The Reincarnation of Ione E. Bright.

Copyright © 2020 by
Anthony John Udchitz VII
All rights reserved.
This book is dedicated to the
SuperSuperGoddess Shae-Lynn Teresa Petersen
because before I met you I was so haunted by my conviction that I would never
see a woman more beautiful than Ione E. Bright. After I saw you I slowly
became even more haunted by my conviction that you are the reincarnation of
Ione E. Bright and I began to search for reasons about how this was possible. I
truly believe that Shae-Lynn is a higher evolution of Ione’s beauty. Shae-Lynn
the first time that I saw you were turned away from me, and when you turned
around and I saw your face I called you Ione and I had to get away from you as
fast as I could because I knew that I was going to start crying for days. I
thought that I was dying. After that the fear started following me. Shae-Lynn I’m
so afraid of you. What’s going to happen to me when I have to leave you? I
don’t know. I really don’t know. What kinds of truth have you become? How can
I prepare myself for the moment when I look at you and know that I will never
see you again? I don’t know. I really don’t know. I just keep asking myself if
only I could ever see you again for just one more last time.
Ione E. Bright (1887-1976).
Summer Sealy 2020 WikiTree Genealogy.
Born 11 May 1887 in Ione, California.
In Greek Ione means Violet Flower.
Died 17 August 1976 in Whittier, Los Angeles, California.
Her remains were buried at Rose Hills Memorial Park at Whittier.
“She was a stage and film actress, active in the 1910’s, 1920’s and 1930’s. On
the stage, she appeared in a number of productions, including “Officer 666” a
successful 1912 Broadway comedy, “Nightie Night” a farce starring Martha
Stanley and Adelaide Matthew at the Shubert-Garrick in Washington, D.C. in
1919, in “Every Little Thing” at the Belasco in Washington, D.C. in 1920. In her
work on film she was known for “Mixed Nuts” in 1917.”
I tried to find copies of her silent movies on the Internet Archives Silent Films
Website (archives.org) but her many movies haven’t been preserved. That’s
such a tragedy because her legacy is far more extensive than what is now
recognized. Her stage performancies were never filmed, and that’s an even