The Current Summer 20
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
SUMMER 2020
GENERATION FEAR
What people have been afraid
of through the generations
UNDERVALUED
AND OVERWORKED
Educators discuss the continuing
teacher shortage
221 W. Saginaw St., Lansing, MI 48933
Phone: 517.203.0123 Fax: 517.203.3334
Publisher
Tiffany Dowling
VP Media Planning & Buying
Jennifer Hodges
Account Managers
Megan Fleming
Liz Reno-Hayes
Zack Krieger
Editors
Kate Birdsall
Mary Gajda
Art Director
Mark Warner
Graphic Designer
Aspen Smit
Web Manager
Kyle Dowling
Writers
Leah Wright, Emily Hobrla, Abigail Scott
Sydney Wilson, Elizabeth Carter, Aaron Applebey
John Castro, Katherine Marchlewski, Joey Warren
Editors
Emma Kolakowski, Kathryn De Vries, Sierra Jezuit
Rachel Gignac, Sara Gilson, Shelby Smith
Tristan Tanner, Nicole Glynn, Sophie Schmidt
Jaclyn Krizanic, Sarah Haggart
A LETTER FROM
THE EDITOR
By Sydney Wilson
Dear reader,
Thank you for being here, reading this issue of The Current. No matter how you came by
our magazine, or whether or not you meant to, we hope you put it down feeling more
knowledgeable about the world we live in than you did when you picked it up.
They say that knowledge is power, after all. And we mean to empower.
This issue’s journey to your hands was tumultuous, to put it mildly. The Current is a rather recent
creation, with a still-settling identity, which leaves us in the incredible, if somewhat intimidating,
position of having limitless possibility at the cost of any solid ground or certainty. We’re figuring
ourselves out, issue by issue, determining what our values are, what we believe in and how we
can best serve you, the readers. This issue, like many others to come, strives to understand those
different from us, be responsibly cognizant of their unique strengths and struggles and ensure
that nobody is ignored or glossed over in our collective understanding of the world.
So go forth with your new knowledge, your new power, and use it for good. Thank you
for reading.
With hope,
Sydney Wilson
Social Media
Sara Gilson, Sarah Haggart, Nicole Glynn,
Elizabeth Carter, Rachel Gignac
Layout Team
Leah Wright, Emily Hobrla, Sydney Wilson
Jaclyn Krizanic, Kathryn De Vries
Marketing Team
Emma Kolakowski, Aaron Applebey,
Abigail Scott, Sierra Jezuit, Joey Warren
Distribution
Katherine Marchlewski, John Castro,
Tristan Tanner, Sophie Schmidt, Shelby Smith
Sydney Wilson is a junior double-majoring in
professional & public writing and English, and
wants to spend her professional career as an
editor, helping authors make their stories the best
they can possibly be. Outside of school, she enjoys
trail running, reading, listening to music, and
watching youtube tutorials for projects she’ll never do.
ADVERTISING INFORMATION
Call 517.203.0123
Interested in hosting a distribution location?
Give us a call at 517.203.0123
or email at kelly@m3group.biz
The Current is published seasonally by
M3 Group, Lansing, MI. All rights reserved.
© 2020 M3 Group
No part of this magazine may be reproduced whole
or in part without the expressed consent of the publisher.
16
CON
TEN
04
Woman Behind the Camera
A spotlight on Alexandra Hidalgo
08
Doing It All: The Student
Parent Perspective
What it’s like to be a full-time
student and a parent
22
12
Serving Up a Livable Wage
A look at how servers are paid
26
Undervalued and Overworked
Educators discuss the continuing
teacher shortage
Man Overboard!
How women and
non-binary improvisers
created a space of their own
Homelessness in the
Greater Lansing Area
How individuals are tackling an
overwhelming problem
30
Language in the 21st Century
How institutions are evolving to
accommodate the change
34
Book Clubs in the Digital Era
A look at how technology
is changing book clubs
38
Generation Fear
What people have been afraid
of through the generations
TSTHECURRENTMSU.COM 03
04 SPRING 2020
WOMAN BEHIND THE
CAMERA: A SPOTLIGHT ON
ALEXANDRA HIDALGO
By Katherine Marchlewski
For women of color, it is no small feat to
break into the male-dominated film industry.
As a genre, documentaries may be ahead
of narrative film regarding diversity behind
the scenes, but barriers still obscure the
path for minorities, particularly women
of color. Fortunately, some women have
not been defeated by these seemingly
unconquerable obstacles and have fought
their way into the industry. One example is
Venezuelan native Alexandra Hidalgo. She
is currently a faculty member at Michigan
State University in the department of
Writing, Rhetoric and American Cultures,
who makes feminist documentaries and
video essays. Initially, Hidalgo had a
different plan for her future, but her destiny
was to uplift the suppressed voices of
hundreds of people and help tell their truths.
Her history with filmmaking is challenging
and complex, but nothing has or will stand
in her way of pursuing this path.
Growing up, Hidalgo never imagined she
would be a filmmaker, because she never
knew women could be filmmakers. As a
child, her main exposure to women in film
was the beautiful ones seen on screen.
She didn’t see women behind the camera.
In fact, her first encounter with a female
director was in college when her friend,
Patricia Perez, asked Hidalgo to act in
one of her films. Even after that, Hidalgo
did not yet have an understanding of film
technology — which was different before
the arrival of digital filmmaking — or
any history with filmmaking. So, despite
admiring Perez’s work and way with
storytelling, Hidalgo did not make her own
connection with filmmaking until she was
working on her PhD.
Hidalgo comes from a long line of writers.
As a child, she wanted to continue that
familial legacy. Upon entering the workforce,
she was a fiction writer before moving
on to academia. Within academia, she
realized she had a greater desire to be
creative and needed an artistic edge to her
work. So, she leaned toward filmmaking.
Hidalgo envisioned a way to blend film and
scholarly production together in a way that
satisfied her inner artist.
Hidalgo is a documentarian. When
she chose this genre, she was thinking
practically, believing she could succeed
the best here because of the clear link
between documentaries and rhetoric,
which was the focus of her PhD. Looking
back, she realized that not only did it make
sense from a professional standpoint, but
it was a perfect fit for her personality and
interests. Since her adolescence, Hidalgo
loved photographing and filming the world
around her with her mother’s camcorder.
Though she might not have been aware of
it when she chose this path, Hidalgo was
always a documentarian at heart.
One of the first challenges she faced
was not attending film school. Instead,
she taught herself and learned from her
collaborators, but without film school she
missed the chance to make key connections
within the industry. She made up for
this through her creation of agnès films
— her digital publication that supports
women filmmakers through reviews, essays,
interviews and more.
Hidalgo faced issues with funding her films
as well. Hidalgo states that a key barrier
for women is low funding after film school.
Older white men tend to have the money in
the film industry, and they see themselves
reflected in aspiring male filmmakers, not
their female counterparts. This consequently
creates a stronger inclination for these men
to hire and support other men, leaving
women out of the equation. One way
Hidalgo counters this is by learning to
create at a lower cost.
Her most recent project, “The Weeping
Season,” marks the first time she’s worked
THECURRENTMSU.COM 05
with an outside editor, Cristina Carrasco.
Otherwise, with her husband serving as
her cinematographer, Hidalgo directed,
produced and edited all her previous work
herself. Hidalgo mentioned that in the
beginning, a new filmmaker might have to
“adapt to the realities of funding and find
ways of still getting your work done, which
often means you have to take on some of
the roles that would usually go to others.”
This can always change though, as Hidalgo
now loves working with Carrasco and is
hoping to find ways to fund collaboration
for her future films.
She’s also overcome barriers by learning
to argue for the value of her voice and
why the unique experiences she offers are
important. A strong piece of advice Hidalgo
likes to offer others in difficult positions
is to “fight for your project. Believe in
it, send it out and tell everyone about it.
Anytime it goes into a festival, make it to
the festival and show up. Be there standing
by your film. … Make sure people see it.”
It is a long and difficult process, but it is
important for a filmmaker to be their own
proponent and believe in their art. Hidalgo
has always supported and advocated for
her creations and is now an accomplished,
award-winning filmmaker. Her film,“Teta:
A Nursing Mother Tells Her Story,” has
been an official selection to 27 film festivals
in 13 countries, and it has received eight
film festival awards, including Best Short
Documentary Film at Jaipur International
Film Festival in India, South Film and Arts
Academy Film Festival in Chile, and Five
Continents International Film Festival
in Venezuela.
Hidalgo’s audience fluctuates based on
the content of her films. Her 2014 feature
“Vanishing Borders” is meant for immigrant
women, where her 2017 short “Teta” is
designed for pregnant women. Regardless
of her intended primary audience, she
always hopes that her films will sincerely
touch secondary audiences too. While her
audience can encompass a wide range of
people, her themes stay consistent.
Hidalgo mentioned three key themes across
her work: personal experiences of women,
06 SUMMER 2020
cultural hybridity and love. She chose these
because of their complexity and relation
to her personal experiences. A significant
component of Hidalgo’s work is feminism,
given that she is a feminist filmmaker. She
wants to help women’s voices be heard
around the world. Though films have
featured diverse stories, they are too often
created by people not from those diverse
backgrounds. Films featuring diverse stories
have been told, but not through the eyes
of those whom the story actually belongs
to. Hidalgo understands the necessity of
these stories to be accurately told by
members of those communities who have
the agency to share their experiences. She
is a part of making this hope for change
a reality by exploring underrepresented
stories and learning ways to tell them. She
also explores how navigating different
cultures affects life and belonging because
Hidalgo herself is a member of two distinct
cultures: Venezuela and the United States.
She is intrigued by how cultural hybridity
impacts people’s lives, including her own,
and the lessons that can be learned from
these intersections, especially for those who
might not share her multicultural experience.
Finally, Hidalgo processes the love she
gives and receives from others through
her work. Her subtitle for her production
company, Sabana Grande Productions, is
“Feminist Films for a Kinder World.” Her
films tell heartfelt and often intimate stories
so viewers can appreciate the personal
struggles faced by individuals.
Hidalgo says, “If you see the humanity in
somebody else, and what they go through,
it is a lot harder to hate them. If you can’t
hate others, it is a lot harder to hurt them.”
She hopes her work reveals people’s
humanity and evokes kindness and
empathy from viewers.
One of Hidalgo’s greatest strengths
is her experience of cultures and an
understanding of how they work together.
Her time living in Venezuela and the U.S.
gives her a very unique background and
allows her to bring a fresh perspective to
her films. Her navigation and keen insight
of different cultures and how they interact
give her films a certain depth that is rare in
the industry, though it should not be. She
tells stories that need to be heard but are
intermittently shared in mainstream media.
Hidalgo is also purposeful in who she
hires. She prefers to hire diverse crews who
can enrich her projects with their personal
experiences. These relationships extend
beyond crewmembers and filmmaking.
Hidalgo builds strong friendships with her
crewmembers and strives to connect with
the human behind the employee.
Hidalgo has similar relationships with the
Michigan State University students who
work with her on agnès films. She enjoys
working with undergraduate students
because they are immensely enthusiastic
and interested in the work. She also
enjoys the multi-generational aspect of
working with young adults and learning
new ways to reach audiences. Similar to
her crewmembers, her relationships with
her students transcend school, and she
loves to see how their careers evolve after
graduation. A key goal of agnès films is to
give students opportunities to prepare them
for finding a satisfying and creative job.
The film industry still struggles with diversity
and representation, but advancements are
always being made, especially with the
aid of new technology giving marginalized
voices a new platform. Progress is slow but
not invisible. Even though the road is tough,
people like Alexandra Hidalgo are helping
to create a world where the absence of
representation no longer exists. As a child,
Hidalgo wanted to be a writer, actor and
teacher, and through time and hard work
she found success in work that involves
storytelling and that often places her in front
of and behind the camera. Hidalgo has
found her passion and is actively using it in
filmmaking to make a difference.
To support her and her amazing work, visit
her website alexandrahidalgo.com and
agnesfilms.com.
Katherine Marchlewski is currently a junior
studying professional writing with a focus
on editing and publishing, and minoring in
film studies. After graduating, she hopes to
find a career related to editing and publishing,
ideally with fiction novels. In her spare time,
she enjoys reading, watching movies and scouring Pinterest.
THECURRENTMSU.COM 07
DOING IT ALL:
THE STUDENT PARENT PERSPECTIVE
By Elizabeth Carter
My days don’t start with an alarm but
with a sound alert from the baby monitor.
While I make my morning coffee, I also
make a morning bottle. I have not one
but two backpacks — one filled with
textbooks, notebooks and my laptop, and
the other with diapers, toys and squeezable
applesauce pouches. I do my homework
while my toddler naps in two hour frenzies,
attempting to walk the fine line between
keeping up with my homework and giving
my son my full attention while he is awake.
I simultaneously hold two of the most
difficult positions in life: full-time student
and full-time mother.
Getting pregnant at 22 was not part of
the “plan.” I was accepted into Michigan
State University only one month prior and
had finally picked the career that was
right for me. Not one friend my age had
children. I felt like I had nobody to turn to
for advice about going to college or having
a newborn. My fiance immediately jumped
on board with whatever I wanted to do.
It took weeks of painstaking deliberation
to try to figure out which path we wanted
our lives to take. We revealed our secret
to some close friends and family and received
unwavering support in whatever we decided
and finally chose the path to parenthood.
08 SUMMER 2020
While I was confident that my family and
friends had my back, I felt like I didn’t fit in
with other mothers I knew. I worked with
stay-at-home mothers at the YMCA, and
when it came to my fellow students, none of
them had children. That is, until I met Shelby
Hooper, one of my fiance’s coworkers. She
was also an MSU student and mother, and
she understood the feeling of not entirely
belonging in either the motherhood or
student communities.
“I was too young and not involved
enough to fit in with the ‘mom crowd,’
and didn’t have time for study groups or
extracurricular activities like students.
My only friends were my work friends,”
said Hooper.
According to a study done by the Institute
for Women’s Policy Research, 4.8 million
college students in the United States are
raising children, a figure that more than
doubled between 1999 and 2012. This
data can be broken down between the
types of educational institutions parents
are attending. About 2.1 million student
parents attend a two-year college, 1.1
million attend four-year public or private
universities and 1.2 million attend for-profit
institutions. The study also notes that women
make up a disproportionate 71 percent
of all student parents, and approximately
2.1 million students are single mothers.
Although the numbers seem large, within
the small bubble of one’s own university,
that number is much smaller. As reported by
MSU’s Student Parent Resource Center, only
1-3 percent of the overall MSU population
are student parents.
During my pregnancy, Hooper was the only
other student parent I knew. It wasn’t until
the semester after my son’s birth that I met
Mackenzie Reilly, a 25-year-old animal
science major, whose son was born only
two months after mine. She also understood
the estrangement student parents felt from
the two communities.
“Very rarely do I come across someone
who knows what I am going through. I get
judged by both communities a lot. I don’t
have a lot of interaction with other moms
since I am always using my down time to
stay on top of my classes. As far as the
student community goes, I don’t really
feel like I have a connection with many
students on campus,” said Reilly. “I am
unable to attend club meetings and any
outside activities other than class unless
I were to bring my son along with me,
and that usually just ends up with people
staring at me. I am unable to go out of state
or travel the world on internships and
volunteering opportunities. It gets lonely
when not many people understand it all.”
Finding a give-and-take is something
student parents struggle with every day.
We only have so much time between
work and school, and sometimes we have
to choose between reading the books
our child thrusts at us and finishing our
homework on time. We become worried
about things like missing important
milestones in our childrens’ lives or making
our children feel like we don’t want to be
around them when we choose schoolwork
over playtime.
10 SUMMER 2020
Brittany Duba had her son at age 25, just
weeks before starting a grueling threeyear
program at Lansing Community
College. Duba had to find a good balance
between motherhood and studenthood, and
sometimes that was a struggle.
“I struggled with ‘mom guilt’ when I had to
leave for long periods of time and not see
my son nearly as much as I wanted to,” said
Duba. “I also had to stop breastfeeding
quite early because it was hard to balance
with long classes as well as the hour-long
drive I had between school and home, so
that made me feel really guilty, as well as
added expense.”
For Hooper, it wasn’t about balancing time
but balancing emotions.
“I had to take time away from my family
to get good grades and graduate,” said
Hooper. “I had to stop feeling guilty
because I was spending more time at
school and work than I was with my infant.
I had to stop feeling guilty for something
that was necessary to move forward.”
Being a student parent comes with
challenges that most students never have
to consider, such as childcare, doctor’s
appointments, proper child development,
extra expenses for diapers, formula and
middle-of-the-night wake-ups. Our days
are long, busy and exhausting.
For Reilly, her day starts well before the
sun is up.
“A typical day for me is waking up at 5:30
a.m., getting my school supplies and my
son’s diaper bag out to my car and starting
my car to allow it to warm up for him,” said
Reilly. “I go inside and get myself ready.
I then proceed to get some milk in his
sippy cup before I wake him up and grab
a diaper, a sweatshirt for him and some
slippers. We leave around 6:30 a.m., and
I make a 20-minute drive from our house in
Mason to his daycare in Dansville to drop
him off. I then drive 30 minutes to campus,
where I park in the commuter lot and wait
for the bus to come get me and take me to
my 8 a.m. class. I have some hour breaks
in-between certain classes and will go sit in
my car and catch up on homework. I then
proceed to go to work after my last class is
done. I get out of work at 5 p.m. when the
office closes and ride the bus back to my
car, where I go straight to daycare and
pick him up because they close at 6 p.m.
We go home, and I make him dinner and
play with him in-between trying to get some
homework done before I take him off to bed
at 9 p.m.”
Reilly’s day sounds like a normal day to me,
a mother with a son the same age as hers
and an MSU commuter, but to countless
students, this day is filled with experiences
they may not have for years.
While it is true that we face struggles
students without children can scarcely
fathom, we also possess an extra incentive
to be successful that they don’t have. Duba
used the love she has for her son to stay
motivated and push through to graduation.
“I didn’t want to be ‘that girl’ who got
pregnant and dropped out of school,” she
said. “I wanted to be ‘that girl’ who had
a baby during the hardest school year of
her life and came out on top! I also wanted
to do it for my son. I wanted him to know
that if his mama can finish college with a
newborn, then he can do anything he sets
his mind to.”
Not every student parent has the privilege
of unconditional support from friends and
family that allows us to be able to go to
college. Some student parents are forced
to drop out due to a lack of resources.
Luckily for MSU student parents, there is
help available. The Student Parent Resource
Center, or SPRC, opened in 2015 and offers
a variety of services for student parents
on MSU’s campus. These services include
consultations to assess individual families
and their support needs, grants for paying
for pre-finals childcare, summer camp,
emergency backup childcare, a diaper
drive that the office holds for families who
need it, sponsoring educational workshops
and community events and advocacy
and awareness of student parents
throughout campus.
SPRC’s director, Kimberly Steed-Page,
believes that the SPRC is important for
student parents because “it serves as an
advocacy point for their needs as students
and parents. The center is a place where
student parents can come to ask questions
about anything, if we don’t know the
answer, we will find it for them. We serve
their whole family, care about them and
believe all students can be successful
at MSU.”
Steed-Page estimates that the SPRC has
provided some type of resource or support
to over 300 MSU student parents and their
families since they opened in 2015.
While Brittany Duba, Mackenzie Reilly,
Shelby Hooper, myself and every other
student parent out there may sometimes
feel overwhelmed or like they are failing,
it’s important to remember that we are not
alone. There are other student parents like
us out there, and we can find support in
each other. Even though our journey to
graduation may be longer and harder than
the traditional student’s, we all can agree
that we couldn’t imagine our lives without
our children. Reilly put it best when she said:
“I love my child more than I could’ve ever
fathomed and I’m here every day showing
up and proving to him, myself and all of
those people who said I couldn’t do it, that
I’ll create a better life for the both of us no
matter what.”
Elizabeth Carter is a professional writing
senior who enjoys developmental and
copy editing, grant writing, and social
media management. After graduation, she
plans to pursue a career in political writing,
and possibly work on a campaign. When
she is not reading, writing or cross-stitching, she is spending
time with her husband and two-year-old son.
THECURRENTMSU.COM 11
SERVING UP A LIVABLE WAGE
By John Castro
Serving, waiting — whatever term gets
thrown around — the duty of ensuring
restaurant attendees get their food hot and
their drinks cold is a restaurant tradition.
Serving is common across all 50 states and
most industrialized countries as servers put
on their aprons and uniforms to tackle the
masses day after day. But what is the pay like
for individuals in these roles? Servers in some
states earn $2.13 an hour, while Michigan
servers can bank on at least $3.67, according
to the U.S. Department of Labor. What exactly
12 SUMMER 2020
do these food-carrying attendants do for
this wage?
Picture this: a server approaches your table
with a smile and takes your order. This server
notes any allergies and substitutions without
question before grabbing your drinks. The
drinks arrive, and off the server goes to
the next table as the night picks up. The
restaurant becomes a hot spot for food
coming out late, customers handing out
complaints and Aunt Sally pedalling around
a purse full of suspiciously old coupons. This
is merely the tip of the iceberg in their duties.
Gina Tress, a Michigan-born server attending
the University of Alabama, can attest to these
seemingly glaring obstacles. Tress has been
serving since she was old enough to work.
Despite facing these issues, however, Tress
wants to provide excellent service to her patrons.
“Eating out is a time for people to relax and
enjoy time with loved ones. It’s fulfilling being
able to wait on clients and do everything in
my power to make them feel important and
catered to,” says Tress.
While the server’s patrons dine, they may
wipe tables or run food out for other servers.
They may go about their cleaning duties,
engaging in multiple activities behind
the scenes but still managing to run back
at the beck and call of all those needing
refills on their lemon waters. At the end of the
meal, the bill comes and hesitant glances are
exchanged. Customers are required to pay
the full amount, but what is expected as far as
the tip goes?
Tipping in the United States is considered
common courtesy and, traditionally, a way
to reward or punish the server for their level
of work. According to Consumer Reports,
it’s a safe bet to leave at least a 20 percent
gratuity. Is this enough for servers to earn
a living?
“My only wage is around two dollars an
hour, usually making up to 15-16 dollars an
hour [in tips], 30 at most [in tips] depending
on the day. If you work hard, you make more
money,” says Tress.
Many servers hold this mindset and do
make a livable wage. If tips don’t cut it, the
restaurant is required to pay the server the
federal minimum wage rate of $7.25 an hour.
Unfortunately, some establishments force
their servers to pool and divy up their tips.
For servers, wages are unpredictable and
unstable — in the U.S. at least. Tress has had
people walk out on their bills or leave $100
tips on $20 orders.
Europe ditched tipping around the time it
gained popularity stateside. In fact, it’s almost
an insult to tip in some European countries.
Tips and gratuities are factored into the pay
servers receive, and this allows countries
such as Spain and England to forgo the
practice entirely. Many foreign servers can
earn a livable wage and make upwards of
20€ ($21.83 USD) an hour. This is a wildly
different approach to compensating servers
than what is found in the States.
Daria Sukharchuk gathered several first hand
accounts from European servers on their
experiences in her article, “How Do Waiters
Work and Get Paid in Big European Cities,”
originally posted on the online news outlet
Medium. An anonymous server from Spain
weighed in on his serving experience in one
of these first hand accounts.
“I work six days a week, nine hours a day.
Many of my friends think I’ve got a nice
job, easy and fun. Others don’t understand
how you can spend a whole day serving
people and not sitting down. I get 1000€
($1,091.85 in the U.S.) a month, without tips,
and that is enough to rent a flat. Santiago is
not expensive,” he writes.
Aurelia, from Switzerland, echoes her fellow
server’s sentiments.
“One week I work five nights, and another it
will be one. Every shift lasts six to eight hours.
I earn enough to pay for my rent and food —
and I’m happy with my salary, which is higher
than in the Eurozone — about 20€ per hour,”
she says. “I’ve had several part-time jobs:
babysitting, teaching Italian… but I like this
one most.”
The act of tipping itself has existed in the
United States since the 1800s, Rachel
Greenspan states in Time magazine’s “‘It’s
the Legacy of Slavery’: Here’s the Troubling
History Behind Tipping Practices in the
U.S.” The white upper-class borrowed the
custom from the serfs of medieval times.
When the Civil War ended the slave trade
officially in Southern states, this left a lot
of black Americans in low-paying positions
like serving.
These black Americans were not paid for
their work, Greenspan explains. Instead, they
were tipped. This custom was to scam them
out of getting an actual paycheck, causing
them instead to rely on the wealthy for their
livelihoods, as they did under slavery. The
U.S. has since adjusted the tipping ritual to fit
the needs of modern restaurants. However, it
raises the question whether this dated tradition
is morally or economically correct.
So why do we still tip? PBS NewsHour
Weekend covers this in their piece, “Why Do
We Tip?” Within, writers Melanie Saltzman
and Saskia de Melker sit down with Cornell
University professor and serving expert
Michael Lynn to chat about this. Lynn quickly
THECURRENTMSU.COM 13
informs them that tipping is not usually
motivated by a desire to reward good service.
Instead, the price of the bill and where the
tipping occurs is more important.
“When we ask people how much they
tipped and how they would rate the quality
of the service, less than four percent of the
differences in tips left by different dining
parties can be explained by their ratings
of service quality,” says Lynn.
Areas with more outgoing, extroverted
patrons are more inclined to tip, Lynn states.
Tress found herself noticing this in her own
serving as she receives less tips in Alabama
than when she served in Michigan. Lynn
is also quick to say that tipping culture
in the U.S. is not on its way out anytime
soon. Despite the controversial past and
the questionable wage instability, some
U.S. servers are quite happy with the tipping
system established in America, believing the
European way is not the best way.
14 SUMMER 2020
Yet, serving wages can vary even in the
United States. Wages dip and peak from state
to state. Dave, a server residing in Hawaii,
makes $9 an hour plus tips. This server has
over 10 years of experience, 15 in the food
industry, and wouldn’t change much about
the way servers are paid. When asked if he
would prefer a wage similar to servers across
the pond, he was unsure.
“[Receiving a] higher wage over tipping? I
don’t know. I’d say no. The benefit of tipping
is it motivates and drives. It’s fun knowing that
the energy you put in most often dictates the
tips coming back,” he says. “Tipping in the
U.S. is interesting. The restaurant pays a small
wage and the guest is left to cover the rest.
You’re somewhat renting [commercial] space
from the restaurant.”
Even when servers are on top of their game
and performing to the best of their abilities,
they aren’t guaranteed a 20 percent tip on
every bill. Instead, these servers’ livelihoods
are always endangered by a system that can
provide days of great rewards and slumps
of lacking customer compensation. This fact
holds true regardless of the callouses covering
the palms of servers’ hands or the blisters on
their feet.
How, then, can we ensure hardworking
individuals get the compensation they
deserve? For servers like Tress, there is no
straightforward answer.
“I think we just need to educate people on
how tipping gives servers an incentive to
provide excellent service so that everyone
follows that 20 percent suggestion,” she says.
“You could have restaurants put 20 percent
gratuity on a bill. I know some servers would
like a normal wage, but it’s hard to tell when
it’s based on performance.”
Despite all this, servers still endure the chaotic
multitasking, the long nights and the patrons
that leave 10 percent on an overly expensive
bill. With all the duties they partake in behind
the scenes, one can argue servers maintain
the shiny, smiling exterior restaurants portray
to their customers. So the next time you go out
to eat, make sure you leave the nice waiters
who endure the mishaps of the restaurant
industry at least 20 percent. Their lives are in
your pockets.
John Castro is a professional and public
writing senior with a tendency to write long
and melodramatic works of fiction he knows
no one but his mother will read. He plans
to apply his knowledge to social media
management, content strategy and the
candlelit hours that follow in which he finishes that inevitable
first novel. You can find him on Instagram posting trashy
poetry under the unnecessarily long username:
@johnisstillthebestusernameever.
THE INS AND OUTS
OF BUYING A CAR
By Deidre Davis, MSUFCU Chief Marketing Officer
When you are ready to start shopping
for a car, it is important to take time
to find a vehicle that is both affordable
and well-suited to your needs. Ask
yourself these questions before
buying a car:
What type of car can I afford?
A good rule of thumb to follow is to
spend no more than 10% to 15% of
your monthly household income on
all of the cars you have. This figure
should include:
All monthly loan payments
Fuel costs
Insurance on all vehicles
Maintenance costs
Should I buy or lease?
The decision to purchase or lease a
new or used car depends on each
individual’s financial situation and what
he or she wants when financing a car.
Buying new: This usually requires
higher monthly payments, but, you
own the vehicle once it’s paid it off.
New cars also come with factory
warranties, extended warranty options,
and maintenance and roadside
assistance packages that may include
free services. Also, keep in mind that
a new car loses value as soon as it is
driven off the dealership lot.
Buying used: You may be able to
get the most car for your money if you
buy one used because the value often
has already depreciated. However,
you’ll likely have a shorter warranty
period, if one exists at all, and may
have more repairs than you would
with a new car.
Leasing: You may get a newer car
with a lower monthly payment with
a lease, but you will have mileage
limitations, and you will not own the
car at the end of the lease. However,
lease agreements limit how many
miles you can drive, meaning you will
be charged for each mile you drive
over your limit. You also need to pay
close attention to other lease terms to
avoid hefty penalties.
MSUFCU offers low auto loan rates
for new and used vehicles, and you
can get approved in as few as 10
minutes. We make buying even easier
with a ReadyLoan Check — a blank
check valid up to your preapproved
loan amount. As soon as you find a
car, fill out the check and hand it to
the seller. The Credit Union also offers
leasing options through partnerships
with area dealerships. With rates low
right now, it might be the perfect
time to find a new car.
THECURRENTMSU.COM 15
“Each year, though,
I feel like more is
expected from me
and the stress
level seems to
increase, rather
than decrease. “
Charli
16 SUMMER 2020
UNDERVALUED AND OVERWORKED:
EDUCATORS DISCUSS THE
CONTINUING TEACHER SHORTAGE
By Emily Hobrla
Education is one of the most profitable
industries in the world right now, yet the field
is struggling to fill positions on the front lines.
While textbook companies excel and online
learning platforms thrive, the individuals who
are face-to-face with students every day
face a much bleaker outlook. The teaching
occupation is experiencing an increasing
shortage so severe it’s becoming a crisis in
public K-12 schools nationwide.
The Economic Policy Institute (EPI), a
nonpartisan nonprofit research organization,
defines the teacher shortage as “the inability
to staff vacancies at current wages with
individuals qualified to teach in the fields
needed.” This means that schools are either
understaffed or starting to fill vacancies with
underqualified teachers. In addition, the
shortage is not equal in all school districts,
as the nonprofit educational research group
the Learning Policy Institute (LPI) found that
“in 2017, two-thirds of principals in highpoverty
schools left positions vacant or hired
less-qualified teachers. Less than half of their
counterparts in schools with fewer lowerincome
students did so.” This inequality further
disadvantages kids from low-income schools
very early on in their lives.
The EPI references multiple factors for the
teacher shortage, the main one being low
pay. Teachers’ wages are not affected by
inflation; instead, wages are determined by
the district’s salary schedule, which is outlined
every few years in their contract and one of
the main reasons for the disproportionately
low salaries. Public schools are funded by
income and property taxes, so in wealthier
areas schools receive more funding.
Additionally, the pay schedule for teachers in
most districts is based on experience in years,
which means that experienced teachers get
paid more. It also means that newer teachers
are less expensive for the district to hire,
which incentivizes them to hire newer and
thus more inexperienced teachers. This often
results in lower-income school districts hiring
inexperienced teachers because they cannot
afford to hire more qualified ones — and
again, students in lower-income areas then
receive lower-quality education compared to
their peers in higher-income areas.
THECURRENTMSU.COM 17
In addition to salary, the EPI also listed
stress, lack of community support, limited
autonomy and increasing standards as factors
contributing to the teacher shortage. The EPI
notes that a new priority in schools is not just
hiring teachers but retaining them, too, which
is difficult due to the aforementioned factors.
The National Center for Education Statistics
(NCES) notes that “among public school
teachers with 1-3 years of experience,
7 percent left teaching in 2012-13.”
Many of these other factors are best
represented by the account of someone with
experience in the field. The Current spoke
to three teachers to hear their takes on the
teacher shortage:
Barb* is a retired teacher who taught
elementary, middle and high school students
in rural Michigan.
18 SUMMER 2020
Eric* is a current teacher at a Lansing
elementary school.
Charli* is a recent MSU College of Education
graduate who now teaches at a Lansing
elementary school.
*(Note: Names have been changed for
privacy, and interviews have been edited
for clarity.)
Q: Do you notice the effects of the teacher
shortage in your own school?
Barb: We had to operate with substitutes in
several areas: two of our four special-ed jobs
were staffed with subs my entire last year. [...]
We had large classes, 32-35 in some cases.
My colleague was part-time special ed and
had close to double the legal caseload
of students.
Eric: I don’t notice it so much, as I’m cloistered
in my classroom teaching my appointed set of
students. I’ve heard from time to time that there
was only a small pool of applicants for this
position or that position. There have been a
couple of times when a position went unfilled
for a while (particularly special ed) while we
tried to find a qualified candidate. . . I notice
more, however, the effects of the shortage of
reliable substitute teachers in my school… and
have for several years. This is more a factor of
what our district is willing to pay for a rather
unrewarding job than a comment on the size
of the pool.
Charli: I haven’t noticed the effects in my
own school, but there are multiple classrooms
overloaded due to lack of funding and
space to hire new teachers. Finding a qualified
teaching assistant is also a problem due to funds.
Growing class sizes are a concern and a
noticeable mark of the teacher shortage. The
teachers’ frustration with larger class sizes has
scientific merit, says University of California
Berkeley’s Goldman School of Policy. Their
analysis of multiple class size studies found
that “an average student assigned to the
smallest classes had a reading score nearly
8 percent higher than students in the mediumsized
classes. The smaller-class students, on
average, achieved 9 percent higher math
scores. Students in smaller classes who
completed high school were more likely to
take college-entrance exams than students
assigned to medium or large classes. The
effects are even stronger for minority and
less affluent students.” In a smaller class
size teachers are able to give students more
individualized instruction, gauging and
improving their understanding. A point raised
by multiple teachers is that the shortage of
teachers also extends to substitute teachers.
Nationwide, substitute teachers are scarce,
especially long-term subs. Michigan news
organization Bridge MI discusses a recent
survey by the Michigan Applied Public
Policy Research and the Institute for Public
Policy and Social Research, which found
that “86 percent of Michigan school district
administrators said the supply of short-term
substitute teachers has decreased in the last
five years.” Bridge MI also writes: “That
same survey found that almost two-thirds of
traditional school districts (64 percent) that
responded to the survey have classrooms for
which they can’t find substitute teachers at
least ‘several times a week.’” The study also
noted when schools cannot get a substitute
teacher to fill in for a sick teacher, “schools
must scramble to fill those classrooms with
existing staff — typically with teachers who
give up their planning periods (a time when
they plan lessons and grade papers) and
school administrators, creating a ripple
effect throughout the building.” One teacher
said that their school’s protocol for when a
substitute teacher cannot be found is to divide
up the kids from that teacher’s classroom to
the other classrooms in the grade level. With
classrooms already at capacity, having an
absent teacher and sub can disrupt a whole
day of learning.
Q: What are some of the factors that you think
are contributing to the teacher shortage?
Barb: Teachers are demoralized. I worked
in a district with a lot of kids who struggled
behaviourally. There were kids in every
classroom who were wildly disruptive — I
mean screaming, running around the room
lunging with scissors, flipping over tables and
pulling down posters. You can imagine how
hard it was to teach. Every day I had students
who shouted out, interrupted, etc. and had
full-time one-on-one aides who interacted
(often loudly) to try and subdue them. It
was very disruptive — kids definitely found
that more interesting than learning colors
in Spanish. The extreme behavior of kids now
forced into regular-ed classes is making the
job less teaching — which most of us went
into the field to do — and much more about
discipline, struggling for student engagement
etc. Yet our evaluations were heavily based
on test scores and achievement.
Eric: Low wages, low autonomy, low respect,
high accountability, high class sizes and
public bashing.
Charli: Pay is definitely a huge factor that
contributes to the teacher shortage. Many
high school graduates are choosing other
career paths because of the low salary. The
expectations and heavy workload placed
on teachers does not match up with the low
salary, and that alone turns many people away.
Q: How has the field of teaching changed
over time in ways you have seen at work?
Barb: When I started in 1987, we had a lot
more freedom to design classes and lessons.
Now we have very rigid content standards. In
theory, this is good, and it should guarantee
that kids in Michigan all receive exactly the
same content. In reality, the content standards
must have been written by folks who never set
foot in a public school.
Eric: Even more standardized testing, more
data-analysis of student outcomes, less
freedom for teachers in terms of curricular
decisions, more students at the elementary
level who get away with “minimal-or-no
consequences” for kicking, hitting, biting,
spitting on or yelling at teachers or throwing,
breaking, upending, destroying classroom
supplies, materials or fixtures.
Charli: I have only been teaching for three
years, so I don’t have much to compare
to. Each year, though, I feel like more is
THECURRENTMSU.COM 19
expected from me and the stress level seems
to increase, rather than decrease. I work
with many veteran teachers and the biggest
complaint is they feel as if they aren’t treated
as professionals. Administrators are constantly
checking to see if our room has standards
posted, if we are following our daily schedule
and if our lesson plans are up to par. Teachers
want to be trusted to do their job, not feel like
admin is constantly out to catch what we are
doing wrong.
Teacher autonomy is diminishing with the
standardization of public education, which
has been on a continuous upward trend,
with notable legislature No Child Left Behind
coming into effect in 2002. Repealed in
2015, this 13 year-long policy introduced
national standards in education, which overall
increased test scores. Teachers’ concerns,
however, are that standardized education
20 SUMMER 2020
like that outlined by No Child Left Behind
prioritizes “teaching to the test,” meaning that
memorization and single-method solutions are
taught and emphasis on problem solving skills
and real world application is missing. With
school administrations being held to strict
national standards, many teachers, as Charli
mentioned, feel like they are being scrutinized
with no room for error. A 2018 Gallup poll
found that “46 percent of teachers report
high daily stress,” which the education
blog The Graide Network notes is the same
percentage of daily stress reported by nurses.
The number of expectations placed on
teachers is increasing, and the pay and
respect that teachers receive is not. The
NCES compared today’s teachers’ salaries
with salaries in the past. “In constant (i.e.
inflation-adjusted) dollars, the average salary
for teachers was 2 percent lower in 2016-
17 than in 1990-91.” Along with the low
pay within the profession, the EPI discusses
that there exists a kind of “teacher pay gap”
compared to other professions. NCES says
that “when adjusting only for inflation, the
researchers found that teachers, compared
to other college graduates, are paid nearly
$350 less per week in salary in 2017, or 23
percent less.”
With this in mind, it is understandable why
many undergraduate students consider
pursuing alternative career paths. Bridge MI
states that “enrollment in Michigan teacher
prep programs dropped 70 percent in eight
years (2011-2017) Bridge MI also reported
on teacher opinion: “In a 2019 survey, only
25 percent of Michigan teachers said they’d
recommend the profession to young people
considering a career in education. One in
eight in that same survey said they were
considering leaving teaching”.
Q: What can the public do to help teachers?
Barb: Respect your child’s teachers. Support
their efforts. Help your child study at home,
read with them, make sure your child gets
enough sleep and comes to school alert and
able to focus. Pay attention to the lawmakers
who make the punitive laws now driving
folks out of the field, starting with the teacher
evaluation laws. Pass laws that address
every child’s right to learn and quit making it
somehow wrong to worry about the
high achievers.
Eric: Trust them, support them, listen to them.
Hold education as important in the home.
Read with their kids. Interact with their kids.
Play board and card games with their kids.
Provide interesting experiences for their kids.
Travel with their kids. Visit museums with their
kids. Spend time outside with their kids. Limit
electronics usage for their kids. Encourage
healthy eating habits for their kids. Maintain
regular, reasonable bedtimes for their kids.
Ensure regular school attendance for their
kids. Make sure that school isn’t the only
place where their kids are expected to work
hard and learn.
Charli: I think being informed on what is
happening in the education world is the best
way to help teachers. You can show support
by staying up to date on events, fundraisers, etc.
It is clear that substantial change is needed
in the teaching profession. Themes of feeling
undervalued and overworked permeate
teachers’ stories. To make change, awareness
of how teachers are treated, as well as
support from parents, administrators and
eventually lawmakers, is imperative. Currently,
the Trump-appointed Secretary of Education,
Betsey DeVos, has a political stance that
is clearly anti-teacher. Elementary school
teacher and NEA president Lily Eskelsen
García says DeVos will be “the first secretary
of education with zero experience with
public schools. She has never worked in a
public school. She has never been a teacher,
a school administrator, nor served on any
public board of education. She didn’t even
attend public schools or send her children to
public schools.” With a history of the DeVos
family family funding privatization efforts of
public schools and passing legislation that
limits collective bargaining rights of teachers,
teacher support is needed more than ever.
A 2018 USA Today poll shows that the
majority of the public supports public school
teachers: “three-quarters (73 percent) of
Americans say that growing up, a teacher
made a significant, positive impact on their
life. [...] Three-quarters (76 percent) say that
they approve of teachers in their local public
school district, and 61 percent approve of
their local school district leadership. Twothirds
of Americans support public school
teachers’ right to strike. A majority (59
percent) of Americans do not believe that
public school teachers are compensated
fairly and 78 percent agree that teachers
spend too much of their own money on
school supplies.”
Finally, The Current would like to share some
of Charli’s advice for prospective teachers:
“Make sure teaching is something you
absolutely want to do. It is a lot of work and
you have to be passionate about it because
there is a lot that goes into our job each and
every day. Despite the heavy workload, it is
one of the most rewarding careers out there
and you meet so many amazing people and
touch so many lives.”
Emily Hobrla; @emilyhobrla; is a senior
studying professional writing with a focus
in editing and publishing. She loves making
new friends in the PW major and beyond,
and is excited to contribute to The Current
with writing and editing work. Outside of
school, her interests include fashion, tennis and squirrel watching.
THECURRENTMSU.COM 21
MAN OVERBOARD:
HOW WOMEN AND NON-BINARY IMPROVISERS
CREATED A SPACE OF THEIR OWN
By Aaron Applebey
On a snowy February afternoon, as
Michigan State University students trudged
along the cracked sidewalks three stories
below, the fourteen cast members of Man
Overboard flung imaginary swords at one
anothers’ heads. Hearty grunts, yelps and
laughs filled the circle of performers as
they settled onto a singular wavelength.
A group mind
Breaking from their warm-up, seven of the
women and non-binary improvisers began
a longform set — a series of short scenes.
The remaining teammates watched from
seats on the studio floor, sandwiched
between humming radiators. Scenes
involved a young woman admitting to
a love affair with a vampire, classmates
fervently discussing the banned “The
Grapes of Wrath” with its sexy final page
and a mother’s secret leather room.
Every subsequent beat of the longform
rhymed with the previous as the members
discovered a mutually accepted thread of
comedic spontaneity.
“It’s raw, human connection,” reflected
Claire Wilcher, the graduate student
director of Man Overboard. “You don’t
have a script. It’s the ultimate practice in trust.”
Unlike the other two improv teams on
campus, After School Special and Roial
Improv, Man Overboard is a space
exclusively for women and non-binary
performers. The improv comedy scene
in East Lansing has not shied away from
exclusivity. After School Special, formally
known as Second Stage Improv, prioritizes
theater majors in its semesterly auditioning.
After School Special performs in monthly
shows that student leader Brandon Drap
say “bring a certain … theatricality” to the
MSU comedy scene. Across Auditorium
Road in Snyder-Phillips Hall, the longest
running team on campus, Roial Improv,
offers a playful sibling-like comedy space
for non-arts majors.
Man Overboard began in December
of 2018, when undergraduates Sarah
Wietecha, Abby Byrne and Jess Black
approached Second City alumna and MSU
Theater Department faculty member Sarah
Hendrickson with their idea for an allwomen-and-non-binary
team. Separately,
longtime improviser Claire Wilcher had
also approached Hendrickson.
Wilcher was freshly off coordinating Gal
Pal, the seven-year-running women’s
comedy festival in Indianapolis held
22 SUMMER 2020
“ [Man Overboard
provides] a place where
you can come and play
and be creative without
being graded or being
judged.”
Claire Wilcher,
Man Overboard Director
annually with sold-out crowds. Excited
by the prospect of a complementary
comedy space, Wilcher offered to lend
a helpful hand wherever she could. So,
over jimmies and sweet potato fries, the
five women — Wietecha, Byrne, Black,
Hendrickson and Wilcher — sat down in
Hendrickson’s living room to construct a
framework for their new group.
They started from a no-holds-barred, let’spretend-everyone’s-interested
perspective,
and by February of 2019, the team held
its first open practices for any woman or
non-binary individual to attend. Theater
experience was nonessential.
“We wanted a space where we felt like
we could create and expand outside of
being these four or five different archetypes
and stereotypes,” junior Sarah Wietecha
said. “Also just find[ing] some leadership
because there wasn’t a lot of female
leadership in the improv community
at the time.”
This entrepreneurial mentality was
not exactly new to the MSU Theater
Department — creating artistic opportunity
for oneself is strongly encouraged — and
neither was building theatrical spaces
favoring one particular identity group.
According to professor Bill Vincent and
confirmed by MSU Theater’s Head of
Acting, Rob Roznowski, playwright Edward
Albee himself stopped an all-male cast
reimagining of “Who’s Afraid of Virginia
Woolf” from premiering back in the 1970s.
But with no angry Albee — very much a
dead person — standing in their way, Man
Overboard could rehearse within the
infrastructure of the Theater Department as
an alternative space. They could create a
room that was simultaneously focused and
low-pressure.
Because a majority of the members are
involved in departmental productions, at
times, Man Overboard rehearsals can be
cut short. Performers “can at least get an
hour of warm-up time, of game time, of
improv time, before they go off into their
rehearsal,” said Wilcher. “We had to walk
a fine line between what people could
give and how much people wanted to give
knowing these two things were going to be
very different.”
Partly, the team is a reaction to how
women and LGBTQ+ performers felt
the need to adapt themselves when in a
heteronormative or male-driven comedy
THECURRENTMSU.COM 23
environment. “There was definitely more of
a push to be the person who was dominant
in a scene,” said senior Abby Byrne of her
experiences on Second Stage Improv in the
fall of 2018. “You had to really have that
historically masculine energy in order to be
successful. You had to be the one to step off
the back line and … be the one to lay down
the law essentially. If you didn’t, the guys
were gonna assume it was their say that
would drive everything.”
“I’m glad they have their own space,”
added sophomore Harley Harris, a trans
man improvising with After School Special.
Not only does he not feel excluded, he
understands Man Overboard’s desire for
a space of their own. To Harris, his nonnormative
identity extends a unique counter
24 SUMMER 2020
perspective within the team: “When we get
a suggestion, like Ronald Reagan, the first
thing I think of is, ‘Oh! He’s the one who
caused the AIDS crisis in America!’ That’s
the first thing I think of, which necessarily a
straight person would not think.”
Code switching into the mainstream boysclub
mentality can become routine for
student performers with non-normative
identity. In male-driven spaces there can
be formidable pressure in having to feign
ultra-confidence in oneself as an incoming
freshman or sophomore. “[Femaleidentifying
students] didn’t feel like they
could fail,” said Hendrickson. “Failing is
necessary because you have to try all the
things and know you can jump without a
net and learn from the experiences.”
Wilcher points out that traditionally in
a mixed-gendered space, a femaleidentifying
improviser may be “a completely
different improviser in a room full of women
than they will in a room full of men.” A
male space, whether welcoming or not,
can feel overpowering, stifling the creative
exploration of non-normative members.
“[In] every scene, I [became] an object for
sex,” Wietecha said of her dynamic with
a particularly problematic improviser. “I
was a person that they had a crush on, they
wanted to make out with, they wanted
to have sex with, they wanted to marry
— there were no in-betweens.” Wietecha
realized after the fact how routine the
behavior had become.
In Man Overboard, members are able
to find strength within their perspectives.
An open dialogue is normalized entirely.
Performers freely use commonalities and
differences to comedic effect if they so
choose. “I have to think there’s value in
getting out of that room where women
are not only the majority, but they’re the
only ones there,” said Wilcher. “There’s
importance in that.”
The group signifies a cultural progression
on MSU’s campus. For the first time, the
burgeoning variety of improv comedy
spaces can more clearly resemble a
microcosm of the wider comedy scene. In
Chicago, a city where comedic performers
often move to hone their craft, there is a
lack of incentive to remain with a team that
makes a performer uncomfortable when
another team rehearses in a theater a bus
stop away.
Former Roial Improv co-director and
teaching assistant to Hendrickson, Simon
Tessmer, is now in his second year of
performing comedy in Chicago. While
comparing MSU’s improv scene to
Chicago’s, Tessmer said, “There are as
many if not more people doing improv
here as … the entire student population of
Michigan State. It’s an incredibly massive
scene that has layers. It’s a generationally
built infrastructure. For decades and
decades and decades, people have been
doing this work.”
Improv at MSU simply does not share the
same infrastructural luxury. The scene has
made progress, but the reality of academia,
student responsibilities, and a four-year
turnover impede opportunity to maintain a
sustained audience within the community.
“If you have a young, dispersed scene,
your audience can never get used to it,”
said Wilcher. Forming a community around
improv becomes an uphill battle when
theater spaces are in high demand and
most college improvisers perform once a month.
Tessmer went on to speak of the fondness
he had for his time in the MSU improv
scene but felt the tension of limited
comedy performance options. “There’s a
tremendous social pressure that comes with
doing improv, especially if you want to be
accepted in a group,” Tessmer said. “You
feel like you have to look okay with things
you’re not okay with. And that’s something
men have to be aware of.”
This is to say, of course, there is a certain
nuance. Male-driven comedy spaces are not
in-and-of-themselves toxic or problematic.
More so, young people are not always
steadily equipped with the language or
experiences to call out micro-aggressive
behaviors and mindsets. Problematic
behaviors can become an accepted social
norm especially when the options for
alternative comedy spaces are limited.
Now in their second year as a team, the
performers of Man Overboard find comfort
in their approach to comedy. It is an
environment created and led by thoughtful
women and non-binary leaders in
which improvisers can follow whatever
comedic impulse they have nestled within
themselves. “[Man Overboard provides]
a place where you can come and play
and be creative without being graded or
judged,” Wilcher concluded.
Man Overboard, on Monday afternoons,
will offer a rehearsal in which women and
non-binary performers are able to sidestep
the mindset of needing to be perfect
improvisers. They can be weird and they
can stumble because there is no pressure to
prove to anyone else they are worthy
of doing comedy.
They just are.
Aaron Applebey is a media and information
senior with minors in public relations, film
making and LGBTQ+ studies. In their free
time, Aaron maintains a passion for creative
writing, performing comedy and watching
movies. Follow @ajapplebey across the
socials for chaotic midwest ramblings.
THECURRENTMSU.COM 25
26 SUMMER 2020
HOMELESSNESS IN THE
GREATER LANSING AREA
By Sydney Wilson
Four hundred and seventy six people
were homeless in Ingham County in
2019. When the scope widens to all of
Michigan, the number went up to 8,575 —
just counting one random night in January.
Zoom out even more to the United States,
and the number rockets to over half a
million — again, just on any given night.
For those who don’t face this issue every
day, reminders of it stir up feelings of
shame, helplessness and frustration: how
could a single person hope to combat
such a deeply rooted and pervasive
problem? Even though people suffering from
homelessness are in front of us every day,
the problem feels untouchable to most…
but not to all.
Overwhelmed would-be allies in the fight
against housing instability don’t need to
look far to find inspiration and a place
to start. People are chipping away at the
problem wherever they can, helping those
who have the most need. From spoken word
stories to TARDIS-shaped food pantries to
street-level health care, there are plenty of
people in the Greater Lansing area who are
fighting against this Goliath of a crisis.
In order to understand exactly what
these people are fighting against, a few
misconceptions and misunderstandings
about homelessness need to be cleared up.
The National Coalition for the Homeless
(NCH) says that there are three types of
homelessness: chronic, transitional and
episodic. People who are chronically
homeless depend on shelters as a longterm
solution to housing, as opposed to an
emergency arrangement. According to the
NCH, these people are “likely to be older,
and consist of the ‘hardcore unemployed,’
often suffering from disabilities and
substance abuse problems.” However,
despite chronic homelessness being what
comes to mind when most people hear the
word “homeless,” this type of homelessness
is far less common than the transitional type.
Transitional homelessness is what happens
when a person enters the shelter system
for a short time before transitioning to
more stable housing. Usually, these people
are young and in a state of precarious
housing stability, becoming homeless when
a terrible event causes them to become
homeless until they can recover. This type
of homelessness generally has a high
turnover rate, which accounts for its high
percentage of the homeless population.
Finally, there are the episodically homeless,
meaning those who are in and out of the
shelter system frequently. It is common
for episodically homeless people to be
chronically unemployed, have substance
abuse issues and suffer from poor mental
and/or physical health. Shockingly, young
people are more likely to suffer from episodic
homelessness than any other age group.
Many assume that a person becomes
homeless because of unemployment,
substance abuse or mental illness, but in
reality there are many other factors that
contribute to homelessness. The NCH lists
the following as possible factors: a lack
of affordable housing, the limited scale
of housing assistance programs, lack of
affordable health care, domestic violence,
mental illness and addiction. In many
cases, it comes down to poverty; since rent
is often one of the highest bills people have
to pay, it is the first to be sacrificed for other
necessities such as health care, childcare,
food, weather-appropriate clothing and
education. Thus, says the NCH, “If you
are poor, you are essentially an illness,
an accident or a paycheck away from
living on the streets.”
Knowing this, necessities such as food,
medicine, sanitary items and warm clothing
can make the difference for a transitionally
or episodically homeless person by easing
their financial strain enough that they can
THECURRENTMSU.COM 27
afford stable housing again. For this reason,
these donations are the most requested
by many homeless shelters and other
organizations that assist those suffering from
housing instability.
In the Greater Lansing area, Punks with
Lunch Lansing works to distribute these
items to people who are homeless every
other Saturday in Reutter Park. Punks with
Lunch Lansing began in September 2017,
spearheaded by Julia Anne Miller. She was
inspired by the West Oakland Punks with
Lunch program, and decided to open a
local chapter in Lansing. According to their
website, Punks with Lunch is “a guerrilla
not-for-profit organization providing food
and other necessities to people in need
within our community.”
In addition to distributing food, clothes
and sanitary products, Punks with Lunch
is working on providing laundry coupons
and bus tokens. Last year they finished their
street pantry project — building a fivefoot
tall “mobile food bank” designed
to look like the TARDIS from BBC’s hit
sci-fi show Doctor Who. The TARDIS
is on Michigan Avenue in front of the
28 SUMMER 2020
Everybody Reads bookstore with easy
access for anybody to donate or take from.
Further east, people at Michigan State
University are using the university’s plethora
of resources to tackle the problem on a
different level than individual donation
and community-based volunteer work.
One notable example is the Spartan
Street Medicine (SSM) program, started
in June 2017 by osteopathic medical
student Brianne Feldpausch. SSM works
on “bridging the gap in healthcare for our
homeless community members in Lansing,
Michigan,” going out to talk to those
suffering from homelessness on their own
terms and fostering trusting relationships.
SSM’s focus is on providing health care with
trust, empathy and respect; an experience
that those suffering from homelessness
don’t always get in traditional offices. SSM
provides services including treating medical
conditions, educating people about their
health and providing needed donations.
SSM also worked with students in the
department of Writing, Rhetoric and
American Cultures at Michigan State.
Together, they developed a visual guide
to basic diabetes care to attach to care
packages during their clinics. SSM
explained the challenge to the students,
who then came up with different ideas for
not only displaying the complex information
in a simple, clear manner, but presenting
this information on a donateable item,
such as a bag or tupperware, that was
weatherproof and useful.
Also within the WRAC department,
professor Benjamin Lauren is fighting the
stigma around homelessness by amplifying
stories. In the summer of 2018, Dr. Lauren
collaborated with the Michigan Coalition
Against Homelessnes to begin a project
to “help reduce the social stigma of
homelessness by changing hearts and
minds,” said Lauren. Together they’ve
created a speaker’s bureau to serve
as a platform for people suffering from
homelessness to tell their stories. Lauren
then works with associate professor Mark
Sullivan in the College of Music and
Rebecca Tegtmeyer in the Department of
Art, Art History and Design to record these
stories to create spoken word compositions.
Lauren says, “I think the best case scenario
is that it would help people to understand
that homelessness can happen to anyone,
and that there is a housing crisis going on
in this country that needs to be addressed.
The survivors I worked with said as much
in each of their stories.” Lauren also hopes
that these stories will inspire those who are
currently struggling with housing insecurity.
Lauren also works to fight homelessness
within Michigan State University itself.
Working with associate professor Stuart
Blythe in WRAC and Kim Steed-Page,
Director of the Student Parent Resource
Center, they had public presentations and
discussions with other MSU faculty and
staff. They conducted research and came to
a dismal conclusion: many students at MSU
also struggled to get basic needs like food
and housing.
Blythe said, “We studied it, and realized
that more students than you’d think were
having problems… having enough money
to buy food, and eating ramen every
night, [they] might have short-term housing
problems, may get kicked out of their home
or they may get a landlord kicking them
out because they didn’t pay rent, so people
who were maybe sleeping in a car. Then of
course mental health, people dealing with
depression. It’s happening more often than
we think, and we thought, ‘MSU needs to
respond, somehow.’”
This team is working to create a visual,
potentially an online portal, where students
can go to find resources and support for
these basic needs. “We’re at the phase
where we think there are a number of things
we can do to make it easier for students
who run into problems to get some sort of
support,” says Blythe, “but we don’t know
what those solutions would look like.”
So what can the average person do against
such a huge systemic problem as housing
instability? Much more than you might
think. Donating supplies to Punks With
Lunch, stocking the TARDIS food pantry,
donating old camping gear or using events
like Moosejaw’s gear swap and REI’s
garage sale to get cheap gear to donate.
Volunteering, donating money and knitting
hats and scarves for those without shelter in
the cold months. Whatever you can do.
“It depends on what the average Joe or
Jane has available. You sort of have to look
for what you can do where you are,” says
Blythe. “If that means volunteering once a
month at a shelter, or working for Meals
on Wheels... it’s gonna depend on every
person, and even what you’re good at, too.
It could be giving some money, could be
knitting scarves for the winter… find your
way to pitch in.”
If even these ways of helping aren’t viable,
every person can help fight against the
stigma and mental avoidance of the
homelessness crisis. Dr. Lauren says:
“Don’t ignore someone when you see
them sleeping on the street. Question your
assumptions about what you think you know
about the homeless. Ask people if they need
help and if they are okay. Donate items to
shelters, especially toiletries and toys. Talk to
your legislators about the housing crisis. There
is a lot that can be done just in the ways we
react to and interact with each other.”
Sydney Wilson is a junior double majoring in
professional and public writing and English, and
wants to spend her professional career as an
editor, helping authors make their stories the best
they can possibly be. Outside of school, she enjoys
trail running, reading, listening to music and
watching Youtube tutorials for projects she’ll never do.
THECURRENTMSU.COM 29
HOW
INSTITUTIONS
ARE EVOLVING TO
ACCOMMODATE
THE CHANGE
30 SUMMER 2020
LANGUAGE IN
THE 21ST CENTURY
By Leah Wright
The English language appears to be regulated
— spelling tests appear in classrooms as
young as first grade, and then we learn
where to put commas, semicolons, hyphens.
We learn the correct ways to string together
sentences, what order the words go in to
make sense. Entire manuals are dedicated
to the way language is used in genres like
journalism or science.
But there are dialects that change from region
to region, and slang terms that are specific to
those dialects and communities. New words
are added to the dictionary every year with
new definitions. And still, institutionalized
and prestigious “correct grammar” is taught
to be respected and looked up to. So, when
language starts to change, how do the
rules change?
Dr. Kate Fedewa is an academic specialist
in the department of Writing, Rhetoric, and
American Cultures and has been teaching
at Michigan State University since 2011. Her
research lies primarily in historical versions of
English, and she is a professor mainly in the
professional and public writing program.
“All aspects of language are subject to
change,” Fedewa said. “Language is
constantly evolving, so any part of language,
whether it’s the meanings of words or how
they’re used grammatically, can shift over time.”
One of the biggest factors that gets language
to change is the importance of the word. The
word “they,” for example, has evolved in
recent years from a way to refer to a group of
people to a gender-neutral pronoun. “They”
is an important word to a lot of people and
carries so much weight because it correlates
with individual identity.
Also, the frequency of a word often leads its
definitions to shift. Especially internet-related
words that catch on quickly like “follow,”
“timeline,” “tag” and “catfish” develop
definitions that have very little to do with the
previous meaning.
“The more commonly a word is used, it tends
to be more stable,” Fedewa said. “Words
that are used a lot sometimes have a large
semantic range; the possibilities of meaning
get bigger and bigger. Because they get
used all the time, but in slightly different
THECURRENTMSU.COM 31
context over and over again. The word just
keeps expanding. Words like ‘good,’ or
‘wicked’ or ‘sick’ — these words get used all
the time and they just continue to get bigger in
terms of what they can refer to.”
One of the biggest variations in language
comes from spoken dialects and accents.
Words and phrases develop regionally,
and the people of those certain communities
become familiar and often protective over
them – like “pop” vs. “soda,” or “y’all” vs.
“you guys.”
“Dialects were historically only regional
because people were speaking them and not
writing them down,” Fedewa said. “And when
you start writing things, they begin to get more
standardized.”
Grace Rau is a junior studying professional
and public writing, and works in the Writing
Center at MSU. In order to interview and
prepare to work in the Writing Center, she
took a three-credit class in the fall of 2019
.
32 SUMMER 2020
“We all had to take a class, a semester long
Writing Center theory,” Rau said. “One of
the things we touched on was not correcting
others’ dialects. We focused a lot on African
American Vernacular English, as well as the
southern accent because that’s kind of its
own dialect, too. But we really focused
on AAVE because it’s much more of an
oppressed dialect. [AAVE] has rules, it has
a grammar system – it’s just as complex
as standard English.”
While many students and professors are
learning and accepting dialects and different
grammar rules, older generations who took
grammar courses and grew up being taught
that standard American English was the
only way to sound professional can have
a hard time understanding why different
dialects should be regarded as so.
“It seems to be a really hard thing for people
to see,” Rau said. “My mom is a language
teacher, and I’m trying to teach her about this
stuff, and she can’t wrap her head around
it. Because some people have this idea that
standard English is the right thing to use
because there are rules and don’t see that
other dialects have just as many rules and
complex systems.”
Part of this gap in understanding is largely
due to social media and the Internet. People
express opinions and ideas in their own
voices, and this language can travel quickly
and reach a large group of people around
the globe.
“One of the weird things about the Internet is
that especially in informal spaces like Twitter,
Facebook, Tumblr or Instagram, even texting,
language is being used almost as if we were
going back to an oral form of language and
communication instead of a written one,”
Fedewa said. “Like how punctuation works
in texting, for example. We don’t really use
it in text messages, just like we don’t speak
punctuation orally.”
While kids on the Internet nowadays grew
up texting “lol” and “omg” to their friends,
older generations grew up writing letters
with no character limit and no need to
shorten phrases. And now, some people
are, accidently or not, saying “lol” or “omg”
out loud; a language that was designed to
fit entirely online is now seeping into oral
vocabulary. So, while texting has significantly
changed the language game, the Internet has
definitely exacerbated the change in certain
viral slang terms as well.
“We can see each other’s culture more now
that it’s on the Internet because so many
people have access to it,” Rau said. “So, 50
years ago, our parents and grandparents
probably weren’t exposed to so many dialects
on the level we are today with social media.
Unless they had friends in that community, it
was probably hard to even learn about them.
And now people on Twitter or Instagram are
expressing thoughts and opinions in their
own voices, so it’s easy for the mainstream
Internet to adopt those things. But then it
becomes problematic when [white people]
are not punished or looked down upon for
using those terms, like the people of those
communities and cultures often are.”
In 1965, Martin Luther King Jr. gave a
commencement speech at Oberlin College
titled “Remaining Awake through a Great
Revolution.” Although the word “woke” made
a rise again in the 21st century, it dates back
to the ’60s in the Civil Rights Movement.
“Woke” then drifted away from just being
past tense of the word “wake,” and became
a Black activist watch word in the 2010s,
following the Ferguson unrest. It was added
to the dictionary in 2017 as an adjective
to describe someone “alert to injustice in
society, especially racism.” According to
Abas Mirzaei in an article published in The
Conversation on Sept. 8, 2019, by Sept.
2016, the phrase “Black Lives Matter” had
been tweeted more than 30 million times.
The phrase “stay woke” became a symbol
of movement and activism, being used not
only in movements like #BlackLivesMatter,
but also the #MeToo movement, and the
#NoBanNoWall movement.
But the height of “woke” on the Internet as
a positive, activist term was soon met with
overuse, jokes and ultimately appropriation
by the mainstream Internet. The word was
taken by the mainstream (white) internet
and warped into a joking hashtag for meme
tweets. A simple Twitter search now shows
“#staywoke” after things that have nothing to
do with social activism or injustice.
This appropriation of language happens
constantly. Words and phrases like “bae,” “on
fleek,” and “bruh” were terms that originated
in AAVE. It has historically been looked down
on when native speakers of AAVE speak
them, but it’s seen as hip or cool for white
people to use them in conversation. In an
article published in Splinter on Jan. 8, 2016,
Charles Pulliam-Moore explains how there’s a
certain sadness to the word “woke” losing its
meaning — for a while, it was a legitimately
powerful word for the Black community,
reminding people to be aware of racism in
times of injustice.
“It’s the responsibility of editors and people
in institutionalized positions first to be aware
appropriation of language is something
that happens,” Fedewa said. “When we
record language, especially when we record
language and then edit it to fit a particular
style or reflect a particular dialect, when
we do that, we have to think about the
communities that are affected. Then on top of
all of that we have to pay attention to who the
author is, that they have the right to speak in
their own voice and write in their own voice.
And that audiences should have the ability to
hear things written or spoken in dialects that
they’re comfortable with, too.”
According to Publisher’s Weekly in 2016,
about 80% of the publishing field identifies as
white, and presumably grew up learning and
speaking standardized American English.
“We need to be aware of this, because as the
nature of being editors we are participating
in an industry that has privileged one dialect
over many others,” Fedewa said. “Are we
recognizing that and responding to it in a
way that is ethical and helpful, or are we
perpetuating things that aren’t good?”
But like all industries, the field of editing and
publishing is working towards change. We
Need Diverse Books is a non-profit and a
grassroots organization of children’s book
lovers that advocates for essential changes
in the publishing industry to produce and
promote literature that reflects and honors
the lives of all young people. And recently,
#OwnVoices has developed as a hashtag
on Twitter (a vital social media platform in the
field of publishing), used to recommend books
about diverse characters that have been written
by authors from that same diverse group.
“People in the field of editing and publishing
have to be aware of these kinds of things
because language is a perpetration of
power,” Rau said. “A lot of people obviously
in our society aren’t even aware of that. And
I think that people who really love language
are excited about dialects and would like
to learn more about them and hear more of
them. It’s important to acknowledge we’re
using our power by being in this field and
using standard American English, and it’s
important to be aware of all other great
authors who might not be using the dialect
we’re familiar with.”
Leah Wright is a senior studying professional
writing and English with a concentration
in creative writing. She is pursuing a career
in editing and publishing but hopes to
eventually become a published novelist.
When she isn’t in class, she can most likely
be found spinning flags with various color guards, but she also
enjoys listening to Bruce Springsteen and reading good books.
THECURRENTMSU.COM 33
34 SUMMER 2020
BOOK CLUBS IN
THE DIGITAL ERA
By Abigail Scott
For as long as books have existed, there
have been people gathering to discuss them.
Where these discussions happen have always
varied, from libraries, bookstores and living
rooms to most recently, digital spaces. No
matter where or how people are gathering
to talk about books, the number of those
participating in book clubs is on the rise
despite concerns about the decline of reading
in our digital era. According to the New York
Post, it is estimated that more than 5 million
Americans belong to a book club.
The history of book clubs in America is
uniquely linked to women wanting to create
a place where they could voice their own
thoughts and opinions. According to the
Minnpost, the first “literature circle” recorded
in the United States was founded in 1634
by Anna Hutchinson, a Puritan settler. Here,
women gathered to discuss sermons and
the Bible. While Hutchinson’s group was
eventually banned by suspicious Puritan
males, these gatherings served as a beginning
to the tradition of women getting together to
analyze and talk about books.
Margaret Fuller founded the first bookstore
sponsored club in Boston in 1840, and by
the turn of the century, women’s literary
societies were thriving. While women were
often excluded from intellectual gatherings
and most colleges and universities until
the mid-nineteenth century, participating
in these groups forged an accessible way
for women to engage in discussions about
literary discourse. The modern book club that
is most recognized today started during the
1980s, when discount chain bookstores made
books more widely available. This diminished
the need for the popular mail-order book
clubs that began when Harry Scherman, an
American publisher, created the Book-ofthe-Month
Club in 1926.
Rose Lanczynski, a retired bank manager,
spoke of the rising popularity of book clubs
during the 80s. Lanczynski said, “I’ve always
loved books. I can’t remember a time when
books weren’t an essential part of my life.
Book clubs seemed like they were popping
up at a lot of public libraries at this time as
this setting seemed like the perfect place to
discuss literature with others.” However, as
a mother to young children during this time,
Lanczynski felt as though she was left out of
this movement. She added:
“When I finally found a book club in the area
that I could join, I couldn’t find time to attend
a meeting. I was working full time and had
young children. While I had a strong desire to
talk about books with others, actually going to
a book club meeting seemed impossible.”
Perhaps the most well-known book club
began in September 1996, which helped
bring the open discussion of books to more
people than ever before. On September
17th, 1996, Oprah Winfrey announced that
“The Deep End of the Ocean” by Jacquelyn
Mitchard, a debut novelist at the time,
would be her book club’s first selection on
live television. Calling it one of her all-time
favorite moments on television, Winfrey
sparked a surge of reading and discussion not
only among her viewers but throughout the
United States.
It seemed as though the books that received
Oprah’s sticker on the front of its cover
jumped to the bestselling list, even those
that had been published over fifty years
ago, including Leo Tolstoy’s “Anna Karenina,”
which was first published in 1877. The
Oprah Effect has resulted in the sales, across
seventy book titles, to total around 55 million
copies, according to Al Greco, a marketing
professor at Fordham University. While not
all of the picks have been without validated
controversy, such as the February 2020 pick
“American Dirt,” the authors still have Oprah
to thank for publicity.
While Oprah Winfrey’s book club may be
one of the most influential, the rise of digital
book clubs have helped make them even
THECURRENTMSU.COM 35
more accessible and has given the traditional
book club an update. Despite critics thinking
that book clubs would experience a decline
with the increasing use of social media, this
has seemed to have the opposite impact.
Avid book lovers are embracing the concept
of bringing the conversation about the books
they are reading to social media.
Digital book clubs have created a space for
readers around the globe to interact with
not only one another but also authors while
discussing books with a diverse community.
They are flourishing on social media platforms
like Facebook, Instagram and Goodreads,
where users are able to interact with each
other by leaving comments on posts or taking
part in a discussion board. Celebrities have
taken a particular interest in creating book
clubs on Instagram, where they use their large
following to inspire their audience with new
36 SUMMER 2020
reading suggestions and encourage them to
talk about the book in post comments. In late
2015, Vogue went as far as calling Instagram
the new Oprah’s Book Club.
Reese Witherspooon was one of the first
celebrities to embrace Instagram as a medium
for an online book club when she created
Hello Sunshine in July of 2017. Witherspoon
chose “Where the Crawdads Sing” by Delia
Owens, a debut novel written by an author
whose name was not known to many, to
be the book club’s next reading venture in
September of 2018. When this book had first
been published, it had a print run of 27,500
copies. After being selected to become a
part of Witherspoon’s book club, it has since
sold over 1.4 million print units, according
to NPD Bookscan. This particular title went
from being a book known by few to one that
people couldn’t seem to get enough of as it
found itself at the top of the New York Times
bestseller list for 52 weeks.
While not every novel that has been
selected by Witherspoon’s book club has
jumped to the top of selling charts or
a bestseller like “Where the Crawdads
Sing,” many of the selections have had
respectable successes, according to Vox.
Other celebrities, such as Emma Roberts,
Andrew Luck, Albert Rosende and Jenna
Bush Hager have followed in pursuit by
creating successful Instagram book clubs.
The book suggestions that are made in posts
easily reach their thousands of followers,
encourage book discussions in the comment
sections and create a sense of online community.
In many ways, digital book clubs allude to the
tradition of book clubs and how they started
by giving voices to those who needed it.
More are choosing to read books written by
women and people of color. In Hager’s book
club, which started in May of 2019, 11 out
of the 12 selections were written by female
authors and six of them were written by
women of color.
Celebrity book clubs aren’t the only ones
bringing awareness to different voices though.
More book clubs are springing up that focus
on bringing women’s and people of color’s
stories to the forefront. Book clubs like the
Badass Women’s Book Club and the For
Colored Girls Book Club, both housed on
Instagram, are curating a digital space to
celebrate diverse storytelling, which hasn’t
always been emphasized in the past.
Perhaps one of the greatest benefits about
digital book clubs is that they have paved
the way for the discussion of books to be
more accessible. Whereas before, those who
haven’t been able to commit to attending
meetings in person or perhaps didn’t want
to interact face-to-face were left out.
Lanczynski said that had digital book clubs
existed when her children were still young
and she couldn’t find the time to attend
meetings, she wouldn’t have missed out on
participating in something she would have
genuinely enjoyed. She could have been
able to become a part of the conversation.
Rhett Thompson, a current medical school
student, has been able to participate in an
online book club on Goodreads despite his
workload. Thompson stated, “Realistically, it
would be too hard to meet up in a physical
location on top of reading for my own
enjoyment with all of the schoolwork I have
to do, and my schedule. Digital book clubs
have given me a place where I can engage
in online discussion.” While Thomspon
acknowledges that he would enjoy being
able to talk about these things in person, the
book club he is a part of, where they just
finished reading “Beloved” by Toni Morrison,
has helped him think about things outside of
medical school. He added, “Reading serves
as a form of escape for a lot of people, myself
included, so taking part in an online book
club has allowed for that.”
The restorative power of reading isn’t likely to
be forgotten anytime soon, despite being in
a digital era where new technologies, apps
and social media platforms are being created
every day. If anything, readers are expecting
to be exposed to new ways of experiencing
reading thanks to digital technologies. The
image of book clubs existing in living rooms,
bookstores and libraries has broadened in
recent years to include digital spaces, where
more voices are able to participate in diverse
literary discussion. With the advent of social
media, the classic book club has been given
an update and one that will carry on the long
standing tradition of reading.
Abigail Scott is a senior double majoring in
English and professional writing. Upon
graduation she hopes to pursue a career in the
communications field, but eventually she plans
on publishing her own book. Outside of class
and work, Abigail can be found reading, writing
poetry and her senior thesis or Irish dancing.
THECURRENTMSU.COM 37
GENERATION FEAR
By Joey Warren
When I first started writing this article, I had
to do a lot of research on the boundaries
of generations and the events that took
place within those boundaries. At the time,
I assumed that those events would only
strongly affect those who were born in those
generations and would only partially affect
those from other generations. I was wrong.
People claim ownership of large generational
events (e.g. war or social movements) in
an attempt to somehow prove they had it
worse than the generations before or after
them, but the aftermath of an event can rock
generations long after it took place. This
brawl over who had it worse creates hostility
between generations when we should be
coming together instead. Ultimately, we have
all been affected by the events of the past
and the present. As I researched and talked
to people, I learned that events cannot and
should not belong to only one generation.
The time spans that define generations
are themselves not set in stone, and they
often change depending on what website
you visit or which historian you ask. Also,
people born at the beginning or end of these
generations might feel like they belong or
relate more to the one before or after them.
It’s all very subjective, which is why much of
what is presented in this article could also be
considered subjective.
I had to limit myself to only looking at
American generations and how they were
affected by events. There was simply too
much history to examine, and I couldn’t
possibly cover everything from America here,
either. Therefore, this article investigates only
American Generations, going forth with the
knowledge that even those boundaries are
fragile and subjective. Every generation and
individual person has gone through some
kind of traumatic experience at some point,
whether it was caused by a world event or a
personal one.
In order to gain a more complete
understanding of generations, I had to talk
to a variety of people from as many
generations as I could. My time was spent
digging into the experiences of these people
and learning about what they feared and
how that affected not only them, but
everyone around them.
While interviewing and talking to people
from older generations such as the Baby
Boomers or even those who were born
within the Silent Generation, an interesting
theme appeared. When asked what they
were afraid of, they often replied simply
with “nothing.” For example, when I spoke
to ex-Army medic Woody Baird about
what his fears were during his time in the
service, he simply gave me an odd look
as though it were preposterous that he
would fear anything. I received the same
response from several veterans that I talked
to. They didn’t want to talk about their fears —
they wanted to talk about how great the past
had been. My primary suspicion is that the
trauma that they faced was either something
that they genuinely forgot as a form of
self-preservation, or they just didn’t want to
remember what had happened in any capacity.
This response is the opposite of the response
I got from Generation X, those born between
1965-1979, Millennials, born 1980-1995,
and Gen Z, born 1996-present. They were
more than willing to give me a list of every
fear they had ever felt in their lives. In today’s
world, society considers therapy and mental
health an important part of our lives, but this
is a relatively new thing. People from older
generations were horrified at the idea of
having to go to a therapist or psychiatrist;
the stigma around it was a powerful
deterrent. Admitting you went to therapy
was considered shameful amongst your
community. Their silence about their mental
health and their fears reflect how much of that
they have brought with them into the present,
despite the more mental-health-conscious
environment that currently exists in America.
The Greatest Generation, who were born
around 1910 to 1924, and Baby Boomers
both carried the weight of history-changing
wars in very different ways. World War II
shook the world to its core in 1939. Every
child grew up knowing that WWII happened,
THECURRENTMSU.COM 39
“ The Greatest
Generation,
who were born
around 1910
to 1924, and
Baby Boomers
both carried the
weight of history-changing
wars in very
different ways.“
and many were even introduced to the
harrowing images that came with/from it —
most memorably, the images of emaciated
Jewish prisoners from concentration camps
located in Nazi Germany territory. There were
also the horrors that American troops faced in
Japanese concentration camps.
For example, Gunnar Sacson was 24 when
he became a prisoner of war (POW) in
Yokohama, Japan. He was a survivor of the
Bataan Death March in 1942. His POW
diary offers glimpses into his experiences and
the troubles he faced. Sacson and his fellow
prisoners were often underfed and ill due to
lack of nutrition and poor conditions. Over
a year into his imprisonment, Sacson wrote,
“Three years ago today[,] I was called into
the army. Never realized then that I would
ever be in this predicament. A living hell.”
Sacson came home after the liberation of the
Philippines, then he married a woman named
Thelma Hodges and seemed to go on to live
a normal life.
40 SUMMER 2020
However, this normalcy after facing a living
nightmare for three years of his life demands
the question: how did he move on? That
kind of trauma has to stay with you unless
you tamp it down, romanticize the past
and pretend it didn’t happen. These are
things we’ll never be able to know about
Sacson, but it’s important to acknowledge
his experiences as he recorded them in his
diary. We can’t know exactly how Sacson
felt, but we do know how WWII and combat
veterans in general behaved after the war.
Post Traumatic Stress Disorder (PTSD) and
night terrors are common amongst those
who served. Veterans are easily startled or
triggered by visuals, sounds and even smells.
To have to live your life always feeling like
you’re on your toes is an exhausting and
horrifying experience.
While the Vietnam war was incredibly
different both in the way it was fought and
in the way it affected people, it also had
a massive impact on those who served
and indeed on much of American society.
Ann Weinacker recalls the horror she felt
at the stories her then-husband, Charles
Weinacker, would tell her while he was in
the Navy Reserves stationed in Vietnam. Ann
remembers what he said in one of his letters:
“He and his team were out there on the river
one day, and there was a group of people
passing them in the river. Someone in his
boat thought they were Viet-cong. Guerrilla
warfare wasn’t uncommon at that time, so the
man threw a grenade in the boat. Turns out
it was only a Vietnamese family. That really
stuck with Charles, even if he didn’t act like
it.” Her husband eventually came home, but
the war changed him, as it did many others.
Ann recalls that Charles wasn’t very nurturing
before he left, but when he came back, he
could be openly mean and malicious at
times. His change in behavior led him to lose
his wife and eventually the rest of his family.
Charles’ ex-wife, her daughters and their
children have not contacted him for eight
years. Charles lost his family to his demons.
Romanticizing the past is common among
several generations, not just older ones
such as Baby Boomers and the Greatest
Generation. There are several articles and
videos online of early Millennials, who were
kids of the early 1990s, talking about the
great snacks they ate, the amazing children’s
TV shows they watched and the toys that
they played with, but they don’t talk about the
impact that Columbine had on their feelings
of security while they were at school.
The 1999 Columbine shooting ushered in
an era in which school shootings and gun
violence became routine. Other school
shootings, such as the ones at Santana High
School in 2001 and University of Arizona
in 2002, solidified it as a terrifying norm.
Some school districts installed metal detectors
at the doors and implemented rules to
prevent students from bringing restricted and
dangerous items into the building. Today, the
worry still continues. Safe Life Defense now
makes a product called backpack armor, a
bulletproof insert for your backpack. Children
today are being sent to school with body
armor for protection, or sometimes they’re
being homeschooled in an attempt to avoid
the danger entirely. According to Fox News
writer Caleb Parke, “as school shootings
continue to make national headlines, parents
fearful of the next mass killer are pulling
their kids out of schools in growing numbers,
according to home education groups. Some
parents are temporarily leaving careers
to home-school their children, fearing that
dropping their kids off at school could
potentially place them in danger.”
While specific events can and have caused
fears for specific generations, there is one
fear that seems consistent across many
generations. Fear of failure is one theme that
really stands out among Baby Boomers, Gen
X and Gen Z. While the Great Depression
faded within the lifetime of those born in the
Silent Generation, the damage of what took
place during it was passed on to the Baby
Boomers. An obsession with financial stability
lingered. Arthur Woznick, born in 1929, grew
up in a small, crumbling farm house without
floors. Lard sandwiches were normal fare
in the Woznick household. When Woznick
grew up, married and had children, he made
a point to always provide for his family,
even to the detriment of his relationship with
them. He worked six days a week at General
Motors, often clocking overtime. He wasn’t
home as much as he could have been, but
he was determined to keep his family solidly
upper-middle class. His behavior left an
impression on his children. They too grew
up to feel like they needed to be successful
and try and provide for their family in the
best way possible.
Many Baby Boomers took this kind of work
ethic and drive into their later lives. Sally
Kane wrote an article for “The Balance
Careers,” describing Baby Boomers as
“extremely hardworking and motivated
by position, perks and prestige. Baby
Boomers relish long work weeks and
define themselves by their professional
accomplishments.” She goes on to say
that “since they sacrificed a great deal
to get where they are in their career,
this workaholic generation believes that
Generation X and Generation Y should pay
their dues and conform to a culture
of overwork.”
For Gen X, the 1990s was a time of relaxation
and relative economic stability, but with
that ease came the desire for more material
wealth. People didn’t just strive to have
nice homes and food for their families —
they wanted to prove their success through
material goods, and this concept was pushed
onto the young people of that era. According
to Michigan State University history major
Mick Landstra, “success and economic
prosperity surrounded them. Greed was
good, and you were nothing if you didn’t
materially stack up.” For young people in
Gen X, that kind of pressure wasn’t what they
wanted, and the pushback against capitalism
and consumerism created generational
tension with their predecessors.
Gen Z’s fear of failure also stems from the
expectations of the past. They suffer with
expectations like owning homes, having
children and having economic success while
also being in charge of trying to save the
world. The climate crisis seems to be one of
the biggest defining fears for those in Gen
Z. No longer is it a weird hippie thing to
recycle, use reusable bags and reduce your
waste, but an everyday necessity for those
trying to keep the planet alive. In a New
Republic article, Emily Atkin furthers this point
by saying, “We’re losing our ability to grow
… food. All the coral in the ocean is literally
dying. We’re killing all the … animals. The
ground is randomly exploding and opening
up giant mystery sinkholes that probably
contain ancient … diseases? We’re causing
air pollution that will kill as many people as
25 Holocausts.” Some people in younger
generations are choosing not to have children
due to their fear of what will happen to the
planet. This fear not only affects them now,
but could affect the population in the future.
Gen Z’s, and in fact many other generation’s,
fear of failure, also stems from this need to
grow up too quickly. The draft for Vietnam
pulled 18-year-old boys from their schooling
and daily lives to push them into a war.
These were children that had to learn on the
spot how to grow up and face the very real
dangers of the world. Even today, people
are becoming activists at younger ages
and fighting for causes they believe in like
THECURRENTMSU.COM 41
gun control, the climate crisis and LGBTQ+
visibility. While it’s fantastic to see young
people taking on these roles and fighting for
what they believe in, it feels uncomfortable
knowing that they felt they had to step into
those roles at such a young age because the
generations that came before failed them.
Where is the balance between allowing our
young people to have a hand in shaping their
world and the tragedy of allowing them to
give up their childhood to try and protect
their futures?
Gen X can relate to Gen Z with their fears
of failure. In fact, it seems that Gen X is the
oldest generation that is actively supportive
of those that are activists and are fighting for
a better future, but again, is it fair to ask such
young people to take the reins on this issue?
Allowing someone to be a part of the mission
for a better future is different than placing
all the responsibilities on their shoulders,
especially such young shoulders.
42 SUMMER 2020
Climate crisis activist Greta Thunberg was
only 16-years-old when she spoke out at the
U.N.’s Climate Action Summit in New York
City, saying, “My message is that we’ll be
watching you. This is all wrong. I shouldn’t
be up here. I should be back in school on the
other side of the ocean. Yet you all come to us
young people for hope. How dare you. You
have stolen my dreams and my childhood
with your empty words.” Thunberg is
missing school and sacrificing much of her
childhood to go to these events and give
her powerful speeches, and while they are
moving, it is important to ask why this has
fallen upon the shoulders of someone so young.
It would be unfair for any generation to
attempt to truly claim events like the Civil
Rights Movement, LGBTQ+ Rights Movement
or even the Women’s Rights Movements.
There are major dates associated with them,
but the suffering and resistance of each of
these groups is something that has happened
long before and after these dates. These
kinds of movements, movements for the rights
of people who were forced to be silent, are
ones that we may all share in. Sexism, racism
and homophobia are things that people still
deal with today. It is 2020 and we have
had only one president of color and there
has never been a female president or, to our
knowledge, a president who was a member
of the LGBTQ+ community. That is not
a coincidence.
The 1967 Loving v. Virginia Supreme Court
case was historic in that it struck down
laws that banned interracial marriage.
While this case took place in Gen X’s time,
it can’t belong solely to them. The court’s
ruling doesn’t erase the fight that happened
before the court case or even the battle that
took place after so those who loved each
other could marry despite the color of their
skin. The Stonewall riots in 1969, where
members of the LGBTQ+ community fought
back against police raids at the Stonewall
Inn in New York City, took place within the
bounds of Gen X, but the movement carried
on until the Millenials and Gen Z were able
to see Massachusetts legalize gay marriage
in 2004 and 11 years later Gen Z was
able to see it legalized in all 50 states. In
1920, the Greatest Generation saw the 19th
Amendment grant white women the right to
vote, but that doesn’t change the fact that
women of color still couldn’t vote until the
Voting Rights Act of 1965 was passed, and
even today we can still see how women are
systematically underpaid.
No one is above fear. It’s something that
affects or has affected everyone at some
point in their lives, even if they choose to
try and forget their fears. However, to be
scared is to be shaped by your own mind.
You can choose to hide from the pain of
what happened to you and others, or you
can embrace and learn from and use it to
relate to the people around you. The trauma
from historical events within generations
fundamentally changes who people are, and
often people are ignorant of the fears that
others faced in the past. People growing up
in days after a crisis were affected in different
ways than those who were coming-of-age
or adults. Fear is not something special or
unique to one generation. The kinds of fears
and terrors they faced are sometimes unique
to their experiences and time period, but
the aftermath can still be felt by everyone.
If generations would stop fighting over who
is correct, who had it worse in their youth
or who has the best answers to the world’s
problems, then they could begin working
together to build a generation with less fear.
Joey Warren is a senior in professional and
public writing. When not studying, you can find
her watching Netflix in her pajamas,
advocating for women and LGBTQ youth or
taking pictures of the squirrels on campus.
You can follow her on Instagram @jortay_ole.
WRITE
EDIT
DESIGN
DEVELOP
STRATEGIZE
CREATE
xa.cal.msu.edu wrac.msu.edu/p2w twitter: @msuwrac
THECURRENTMSU.COM 43
44 SUMMER 2020