Chincoli Davide _ Portfolio 2017/20

DAVIDE CHINCOLI
PORTFOLIO
2017 - 2020

I am an Italian, freshly graduated, architecture professional with a bachelor’s degree and a Master degree
in Architecture Sciences obtained at the Academia di Architecture di Mendrisio (USI), Switzerland.
Through my studies I have come contact with innumerable instances for stimuli referring to the profession
I was cultivating, but I will be honest in saying that nothing like the theme of visualisation has ever
excited me more. It all started with photography, as when I bought my first and only film camera, I’ve
started documenting obsessively all the realities I’ve lived for the past few years. It quickly expanded to the
involvement of a growing amount of people of my university, and eventually we’ve manage to co-found
the first photographic laboratory in USI’s history with an equipped dark room to spread the passion to
everybody. Photography also aided to my academic work as I self-taught myself the ways of some of the
most utilised rendering machines; such as V-Ray, Enscape, Maxwell, TwinMotion and currently passively
learning Cinema 4D (as I cannot afford a license); to better improve the overall visualisation quality of my
designs through the years. I can only describe myself as keen to constantly learning new things and master
new softwares in order to raise the bar when it comes down to Architectural Visualisation, and being
always up-to-date on technological advancement and scientific discoveries. I also own a set of skills in
model and photo model making, broad experience with the most used softwares (AutoCad, Photoshop,
InDesign, Illustrator, Rhinoceros, Grasshopper, BIM (a little) and all the Microsoft Offices) and a dedicated
attitude in respecting strict deadlines as the Academy I’ve attended tends to improve the student’s
MOTIVATIONAL
LETTER
organisational skills expecting high-level work material in the shortest amount of time. I personally have
a keen interest towards the study of what I believe will be key components of the future of architecture
such as typology optimisation, generative design, biomimicry and 3D printing, which played an especially
major role during my professional growth, as it quickly went from being a fun hobby, to an actual source
of income for the cultivation of my other passions. It comes relevant to my job application as with it,
I’ve managed to accumulate enough money to build a strong home-workstation in order to be ready for
smart-working in the eventuality that we will be forced to in the future. I also make a good team-mate and
really enjoy either group or individual work facing the job with positivity and interest.

CURRICULUM VITAE
EDUCATION
PERSONAL
SOFTWARE
ATTITUDES
Sep 2014 – Jun 2020
Sep 2009 – Jul 2014
Jan 2013 – Jul 2013
Università della Svizzera Italiana (USI)
Academy of Architecture
Mendrisio – Switzerland
Bachelor in Architecture Science
Master in Architecture Science
Atelier: Briccola, Guidotti, Mateus, Guedes,
Tropeano, Boesch, Angonese.
Liceo Scientifico di Stato Leonardo
Diploma di Maturità Scientifica
Brescia – Italy
Maths, Physics, Biochemistry, Philosophy,
Italian, English, History, Art,
Computing, PE
Carson Graham Secondary School
IB Diploma Programme Grade 11
Vancouver – Canada BC
English HL, Biology HL, Geography HL,
Math,
Spanish SL, Art SL, CAS, TOK, PE
ORGANIZATIONAL
The way I’ve conducted my lifestyle through
the last years, has challenged me in developing
a keen sense of organization. Reconciling demanding
sports activities, school’s deadlines
and partly social environment has played the
key role on making me successfully face several
situations with relative ease.
PROFESSIONAL
ADI License (Sail instructor helper)
PADI License (Diver)
Driving License B
SPORTS
AutoCad
ArchiCad
Rhino
Photoshop
InDesign
Illustrator
Maxwell
TwinMotion
Revit
Grasshopper
I’ve experienced different construction techniques at
my University’s laboratories, such as carpentry and
concrete modeling. I have broad experience in model
making with almost all the most used materials, such
as wood, cardboard, polystyrene, plastic, concrete, paper
and plaster. I enjoy team work and I play a good group
leader role, being well dedicated, motivated, effective
and highly focused on the job. I also am a very quick
learner considering new softwares and open to learning
more in the near future to better meet your studio’s requirements.
Jul 2012 – Dec 2012
CAREER
Jun 2019 - Aug 2019
Feb 2017 - Aug 2017
Aug 2016 - Jan 2017
Mc. Leans College
International Students Programs
Auckland – New Zealand
Maths, Geography, English, Chemistry,
Hospitality, PE
Chris Briffa Architects Employment
Junior Architect
Malta - 3 months
UNStudio Internship
Model maker intern
Amsterdam - 6 months
Next Architects Internship
Architectural intern
Amsterdam - 6 months
During the last twelve years I’ve been sailing
and skiing as an agonistic athlete reconciling
it with school. In both sports I obtained good
results, particularly when I’ve been chosen, as
helmsman, with my twin brother, to join the
29er Italian National Sailing Team after scoring
important results with two other kinds of sailboats
during past years. I have been skiing in
a ski-team for over six years and been a scout
for four. My involvement in both sailing and
Scouts has also greatly added to my team working
and leadership skills.
INTERESTS
Hand drawing
Computer science
Photography
Electronic Engineering (self taught hobby)
3D Printing (part-time job)
Architectural and Typology optimistion (self-research)
Generative design (self-research)
Biomimicry in reference to sustainability (master’s thesis
reasearch)
LANGUAGE
ITALIAN
(mother tongue)
ENGLISH
C1 IELTS 7 [L 6.0 – R 7.0 – S 7.0 – W 6.5]
SPANISH
B1 intermediate
FRENCH
Learning in progress
Contrada S.Urbano 4/A • 25121 Brescia • Italy • CELL (+39) 334 639 5766 • E-MAIL davide.chincoli@gmail.com
Contrada S.Urbano 4/A • 25121 Brescia • Italy • CELL (+39) 334 639 5766 • E-MAIL davide.chincoli@gmail.com

INDEX
UNIVERSITY
2017-2020
Bachelor III
Scalo Farini
............................................................................. 9
Master I
WuWa re-use
.......................................................................... 15
Master II
The Whale
.......................................................................... 27
M.A.C.
.......................................................................... 35
CAREER
2016-2019
Competitions
Kaira Looro
.......................................................................... 53
PLDC
.......................................................................... 61
Internships
Next Architects
.......................................................................... 67
UNStudio
.......................................................................... 81
Chris Briffa Architects
.......................................................................... 97
MEDIA
PhotoBook
Photos .......................................................................... 107

BACHELOR III - sem. I
ATELIER GIACOMO GUIDOTTI
INHABITING COMPLEXITY: SCALO FARINI
Traditional production sites, with their distribution and storage infrastructures, are leaving
the cities, freeing significant areas for redevelopment. Though their closeness to
noisy communication arteries makes such places seem low value and unsuitable for housing,
the cities are reclaiming these areas, central and well-served, largely for new housing.
The theme of the semester is to research urban morphologies and housing typologies
to make occupation of these sites effective and credible. The project area that forms the
backdrop to our investigation is the Scalo Farini (freight station) near Milan’s Monumental
Cemetery.
8 9

The apartments’s system revolves around
a central core. The core gives vertical connection
allowing each four units to share
a roomy landing inside a highly densified
structure. The L shaped format permits to
let copius amounts of light come inside the
apartment’s living spaces exploiting the double
heights and solve the joints.
10 INTERIOR RENDERED VIEW
FLOOR’S ANALYSIS
11

12 SYMBOLIC SECTION
RENDERED FACADE
13

MASTER I - sem. I
ATELIER RUGGERO TROPEANO
REUSE THE UNUSED: WUWA
The design studio was related to the lecture course on Conservation, reuse and practice
of restoration, extending its themes with projects that address the issues of insertion in
the territory, the built-up area, the building and dealing with intervention in individual
spaces or environments recognized after careful analysis as worthy of conservation. Particular
attention has been devoted to works and infrastructures built with public, institutional
or private involvement, which for various reasons have lost part or all of their
function, spatiality and original material qualities. In this particular case, one of the abandoned
building of the WuWa; a 1929 building exibition held in Wraclaw by the Salesian
comittee of the Deutsche Werkbund; has been chosen as the subject for a restoration
process which saw the building conserved in its entirety, with the addition of 5 new
floors laid on the existent steel structure in order to create a mixed-use building: student
housing, residential apartments and office spaces.
14 FIRST INTUITION SKETCH
15

South Facade
South Section
West Facade
West Section
Masterplan WuWa
16 17

18 SOUTH ROOF FACADE VIEW
SOUTH SECTION
19

20 MODEL
BUILDING’S ISOMETRY
21

22 23
RENDER TOP FLOOR BAR

24
RENDER WEST FACADE
WOODLAND VIEW
25
Photo By Alberto Canepa

MASTER II - sem. I
ATELIER MARTIN BOESCH
LA GIUDECCA: THE WHALE
Working on existing buildings has always been a significant part of the wide field of architecture. Within
the scope of the curriculum of architecture, the issue entails the approach to be adopted towards
the subject as such. Students were needed to become aware of its existence and the possibilities and
potential it offers. I believe that every building is part of our built heritage, and if the term “reuse”
is applied to this course, I would like it to be understood less as an instruction imparted a priori and
more as a part of the study of ways of dealing with an existing building: an approach which does
not even exclude demolition and replacement as the ultima ratio. The starting point for this project
has been an abandoned complex of buildings located on the Giudecca island, in the Venician lagoon,
composed by an ex-barrack in a state of disused decadency and a convent, which has recently been
turned into an evening-school for young professionals. The idea was to maintain all the existent edifices
and insert an additional complex of structures in-between the two. “The Whale” would be a simple
and light-weight seris of interventions aimed to create new communal spaces such as auditoriums,
gyms and public restoration activities.
26 27

28 RED-YELLOW PLAN VIEW
THE WHALE’S COMPOSITION ISOMETRY
29

EST SECTION
EST FACADE
30 31

32 33
EXTERNAL RENDER

MASTER II - sem. II
DIPLOMA 2020 - ATELIER WALTER ANGOESE
intergration
M.A.C.
multinational athelic centre in ponte-chiasso
“Naturam expellas furca, tamen usque recurret”. (Oratio)
The Multinational Athletics Centre is conceived as a functional answer to promote the thematic goal of urban stitching, where the
railway tracks represent the city’s wound to be knitted, and nature the fundamental resource to be re-connected to the rest of the city,
a locus that is progressively forgetting the healing touch of a well-conceived green space. The project is consequently divided between
infrastructural interventions, such as the bridge that covers the terminal part of the railway before the gallery; construction of new
buildings, such as the new guest-house for foreign athletes or in need for accommodation during competitions; and the re-use of
disused structures, such as the Albarelli derelict, which is transformed into a place for scheduling events, gyms, swimming pools and
accessories to the guest house. Ideally, the re-development of the identified project areas aims to encourage the use of an abandoned
location through incentivising the sport practice, and spe- cifically, all the branches connected to Athletics, inserted in a suggestive
context of nature, freely provided by the enchanting mountainsides of the Monte Sasso, localised in the larger area of the Parco Regionale
Spina Verde, extending from Como to Chiasso. This targeted interventions are specifically proposed following the underlined
common-goal of achieving an operative complex in the most sustainable way possible, by respecting 3 important target objectives:
MATERIALS, PHONIC COMFORT and PHYSICAL COMFORT.
34 35

Masterplan proposal
36 37
Masterplan yellow-red

Masterplan completed Masterplan main entrance Masterplan running field Masterplan Albarelli
38 Masterplan Isometry N
39

Albarelli Ground floor
40 GROUND FLOOR AND SECTIONS
RED-YELLOW ISOMETRY
41

ALBARELLI’S PERSPECTIVE
42 43

ALBARELLI’S COURT
44 45

PARK’S STADIUM & RESTAURANT
46 47

LECHLER PARK
48 49

COMPETITIONS
AMSTERDAM 2016-2017
Through course of the year spent abroad, working to complete my two 6-months long
internships in Amsterdam, I had the opportunity to compete in several architectural and
design contests. With the help and support of a few collegues, we had the chance to challenge
ourselfs with trimestrial independent public contests that touched base on a broad
variety of topics and themes. Herebye I’ll show a small selection of them.
50 51

SACRED ARCHITECTURE
KAIRA LOORO
INTERNATIONAL ARCHITECTURE COMPETITION
Introspection, spirituality and divinity. These are the elements around which the sacred architecture revolves. The light and the lightness
of the materials join sacred and profane, creating an architecture that, through spaces and forms, try to invite the humans to an
interior research.
What’s true in every religion? where different belivings find their place to reconnect? How to create a meeting point of different
coulture, where both muslims and religion minorities living in the area could find their meditation ground?
There is only one thing true in every monotheistic and polytheistic religions: GOD IS INFITE. What we were looking for was a
multicultural bridge, a place of solidarity and understanding, where different needs were satisfyied. The spiral that define this space,
with its cool ambient, water disposability, covered and repared, is ment to be a shelter and a symbol of connection for the country.
The concept was to design a space that could recreate the sense of loss on the walking lane and a sense of security and consciousness
in the main room. The spiral is also designed to be builded by the habitants with very easy steps to create a sense of property which
is still very rare in the african countries. The materials used for the construction, palm wood and weath, are common in the area,
contributing to the feeling of familiarity and visive integration that this new element will constitute in the city.
52 53

embrace.
The shape of the building is derived from the idea of
embracement; the embracement of cultures, religions
and people in a common space for meditation.
The building is designed to provide a spiritual journey
on different layers. Firstly, the path of entry and exit
spirals which disorients the user of the building.
Secondly, the corridor gradually becomes darker
and leads to a bright central space, where one feels
isolated from the outside world.
Thirdly, the corridor decreases in height from start to
center. One feels emerged in the coolness of the earth.
form
cave
The shape of the building is derived from the idea of
embracement; the embracement of cultures, religions
and people in a common space for meditation.
The building is designed to provide a spiritual journey
on different layers. Firstly, the path of entry and exit
spirals which disorients the user of the building.
Secondly, the corridor gradually becomes darker
and leads to a bright central space, where one feels
isolated from the outside world.
Thirdly, the corridor decreases in height from start to
center. One feels emerged in the coolness of the earth.
cave
Different religions have different ways of praying.
The design of the building wants to provide a space for
meditation open to different religions. To achieve this
we designed a continuous bench which raises from the
ground to embrace different praying positions.
While praying, one can see the reflection of the open
ceiling in the water.
This creates the illusion of a continuous vertical space,
which opens to the sky on both the top and bottom.
Different religions have different ways of praying.
The design of the building wants to provide a space for
meditation open to different religions. To achieve this
we designed a continuous bench which raises from the
ground to embrace different praying positions.
While praying, one can see the reflection of the open
ceiling in the water.
This creates the illusion of a continuous vertical space,
which opens to the sky on both the top and bottom.
54 55
ideolaly

ground to embrace different praying positions.
56 RENDERED BOTTOM FROM
RENDERED TOP FROM BELOW
57
ABOVE

58 59

But even though we have brought light in our
darkest nights, after 400.000 years we still feel
unsafe in the dark.
THE COCOON
2017 PLCD LIGHTING DESIGN COMPETITION
rank - top 5 finilist
Since the dawn of mankind we have created light for our safety. In the beginning, with fire. Later, cities emerged. With the integration
of street lanterns we try making our nightly public space more similar to day. But even though we have brought light in our darkest
nights, after 400.000 years we still feel unsafe in the dark. It seems that increasing the amount of light in public spaces does not increase
our feeling of safety.
We want to bring the feeling of safety to the night by bringing in the actual daytime, instead of just making more light. Our world
makes this possible; through internet we can connect different time zones, which lie in different times of the day and in different
seasons. By visually connecting these two worlds we could connect a lively market in China with a night-time alley in Argentina. We
connect different parts of the world with a device called ‘the cocoon‘. It can project as well as capture moving images. The camera
captures an image of a lively street during daylight, and sends this to the projector of a night-time city at the other side of the world.
By mounting the cocoon on an existing street lantern, a lot of time and effort is saved; the projector and the camera can easiliy be
connected to the internet and electricity grid in the street lantern. With this device we can literally project the safe feeling of a daytime
street in a nighttime city, making it feel more safe. At the same time, a cross-cultural connection is established.
The light has become the medium of transferring a safe feeling from one part of the world to the other.
It seems that increasing the amount of light in
public spaces does not increase our feeling of
safety.
60 61

urroundings and the existing lantern.
The camera captures an image of a lively
treet during daylight, and sends this to the
rojector
the
of
cocoon
a night-time city at the other
ide of the world. The projector projects
his
To
daytime
project
streetlife
and capture
on a
the
nearby
light,
surface
a cocoonshaped
uring the
object
night.
is
A
mounted
connection
on
is
an
made
existing
etween
street
opposite
lantern.
worlds.
The neutral yet organic
shape makes the cocoon blend in with its
surroundings and the existing lantern.
The camera captures an image of a lively
street during daylight, and sends this to the
projector of a night-time city at the other
side of the world. The projector projects
this daytime streetlife on a nearby surface
during the night. A connection is made
between opposite worlds.
aluminum case cap
capturing streetlife
in daylight
capturing streetlife
in daylight
sending to opposite
side of the earth
sending to opposite
side of the earth
projecting streetlife in
nighttime city
projecting streetlife in
nighttime city
To project and capture the light, a cocoonshaped object is mounted on an exi-
projector (nighttime use)
sting street lantern. The neutral yet organic
shape makes the cocoon blend in with its surroundings and the existing lantern.
glass protection
aluminum case cap
projector (nighttime use)
existing street lantern
By mounting the cocoon on an
existing street lantern, a lot
of time and effort is saved;
the projector and the camera
can easiliy be connected to
the internet and electricity
grid in the street lantern.
The camera captures an image of a lively street during daylight, and sends this
to the projector of a night-time city at the other side of the world. The projector
projects this daytime streetlife on a nearby surface during the night. A connection
is made between opposite worlds.
glass protection
existing street lantern
By mounting the cocoon on an
existing street lantern, a lot
of time and effort is saved;
the projector and the camera
can easiliy be connected to
the internet and electricity
grid in the street lantern.
We connect different parts of the world with a device called ‘the cocoon‘. It can
project as well as capture moving images. The camera captures an image of a
lively street during daylight, and sends this to the projector of a night-time city
at the other side of the world.
the cocoon
aluminum case
electronics socket
camera (daytime use)
power supply
internet connection
To project and capture the light, a cocoonshaped
object is mounted on an existing
street lantern. The neutral yet organic
shape makes the cocoon blend in with its
surroundings and the existing lantern.
The camera captures an image of a lively
street during daylight, and sends this to the
projector of a night-time city at the other
side of the world. The projector projects
this daytime streetlife on a nearby surface
during the night. A connection is made
between opposite worlds.
capturing streetlife
in daylight
sending to opposite
side of the earth
projecting streetlife in
nighttime city
aluminum case
electronics socket
camera (daytime use)
aluminum case cap
power supply
projector (nighttime use)
internet connection
62 63

the living fresco
The result of the design is a living fresco. A
representation of the connection between
east and west, day and night.
64 65

INTERNSHIP at Next Architects
Paul van Vlissingenstraat 2-A, 1096 BK Amsterdam
22.08.16 - 30.01.17
Next Architects has been my first studio in which I’ve ever done an intership. It was a fairly small one counting 30 epmplyees, but
yet, plenty of of work to choose from. As an architectural intern, I had the opportunity to work over 15 different projects and
competitions along with many of the architects that worked there. It has been a great and resourceufull experience, counting the
field trips and and the quality of the projects I’ve worked on. Among my tasks, I had to make renders, photoshop, models, booklets
and 3D design.
66 67

GROTE BICKERSSTRAAT
The projects represents a competition for the refurbishment of an office
building in Amsterdam central. The main goal was to maintain a good see-through
transparency, while vertical element would create a play of lights and movements.
I’ve worked on the facade concept, the roof design and the next coming renders.
68 RENDERED CANAL VIEW
69

70 PHOTOSHOPPED PLAN VIEW
RENDERED INTERIOR VIEW
71

72 73

CHANGSHA
The Lucky Knot
The bridge is a key project in developing the area’s public space, and was designed with
recreational, ecological and tourist activities in mind. The bridge connects multiple levels
at different heights (the river banks, the road, the higher-placed park as well as the interconnections
between them). The final shape of the bridge is the result of -literally and
metaphorically- knotting all these routes together. I had the chance to work on the renders
and the 2D drawings of the bridge. Those drawings were then plubicized in “Mark”,
a fairly famous ductch Architectural megazine.
74 75

76 DRAWINGS PUBLISHED IN MARK
77
MEGAZINE

78 DRAWINGS PUBLISHED IN MARK
79
MEGAZINE

INTERNSHIP at UNStudio
Stadhouderskade 113, 1073 AX Amsterdam
01.02.17 - 31.08.17
The six months spent at this company have been eyes-opening. Being a model maker, turned out to be a completly different, and
yet surpisingly good, experience. Inside an office as big as this one, counting 140 emplyees, architetcural interns would not have the
chance to work through more than one to two projects per semester, while I had the rare opportunity to study more than 15 different
different projects, and to know many international teams, with architects coming from all over the world.
I found myself grown both intellectually and profesionally, having also gained useful model making knowledge and practical skills.
Of the 7 projects in which I’ve personally taken active part, hereby I will show you the 3 most demanding models I have worked on.
80 81

INCHEON AIRPORT
Renovation of the existing south korean airport in Incheon. The design
process sees four different pavillions that differiantiate the four corners
of the main hall into: children, technology, food and nature. The structure
is made out of perspex and then spray painted; the pavillions and the
mjority of the organic shapes were outsourced to
a 3D printing company.
82 83

84 85

OOSTERDOKSEILAND
Booking.com Headquarters
This is the going-to-be-built project of the Booking.com new headquartes in Amsterdam.
The model was commisioned by the client and assigne to me had it built in two months.
It is almost 100% plastic and perspex, either laser-cut, hand-cut, 3D printed and painted. In
some rare occasion I use wood to clad the terraces.
86 87

88 89

SCHIPHOL TERMINAL A
office competition
Schiphol terminal A was the model used to participate in the homonym competition to
remake the A terminal of the airport. UNStudio ran againts MVRDV, OMA, and other
important studios, ranking third. It was the only model that required me having subordinated
freelancers that helped me making the job easier and quicker, due to the little time.
The model involves almost every single contructive technique known to model makers.
It has a wooden base turned into a light box and cladded with gray plastic, the building
is mainly made out of laser-cut perspex and te painted accordingly, some organic shapes
were 3D printed in house on a BJ (binder jetting) printer, cars and trucks were purchased.
90 91

92 93

94 95

INTERNSHIP at Chris Briffa Architects
146 St. Paul Street, Valletta VLT1218. MALTA
01.06.19 - 31.08.19
Among all the work experiences that I’ve conducted through the past 4 years, the 3 months spent at Chris Briffa’s studio have definetely
turned out to be the most outstanding period of professional growth as an architect. Its small composition, counting just 4
ypung architects, created a stumulating setting that put me in the rare position to have, for the first time, actual executive power of
choice when it came down to some of the project decisions. Of the 6 projects that I’ve followed during this short time, counting 2
two hotel designs, 2 competitions, a small buisness shop and the proposals for the back scenes of the theatrical play “caligula” (which
is going to be aired starting from september in Malta), I can proudly state that my contribution to the team and to the projects designs
have been significant for the two hotel mentioned, as well as the shop and the theatre’s proposals.
Unfortunately I am not allowed to divulge informations on 5 of the 6 listed as they are still under designing.
96 97

Delimara is an abandoned ex-motel constructed around the 50’s on top of a steep reef, overwatching
a suggestive marine landscape, in which the building is completely surrounded (it can be
seen in the image below on the left). The competition was conceived by a private party willing
DELIMARA
Hotel and village
to give back to the decadent skeleton its glorious beauty, sadly lost through the course of time.
My personal contribution have been to, with the supervision of the studio’s head architect, to
create a proposal to the refurbishment of the building, as well as its transformation to give it a
more modern cut. Along with it, the client wished us to create also a concept for a penthouse on
the rood of the existing, a new parking lot in front of the hotel and a series of small habitable
units to be scattered around the hill on its right to expand the guest’s capacity of the complex.
98 99

100 NEW PARKING LOT
ROOF TOP AND PENT-HOUSE PLAN VIEW
101

102 RECEPTION PLAN VIEW
BEACH BAR PLAN VIEW
103

104 ISOMETRY CONCEPT OF THE VILLAGE
RENDERED INTERNAL VIEW OF THE UNIT
105
UNITS

PhotoBook
NIKON FE 1978
As an extra feature to my portfolio I would like to present a few selected photos from my
analog photos ablum. Every photo has been captured on either color or black and white
film on a 1980’s Canon and then hand developed in order to create a controlled process
from which I was able to manipulate the picture outcome. Here are a few selected shots.
106 107

108 PIAZZA DELLA VITTORIA - BRESCIA
RESIDENTIAL COMPLEX - FES
109

Mother and son - Tinghir
110 MOTHER AND SON - TINGHIR
FATHER AND DAUGHTER - OUARZAZATE
111

112 PAST & PRESENT - VOLUBILIS
ALVARO SIZA POOL - PORTO
113

CONFIDENTIALITY DISCLAIMER
Inside this portfolio I treat confidential data that will not, in any way, be publicyced and/or
shared with uninvolved people on the metter. The projects that are shown along the booklet
must remain on paper and will not be taken photos of unless otherwise allowed. With taking
custody of this material, you agree to treat it with disctretion and privacy.
Thank you very much.
Contrada S.Urbano 4/A • 25121 Brescia • Italy
CELL - (+39) 334 639 5766
E-MAIL - davide.chincoli@gmail.com
DOB - 16th of August 1995
114