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the point - Association of Professional Piercers

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FROM THE OUTSIDE, LOOKING IN<br />

REFLECTIONS ON THE APP CONFERENCE,<br />

MEXICO CITY 2006<br />

Jason Pfohl<br />

Gorilla Glass<br />

Oaxaca, Mexico<br />

As an American living in Mexico I am occasionally asked about <strong>the</strong><br />

new wall <strong>the</strong> U.S.A. has begun constructing on its sou<strong>the</strong>rn border,<br />

attempting to “secure <strong>the</strong> border” with Mexico. I try to explain that<br />

<strong>the</strong> wall is political, not physical, and that not everyone supports<br />

walls and security cameras. I am always greeted with polite skepticism;<br />

everyone knows Americans are apa<strong>the</strong>tic.<br />

The good news is <strong>the</strong> first APP Conference in Mexico was anything<br />

but apa<strong>the</strong>tic. This event was a true reaching out across linguistic,<br />

cultural, and political borders.<br />

In Mexico it is not uncommon to see piercing and tattooing done<br />

on <strong>the</strong> street without gloves or sterilization. In <strong>the</strong> historic center <strong>of</strong><br />

<strong>the</strong> city, on Argentina Street, you can find city blocks full <strong>of</strong> jewelry<br />

<strong>of</strong> <strong>the</strong> cheapest substandard quality. In this predominantly Catholic<br />

society, job discrimination because <strong>of</strong> piercings is commonplace,<br />

and tattoos have an indelible criminal stigma. Despite, or perhaps<br />

because <strong>of</strong>, <strong>the</strong>se stigmas, piercing is flourishing in Mexico. I read a<br />

report estimating that <strong>the</strong>re were 1,000,000 piercings performed in<br />

Mexico City alone in 2004. I am sometimes surprised at <strong>the</strong> number<br />

<strong>of</strong> full facial tattoos and extreme body modifications I see -- a radical<br />

rejection <strong>of</strong> <strong>the</strong> current and dominant social norms.<br />

In this enthusiasm for body art <strong>the</strong>re is sometimes an abandon <strong>of</strong><br />

caution and a vacuum <strong>of</strong> basic information. Now with <strong>the</strong> emergence<br />

<strong>of</strong> a third and fourth generation <strong>of</strong> new Mexican piercers, <strong>the</strong>re<br />

is a hunger for information and betterment <strong>of</strong> <strong>the</strong> technique and<br />

possibilities in <strong>the</strong> art. Indeed, <strong>the</strong> conference exceeded maximum<br />

capacity (<strong>the</strong>re was only room for one hundred people). This was also<br />

evidenced in <strong>the</strong> attention and participation <strong>of</strong> <strong>the</strong> piercers. The new<br />

generation wants information. Obviously <strong>the</strong> APP Conference is just<br />

ano<strong>the</strong>r stepping stone in a long process; it is <strong>the</strong> piercers <strong>the</strong>mselves<br />

who have <strong>the</strong> responsibility <strong>of</strong> raising <strong>the</strong> standards.<br />

Amongst <strong>the</strong> instructors <strong>the</strong>re was also a tangible enthusiasm and<br />

excitement. By reaching outside <strong>of</strong> <strong>the</strong> usual venues and circles, <strong>the</strong>re<br />

was an opportunity for self-reflection and a renewal <strong>of</strong> purpose. In<br />

contrast to <strong>the</strong> APP in Las Vegas, <strong>the</strong> absence <strong>of</strong> <strong>the</strong> vendor show in<br />

Mexico afforded a clear focus on education and information; corporate<br />

rivalries and politics were circumvented altoge<strong>the</strong>r. The APP<br />

Conference in Mexico was educational, first and foremost.<br />

As cultural ambassadors and guests, <strong>the</strong> APP instructors and Board<br />

Members continued an exchange and extension <strong>of</strong> earlier relationships,<br />

both personal and pr<strong>of</strong>essional. Ana Paula and Danny Yerna<br />

have been involved in <strong>the</strong> APP for years. Their organizational and<br />

translating skills, and hospitality was inspirational and heartfelt. The<br />

cultural exchange was evidenced by several extra-curricular activities;<br />

canal rides with <strong>the</strong> mariachis in Xochimilco, field trips to <strong>the</strong> Anthropology<br />

Museum, and a pilgrimage to <strong>the</strong> Temple <strong>of</strong> <strong>the</strong> Sun in<br />

Teotihuacan. This exchange was exemplified one evening in Coyocan,<br />

when APP president Alicia Cardenas, who is part <strong>of</strong> an Aztec<br />

dance troupe in <strong>the</strong> U.S., joined a group <strong>of</strong> traditional Aztec dancers<br />

in a downtown park. The sparks in <strong>the</strong> eyes <strong>of</strong> <strong>the</strong> dancers, <strong>the</strong><br />

enthusiasm <strong>of</strong> <strong>the</strong> drummers, and <strong>the</strong> exchange <strong>of</strong> food and thanks<br />

afterwards was all evidence <strong>of</strong> bridges, ra<strong>the</strong>r than walls that <strong>the</strong> APP<br />

is helping to build between neighbors.<br />

24 T H E P O I N T ISSUE 35

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