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Photobook Saturday

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My quest is to create objects that facilitate

connection with the divine, and that challenge the

patriarchal and hierarchical representations of the

Christian tradition. I use the idea of ‘the Abject’ as

described by French feminist Julia Kristeva as a

way of approaching this.

Icons in the religious sense are religious paintings

used for devotion, strongly symbolic. The word

usually refers to a specific style and tradition, but I

am using the word more widely for images made

to help people connect with soul, spirit and ‘god’. I

come from a white Western Christian tradition,

but find that the almost exclusively masculine

images and language for ‘god’ do not help me

make this connection and in many cases are

repellent.

A non-patriarchal and non-hierarchical

understanding of ‘god’ is outlined in Kristeva’s

writings; not the patriarchal religious system she

calls ‘symbolic’ but the ‘semiotic’ religion she

would describes as a divine power that connects

everyone and everything to the divine and each

other.[1] This idea is similar to some

contemporary Christian thought: ‘Everything I see

and know is one uni-verse, revolving around one

coherent centre. This Divine Presence seeks

connection and communion, not separation or

division[2].’

Human belief in a force or being that created and

sustains the universe, in universal pattern, or a

deity, is by definition impossible to understand or

describe, so I set myself a fairly impossible

question. Monotheistic religions agree that no

image or name can represent a god who, when

asked for their name, would only say ‘I am who I

am’. While Pantheistic religions have many gods

portraying different aspects of the divine, even

within themselves, monotheistic faiths rely on a

multiplicity of metaphors, and in some cases a cast

of saintly characters to connect with different

aspects of the divine mystery.

Universal Pattern1 and II

Pippa King, 2019

Linocut and collage on paper, 420 x 594

Photographed among the arches on which the design is based, Pippa King, August 2020

Right:

Pray

Pippa King 2020

Photograph of randomly folded cloth printed with a repeating pattern made from a drawing of a triskelion pattern,

mounted on board, (Pippa King, 2019) photographed 2020 in a niche with tapers

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