Fortissimo Autumn 2019
The Autumn 2019 edition of the Faber Music newsletter: fortissimo!
The Autumn 2019 edition of the Faber Music newsletter: fortissimo!
You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
NEW WORKS<br />
Stage works<br />
THOMAS ADÈS<br />
Inferno (<strong>2019</strong>)<br />
orchestra c.40 minutes<br />
3(III=picc).3(III=ca).3(I in Bb+A, II in A, III in A=bcl).3(III=cbsn) – 4331 – timp(=rototom[s]) – perc(3): glsp/t.bells/tgl/<br />
sleigh bells/clash.cyms/susp.cym/anvil/tam-t/whip/rattle(ratchet)/cast/washboard/wooden spatulas (2 pairs – thin)/tamb/2<br />
SD/2 TD (with snares)/BD and mounted clash.cym(s) (‘machine’)/concert BD – harp – piano – strings (recommended<br />
12.10.8.8.6)<br />
Commissioned by the Los Angeles Philharmonic, Gustavo Dudamel, Music and Artistic Director and the Royal Opera House<br />
Covent Garden Foundation for ballet performances with the generous support of the Lenore S. and Bernard A. Greenberg Fund.<br />
Co-commissioned by the Royal Concertgebouw Orchestra Amsterdam for concert performances.<br />
FP: Concert Prem: 10.5.<strong>2019</strong>, Walt Disney Concert Hall, Los Angeles, CA, USA: Los Angeles Philharmonic Orchestra/Gustavo<br />
Dudamel. Ballet Prem: 12.7.<strong>2019</strong>, Dorothy Chandler Pavilion, The Music Center, Los Angeles, CA, USA: Los Angeles Philharmonic<br />
Orchestra/Thomas Adès/chor. Wayne McGregor/The Royal Ballet/Company Wayne McGregor<br />
Score and parts in preparation<br />
Orchestra<br />
FRANCISCO COLL<br />
Aqua Cinerea (2005, rev. <strong>2019</strong>) Op.1<br />
large orchestra 12 minutes<br />
picc.2.2.ca.ebcl.1.bcl.2.cbsn – 4.ptpt.2.3.1 – timp – perc(4): glsp/anvil/xyl/t.bells/splash.cym/clash.cym/3 susp.cym/china.<br />
cym/ride.cym/tam-t/2 tgl/sleigh bells/3 c.bells/frying pan/tin box/metal oil drum (approx. 200 ltr.)/cabasa/2 hardback<br />
books/plastic bag full of scrap paper/tamb/bongos/cajon/4 tom-t/SD/BD – harp – pno – strings<br />
FP: 18.9.2007, Palau de la Música, Valencia, Spain: Orquesta Filarmónica de la Universitat de Valencia/Cristóbal Soler<br />
Score and parts for hire<br />
DEBUSSY ORCH. COLIN MATTHEWS<br />
‘Et la lune descend sur la temple qui fut’ from Images Book II<br />
orchestra c.4 minutes<br />
2(II=picc).afl.2.ca.2.bcl.2.cbsn – 4320 – timp – perc(1-2): crot/tam-t – cel – 2 harps – strings<br />
FP: Recording: 10.5.<strong>2019</strong>, Hallé Orchestra/Mark Elder<br />
Score and parts in preparation<br />
JONNY GREENWOOD<br />
Horror vacui (<strong>2019</strong>)<br />
solo violin and 68 solo strings (18.18.12.12.8). c.25 minutes<br />
Commissioned by the BBC Proms<br />
FP: 10.9.<strong>2019</strong>, BBC Proms, Royal Albert Hall, London, UK: Daniel Pioro/BBC National Orchestra of Wales/Proms Youth<br />
Ensemble/Hugh Brunt<br />
Score and parts for hire<br />
JOHN HARLE<br />
Briggflatts (<strong>2019</strong>)<br />
soprano saxophone and orchestra. 21 minutes<br />
2(II=picc+afl).2(II=ca).2(II=bcl).2(II=cbsn) – 4.2(I+II=flhn).2.btrbn.1 – timp – perc(3): vib/2 glsp/tam-t/2 bowed cym/<br />
claves/mar/crot/BD/cym (soft sticks)/xyl/African shakers/SD (rim-shot)/ride cym (soft sticks)/bongo (on stand, near SD)/<br />
whip – harp – pno(=cel+Fender Rhodes)* – strings. *Fender Rhodes is optional, but preferable. All players clap written rhythms<br />
in the first movement. Where possible, the harp, piano/keyboards and the three percussion players should be placed together<br />
in a position close to the conductor.<br />
FP: 16.5.<strong>2019</strong>, Queen Elizabeth Hall, Southbank Centre, London, UK: Jess Gillam/BBC Concert Orchestra/Bramwell Tovey<br />
Score and parts for hire<br />
MATTHEW HINDSON<br />
Concerto for Soprano Saxophone & Orchestra (<strong>2019</strong>)<br />
22 mins.<br />
2.2.2.2(II=cbsn) – 4.2.2.btrbn.1 – timp – perc(1): glsp/vib/t.bells/splash cym/cyms/susp.cym/ride cym/tgl/sligh bells/cowbell (high)/<br />
tamb/squeaky toy/whip/flexatone/3 wdbl (high, med & sml)/tpl.bl/sandpaper blocks/bongos/hi-hat/SD/BD – strings (86543)<br />
Commissioned by the Tasmanian Symphony Orchestra, through the philanthropic support of the TSO Commissioning Circle<br />
FP: 25.8.<strong>2019</strong>, Federation Concert Hall, Hobart, TAS, Australia: Amy Dickson/Tasmanian SO/Benjamin Northey<br />
Score and parts for hire, solo part and piano reduction on special sale from the Hire Library<br />
DAVID MATTHEWS<br />
Le Lac (2017)<br />
soprano and chamber orchestra c.18 minutes<br />
Text: Alphonse de Lamartine – Le Lac (French)<br />
1(=picc).1(=ca).1.1 – 2100 – harp – strings<br />
Commissioned by the Orchestra of the Swan<br />
FP: 28.5.<strong>2019</strong>, Stratford Arts House, Stratford-upon-Avon, Warwickshire, UK: April Fredrick/Orchestra of the Swan/Kenneth Woods<br />
Full score, vocal score and parts for hire<br />
String Orchestra<br />
THOMAS ADÈS<br />
‘O Albion’ from Arcadiana (<strong>2019</strong>)<br />
arranged for string orchestra by the composer. c.3 minutes<br />
FP: 25.10.<strong>2019</strong>, Number 8, Pershore, Worcestershire, UK: Orchestra of the Swan<br />
Commissioned by The Orchestra of the Swan (and partners)<br />
Score and parts in preparation<br />
DVORÁK ARR. DAVID MATTHEWS<br />
Love Songs (2009, rev. <strong>2019</strong>)<br />
high voice and string orchestra 18 minutes<br />
Text: Gustav Pfleger-Moravský (Czech)<br />
FP: 31.7.<strong>2019</strong>, Fishguard International Music Festival, St Mary’s Church, Haverfordwest, Wales: Rebecca Evans/Welsh National Opera<br />
Chamber Ensemble<br />
Score and parts for hire<br />
Ensemble<br />
TANSY DAVIES<br />
Soul Canoe (<strong>2019</strong>)<br />
ensemble of 10 players c.20 minutes<br />
fl(=afl+picc).cl(=abcl†+bcl).flhn*(=c tpt**).perc(1): mar/sleigh bells or jingles/mark tree/caxixi or small basket shaker/BD.pno.electric<br />
gtr. accordion.vln.vlc.db † ossia: Eb clarinet, * ossia: trumpet in Bb, ** C trumpet preferable but not essential<br />
FP: 17.5.<strong>2019</strong>, Kleine Zaal, Het Concertgebouw, Amsterdam, Netherlands: Asko|Schönberg Ensemble<br />
Commissioned by Het Concertgebouw, Red Note Ensemble and Sound Scotland<br />
The commission has been made possible by a financial contribution from the Composition Commission Fund of The Royal<br />
Concertgebouw. The Composition Commission Fund is set up by a private donor with the intention of stimulating the development of new<br />
music and reaching a larger audience. The fund is managed by Het Concertgebouw Fonds.<br />
Score and parts for hire<br />
Chamber<br />
THOMAS ADÈS<br />
Three Berceuses from ‘The Exterminating Angel’ (2018)<br />
viola and piano c.9 minutes<br />
Commissioned for Lawrence Power, by Verbier Festival; Moritzburg Festival; BBC Radio 3; Aspen Festival; UKARIA Cultural Centre,<br />
South Australia; Muziekgebouw aan ’t IJ, Amsterdam; [others tbc] and underwritten by The Viola Commissioning Circle, supported by its<br />
Underwriting Members: Barbara and Michael Gwinnell; David and Elizabeth Challen; Christopher and Julia Hum; Alan Sainer; Vernon Ellis<br />
Foundation; Nicholas and Judith Goodison; Christopher and Lorna Bown; Rosemary and Jeremy Cook; John and Gilly Baker; The Boltini<br />
Trust; Graham Nicholson; Peter and Jenny Smart; Anonymous; Erica Stary<br />
FP: 21.7.<strong>2019</strong>, Verbier Festival, Eglise de Verbier Station, Verbier, Valais, Switzerland: Lawrence Power/George Li<br />
Score in preparation (exclusive until 22 July 2021)<br />
TANSY DAVIES<br />
Hawk (2018)<br />
violin and piano 2½ minutes<br />
Commissioned by London Music Masters for Many Voices, a collection of new violin and piano works for young people, in the charity’s<br />
10th Anniversary year<br />
Score and part in preparation<br />
DAVID MATTHEWS<br />
Cuatro a tango (<strong>2019</strong>) Op.51h<br />
arrangement of the Tango movement from Symphony No.4 for violin, accordion, piano and double bass c.5½ minutes<br />
For Tangissimo<br />
Score and parts in preparation<br />
22<br />
PHOTO: INFERNO (PHOTOGRAPHS TAKEN BY CRAIG MATHEW IMAGING AT THE WALT DISNEY CONCERT HALL PROVIDED COURTESY OF THE LOS<br />
ANGELES PHILHARMONIC ASSOCIATION)