richard M. Patterson
Dr. & Mrs. Dale Pilkinton
Donna and Tom Priesmeyer ◊
Dr. Zeljko & Tanya Radic ◊
Mr. & Mrs.
W. Edward Ramage ◊
Allison Reed & Sam Garza ◊
Mr. & Mrs. Alexander T. Renfro ◊
Mr. James E. Richfield
Mr. & Mrs. Stephen Riven ◊
Dr. Robert & Taylor Robinson ◊
44 FEBRUARY 2020
INDIVIDUAL PATRONS
Misha Robledo
Bill & Sharon Sheriff ◊
Dr. Steve A. Hyman &
Mary Hoffschwelle ◊
Anne & Charles Roos ◊
Mr. and Mrs. Brian S. Smallwood
Mr. Mark Lee Taylor ◊
Mr. James L. White ◊
Ms. Sara L. Rosson &
Dr. Neil & Ruth Smith ◊
Mr. & Mrs. Jerry Thursby ◊
Stacy Widelitz ◊
Ms. Nancy Menke ◊
K.C. & Mary Smythe ◊
Dr. & Mrs. Alexander Townes ◊
Mr. & Mrs. Ridley Wills III
Ms. Mary Frances Rudy ◊
Mr. Jason P. Somerville &
Martha J. Trammell ◊
Mr. and Mrs. William M. Wilson
Samuel A. Santoro &
Mr. Eric Cook ◊
Mrs. Catherine W. Turner
Mr. and Mrs.
Mary M. Zutter ◊
Clark Spoden & Norah Buikstra ◊
Mr. James N. Vickers &
Joseph J. Wimberly IV
Mr. & Mrs. Eric M. Saul ◊
Christopher & Maribeth Stahl ◊
Mr. Brian Schafer ◊
Mr. and Mrs. William S. Wire II
Dr. & Mrs. Timothy P. Schoettle
Mr. & Mrs. Joe N. Steakley
Mr. & Mrs. William H. Wade ◊
Mr. & Mrs. Marvin L. Wood ◊
Peggy C. Sciotto ◊
Mr. & Mrs. Barry Steele ◊
Dr. & Mrs. Martin H. Wagner ◊
Ira Work ◊
Dr. & Mrs. Stephen Seale ◊
Mr. and Mrs. Thomas R. Steele
James & Greta Walsh ◊
Dr. Artmas L. Worthy ◊
Dr. & Mrs. Robert A. Sewell ◊
Robert & Virginia Stewart ◊
Dr. & Mrs. Mark Wathen ◊
Donna B. Yurdin ◊
Joan Blum Shayne ◊
Deborah &
Talmage M. Watts &
Mr. Craig Zimberg &
Allen Spears* &
James Stonehocker ◊
Debra Greenspan Watts ◊
Ms. Tara Sawdon ◊
Colleen Sheppard
Mr. & Mrs. James G. Stranch III ◊
Carroll Van West &
Dr. & Mrs. Victor L. Zirilli ◊
CONDUCTOR’S CIRCLE Gifts of $1,500 - $2,999
Anonymous (6)
Jeff & Tina Adams
Drs. Wendell S. & Paige Akers
Mr. & Mrs. Roger Allbee
Lisa & Mr. Gerry Altieri
Ms. Jennifer McNew Appelt
Ms. Deborah Arvin
Ms. Peggy Mayo Bailey
Mr. Ron Balcarras
Mr. & Mrs. John Bearden
Craig & Angela Becker
Mrs. Raymond P. Bills
Randolph & Elaine Blake
Dr. & Mrs. Marion G. Bolin
Gene & Donna Bonfoey
Dan & Mindy Brodbeck
Berry & Connie Brooks
Jean & David Buchanan
Mr. Brian Carden
Dr. Robert J. Carroll
Bill & Chris Carver
Vickie & Buzz Cason
David & Pam Chamberlin
Mr. & Mrs. Terry W. Chandler ◊
Mr. & Mrs. Robert W. Chasanoff
Barbara & Eric Chazen
Mr. & Mrs. Sam E. Christopher
Cindy & Doug Cobb
Amy & Overton Colton
Greg & Mary Jo Cote
Katherine C. Daniel
Linda & Ben Davis ◊
Dr. & Mrs. Eric Delpire
Carol & Harold Donaldson
Peter & Kathleen Donofrio
Ms. Linda Kartoz-Doochin &
Mr. Michael Doochin
Kathryn Applegate Duffer
Mr. & Mrs.* DeWitt Ezell
John & Debbie Farringer
John David &
Mary Dale Trabue Fitzgerald
Ann D. Frisch
Mr. & Mrs. Stephen A. Frohsin
Dr. & Mrs. John R. Furman
Mr. & Mrs. Stuart Garber
Carlene Hunt &
Marshall Gaskins
John & Lorelee Gawaluck ◊
Mr. Norman B. Gillis
Mr. & Mrs. Fred C. Goad Jr.
James C. Gooch &
Jennie P. Smith
Richard A. Green
Dr. Gary S. Gutow
John & Melissa Halsell
The Evelyn S. & Jim Horne
Hankins Foundation
Jim & Stephanie Hastings
Mr. & Mrs. John Burton Hayes
Lisa & Bill Headley
Mr. & Mrs.
Marion W. Hickerson III
Mr. Kevin E. Hickman
Mr. & Mrs. Benjamin H. Hill ◊
Dr. Elisabeth Dykens &
Dr. Robert Hodapp
Mr. and Mrs.
Hampton A. Holcomb Jr.
Mrs. Henry W. Hooker*
Mr. & Mrs. Ephriam H. Hoover III
Bruce & Diane Houglum
Hudson Family Foundation
Mr. & Mrs. John Huie
Bud Ireland
Donald L. Jackson
G. Brian Jackson &
Roger E. Moore
Mr. David James &
Ms. Jeri Thomson
Barry & Suzanne Jennings
Mary Loventhal Jones
Mr. and Mrs. Russell A. Jones Jr.
Mr. & Mrs. W Evans Kemp Jr.
William C. &
Deborah Patterson Koch ◊
Linda R. Koon
Mr. & Mrs.
Randolph M. LaGasse
Mr. & Mrs.*
Samuel W. Lavender
John & Barbara Lawless
Mr. & Mrs. John M. Leap ◊
Sally M. Levine ◊
Katherine C. Follin and Robert
Straus Lipman ◊
Mrs. Travis B. Loller &
Mr. James A. Nichols ◊
Captain Nathan Marsh
Metro Fire Fighter
Ms. Helen J. Mason
Steve & Susie Mathews
Mr. and Mrs. Cary A. McClure
Ms. Kathryn McDaniel
Dr. Hassane Mchaourab
Mr. & Mrs. Michael McIlwain
Mr. Steve Merryman
Ingrid Meszoely MD
Mr. & Mrs. Michael G. Miller ◊
Joseph & Julia Moore
Mr. & Mrs.Timothy L. Morris
Kaatz, Binkley, Jones &
Morris Architects, Inc.
Margaret & David Moss
Anne & Peter Neff
Mary & Gudger Nichols
Virginia O'Brien
Mr. & Mrs.* Douglas Odom Jr.
Judy Oxford & Grant Benedict
David Oxley, MD FACS
Catherine & John Perry
Claude Petrie Jr.
Robert & Laura Pittman
Carol Armes & Bob Pitz
Mr. Charles H. Potter Jr.*
Mr. & Mrs. Thomas F. Potter
Brad S. Procter
Nancy Ray
Delphine and Kenneth Roberts
David & Karin Roland
Barry & Melissa Rose Peoples
Robert Lawrence Sadler, Sr.
Paul H. Scarbrough
Judy & Hank Schomber
Mrs. Alexandrino Severino
Drs. Walter E. Smalley Jr. &
Louise Hanson
Mrs. Ione Smith
Mr. & Mrs. Kevin Scott Smith ◊
Nan E. Speller & Dan Eisenstein
Stuart & Shirley Speyer
Sid Stanley
Mr. & Mrs. Thomas H. Stearns
Pamela & Steven Taylor
Mr. and Mrs.
T. Stephen C. Taylor
Mr. & Mrs. David B. Thomas Sr.
Larry & Paula Throneberry
Ms. Janice E. Ticich
Norman & Marilyn Tolk
Mila & Bill Truan
Thomas L. & Judith A.* Turk
Rodney Irvin Family ◊
Larry & Brenda Vickers
Kris & G. G. Waggoner
Mike & Elaine Walker
Kevin & Elizabeth Warren
Mr. & Mrs. Herbert Wiesmeyer
Marilyn Shields-Wiltsie &
Dr. Theodore E. Wiltsie
Wood Family Trust
Berje Yacoubian &
Kathy Wade-Yacoubian
Mr. Jeffery A. Zeitlin
Glenn & Heather Zigli
* denotes donors who are deceased ◊ denotes donors who are Governing Members
INCONCERT
45
INDIVIDUAL PATRONS
ENCORE CIRCLE Gifts of $1,000 - $1,499
Anonymous (10)
Jerry Adams
Carol M. Allen
Adrienne Ames
Candy Burger & Dan Ashmead
Mr. & Mrs. John S. Atkins
Mr. & Mrs. J. Oriol Barenys
Mrs. Brenda Bass
Dr. & Mrs. David M. Bayer
Katrin T. Bean
Annie Laurie & Irvin* Berry
Dr. Diane Rae & Mr. Greg Berty
Ms. Christa M. Bowdish
Mr. & Mrs. John R. Braden
Robert & Barbara Braswell
Mr. James I. Brown &
Ms. Lindella Johnson
Mr. & Mrs. Eugene N. Bulso Jr.
Gina & Sam Burnette
Howard & Karen Burris
Mr. & Mrs.
William F. Carpenter III
Dean & Sandy Chase
Renée Chevalier
Dr. Amy Chomsky
Ms. Christine Quinn
Mr. & Mrs. Ernest Clevenger III
Teri & Alan Cohen
Esther & Roger Cohn
Chase Cole
Joe & Judy Cook
Nancy Krider Corley
Ms. R. Suzanne Cravens
Dr. & Mrs. Glen W. Davidson
Drs. Maria Gabriella Giro &
Jeffrey M. Davidson
Barbara* & Willie K. Davis
Dr. & Mrs. Henry A. DePhillips
Mr. & Mrs. Rodger Dinwiddie
Dr. Tracey E. Doering
Mr. & Mrs. Frank W. Drake
Joe & Shirley Draper
Mr. & Mrs. Samuel Driggins
Laura L. Dunbar
Mr & Mrs. Mike Dungan
Melissa Eckert
Mr. & Mrs.
Thomas S. Edmondson Sr.
Susan H. Edwards
Dr.* & Mrs.
William H. Edwards Sr.
Bill & Dian S. Ezell
Dr. Kimberly D. Ferguson
Mr. & Mrs. Keith D. Frazier
John C. Frist Jr., M.D.
Chris & Mandy Genovese
Gregory George &
Mary E. Fortugno
Erin Gillaspie
Dr. Fred & Martha Goldner
W.L & Lynn Gray
Dr. & Mrs. John D. Hainsworth
Elinor Hall
Pam Hamrick
Andrew & Ally Hard
Mr. and Mrs. Michael J. Havens
Michael & Catherine Hayes
Dr. & Mrs.
Douglas C. Heimburger
Ms. Doris Ann Hendrix
Mr. Bradley Hickman
Ms. Jere R. Hinman
Sonny Gichner
Mr. & Mrs. Mark Hommrich
Drs. Richard T. & Paula C.* Hoos
Ken & Beverly Horner
Mr. David Huckabee
Donna & Ronn* Huff
Mr. & Mrs. Robert J. Huljak
Mr. & Mrs. Thomas W. Hulme
Mr. & Mrs. David Huseman
Mr. & Mrs. Steven L. Jackson
Margaret &
Richard Bruce Jennings
Susan & Evan Johnston
Mr. & Mrs. Tarpley Jones
Mr. & Mrs. Michael Kane
George C. King
William & Bethany Kroemer
Dr. Karen Duffy &
Mr. Henry E. Kromer
Tim Kyne
Joyce K. Laben*
Mr. Jerry Lackey
Rob & Julia Ledyard
John & Mary Leinard
Mr.* & Mrs. Irving Levy
William R. & Maria T. MacKay
Mr. & Mrs. Ben T. Martin
Dr. & Mrs.* Raymond S. Martin
Mr. and Mrs.
James L. Martineau
Mr. & Mrs. Jonathan Marx
Bob Maynard
Dr. Wendell McAbee
Ron & Karen Meers
Eric & Denise Mericle
Bruce & Bonnie Meriwether
F. Max & Mary A. Merrell
Mr. & Mrs. Anthony Meyers
Mr. Michael Mishu
Rev. Dr. & Mrs.*
Charles L. Moffatt
Ms. Gay Moon
James & April Moore
Lynn Morrow
Mr. & Mrs. Gregory J. Mueller
Teresa & Mike Nacarato
Mr. Chase Neely
Mr. Robert O'Quin
Ms. Susan Palmer
Mr. & Mrs. Tim & Sue Palmer
Janie E. Parmley
Clint Parrish
Mr. & Mrs. Jimmy Powell Jr.
Ms. Deborah Putnam
Tom & Chris Rashford
Paul & Gerda Resch
Candace Mason Revelette
Mr. Allen Reynolds
Don* & Connie Richardson
Dr. & Mrs. Jorge Rojas
Richard Rosenthal &
Audrey Anderson
Ms. Caroline Rudy
G. Kyle Rybczyk
David Sampsell
Mr. Paul Sanderson
Mrs. Cooper Schley
Dr. & Mrs.
Stephen J. Schultenover
Dr. & Mrs. John S. Sergent
Hon. Wayne C. Shelton
Ms. Diane M. Skelton
Ashley N. Skinner
George & Mary Sloan
Susan Diane Sloan
Dr. & Mrs. Norman Spencer
Nashville Symphony Crescendo Club & City Winery Present:
Wine & Woodwinds
Enjoy a musical wine tasting featuring members of your Nashville Symphony
and curated pairings chosen by City Winery’s winemaker, Robert Kowal,
in collaboration with our musicians.
February 19
46 FEBRUARY 2020
INDIVIDUAL PATRONS
Dr. & Mrs. Robert E. Stein
Mr. Michael P. Tortora
Marie Holman Wiggins
Mary Yarbrough &
Dr. Martha Walker-Stratton
Dr. & Mrs. Michael Tyler
Diana T. Wilker
Terry Wharton
Hope & Howard* Stringer
Dr. & Mrs. Robert W. Wahl
Craig P. Williams &
Dr. & Mrs. Donald Yurdin
Bruce & Elaine Sullivan
Mr. and Mrs. John M. Wallick
Kimberly Schenk
Ms. Jane Zeigler
Craig & Dianne Sussman
Dr. & Mrs. John J. Warner
Mr. & Mrs. Rick Wilson
Clay & Kimberly Teter
Ms. Libby R. Werthan
Mr. & Mrs. William (Dan) F. Wolf
Torrence Family Fund
Dr. & Mrs. Joseph A. Wieck
Brian & Mary Jessica Woodrum
CONCERTMASTER SOCIETY Gifts of $500 - $999
Anonymous (19)
Henry J. Abbott
Ben & Nancy* Adams
Jeffrey H. Adams
Ms. Arnelle S. Adcock
Newton & Burkley Allen
Mr. Geoff Amateau
Betty Anderson
Newell Anderson &
Lynne McFarland
Judith Andrews
Mr. & Mrs. Carlyle D. Apple
Geralda M. Aubry
Mr. & Mrs. James E. Auer
Philip E. Autry, DMA
Dr. Joseph Awad & Jane Gilliam
Lawrence E. Baggett
Mr. Omar S. Bakeer
Mr. Bradford Baldauf
Ms. Emiko S. Baldwin
Dr. & Mrs. Jere Bass
Mr. & Mrs. David L. Bata
Mr. & Mrs. Royce A. Belcher
Rick & Stephanie Belcher
Carl W. Berg
Mr. Calvin Bishop
Rick & Abby Blahauvietz
Marilyn Blake
Mr. Kevin L. Bowden &
Candice Ethridge
Dr. Scott B. Boyd
Mr.* & Mrs. William E. Boyte
Ms. Linda W. Bramblett
Dr. Joe P. Brasher
Bob & Linda Brewer
Pamela Brown & Lynn McCraney
Steven & Jill Brown
David Bruce
Richard Bruehl & Nancy Stott
Martha S. Bryant
Dr. & Mrs. Glenn Buckspan
Mr. & Mrs. G. Rhea Bucy
Ben F. Burns III
Mr. & Mrs. Carl Bush
Ms. Constance L. Caldwell
Ms. Marguerite E. Callahan
Mrs. Julia C. Callaway
Dr. & Mrs.
W. Barton Campbell
Mr. & Mrs. Luther Cantrell Jr.
Dr. & Mrs. Michael A. Carter
Mr. & Mrs.
Christopher John Casa Santa
Mrs. Gay Chamberlain
Mrs. Sharon Charney
Dr. & Mrs.
Robert H. Christenberry
Donna P. Clark
Mr. & Mrs. John W. Clay Jr.
Mr. & Mrs. T. Kent Cochran
Colonel (ret.) Dr. &
Mrs. James R. (Conra) Collier
Marion Pickering Couch
Mr. & Mrs. Richard Courtney
Mr. & Mrs. Brennis Craddock
Mr. & Mrs. George Crawford Jr.
Mr. & Mrs. Buddy R. Curnutt
Mr. Timothy D. Curtis &
Adam N. Castellarin
Mr. & Mrs. Robert Y. Dale
Dr. & Mrs. Brett W. Darwin
Andrew Daughety &
Jennifer Reinganum
Thomas G. Davidson
Janet Keese Davies
Mr. Frank C. Davis
Steve & Julie Davis
William Davis &
Catherine Colbert
Dr. & Mrs. Ben Dehner
Mr. & Mrs. Joe H. Delk
Mrs. Keith C. DeMoss
Ms. Laura Denison
Anne R. Dennison
Mr. & Mrs.* J. William Denny
Bob Dozier
Mr. Carl Dreifuss &
Mrs. Elizabeth G. Tannenbaum
Dr. Robert E. Dudley
Mr. Michael L. Duffer
Mr. & Mrs. John C. Egyed
Mrs. Clara Elam
The S. Brent Elliott Family
Dr. William E. Engel
Dr. & Mrs. James Ettien
David & René Evans
Dr. John & Janet Exton
Frank & Shirley Fachilla
Alex & Terry Fardon
Mr. & Mrs. Joseph Fell
Anita Schmid & Tyree Finch
Béla Fleck
Dr. Evon Flesberg &
Mr. Norm Nelson
Andrew & Mary Foxworth Sr.
Judson & Leah Fredrickson
Dr. Alex B. Fruin
Dr. Paul O. Gaddis
Ms. Anne W. Gaither
Kathy & Marbut Gaston
Gatewood Consulting Services
Dr. & Mrs. Harold L. Gentry
Rick & Sara Getsay
Dr. Mark Glazer & Cindy Stone
Ms. Jennifer Goetz
Dr. James R. Goldenring & Ms.
Barbara M. Fingleton
Kathleen Gould
Brent & Pat Graves
Dr. Cornelia R. Graves
Mr. Michael P. Griffin
Judith & Peter Griffin
Mr. Willard W. Griffin Jr.
Richard & Carol Ann Haglund
Mr. Christopher Hamby
Walter H. White III &
Dr. Susan Hammonds-White
Mr. & Mrs. Joseph Hardy
H. Clay & Mary Harkleroad
Cindy Harper
Drs. Liana and Frank Harrell
Mr. & Mrs. J. George Harris
Jason & Carrie Haslam
Dr. Christopher H. Hawkins
Veronica Hawkins
H. Carl Haywood
Dr. James L. Head &
Dr. Anita R. Head
Doug & Becky Hellerson
Dennis & Leslie Henson
Gerald Hill
Robert C. & Shirley M. Hilmer
Mr. & Mrs. Jim Hitt
Mr. & Mrs. Donald Hofe
Robert Hoffman
Frances Holt
Mr. Richard D. Holtz
Allen, Lucy & Paul Hovious
Mrs. Charlotte E. Hughes
Mr. & Mrs. David Hunt
Margie Hunter
Dr. & Mrs. Timothy Hutchison
Roger T. Jenkins & Gayle Jenkins
Richard W. Jett
Hal & Dona Johnson
Bob & Virginia Johnson
Mr. & Mrs. Timothy K. Johnson
Mary & Doug Johnston
Dr.* & Mrs. Sam Jones
Byron and Carolyn Kamp
John & Eleanor Kennedy
Patrick B. Kennedy &
Jamie S. Amos
Jane S. Kersten
Mr. & Mrs. Brock Kidd
The Kimball Family
Mr. & Mrs. Kurt W. Koehn
Dr. Valentina Kon &
Dr. Jeffrey L. Hymes
Mr. Daniel Kula
Drs. Cheryl Laffer &
Fernando Elijovich
Mr. & Mrs. Joseph A. Lawrence
Mr. Joseph Y. Lee &
Ms. Erica Fetterman
Mr. Talmage Lefler
Mr. & Mrs. Jeremy R. Lemmon
Ted & Anne Lenz
Dorothy & Jim Lesch
Michael & Ellen Levitt
Ms. Delorse A. Lewis
Dr. Christopher &
Melissa Lind
Burk & Caroline Lindsey
Jeffrey & Lori Lipscomb
Richard & Tad Lisella
Chris & Elizabeth Long
Kim & Bob Looney
Mr. Enrico Lopez-Yanez
Mr. & Mrs. Denis Lovell
Kenyatta & Tracey Lovett
Mr. & Mrs. Jay Lowenthal
Jim & Debbie Lundy
Drs. Amy & George Lynch
Michael & State Representative
Susan Lynn
Herman & Dee Maass
Dr. & Mrs. Mark A. Magnuson
Ms. Sheila Mann
Mr. & Mrs. John F. Manning Jr.
Mr. Troy B. Marden &
Jerome Farris
Dr. Dana R. Marshall
Mr. & Mrs. Ronald C. Marston
Ms. Janice A. Jennings
Henry & Melodeene Martin
* denotes donors who are deceased ◊ denotes donors who are Governing Members
INCONCERT
47
INDIVIDUAL PATRONS
Curt & Cynthia Masters
John H. Mather M.D.
Dr. Nancy Brown &
Mr. Andrew May
Drs. Ricardo Fonseca &
Ingrid Mayer
Dr. James S. McBride
Dr. & Mrs. Alexander C. McLeod
Linda & Ray Meneely
Peter & Mecky Meschter
David & Lisa Minnigan
Dr. & Mrs. Guy B. Mioton
Dr. & Mrs. William M. Mitchell
Diana & Jeff Mobley
Marian R. Moore
Mr. and Mrs. Paul G. Moore
Mr. & Mrs. Jonathan Morphett
Andrew Moyer
Mary Jo & Dick Murphy
Mr. & Mrs. B. Dwayne Murray Jr.
Ms. Sheryl A. Mustain
Mr. and Mrs. J. William Myers
Ms. Kenya Nelson Stevens
Dr. & Mrs. Harold Nevels
Mrs. Beth Newell
Drs. John* & Margaret Norris
Mr. David W. Oglesby
Hunt* & Debbye Oliver
Karl M. Olsen
Mrs. Argie C. Oman
Frank & Betty Orr
Drs. Lucius & Freida Outlaw
Dr. & Mrs. Aydin Ozan
Dr. & Mrs. Harry L. Page
Mrs. Douglas J. Parsons
Ms. Jennifer C. Peters
Faris & Bob Phillips
Charles & Mary Phy
Mr. & Mrs. Charles Poole
Ms. Elizabeth M. Potocsnak
Ms. Cynthia M. Powell
Dr. & Mrs. Tim Powers
George & Joyce Pust
Ross & Suzanne Rainwater
Charles H. & Eleanor L. Raths
Mr. & Mrs. J. David Rawle
David Reynolds & Shei Dewald
Drs. Jeff & Kellye Rice
Barbara Richards
Mrs. Jane H. Richmond
Ms. Linda N. Rittenhouse
Dr. & Mrs. Ivan Robbins
Mr. & Mrs. John A. Roberts
Mr. & Mrs. Paul Robertson
Julie Roe, PhD
Marc R. Rogers
Rodney & Lynne Rosenblum
Ed & Jan Routon
Lauren & Christopher Rowe
Mr. Stephen Sachs
Mr. & Mrs.William B. Saunders
& Family
Robert Schlafly & Teri Arney
Mr. and Mrs. Roland Schneller
Jack Schuett
Mr. & Mrs. Robert Scott
Mr. Michael A. Seiler
Odessa L. Settles
Max & Michelle Shaff
Mr. & Mrs. Alan Sielbeck
Faye Silva
Mr. Heber Simmons III
Mr. & Mrs. John C. Slater
Dr. Robert Smith &
Barbara Ramsey
Mr. & Mrs. S. Douglas Smith
Mr. Robert Sneed
Mr. James H. Spalding
Dr. & Mrs. Anderson Spickard Jr.
Mr. & Mrs. William T. Spitz
Ms. Karen G. Sroufe
Dr. Ernest D. Standerfer
Ward Stein
Mr. & Mrs. Glenn C. Stophel
Gayle Sullivan
Frank Sutherland &
Natilee Duning
Dr. Becky E. Swanson
Eric & June Swartz
Mark S. Tallent
Mr. Philip S. Tatum
Mr. & Mrs. Daryle Teague
James Temple
Jeanne & Steve Thomas
Mr. & Mrs. Wendol R. Thorpe
Walter & Cindy Tieck
Mrs. Stephen C. Tippens
Mr. Lloyd Townsend Jr.
Mr. & Mrs. John A. Turnbull
Miss Laura Anne Turner
Frances Anne Varallo
Candace & William Wade
Mr. & Mrs. Jack Wallace
Kay & Larry Wallace
Mr. Kenneth F. Walters
Major & Yong Wang
Ms. Karen M. Warren
Gayle & David Watson
Franklin & Helen Westbrook
Linda & Raymond White
Jonna & Doug Whitman
Ms. Eleanor D. Whitworth
James L. Wilbanks III
Mr. & Mrs. David M. Wilds
Mr. & Mrs. Wayne P. Wilkinson
Mr. and Mrs.
Charles S. Williams
Judy S. Williams
Ben Williamson
Mr. & Mrs. John W. Williamson
Amos & Etta Wilson
Mary E. Womack
Mr. & Mrs. H. Lee Woosley III
Pam & Tom Wylly
Vivian R. & Richard A. Wynn
Mr. Richard S. Yadach
Mr. Mark A. Young
Dr. Michael Zanolli &
Julie K. Sandine
Roy & Ambra Zent
Mrs. Nancy O. Zoretic
* denotes donors who are deceased Individual Patrons continue on page 57
SUPPORT MUSIC
IN TENNESSEE
WITH AN ARTS
PLATE
48 FEBRUARY 2020
TNSpecialtyPlates.org
Open an account
that gives back.
the philanthropy account
We believe in supporting a variety of needs
in our local community, and maintain a
desire to contribute when it’s needed and
where it’s needed. We’re proud to partner
with the Community Foundation of Middle
Tennessee to make this possible through
The Philanthropy Account and INSBANK’s
Philanthropic Fund.
» Money market account earns interest
at a competitive rate.
» Contribution made on your behalf
to the INSBANK Philanthropic Fund.
» Benefit two unique nonprofits every
six months.
» Create community awareness and
volunteer opportunities.
615.515.2265 I 866.866.2265 I www.insbanktn.com
Create Your
Experience.
At Christ the King, we provide a
traditional curriculum with innovative
learning opportunities for children
Pre-K to 8th grade.
A ministry of
CKSraiders.org
Sometimes you want to
go where everybody knows
your name and they’re
always glad you came...
Join us.
Make new friends. Take a class.
Learn. Travel. Volunteer.
Access Resources. FiftyForward
has seven lifelong learning
centers in Middle Tennessee,
supportive care programs and
volunteer opportunities.
Learn more:
www.FiftyForward.org or
615-743-3400.
Follow us on:
“
I am thriving because of FiftyForward Adult Day Services and the
help they offered me … I went from a living death to being revived. ”
— Larnetta
Encore Dining
Rodizio Grill The Brazilian Steakhouse
Rodizio Grill is Nashville’s authentic Brazilian Churrascaria (Steakhouse).
Guests feast on unlimited starters, a gourmet salad and side area and fresh
rotisserie grilled beef, lamb, chicken, pork and more carved table side.
Private and Banquet rooms available.
Reservations Accepted. Valet Parking. Locally Owned and Operated.
Ph: (615)730-8358. | 166 Second Ave. N. | www.rodizio.com/nashville
Melting Pot Fondue Restaurant
Where fun is cooked up fondue style.
Join us for Cheese and Chocolate fondue or the full 4-course experience.
Casually elegant – Always Fun. Open 7 Days for dinner.
Sundays after the Matinee. Valet Parking. Reservations Recommended.
Ph: (615)742-4970. | 166 Second Ave. N. | www.meltingpot.com/nashville
Sambuca
At Sambuca, we think friends, family, food and fun are what life should be
about. Our philosophy is shared with all who walk into our restaurants.
Sambuca features savory new American food and modern cocktails that will
tempt any palate and nourish the soul. Our nightly live music will engage our
guests in the energetic vibe of the restaurant, reminding them to enjoy the
simple pleasures of life.
We throw a party ---a really great party---for our guests every night!
Ph: (615)248-2888 | 601 12th Ave. S. | www.SambucaRestaurant.com
Possible
2019 production of Cinderella
GOODPASTURE
C H R I S T I A N S C H O O L
From 12 months to 12th grade
Building Confidence, Intellectual
Growth and Spiritual Strength.
goodpasture.org
Drees Homes Main Office
615-371-9750
©2018 The Drees Company.
All Rights Reserved. 20-0901-231 12/19
BUILD A DREES HOME
ANYWHERE.
615-235-0725
dreeshomes.com
20-0901-231 • Nash Performing Arts Mag • 6.625 x 5.125
Photo by Francesco Scavullo
2019-20 shows
NASHVILLE
SYMPHONY
Date
Night
JIMMY BUFFETT’S ©
2 CONCERT
TICKETS
2 GLASSES
OF WINE
show dates and more at
TPAC.ORG
Some shows contain mature content.
Event, date, time, guest artists, and repertoire
are subject to change. TPAC.org is the official online
source for buying tickets to TPAC events.
Tennessee Performing Arts Center
505 Deaderick Street
GOO GOO
CHOCOLATES
Join us for a BOLD
40 TH ANNIVERSARY SEASON
boasting not-to-be-missed
NASHVILLE
PREMIERES
plus the return of audience-favorite
BROADWAY
BLOCKBUSTERS
Coming in 2020-21
Details at TPAC.ORG
Book Your
Date Night
ONLINE
NashvilleSymphony.org/Love
CALL
615.687.6400
QUESTIONS? EMAIL US:
tickets@nashvillesymphony.org
STIGMA
A D ocum entary by TEN /28
Exploringstigmaasitrelatesto
Substance U se D isorderand itse fecton recovery
"I can't express what my life would be
like without Hope Clinic... They were my
rock. Support and care like I've never
received from an organization before."
a Safe Place
for Tough Choices
WOMEN HAVE A CHOICE FOR QUALITY HEALTHCARE.
Established in 1983, Hope Clinic for Women is a faith-based safe and confidential place
equipping women, men and families dealing with: unplanned pregnancies, access to women's
healthcare, prevention education, pregnancy loss and postpartum depression. We provide
support regardless of age, race, religion or ability to pay.
Over 2,700 clients will receive services from Hope Clinic this year.
You can join us in our mission of supporting the women, men, and
families of Nashville in receiving necessary medical care,
counseling, education, and practical support. Visit our website at
www.hopeclinicforwomen.org/donate/ to give today!
Your
Donations
96%
Annual $1.2 Million Budget
Client
Contribution
4%
1810 Hayes Street, Nashville TN 37203 | HopeClinicForWomen.org | 615.321.0005
Creating Spaces to Nurture the Imagination
New Arts Performance center opening fall 2020
Soli Deo Gloria
Christ Presbyterian Academy / Preschool-12 / Christ-Centered Worldview / cpalions.org
INDIVIDUAL PATRONS
HONORARY
In honor of Newman and
Johnathon Arndt
In honor of Cynthia Arnholt
In honor of Jack Briner
In honor of Henry Byington
In honor of the
Nashville Symphony Chorus
In honor of Katie Crumbo
In honor of Nathan William Davis
In honor of Eric Gratton
In honor of Brenda & David Griffin
In honor of Erin Hall
In honor of Steven M. Hoffman
In honor of Martha Rivers Ingram
In honor of Jay Jones' Birthday
In honor of
Elizabeth Nickerson "Tutter" McCabe
In honor of Kathleen McCracken
In honor of Gayley and Bob Patterson
In honor of Mark Peacock
In honor of Maya Stone
In honor of Anna Szczuka
In honor of Brian Uhl
In honor of Meghan Vosberg
MEMORIAL
In memory of Linda G. Allison, MD, MPH
In memory of Joan Strait Applegate
In memory of Benjamin Patrick Belden
In memory of Jessica Bloom
In memory of Frederic Blumberg
In memory of Harold Cruthirds
In memory of Gene Dietz
In memory of Philip Dikeman
In memory of Glenn Eaden
In memory of Al Hacker
In memory of Gary Kenneth Hughes
In memory of Dr. Martin Katahn
In memory of Gary Kelly
In memory of Martha Lamprecht
In memory of Sara Harris Moffatt
In memory of
Lt Cmdr Alan A. Patterson, USN
In memory of Charles Howell Potter, Jr.
In memory of Prince
In memory of Edgar Arthur Reed
In memory of John L. Seigenthaler
In memory of Fred Simon
In memory of Leah (Simer) Stufflebam
In memory of Robert Polk Thomson
In memory of H. Martin Weingartner
In memory of David Williams
In memory of
Professor Vicki Gardine Williams
LAWRENCE S. LEVINE MEMORIAL FUND
George E. Barrett*
John Auston Bridges
Mr.* & Mrs. Arthur H. Buhl III
Harris A. Gilbert
Allis Dale & John Gillmor
Dr. Fred & Martha Goldner
Ellen Harrison Martin
Mr. & Mrs.
Martin F. McNamara III
Dr. & Mrs.
Anderson Spickard, Jr.
Dr. & Mrs. Robert Stein
Barbara & Eric Chazen
Donna R. Cheek*
Dr. & Mrs. Alan G. Cohen
Esther & Roger Cohn
Wally & Lee Lee Dietz
Dee & Jerald* Doochin
Robert D. Eisenstein*
Mrs. Annette S. Eskind
Laurie & Steven Eskind
Mr.* & Mrs. Billy Ray Hearn
Judith Hodges
Judith S.* &
James R. Humphreys
Walter & Sarah Knestrick
Sheldon Kurland
Ellen C. Lawson
Sally M. Levine
Frances & Eugene Lotochinski
Cynthia* & Richard* Morin
Dr. Harrell Odom II &
Mr. Barry W. Cook
Mr. and Mrs. Craig E. Philip
Anne & Charles Roos
Mr.* & Mrs.
John L. Seigenthaler
Joan B. Shayne
Vicky & Bennett Tarleton
Mr.* & Mrs.* Louis B. Todd, Jr.
Mr. & Mrs. Byron Trauger
Betty & Bernard* Werthan
Mr. Mark Zimbicki and
Ms. Wendy Kurland
Alice A. Zimmerman
CORPORATE MATCHING COMPANIES
Arcadia Healthcare
American General Life
& Accident
American International
Group, Inc.
Atmos Energy
AT&T Higher Education
/Cultural Matching
Gift Program
Bank of America
BCD Travel
Becton Dickinson & Co.
BLR
CA Matching Gifts Program
Caterpillar Foundation
Cigna Foundation
Community Health
Systems Foundation
Eaton Corporation
ExxonMobil Foundation
First Data Foundation
GE Foundation
General Mills Foundation
Hachette Book Group
IBM Corporation
Illinois Tool Work Foundation
McKesson Foundation
Merrill Lynch & Co
Foundation, Inc.
Microsoft Matching
Gifts Program
Nissan Gift Matching Program
P&G Fund Matching
Gifts Program
PulteGroup
Regions
Scottrade
Square D Foundation
Matching Gifts Program
Shell Oil Company Foundation
Starbucks Matching
Gifts Program
The Aspect Matching
Gifts Program
The HCA Foundation
The Meredith Corporation
Foundation
The Prudential Foundation
The Stanley Works
UBS
United Health Group
U.S. Bancorp Foundation
Williams Community Relations
INCONCERT
57
CORPORATE,
FOUNDATION &
GOVERNMENT
PARTNERS
The Nashville Symphony is deeply grateful to
the following corporations, foundations and
government agencies that support its concert
season and its services to the community
through their contributions. Donors as of
December 19, 2019.
SEASON PRESENTERS & OFFICIAL PARTNERS
THE
ANDREW W.
MELLON
FOUNDATION
PREMIER PARTNERS
Ann and Gordon Getty
Foundation
LEAD PARTNERS
MIKE CURB FAMILY
FOUNDATION
WASHINGTON
FOUNDATION
MARY C. RAGLAND
FOUNDATION
GOVERNMENT PARTNERS
METROPOLITAN
GOVERNMENT
OF NASHVILLE AND
DAVIDSON COUNTY
58 FEBRUARY 2020
ANNUAL FUND
ORCHESTRA PARTNERS
THE ESTATE AT
CHEROKEE DOCK
SAMUEL M. FLEMING
FOUNDATION
HENDRIX
FOUNDATION
ANN HARDEMAN AND
COMBS L. FORT FOUNDATION
MUSICIAN PARTNERS
American Paper and Twine
BDO USA, LLP
Carter Haston Real Estate
Chet Atkins Music Education Fund
of The Community Foundation of
Middle Tennesse
Cumberland Trust & Investment Co.
Cumberland University
Ensworth School
Flavor Catering
Hans and Nancy Stabell
HUB International Mid-South
I.C. Thomasson Associates Inc.
NAXOS
Parking Management Companies
Robert K. & Anne H. Zelle Fund
for Fine and Performing Arts of
The Community Foundation of
Middle Tennessee
Ryman Hospitality
Properties Foundation
The Houghland Foundation
The Cupcake Collection
CORPORATE AND FOUNDATION PARTNERS
AmazonSmile Foundation
Craft Brewed
Jimmy Choo USA
Midtown Corkdork Wine Spirits Beer
Nashville First Baptist
SONY ATV
Tennsco Corporation
The Game 102.5 / Game2 94.9
Tiffs Treats
101.1 THE VILLE
Mix 92.9
The Cockayne Fund Inc.
92.1 Q
INCONCERT
59
CAPITAL FUNDS
The Nashville Symphony wishes to acknowledge and thank the following individuals, foundations and corporations
for their commitment to the Symphony. This list recognizes donors who contributed $15,000 or more to one of the
Symphony’s endowment or capital campaigns. These capital campaigns make it possible to ensure a sustainable
future for a nationally recognized orchestra worthy of Music City.
$1M+
AmSouth Foundation
Andrea Waitt Carlton Family
Foundation
The Ayers Foundation
Bank of America
Alvin & Sally Beaman Foundation
Lee A. Beaman, Trustee
Mr. & Mrs. Dennis C. Bottorff
Ann* & Monroe* Carell
Caterpillar Inc. & Its Employees
The Community Foundation of
Middle Tennessee
Mike Curb Family Foundation
CaremarkRx
Greg & Collie Daily
Dollar General Corporation
Laura Turner Dugas
The Frist Foundation
Amy Grant & Vince Gill
Patricia & H. Rodes Hart
Mr.* & Mrs. Spencer Hays
HCA
Ingram Charitable Fund
Mr. Orrin Ingram II
The Martin Foundation
Ellen Harrison Martin
Mr.* & Mrs. R. Clayton McWhorter
The Memorial Foundation
Metropolitan Government of
Nashville & Davidson County
Anne* & Dick Ragsdale
Mr. & Mrs. Ben R. Rechter
Estate of Walter B &
Huldah Cheek Sharp
State of Tennessee
Margaret* & Cal Turner Jr.*
James Stephen Turner Charitable
Foundation
Vanderbilt University
The Vandewater Family Foundation
Ms. Johnna Benedict Watson
Colleen* & Ted* Welch
The Anne Potter Wilson Foundation
$500,000+
Mr. Tom Black
Dr. & Mrs. Thomas F. Frist, Jr.
Giarratana Development, LLC
Carl & Connie Haley
Mr. & Mrs. J. Michael Hayes
HCA Foundation, in honor of Dr. &
Mrs. Thomas F. Frist
Mr. & Mrs. Robert A. McCabe Jr.
Regions Bank
Mr. & Mrs. James C. Seabury III
Estate of Anita Stallworth
SunTrust Bank
Tennessee Arts Commission
Laura Anne Turner
$250,000+
American Constructors, Inc.
Barbara & Jack Bovender
American Retirement Corp.
Connie & Tom Cigarran
E.B.S. Foundation
Gordon & Shaun Inman
Harry & Jan Jacobson
The Judy & Noah Liff Foundation
Robert Straus Lipman
Mrs. Jack C. Massey*
Mr. & Mrs. Henry McCall
Lynn & Ken Melkus
Richard L. & Sharalena Miller
National Endowment for the Arts
Mr. & Mrs. Philip Maurice Pfeffer
Justin & Valere Potter Foundation
Irvin & Beverly Small
Anne H. & Robert K.* Zelle
$100,000+
Mr. & Mrs. Dale Allen
Phyllis & Ben* Alper
Andrews Cadillac/
Land Rover Nashville
Averitt Express
Barbara B. & Michael W. Barton
BellSouth
Julie & Frank Boehm
Richard & Judith Bracken
Mr.* & Mrs. James C. Bradford Jr.
Boult, Cummings, Conners &
Berry, PLC
The Charles R. Carroll Family
Fred J. Cassetty
Mr.* & Mrs. Michael J. Chasanoff
Leslie Sharp Christodoulopoulos
Charitable Trust
CLARCOR
Mr.* & Mrs. William S. Cochran
Mr. & Mrs. Thomas Fite Cone
Corrections Corporation of America
Estate of Dorothy Parkes Cox
Janine, Ben, John & Jenny Cundiff
Deloitte & Touche LLP
The Rev. Canon & Mrs. Fred Dettwiller
Marty & Betty Dickens
Michael D. & Carol E. Ennis Family
Annette & Irwin* Eskind
The Jane & Richard Eskind &
Family Foundation
The M. Stratton Foster
Charitable Foundation
Mr. & Mrs. Steven B. Franklin
Frost Brown Todd LLC
Gannett Foundation / The Tennessean
Dr. Priscilla Partridge de Garcia* &
Dr. Pedro E. Garcia*
Gordon & Constance Gee
Genesco Inc.
Mr. & Mrs. Joel C. Gordon
Guardsmark, LLC
Billy Ray* & Joan* Hearn
The Hendrix Foundation
Mr.* & Mrs. Henry W. Hooker & Family
Mr. & Mrs. Elliott Warner Jones
Walter & Sarah Knestrick
ESaDesign Team
Earl Swensson Associates Inc.
I.C. Thomasson Associates Inc.
KSi/Structural Engineers
Lattimore, Black, Morgan & Cain PC
Mr. & Mrs. Fred Wiehl Lazenby
Sally M. Levine
Andrew Woodfin Miller Foundation
Morgan Stanley Dean Witter & Co.
Nashville Symphony Chorus
Nashville Symphony Orchestra League
Pat & John W. Nelley Jr.
O’Charley’s
Partnership 2000
Bonnie & David Perdue
Mr. & Mrs. Dale W. Polley
Mary C. Ragland Foundation
The John M. Rivers Jr. Foundation Inc.
Carol & John Rochford
Mr. & Mrs. Alex A. Rogers
Anne & Joseph Russell & Family
Daniel & Monica Scokin
Bill & Sharon Sheriff
Mr.* & Mrs. Martin E. Simmons
Luke & Susan Simons
Mr. & Mrs. Michael W. Smith
Barbara & Lester* Speyer
The Starr Foundation
Hope & Howard* Stringer
Louis B.* & Patricia C.* Todd Jr.
Lillias & Fred* Viehmann
The Henry Laird Smith Foundation
Mr. & Mrs. E.W. Wendell
Mr. David M. Wilds
Mr. & Mrs. W. Ridley Wills III
Mr.* & Mrs. David K. Wilson
$50,000+
Adams and Reese / Stokes
Bartholomew LLP
American Airlines
American General Life & Accident
Insurance Company
Baker, Donelson, Bearman,
Caldwell & Berkowitz
J B & Carylon Baker
Dr. & Mrs. T.B. Boyd III
William H. Braddy III
Dr. Ian* & Katherine* Brick
Mr. & Mrs.* Martin S. Brown Sr.
Michael & Jane Ann Cain
Mike Curb/Curb Records Inc.
The Danner Foundation
Dee & Jerald* Doochin
Ernst & Young
Mr. & Mrs. David S. Ewing
Ezell Foundation / Purity Foundation
Mr.* & Mrs.* Sam M. Fleming
In Memory of Kenneth Schermerhorn
60 FEBRUARY 2020
Letty-Lou Gilbert*, Joe Gilbert & Family
James C. Gooch & Jennie P. Smith
Edward A. & Nancy Goodrich
Bill & Ruth Ann Leach Harnisch
Hastings Architecture Associates, LLC
Dr. & Mrs.* George W. Holcomb Jr.
Mr. & Mrs. Clay T. Jackson
KPMG LLP
Mrs. Heloise Werthan Kuhn
John T. Lewis
Gilbert Stroud Merritt
Mr. & Mrs. David K. Morgan
Musicians of the Nashville Symphony
Anne & Peter Neff
Cano & Esen Ozgener
Ponder & Co.
Eric Raefsky, M.D.* & Ms. Victoria Heil
Delphine & Ken Roberts
Ro’s Oriental Rugs, Inc.
Mrs. Dan C. Rudy*
Mary Ruth* & Bob Shell
Mr. & Mrs. Richard Speer
Stites & Harbison, PLLC
Mr. & Mrs. Bruce D. Sullivan
Alan D. Valentine
Waller Lansden Dortch & Davis, LLP
Estate of Christine Glenn Webb
David* & Gail Williams
Nicholas S. Zeppos & Lydia A. Howarth
$25,000+
AMSURG
Family of Kenneth Schermerhorn
The Bank of Nashville
Bass, Berry & Sims PLC
Tom & Wendy Beasley
The Bernard Family Foundation
The Honorable Philip Bredesen &
Ms. Andrea Conte
The Very Rev. Robert E. &
Linda M. Brodie
Mr.* & Mrs. Arthur H. Buhl III
Mr. & Mrs. Frank M. Bumstead
Community Counselling
Service Co., Inc.
Mr. & Mrs. Charles W. Cook Jr.
Doug & Sondra Cruickshanks
Mr. & Mrs. Robert V. Dale
Gail & Ted DeDee
In Memory of Ann F. Eisenstein
Enco Materials, Inc./
Wilber Sensing Jr., Chair Emeritus
Nancy Leach & Bill Hoskins
John & Carole Ferguson
Estate of Dudley C. Fort
Mr. & Mrs. F. Tom Foster Jr.
Mr. & Mrs. Keith D. Frazier
John & Lorelee Gawaluck
Giancarlo & Shirley Guerrero
Mr. & Mrs. James Earl Hastings
Hawkins Partners, Inc.
Landscape Architects
Neil & Helen Hemphill
Hilton Nashville Downtown
In Memory of Ellen Bowers Hofstead
Hudson Family Foundation
Iroquois Capital Group, LLC
John F. & Jane Berry Jacques
Mercedes E. Jones
Mr. & Mrs. Randall L. Kinnard
KraftCPAs PLLC
Estate of Barbara J. Kuhn
Mr. & Mrs. Lawrence M. Lipman
The Howard Littlejohn Family
The Loventhal and Jones Families
Mimsye* & Leon May
Kevin P. & Deborah A. McDermott
Rock & Linda Morphis
Carole & Ed* Nelson
Nissan North America, Inc.
Odom’s Tennessee Pride Sausage, Inc.
Larry D. Odom, Chairman/CEO
Hal N. & Peggy S. Pennington
Celeste Casey* & James Hugh Reed III*
Renasant Bank
Jan & Stephen S. Riven
Lavona & Clyde Russell
Dr. & Mrs. Michael H. Schatzlein
Kenneth D. Schermerhorn*
Lucy & Wilbur Sensing
Nelson & Sheila Shields
Michael & Lisa Shmerling
Joanne & Gary Slaughter
Doug & Nan Smith
Hans & Nancy Stabell
Ann & Robert H. Street
Mr. & Mrs. William J. Tyne
Washington Foundation, Inc.
Mr. & Mrs. W. Ridley Wills II
Mr. & Mrs. Joseph J. Wimberly
Janet & Alan Yuspeh
Shirley Zeitlin
$15,000+
Kent & Donna Adams
Ruth Crockarell Adkins
Aladdin Industries, LLC
American Brokerage Company, Inc.
American Paper & Twine Co.
Mr. & Mrs. William F. Andrews
Dr. Alice A. & Mr. Richard Arnemann
Mr. & Mrs. J. Hunter Atkins
Sue G. Atkinson
Mr. & Mrs. Albert Balestiere
Baring Industries
Brenda C. Bass
Russell W. Bates
James S. & Jane C. Beard
Allison & John Beasley
Ruth Bennett & Steve Croxall
Frank* & Elizabeth Berklacich
Ann & Jobe* Bernard
Mr.* & Mrs. Boyd Bogle III
John Auston Bridges
Mr. & Mrs. Roger T. Briggs Jr.
Cathy & Martin Brown Jr.
Grennebaum Doll & McDonald PLLC
Patricia & Manny* Buzzell
Mr.* & Mrs.* Gerald G. Calhoun
Mr. & Mrs. William H. Cammack
Terry W. Chandler
Neil & Emily Christy
Chase Cole
Dr. & Mrs. Lindsey W. Cooper Sr.
Mr. & Mrs. Andrew D. Crawford
Barbara & Willie K. Davis
Mr. & Mrs. Arthur C. DeVooght
Mr. & Mrs. Matthew H. Dobson V
Mike & Carolyn Edwards
Mr. John W. Eley & Ms. Donna J. Scott
Sylvia & Robert H. Elman
Martin & Alice Emmett
Larry P. & Diane M. English
Dr. & Mrs. Jeffrey B. Eskind
Bob & Judy Fisher
Karen & Eugene C. Fleming
Mr. & Mrs. H. Lee Barfield II
Cathey & Wilford Fuqua
Mr. & Mrs. Paul J. Gaeto
The Grimstad & Stream Families
Heidtke & Company, Inc.
Robert C. Hilton
Dr. & Mrs. Stephen P. Humphrey
Franklin Y. Hundley Jr.
Margie & Nick* Hunter
Joseph Hutts
Mr. & Mrs. T.J. Jackson
Mr. & Mrs. David B. Johnson
Mr. & Mrs. Russell A. Jones Jr.
John Kelingos Education Fund
Beatriz Perez & Paul Knollmaier
Pamela & Michael Koban Jr.
Mr. & Mrs. Kenneth G. Langone
Richard & Delorse Lewis
Robert A. Livingston
Frances & Eugene Lotochinski
Mr.* & Mrs. Robert C.H. Mathews, Jr.
Betsy Vinson McInnes
Jack & Lynn May
Mr. & Mrs. James Lee McGregor
Dr. & Mrs. Alexander C. McLeod
Mr. & Mrs. Robert E. McNeilly III
Dr. Arthur McLeod Mellor
Mary & Max Merrell
Donald J. & Hillary L. Meyers
Christopher & Patricia Mixon
NewsChannel 5 Network
Susan & Rick Oliver
Piedmont Natural Gas
David & Adrienne Piston
Charles H. Potter Jr.
Joseph & Edna Presley
Nancy M. Falls & Neil M. Price
Mr. & Mrs. Charles R. Pruett
Linda & Art Rebrovick
Mr. & Mrs. Doyle R. Rippee
Dr. & Mrs. Clifford Roberson
Mr.* & Mrs.* Walter M. Robinson Jr.
Anne & Charles Roos
Ron Rossmann
Joan Blum Shayne
Mr. & Mrs. Irby C. Simpkins, Jr.
Patti & Brian Smallwood
Murray & Hazel Somerville
Southwind Health Partners®
The Grimstad & Stream Families
Dr. Steve A. Hyman & Mark Lee Taylor
John B. & Elva Thomison
Mr. & Mrs. Marshall Trammell Jr.
Eli & Deborah Tullis
Mr. & Mrs. James M. Usdan
Louise B. Wallace Foundation
Mr.* & Mrs. George W. Weesner
Ann & Charles* Wells
In Memory of Leah Rose B. Werthan
Mr.* & Mrs.* Albert Werthan
Betty & Bernard* Werthan Foundation
Olin West, Jr. Charitable Lead Trust
Mr. & Mrs. Toby S. Wilt
Dr. & Mrs. Lawrence K. Wolfe
Dr. Artmas L. Worthy
Mr. & Mrs. Julian Zander Jr.
* denotes donors who are deceased
INCONCERT
61
NASHVILLE SYMPHONY
LEGACY SOCIETY
LEAVING A LEGACY, BUILDING A FUTURE
The Nashville Symphony is grateful to those donors who have remembered the orchestra in their
estate plans. Legacy gifts to the Nashville Symphony help Middle Tennessee’s resident orchestra
achieve its mission of making beautiful music, reaching diverse audiences and improving life in our
community for generations to come through the following:
– World-class performances of enduring orchestral music, from Bach to Beethoven to Bernstein
– Affordable ticket prices for music lovers of all ages and backgrounds
– Commissions and recordings of America’s leading composers, who are keeping classical music
relevant for 21st-century audiences
– Life-changing education programs that provide inspiration, instruction and mentorship for
students from kindergarten through high school
– The acoustical brilliance of Schermerhorn Symphony Center, a venue
built to serve the entire community
Be “instrumental” in our success by sharing your passion for music with future generations.
For more information on the many creative ways to make a planned gift, please visit
NashvilleSymphony.org/plannedgiving or call Andrew Shafer at 615.687.6484.
Anonymous (4)
Stephen Abelman &
Robin Holab-Abelman
Barbara B. & Michael W. Barton
Russell Bates
Elisabetha C. Baugh
Ann Bernard
Congressman Diane Black &
Dr. David L. Black
Julie G. & Frank H. Boehm, MD
Ellen & Roger Borchers
Mr. & Mrs. Dennis C Bottorff
H. Victor Braren, M.D.
Charles W. Cagle
Mr. and Mrs.
Christopher John Casa Santa
Paul Catt and Linda Etheredge
Donna & Steven* Clark
George D. Clark Jr.
Dr. Cliff Cockerham &
Dr. Sherry Cummings
Barbara J.* and John J.* Conder
Marianne Connolly
Kelly Corcoran & Joshua Carter
Mr. & Mrs. Roy Covert
Kevin and Katie Crumbo
Janet Keese Davies
Andrea Dillenburg
The William M.* and Mildred P.*
Duncan Family and Deborah
Annette & Irwin* Eskind
Paula Fairchild
Judy and Tom Foster
Henry S. Fusner*
Dr. Priscilla Partridge de Garcia* &
Dr. Pedro E. Garcia*
Harris Gilbert
Allis Dale & John Gillmor
James C. Gooch
Ed & Nancy Goodrich
Landis Bass Gullett*
Connie & Carl T. Haley, Jr.
Martin Todd Harris
David & Judith S. Hayes
Billy Ray Hearn*
Eric Raefsky, M.D.* & Victoria Heil
Gregory T. Hersh
Judith Hodges
Mr. & Mrs. Bennett F. Horne
Judith Simmons Humphreys*
Martha R. Ingram
Elliott Warner Jones &
Marilyn Lee Jones
Anne Knauff
Heloise Werthan Kuhn
Paul Kuhn
Barry S. Lapidus
Sally M. Levine
John T. Lewis
Todd M. Liebergen
Clare* & Samuel* Loventhal
Ernestine M. Lynfoot
Ellen Harrison Martin
Thomas McAninch
Dr. Arthur McLeod Mellor
James Victor Miller*
Sharalena & Dick Miller
Rev. Dr. Charles L. Moffatt, III
Ellen Livingfield More
Cynthia* & Richard* Morin
Patricia W. & James F. Munro
Anne T. & Peter L. Neff
Jonathan Norris & Jennifer Carlat
Mr. & Mrs. Michael Nowlin
Harry & Shelley Page
Juanita M. Patton*
Drs. Mark & Nancy Peacock
Pamela K. & Philip Maurice Pfeffer
Joseph Presley
Dr. Zeljko Radic &
Tanya Covington Radic
David & Edria Ragosin
Nancy Ray
Mr. & Mrs. Ben R. Rechter
Fran C. Rogers
Judith A. Sachs
Mr. James A. Scandrick Jr.*
Kristi Lynn Seehafer
Mr. Martin E.* &
Mrs. Judy F. Simmons
Irvin & Beverly Small
Mary & K.C. Smythe
Dr. and Mrs. Anderson Spickard Jr.
Maribeth & Christopher Stahl
Betsy Proctor Stratton* &
Harry E. Stratton*
Patricia Mlcuch Strickland
Dr. Esther & Mr. Jeffery Swink
Steve Alan Hyman &
Mark Lee Taylor
Dr. John Brown Thomison, Sr.*
Mr. Robert J. Turner &
Mr. Jay Jones
Alan D. & Janet L. Valentine
Mrs. Johnna Benedict Watson
Dr. Colleen Conway Welch*
Jimmie D. & Patricia Lee White
Lalah Gee Williams
Dr. Patricia B. Willoughby
Donna B. Yurdin
Barbara & Bud Zander
Shirley Zeitlin
Anne H. & Robert K.* Zelle
*denotes donors who are deceased
62 FEBRUARY 2020
NASHVILLE SYMPHONY
ADMINISTRATIVE STAFF
EXECUTIVE
Alan D. Valentine, President and CEO
Steven Brosvik, COO
Marye Walker Lewis, CPA, CFO
Heather Romero, Executive Assistant
ARTISTIC ADMINISTRATION
Jessica Slais, V.P. of Artistic Administration
Ellen Kasperek,
Senior Manager of Artistic Administration
Eleanor Roberts,
Manager of Artistic Administration
Harrison Bryant, Artistic Coordinator
Luke Bryson, Librarian
David Jackson, Assistant Librarian
Andrew Risinger, Organ Curator
COMMUNICATIONS
Jonathan Marx, V.P. of Communications
Dave Felipe,
Publicist & Communications Manager
Justin Bradford, Director of Digital Media
Diana Rosales, Digital Media Coordinator
Sean Shields, Art Director
Alina Van Oostrom,
Graphic Design Associate
DATA SERVICES
Tara Shirer, Manager of Data Services
Sheila Wilson, Sr. Database Associate
Tatyana Bristol, PT Database Associate
DEVELOPMENT
Jonathan Norris, V.P. of Development
Maribeth Stahl, Sr. Director of Development
Kortney Toney,
Corporate Partnerships Manager
Trianne Newbrey,
Corporate Partnerships Officer
Ashlinn Snyder,
Development Programs Manager
Dennis Carter, Patron Engagement Officer
Judith Wall, Patron Engagement Officer
Jacob Tudor, Patron Engagement Officer
Andrew Shafer, Planned Giving Manager
Brooke Stuart,
Development Events Manager
Celine Thackston, Grants Manager
Jesse Strauss, Grants Assistant
Samantha Solatka, Stewardship Coordinator
EDUCATION
Kimberly Kraft McLemore,
Director of Education and
Community Engagement
Kelley Bell, Education and Community
Engagement Program Manager
Kristen Freeman, Education and
Community Engagement Program Manager
Bryson Finney,
Accelerando Coordinator
FINANCE
Karen Warren, Controller
Bobby Saintsing, A/P & Payroll Manager
Sheri Switzer, Senior Accountant
Charlotte Schweizer,
Retail Manager and Buyer
FOOD, BEVERAGE
AND EVENTS
Johnathon McGee,
Senior Event Sales Manager
Schuyler Thomas, Senior Event Manager
Lee Ann Eaton, Event Facilitator
Anderson S. Barns, Beverage Manager
HUMAN RESOURCES
Nakisha Hicks,
Director of Human Resources and Inclusion
Catherine Royka,
Manager of Volunteer Services
I.T.
Trenton Leach,
Director of Information Technology
MARKETING
Daniel B. Grossman, V.P. of Marketing
Misty Cochran, Director of Marketing
Lindsay Bergstrom,
Director of Ticket Services
Gena Staib, Box Office Manager
Rachael Downs,
Assistant Box Office Manager
Rich Bartkowiak, Marketing Supervisor
Missy Hubner, Ticket Services Assistant
Sarah Rose Peacock,
Marketing & Communications Coordinator
Marketing Associates: Henry Byington,
Jim Davidson, Kimberly DePue,
Rick Katz, Misha Robledo
Ticket Services Supervisors:
Jesse Baker, Jean-Marie Clark,
Peter Donnelly, Melissa Messer
Ticket Services Specialists:
Erin Caby, Tyrone Cadogan,
Kaitlyn Elsen, Lindsey George,
Rachael Greenman, Dana Manno,
Casandra Nevils, Mary Self,
Elizabeth Singer, Lindsey Smith-Trostle,
Rachel Stigliano
PRODUCTION &
ORCHESTRA OPERATIONS
Sonja Thoms, Sr. Director of Operations
and Orchestra Manager
John Wesolowski,
Orchestra Personnel Manager
Joseph Demko
Assistant Orchestra Personnel Manager
Mark Dahlen, Audio Engineer
Emily Yeakle, Senior Lighting Director
Trey Franklin, Lighting Director
W. Paul Holt, Stage Manager
Josh Walliser, Production Manager
Trevor Wilkinson, Recording Engineer &
Assistant Production Manager
Larry Bryan, Audio Engineer &
Assistant Production Manager
Katy Lyles, Operations Coordinator
VENUE MANAGEMENT
Eric Swartz, V.P. of Venue Management
John Sanders, Chief Technical Engineer
Kenneth Dillehay, Chief Engineer
Wade Johnson, Housekeeping Manager
James Harvell, Housekeeper
Tony Meyers,
Director of Security and Front of House
Alan Woodard, Security Manager
Sam Harrington,
Facility Maintenance Technician
Gregory Weiss,
Facility Maintenance Technician
INCONCERT
63
Your Nashville Symphony
Live at the Schermerhorn
CELTIC
JOURNEY
March 12 to 14
diSCO
FEVER
March 26 to 28
615.687.6400
NashvilleSymphony.org
POPS SERIES
PARTNER
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