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Welcome to Chechnya - Metro Weekly - July 9 2020

The Great Escape: David France shares inside details about Welcome to Chechnya, his powerful new documentary about LGBTQ refugees running for their lives. Interview by André Hereford

The Great Escape: David France shares inside details about Welcome to Chechnya, his powerful new documentary about LGBTQ refugees running for their lives. Interview by André Hereford

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Since 2017, a deadly anti-gay<br />

“cleansing” has threatened the<br />

survival of LGBTQ people living<br />

inside the Chechen Republic.<br />

The nation’s Putin-supported leader, Ramzan Kadyrov, proudly<br />

denies the purge, despite reports from victims, survivors, and<br />

their families of brutal atrocities. A brave few have rendered<br />

official testimony before government commissions, and spoken<br />

directly <strong>to</strong> the media. Their ongoing battle <strong>to</strong> bring the truth <strong>to</strong><br />

light, and justice <strong>to</strong> the abused, <strong>to</strong>ok a significant step forward<br />

with the Pride Month premiere of HBO’s must-see, real-time<br />

documentary <strong>Welcome</strong> <strong>to</strong> <strong>Chechnya</strong>.<br />

Slipping behind the Chechen Republic’s iron curtain of<br />

in<strong>to</strong>lerance <strong>to</strong> shoot a film required extreme preparation and<br />

precision for direc<strong>to</strong>r David France and his crew. “The people<br />

who were at real risk were the Chechens who were making their<br />

escapes,” says France of the documentary’s subjects. The film<br />

follows queer rebels like Anya, a 21-year old fleeing the country<br />

with help from an underground network of activists led by<br />

Russian LGBT Network emergency program coordina<strong>to</strong>r David<br />

Isteev. “The second level of danger,” France adds, “was for the<br />

activists who were doing that work.”<br />

Urgency permeates nearly every scene, as the film, embedded<br />

with Isteev’s operation, s<strong>to</strong>ps in a Moscow safe-house run<br />

by activist Olga Boronova, and races <strong>to</strong>wards freedom with<br />

formerly detained gay couple Grisha and Bogdan. Yet, France<br />

— the Oscar-nominated direc<strong>to</strong>r of the essential HIV-AIDS documentary<br />

How <strong>to</strong> Survive a Plague — insists he never felt in peril<br />

for himself, thanks <strong>to</strong> thorough planning. “We created these<br />

levels of deniability,” he explains. “When we were in public, it<br />

was not known that I was working with anybody else in that<br />

public setting. If discovered, I would just be my own person and<br />

explain that I was a <strong>to</strong>urist or whatever. But, hopefully, not let it<br />

be known that what I was filming was these daring extractions<br />

of people.”<br />

The filmmaker and crew kept their shoot undercover by porting<br />

around decoy devices. “I had a cellphone that I filled with<br />

<strong>to</strong>urist pho<strong>to</strong>graphs. I had cards for my camera that were evidence<br />

of my having been a <strong>to</strong>urist and nothing else. I made sure<br />

<strong>to</strong> create a fictional explanation for what I was doing that always<br />

separated me from what the activists were doing and what the<br />

survivors were doing.”<br />

Stealth allowed France <strong>to</strong> emerge with startling footage supporting<br />

the testimony of refugees like Grisha and Bogdan, both<br />

eyewitnesses <strong>to</strong> the regime’s campaign of detention and <strong>to</strong>rture.<br />

And digital subterfuge was required <strong>to</strong> cloak the refugees’ identities,<br />

since, even beyond <strong>Chechnya</strong>’s borders, there are forces that<br />

aggressively pursue those who escape in order <strong>to</strong> silence them.<br />

“That's why they're being protected with different faces,” says<br />

executive producer Neal Baer, “because the Chechen diaspora<br />

has received word <strong>to</strong> eliminate these people wherever they are.”<br />

Baer, who joined the project after the filming, lauds the courage<br />

of all of the onscreen participants, and the direc<strong>to</strong>r. “I'm<br />

proud of David, and I'm grateful <strong>to</strong> the refugees and the activists<br />

for allowing David <strong>to</strong> film. This was a film made by a lot of people.<br />

But David [earns] the praise for what he's done.”<br />

France, in turn, hails those who entrusted their s<strong>to</strong>ries<br />

<strong>to</strong> this movie and its producers, who also include How <strong>to</strong><br />

Survive a Plague collabora<strong>to</strong>r Joy Tomchin and ac<strong>to</strong>r Jesse Tyler<br />

Ferguson. A former investigative journalist for Newsweek, GQ,<br />

and New York Magazine, France <strong>to</strong>ok every precaution <strong>to</strong> assure<br />

the film’s subjects of the utmost discretion. “We were filming<br />

people's faces, people whose identities could never be known,<br />

and promising them that we would protect the footage that we<br />

were shooting, that we would never let it out of our hands. We<br />

would never put it in a place where it could ever be intercepted.”<br />

Having successfully evaded enemy interception, <strong>Welcome</strong><br />

<strong>to</strong> <strong>Chechnya</strong> exposes this shocking s<strong>to</strong>ry <strong>to</strong> a world roiled by<br />

the uncertainty of a pandemic, and unprecedented financial,<br />

political, and social upheaval. Adding <strong>to</strong> the <strong>2020</strong> deluge, the<br />

situation for LGBTQ Chechens won’t be improved by recent<br />

developments in mother Russia, where voters just approved a<br />

ban on same-sex marriage. And, no surprise, under the current<br />

presidential administration, no Chechen asylum seekers have<br />

been granted safe haven in the United States.<br />

But France sees signs of hope in those who have found safer<br />

haven, like Bogdan and Grisha, the latter of whom discloses his<br />

true identity in the film as Russian-born Maxim Lapunov. The<br />

couple were on hand for the film’s world premiere at the <strong>2020</strong><br />

Sundance Film Festival, “a really exciting moment,” France recalls.<br />

“I saw them next in Berlin, and they came with Maxim's<br />

mother. It was just really wonderful <strong>to</strong> see them meeting<br />

their audience, and understanding what they had accomplished<br />

already through their act of bravery, in coming forward and<br />

22<br />

JULY 9, <strong>2020</strong> • METROWEEKLY.COM

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