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Group X - Starfarer's Hawkwind Page

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The Beatles were recording Sgt. Peppers & Barrett‘s Pink Floyd were working on Piper at the Gates<br />

of Dawn. The Famous Cure had supported the band when they toured SF Sorrow – a show which<br />

featured a running theme & an impressive light show (shades of The Space Ritual, perhaps?).<br />

Later they were to tour with Led Zeppelin & live the full rock & roll lifestyle – including the<br />

tours, the drugs & inevitable line-up changes & bust-ups.<br />

In a few short months, 305 had made the transformation from a run-down shop into a headquarters<br />

for the counterculture. In early 1970, the ground floor was the ‗Much Ado‘ antiques<br />

shop. Soon it was to be the home to the market downstairs, the basement studio, Friends upstairs<br />

and, later, Ross Granger‘s Sunflower head shop (purveyors of the usual Moroccan &<br />

Eastern paraphernalia) & featured as the focal point for several documentaries about the<br />

scene in the area. Even the International Times was promoting 305 as ―..a place for people to<br />

come & rap, give us stories & get it on.‖ Frendz actively promoted local artists Brindsley<br />

Schwarz, Mighty Baby, Chilli Willi, The Pink Fairies and, most significantly, <strong>Hawkwind</strong>. (The Sonic Assassins<br />

was a comic strip written by Moorcock & illustrated by Jim Cawthorn for Frendz in<br />

1971. The story featured adventures of the band.)<br />

―We‘re going to have a Christmas party at the Roundhouse – probably on December<br />

13th. It‘ll mean we have to charge admission so we can pay for the hire of the place, but<br />

there‘s going to be free food, & probably free acid. Split any profits down the middle – half to the Roundhouse, & the rest<br />

to the people who need it like IT & Friends.‖ - Nik Turner<br />

In March 1971, Jon Trux took over as editor & re-launched the publication as Frendz but, perhaps inevitably, the dream was not to<br />

last. Smiling Michael, a <strong>Hawkwind</strong> associate-cum-roadie, died in an accident<br />

at the shop. He would later be immortalised on Quark, Strangeness &<br />

Charm in Calvert‘s lament for the Portobello era, Days of the Underground<br />

(―And some of us made it/But not Smiling Michael/His black motorcycle/Got<br />

eaten by rust.‖) On November 21, 1971 there was a fire in the<br />

basement. Upstairs there was a selection of locals crashed out & it was<br />

largely through luck that one of them, known as Tiny Tony, was woken<br />

by the sounds of neighbours trying to break down the door. Tony woke<br />

the others & they escaped unscathed.<br />

Mike Moorcock: ―Smiling Mike worked on Friends & sometimes<br />

slept 'over the shop' in Portobello Rd. Late one night, stoned on<br />

marijuana & acid, he decided to stay at Portobello Rd. but had no<br />

key to get in. He decided to climb up the outside of the building,<br />

305 & 307 Portobello Road, c. 1967<br />

slipped & was impaled on the spiked area railings. He was a sweet,<br />

good-natured guy.. Nobody 'important' but someone I liked a lot & was very sorry to lose.‖<br />

After the fire, Frendz relocated to 307 Portobello Rd. & entered the last chapter of its existence.<br />

Teenburger (New Worlds, Time of the Hawklords‘ HQ ), 307 Portobello Rd. W10 5TD<br />

Jonathon Green: "Barney was an inveterate hippie. Drugs with everything. He's made an arrangement with a caff, I think the<br />

Venus, in Golbourne Rd. He'd give them a lump of hash & every time we went there for lunch,<br />

which was most days, they'd crumble a little over his steak & chips."<br />

Colin Fulcher, a.k.a. Barney<br />

Bubbles<br />

Next door to the flourishing „Motherburger‟ was „Teenburger‟ -<br />

another hotbed of creativity that would have an enormous effect<br />

on the development of <strong>Hawkwind</strong>.<br />

Colin Fulcher left Twickenham College of Art in 1963 to work<br />

as a typographer. By 1965, Fulcher had built a distinctive portfolio<br />

& reputation, so much so that he joined the in-vogue<br />

Conran <strong>Group</strong> as Senior Graphic Designer, working on a variety<br />

of projects including the iconic Norman archer logo for<br />

Strongbow cider.<br />

Frendz’ Sonic Assassins<br />

comic strip<br />

Ad for accommodation placed<br />

by Bubbles

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