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Marjorie and Gerald Bronfman Drawing Acquisition Endowment Fund

Marjorie and Gerald Bronfman Drawing Acquisition Endowment Fund

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Two Italian drawings donated from<br />

<strong>Marjorie</strong> <strong>Bronfman</strong>’s private collection<br />

Giovanni Domenico Tiepolo<br />

An Angel Holding a Martyr’s Palm <strong>and</strong> Angels with a Laurel Wreath<br />

Tiepolo produced numerous studies of this general kind featuring angels with putti in the clouds. More specifically,<br />

it should be noted that these two drawings each contain specific attributes — a palm of martyrdom <strong>and</strong> a<br />

laurel crown — both appropriate for any representation of Christian martyrdom. The artist use his preferred<br />

medium of pen <strong>and</strong> brown ink <strong>and</strong> wash, h<strong>and</strong>led with a typically vibrant touch.<br />

Remarkably, the works offered pay tribute both to the continuing generosity of the <strong>Bronfman</strong> family to the<br />

National Gallery of Canada <strong>and</strong> its Foundation, but also to their admiration for the style of the Tiepolo family.<br />

You can admire these drawings in the exhibition Italian Neoclassical <strong>Drawing</strong>s, on display until 22 August 2004<br />

at the National Gallery of Canada.<br />

Giovanni Domenico Tiepolo<br />

An Angel Holding a Martyr's Palm c. 1783<br />

pen <strong>and</strong> brown ink with brown wash,<br />

over traces of black chalk on laid paper<br />

28 x 20 cm<br />

National Gallery of Canada, Ottawa<br />

Gift of <strong>Marjorie</strong> <strong>Bronfman</strong>,<br />

Westmount, Quebec, 2002<br />

Giovanni Domenico Tiepolo<br />

Angels with a Laurel Wreath c. 1783<br />

pen <strong>and</strong> brown ink with grey wash<br />

on laid paper<br />

27.6 x 19.2 cm<br />

National Gallery of Canada, Ottawa<br />

Gift of <strong>Marjorie</strong> <strong>Bronfman</strong>,<br />

Westmount, Quebec, 2002

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