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CONTENTS UNDER PRESSURE ISSUE 2: PLATFORM

Welcome to issue one of CONTENTS UNDER PRESSURE, a zine about celebrating creativity, equality, and unity. This exclusive issue follows various bands across the UK about the importance of representation in the music industry, and how they handle it in each their own ways. Thank you for your support! Starring: The Tuts The Spook School Dream Nails Kermes Babe Punch Crumbs Happy Accidents Fresh Velodrome The Baby Seals Colour Me Wednesday Witch Fever

Welcome to issue one of CONTENTS UNDER PRESSURE, a zine about celebrating creativity, equality, and unity. This exclusive issue follows various bands across the UK about the importance of representation in the music industry, and how they handle it in each their own ways. Thank you for your support! Starring: The Tuts The Spook School Dream Nails Kermes Babe Punch Crumbs Happy Accidents Fresh Velodrome The Baby Seals Colour Me Wednesday Witch Fever

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THE BABY SEALS

sound a bit more.” Bassist Jasmine

Robinson agrees: “It’s hard to get

your frustration out when you’re

just doing ‘la la la la,’ whereas,

with the last one, you can rock the

fuck out.”

On a deeper level, when writing

about heavy political topics like

The Baby Seals hope to do, it’s

hard to be sensitive and appropriate

when your sound goes along those

lines. “This year, there’s been some

really big political things in the

news that we wanted to reflect on,

and doing that in a poppy way can

sometimes undermine what you’re

trying to say,” Kerry explains.

“We’ve written about the Harvey

Weistein thing, and that’s definitely

got more of a dangerous sound.

Having a song about sexual harassment,

you can’t be like, ‘la la la!’”

Conveying humor and a fun atmosphere

through their songs about

below-average porn and body hair

seems to be working well for them,

though.

It’s refreshing for a crowd to hear

songs about these observations,

especially when they themselves

have perceived them and felt alone

in their self-judgment. After a

show in Peterborough, a woman

approached the band to express

her gratitude for writing a song

about something she had been so

ashamed of in the past. “She was

nearly crying, saying she’d been

worried about her body and nipple

hair, and hearing us play that song

made her feel better,” Kerry says,

“and I said to the girl, that’s why

we’re doing it. That’s it – that’s

the whole thing.” It seems taboo,

talking about things like body hair

and the shapes of genitals in public

because of how society has perceived

these topics for so long, but

when people do begin to talk, just

as The Baby Seals have, it opens

up the floodgates, encouraging

conversation and acceptance. The

beautiful thing about delivering

such messages in a fun manner,

then, is reaching an audience in

an accessible manner that doesn’t

come across as “teaching” them

anything. “You have to remember

the audience you’re delivering that

message to probably already know

that message,” Kerry explains.

“It’s like me sending a message

on Facebook saying ‘racism is

bad’. Everybody who I’m friend

with knows that it’s bad.” Instead,

they’re reaching out to the people

who are also searching for that validation,

and pursuing an attempt at

reevaluating their own internal misogyny.

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