Fretboard Evolution Vol. I - Steve Rieck

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• A minor or perfect interval that is lowered a half-step and spelled with the same letters is a DIMINISHED interval. • Major intervals always invert to minor intervals and vice-versa. • Perfect intervals always invert to perfect intervals. • Augmented intervals always invert to diminished intervals and viceversa. © 2011 Steve Rieck – all rights reserved 44
What is an interval ? What is a frequency ? What does the word hertz mean ? CHAPTER 3 QUIZ & EXERCISES What is the standard reference tuning pitch ? How does frequency relate to octaves ? In the most basic sense, an interval is measured by ? How many letters are contained in the interval F# up to D ? How many letters are contained in the interval G up to Bb ? How many letters are contained in the interval C up to F# ? How many letters are contained in the interval C up to Gb ? What is a unison ? What is an octave ? What is an interval inversion ? The sum of any interval (within an octave) + it’s inversion will always equal ? What is a major interval ? What is a minor interval ? Major intervals always invert to ____________ intervals and vice-versa. What relation to it’s inversion defines an interval as perfect ? © 2011 Steve Rieck – all rights reserved 45
Page 2 and 3: © Copyright 2011 Steve Rieck FRETB
Page 4 and 5: The good news is that once that cri
Page 6 and 7: The first 13 Chapters are what I'd
Page 8 and 9: CHAPTER 1 UNDERSTANDING THE FRETBOA
Page 10 and 11: Logically, the next important term,
Page 12 and 13: Regardless of the specific notes of
Page 14 and 15: Look back to the fretboard diagram.
Page 16 and 17: Play a simple melody anywhere on th
Page 18 and 19: Unlike the C major scale, the other
Page 20 and 21: The LAST four notes of the C major
Page 22 and 23: A Major Scale A B C# D E F# G# A E
Page 24 and 25: Gb Major Scale Gb Ab Bb Cb Db Eb F
Page 26 and 27: Db Major Scale Db Eb F Gb Ab Bb C D
Page 28 and 29: So to summarize: 1. we began with t
Page 30 and 31: Take some time to play a single maj
Page 32 and 33: What is a more common enharmonic sp
Page 34 and 35: augmented), the most important conc
Page 36 and 37: Ex. 3 (E to C / C to E) Ex. 4 (G to
Page 38 and 39: Perfect Intervals Now look at examp
Page 40 and 41: C to Gb = Diminished 5 th (6 half-s
Page 42 and 43: Minor 3 rd (C to Eb) Major 3 rd (C
Page 46 and 47: The only perfect intervals by defin

Fretboard Evolution Vol. I - Steve Rieck

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