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The Magic Flute Study Guide - Manitoba Opera

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Freemasonary and the <strong>Manitoba</strong> Legislative Building<br />

23<br />

Completed in 1920, the<br />

<strong>Manitoba</strong> Legislative Building is<br />

a remarkable monument to<br />

Masonic architecture and<br />

ancient temple design. Its<br />

iconography, replete with<br />

arcane imagery and esoteric<br />

lore, honours numerous deities<br />

from the Classical and ancient<br />

Near Eastern world.<br />

CBC: Winnipeg's Secret Code<br />

(<strong>Manitoba</strong>'s Masonic Legislature building)<br />

http://www.youtube.com/watch?v=i<br />

qO52erTdqk<br />

What is the Masonic Connection to <strong>The</strong> <strong>Magic</strong> <strong>Flute</strong>?<br />

Mozart and Schikaneder were both Masons. <strong>The</strong> <strong>Magic</strong> <strong>Flute</strong> appears to be filled with many<br />

Masonic references of one kind or another. <strong>The</strong> rituals which Tamina and Pamina have to<br />

undergo bear strong resemblance to the Masonic initiation rituals. Mozart and Schikaneder show<br />

us duality: the lightness and reason of one set of characters vs. the darkness and irrationality of<br />

others. <strong>The</strong> scenery used in the early productions made the story appear as if it were taking<br />

place in Egypt or somewhere in the East. <strong>The</strong> Masonic Sacred number is three: the opera is<br />

written in E flat major, which has three flats.<strong>The</strong> groupings in three’s and other concepts that<br />

refer to the grouping of liberty, equality, and fraternity include:<br />

� the three ladies who attend the Queen of the Night<br />

� the three youth who are sent to help Tamino and Pamina<br />

� the serpent who is cut into three pieces<br />

� the three long chords at the beginning of overture, and the three chords that appear again in<br />

the scene in the temple<br />

� the three temples of Wisdom, Reason and Nature<br />

� the three trials of ordeal<br />

<strong>The</strong>re are many more examples and although there<br />

is no direct mention of the Freemasons in <strong>The</strong> <strong>Magic</strong><br />

<strong>Flute</strong>, it is generally considered that Mozart and<br />

Schikaneder deliberately wrote a Masonic opera.<br />

This is somewhat surprising given the vows of<br />

secrecy members are expected to observe, but it’s<br />

generally concluded that there are too many<br />

references for it to be merely coincidence. Mozart<br />

was 28 when he joined the mysterious order.<br />

During those days in Vienna, the Freemasons were<br />

seen as striving to save humanity by moral means<br />

and <strong>The</strong> <strong>Magic</strong> <strong>Flute</strong> has always been viewed as a<br />

tribute to the benevolent organization.<br />

Sarastro's palace in the opera<br />

<strong>The</strong> <strong>Magic</strong> <strong>Flute</strong>

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