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Fortissimo Autumn 2019

The Autumn 2019 edition of the Faber Music newsletter: fortissimo!

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NEW WORKS<br />

Stage works<br />

THOMAS ADÈS<br />

Inferno (<strong>2019</strong>)<br />

orchestra c.40 minutes<br />

3(III=picc).3(III=ca).3(I in Bb+A, II in A, III in A=bcl).3(III=cbsn) – 4331 – timp(=rototom[s]) – perc(3): glsp/t.bells/tgl/<br />

sleigh bells/clash.cyms/susp.cym/anvil/tam-t/whip/rattle(ratchet)/cast/washboard/wooden spatulas (2 pairs – thin)/tamb/2<br />

SD/2 TD (with snares)/BD and mounted clash.cym(s) (‘machine’)/concert BD – harp – piano – strings (recommended<br />

12.10.8.8.6)<br />

Commissioned by the Los Angeles Philharmonic, Gustavo Dudamel, Music and Artistic Director and the Royal Opera House<br />

Covent Garden Foundation for ballet performances with the generous support of the Lenore S. and Bernard A. Greenberg Fund.<br />

Co-commissioned by the Royal Concertgebouw Orchestra Amsterdam for concert performances.<br />

FP: Concert Prem: 10.5.<strong>2019</strong>, Walt Disney Concert Hall, Los Angeles, CA, USA: Los Angeles Philharmonic Orchestra/Gustavo<br />

Dudamel. Ballet Prem: 12.7.<strong>2019</strong>, Dorothy Chandler Pavilion, The Music Center, Los Angeles, CA, USA: Los Angeles Philharmonic<br />

Orchestra/Thomas Adès/chor. Wayne McGregor/The Royal Ballet/Company Wayne McGregor<br />

Score and parts in preparation<br />

Orchestra<br />

FRANCISCO COLL<br />

Aqua Cinerea (2005, rev. <strong>2019</strong>) Op.1<br />

large orchestra 12 minutes<br />

picc.2.2.ca.ebcl.1.bcl.2.cbsn – 4.ptpt.2.3.1 – timp – perc(4): glsp/anvil/xyl/t.bells/splash.cym/clash.cym/3 susp.cym/china.<br />

cym/ride.cym/tam-t/2 tgl/sleigh bells/3 c.bells/frying pan/tin box/metal oil drum (approx. 200 ltr.)/cabasa/2 hardback<br />

books/plastic bag full of scrap paper/tamb/bongos/cajon/4 tom-t/SD/BD – harp – pno – strings<br />

FP: 18.9.2007, Palau de la Música, Valencia, Spain: Orquesta Filarmónica de la Universitat de Valencia/Cristóbal Soler<br />

Score and parts for hire<br />

DEBUSSY ORCH. COLIN MATTHEWS<br />

‘Et la lune descend sur la temple qui fut’ from Images Book II<br />

orchestra c.4 minutes<br />

2(II=picc).afl.2.ca.2.bcl.2.cbsn – 4320 – timp – perc(1-2): crot/tam-t – cel – 2 harps – strings<br />

FP: Recording: 10.5.<strong>2019</strong>, Hallé Orchestra/Mark Elder<br />

Score and parts in preparation<br />

JONNY GREENWOOD<br />

Horror vacui (<strong>2019</strong>)<br />

solo violin and 68 solo strings (18.18.12.12.8). c.25 minutes<br />

Commissioned by the BBC Proms<br />

FP: 10.9.<strong>2019</strong>, BBC Proms, Royal Albert Hall, London, UK: Daniel Pioro/BBC National Orchestra of Wales/Proms Youth<br />

Ensemble/Hugh Brunt<br />

Score and parts for hire<br />

JOHN HARLE<br />

Briggflatts (<strong>2019</strong>)<br />

soprano saxophone and orchestra. 21 minutes<br />

2(II=picc+afl).2(II=ca).2(II=bcl).2(II=cbsn) – 4.2(I+II=flhn).2.btrbn.1 – timp – perc(3): vib/2 glsp/tam-t/2 bowed cym/<br />

claves/mar/crot/BD/cym (soft sticks)/xyl/African shakers/SD (rim-shot)/ride cym (soft sticks)/bongo (on stand, near SD)/<br />

whip – harp – pno(=cel+Fender Rhodes)* – strings. *Fender Rhodes is optional, but preferable. All players clap written rhythms<br />

in the first movement. Where possible, the harp, piano/keyboards and the three percussion players should be placed together<br />

in a position close to the conductor.<br />

FP: 16.5.<strong>2019</strong>, Queen Elizabeth Hall, Southbank Centre, London, UK: Jess Gillam/BBC Concert Orchestra/Bramwell Tovey<br />

Score and parts for hire<br />

MATTHEW HINDSON<br />

Concerto for Soprano Saxophone & Orchestra (<strong>2019</strong>)<br />

22 mins.<br />

2.2.2.2(II=cbsn) – 4.2.2.btrbn.1 – timp – perc(1): glsp/vib/t.bells/splash cym/cyms/susp.cym/ride cym/tgl/sligh bells/cowbell (high)/<br />

tamb/squeaky toy/whip/flexatone/3 wdbl (high, med & sml)/tpl.bl/sandpaper blocks/bongos/hi-hat/SD/BD – strings (86543)<br />

Commissioned by the Tasmanian Symphony Orchestra, through the philanthropic support of the TSO Commissioning Circle<br />

FP: 25.8.<strong>2019</strong>, Federation Concert Hall, Hobart, TAS, Australia: Amy Dickson/Tasmanian SO/Benjamin Northey<br />

Score and parts for hire, solo part and piano reduction on special sale from the Hire Library<br />

DAVID MATTHEWS<br />

Le Lac (2017)<br />

soprano and chamber orchestra c.18 minutes<br />

Text: Alphonse de Lamartine – Le Lac (French)<br />

1(=picc).1(=ca).1.1 – 2100 – harp – strings<br />

Commissioned by the Orchestra of the Swan<br />

FP: 28.5.<strong>2019</strong>, Stratford Arts House, Stratford-upon-Avon, Warwickshire, UK: April Fredrick/Orchestra of the Swan/Kenneth Woods<br />

Full score, vocal score and parts for hire<br />

String Orchestra<br />

THOMAS ADÈS<br />

‘O Albion’ from Arcadiana (<strong>2019</strong>)<br />

arranged for string orchestra by the composer. c.3 minutes<br />

FP: 25.10.<strong>2019</strong>, Number 8, Pershore, Worcestershire, UK: Orchestra of the Swan<br />

Commissioned by The Orchestra of the Swan (and partners)<br />

Score and parts in preparation<br />

DVORÁK ARR. DAVID MATTHEWS<br />

Love Songs (2009, rev. <strong>2019</strong>)<br />

high voice and string orchestra 18 minutes<br />

Text: Gustav Pfleger-Moravský (Czech)<br />

FP: 31.7.<strong>2019</strong>, Fishguard International Music Festival, St Mary’s Church, Haverfordwest, Wales: Rebecca Evans/Welsh National Opera<br />

Chamber Ensemble<br />

Score and parts for hire<br />

Ensemble<br />

TANSY DAVIES<br />

Soul Canoe (<strong>2019</strong>)<br />

ensemble of 10 players c.20 minutes<br />

fl(=afl+picc).cl(=abcl†+bcl).flhn*(=c tpt**).perc(1): mar/sleigh bells or jingles/mark tree/caxixi or small basket shaker/BD.pno.electric<br />

gtr. accordion.vln.vlc.db † ossia: Eb clarinet, * ossia: trumpet in Bb, ** C trumpet preferable but not essential<br />

FP: 17.5.<strong>2019</strong>, Kleine Zaal, Het Concertgebouw, Amsterdam, Netherlands: Asko|Schönberg Ensemble<br />

Commissioned by Het Concertgebouw, Red Note Ensemble and Sound Scotland<br />

The commission has been made possible by a financial contribution from the Composition Commission Fund of The Royal<br />

Concertgebouw. The Composition Commission Fund is set up by a private donor with the intention of stimulating the development of new<br />

music and reaching a larger audience. The fund is managed by Het Concertgebouw Fonds.<br />

Score and parts for hire<br />

Chamber<br />

THOMAS ADÈS<br />

Three Berceuses from ‘The Exterminating Angel’ (2018)<br />

viola and piano c.9 minutes<br />

Commissioned for Lawrence Power, by Verbier Festival; Moritzburg Festival; BBC Radio 3; Aspen Festival; UKARIA Cultural Centre,<br />

South Australia; Muziekgebouw aan ’t IJ, Amsterdam; [others tbc] and underwritten by The Viola Commissioning Circle, supported by its<br />

Underwriting Members: Barbara and Michael Gwinnell; David and Elizabeth Challen; Christopher and Julia Hum; Alan Sainer; Vernon Ellis<br />

Foundation; Nicholas and Judith Goodison; Christopher and Lorna Bown; Rosemary and Jeremy Cook; John and Gilly Baker; The Boltini<br />

Trust; Graham Nicholson; Peter and Jenny Smart; Anonymous; Erica Stary<br />

FP: 21.7.<strong>2019</strong>, Verbier Festival, Eglise de Verbier Station, Verbier, Valais, Switzerland: Lawrence Power/George Li<br />

Score in preparation (exclusive until 22 July 2021)<br />

TANSY DAVIES<br />

Hawk (2018)<br />

violin and piano 2½ minutes<br />

Commissioned by London Music Masters for Many Voices, a collection of new violin and piano works for young people, in the charity’s<br />

10th Anniversary year<br />

Score and part in preparation<br />

DAVID MATTHEWS<br />

Cuatro a tango (<strong>2019</strong>) Op.51h<br />

arrangement of the Tango movement from Symphony No.4 for violin, accordion, piano and double bass c.5½ minutes<br />

For Tangissimo<br />

Score and parts in preparation<br />

22<br />

PHOTO: INFERNO (PHOTOGRAPHS TAKEN BY CRAIG MATHEW IMAGING AT THE WALT DISNEY CONCERT HALL PROVIDED COURTESY OF THE LOS<br />

ANGELES PHILHARMONIC ASSOCIATION)

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