the churchie emerging art prize catalogue 2020

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GeorgiaMorganGeorgia Morgan’s This dream is real (2020) is a site-specificinstallation that references the Malaysian kampong (village) that hermother grew up in. This work looks at intergenerational relationshipsand the failure inherent in translating memories—there are no photosthat exist of her mother’s kampong and so the artist solely relies onher mother’s words and memories via Skype conversations.“I have been skyping my mum in Sydney from Hobart. We talkabout the kampong she grew up in. I try to get a lay of the land. Shemainly tells me stories about people; her neighbours fighting withone another; when her dad died suddenly and her mum and twelvesiblings moved house; and her Christian friend giving her high heelsdonated from some British church.” (Morgan, 2020). This installationis the result of these conversations. In the artists words: “She isremembering and I am imagining.” (Morgan 2020).Georgia Morgan lives and works in lutruwita/Tasmania. Her practiceexplores the assumed hierarchies of materials and places throughsite-based research, performance/invented ritual, and sculpturalinstallations. She uses photocopies, building materials, and detritus,assembled with ceramics, videos, and paintings that result in ablending of ‘high’ and ‘low’. Morgan graduated with a Bachelor of FineArt in 2019 and was the recipient of the Bett Gallery Award.
Georgia Morgan, Paradise Utility, 2019, pine, screws, bugles, cage door, cable ties, corrogated iron, foundtimber, air conditioning tube, rope, weed mat, staples, pipe cleaner, blue tarp, sindoor, ash, foam, texta,wire fence, basket, yellow waders, orange safety mesh fence, cupboard door, paint, windshield sun shade,electrical conduit, buoy, shade cloth, fibre glass, besser blocks, hot water urn, saree, 250 x 141 x 200cm.Photo: Remi Chauvin. 25
Page 3 and 4: EMERGINGART PRIZE2020
Page 5 and 6: 04 Foreword06 A CRACK IN THE SURFAC
Page 7 and 8: The Institute of Modern Art is prou
Page 9 and 10: Firstly, I would like to acknowledg
Page 11 and 12: “Does an artist achieve success
Page 13 and 14: Nathan Beard, Floral Arrangement, 2
Page 15 and 16: Tom Blake, loop (uu), 2020, cyanoty
Page 17 and 18: Jess Bradford, An Image of a Tiger,
Page 19 and 20: Martin George, Bubble, 2019, acryli
Page 21 and 22: Yasbelle Kerkow, Our Inheritance, 2
Page 23 and 24: Guy Louden, Snake, 2020, software,
Page 25: Lachlan McKee, Blocks, 2020, acryli
Page 29 and 30: Anti-Poem, 2020, wood, cement, sand
Page 31 and 32: James Nguyen, Monochromes, 2018-ong
Page 33 and 34: Emily Parsons-Lord, Rubbernecking (
Page 35 and 36: Marina Pumani Brown, Ngayuku Ngura
Page 37 and 38: Athena Thebus, Angel’s Warning, 2
Page 39: Nathan BeardWhite Gilt 3.0, 2020, i
Page 42: ColophonPublished bythe churchie em

the churchie emerging art prize catalogue 2020

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