- Page 1 and 2: ‘…the lives we live’ Grangego
- Page 4 and 5: Grangegorman site, c.1940s, courtes
- Page 7 and 8: The Grangegorman Development Agency
- Page 9 and 10: Contents10A note to the readerJenny
- Page 11 and 12: 142Home on the GrangeEmmett Scanlon
- Page 13 and 14: A NOTE TO THE READER 10-11tions are
- Page 15 and 16: ‘…THE LIVES WE LIVE’ GRANGEGO
- Page 17 and 18: ‘…THE LIVES WE LIVE’ GRANGEGO
- Page 19 and 20: 16-17Making it:Cities UnderCo-Const
- Page 21 and 22: MAKING IT: CITIES UNDER CO- CONSTRU
- Page 23 and 24: MAKING IT: CITIES UNDER CO-CONSTRUC
- Page 25 and 26: SOME NEW LIFE FOR THIS OLD TOWN 22-
- Page 27 and 28: A MASTERPLAN FOR THE 21ST CENTURY 2
- Page 29 and 30: CARING AT GRANGEGORMAN: PAST, PRESE
- Page 31: CARING AT GRANGEGORMAN: PAST, PRESE
- Page 35 and 36: BREAKING THE RULE OF SILENCE32-33Co
- Page 37 and 38: BREAKING THE RULE OF SILENCE34-35Ar
- Page 39 and 40: WHAT DOES IT TAKE TO BUILD AND ESTA
- Page 41: WHAT DOES IT TAKE TO BUILD AND ESTA
- Page 44 and 45: The Possibility of an Archive was a
- Page 46 and 47: ConceptThe work was conceived inres
- Page 49: 46-47THE GOLDENBANDSTAND -Sculpture
- Page 53 and 54: THE GOLDEN BANDSTAND - SCULPTURE 50
- Page 55 and 56: 52-53SolarisNexumAlexandraCarr
- Page 57 and 58: SOLARIS NEXUM54-55repercussions. Tw
- Page 59 and 60: SOLARIS NEXUM56-57The polycarbonate
- Page 61 and 62: 58-59Endless PlayWalkerand Walker
- Page 63 and 64: ENDLESS PLAY 60-61The horizontal as
- Page 65 and 66: ENDLESS PLAY 62-63all is present in
- Page 67 and 68: 64-65The blue of thesky, the greeno
- Page 69 and 70: THE BLUE OF THE SKY, THE GREEN OF T
- Page 71 and 72: New Colour studies notebooks for pa
- Page 73 and 74: 70-71Phoenix CareCentre ArtOisín B
- Page 75 and 76: PHOENIX CARE CENTRE ART 72-73cloud
- Page 77 and 78: PHOENIX CARE CENTRE ART 74-75of the
- Page 79 and 80: THE LIFE OF LOANS: ON THE POLITICS
- Page 81 and 82: THE LIFE OF LOANS: ON THE POLITICS
- Page 83 and 84:
PRIMARY CARE CENTRE ARTWORKS 80-81C
- Page 85:
PRIMARY CARE CENTRE ARTWORKS 82-83D
- Page 88 and 89:
Stories Between Us was an intergene
- Page 90 and 91:
Network of Ireland; Dr.Carmel Galla
- Page 92 and 93:
TU Dublin Schoolof Creative ArtsKie
- Page 94 and 95:
Katie Staniford, TransducerAt a str
- Page 97 and 98:
94-95Time asFormNasir El SafiHina K
- Page 99 and 100:
TIME AS FORM 96-97Nasir was a recip
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TIME AS FORM 98-99
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100-101ConfinementTrishMcAdamQuesti
- Page 105 and 106:
CONFINEMENT 102-103The Ever Present
- Page 107 and 108:
CONFINEMENT 104-105Roger Doyle comp
- Page 109 and 110:
106-107The AestheticsGroupJeanette
- Page 111 and 112:
THE AESTHETICS GROUP108-109In recen
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110-111Crocosmia ×ClodaghEmoeAppro
- Page 115 and 116:
CROCOSMIA × 112-113African species
- Page 117 and 118:
CROCOSMIA × 114-115Coordinator, Hi
- Page 119 and 120:
GRANGEGORMAN 116-117‘Yer going to
- Page 121:
Community make use of Grangegorman
- Page 124 and 125:
What Does He Need? (2018+) is an on
- Page 126 and 127:
interviews, found materials andmusi
- Page 128 and 129:
Hundreds of men, women, and student
- Page 130 and 131:
On 3 March 2017 artist Christina He
- Page 132 and 133:
AnthonyChang
- Page 134 and 135:
I come from a painting background a
- Page 136 and 137:
Primary stakeholders involvedin the
- Page 138 and 139:
Spoken word opera, Dublin 7 Educate
- Page 140 and 141:
Grangegorman has a long history of
- Page 142 and 143:
Removing the wax from the copper pl
- Page 144 and 145:
Installation on Constitution Hill,
- Page 146 and 147:
We visited many homes in the Grange
- Page 148 and 149:
He is Architectural Advisor tothe A
- Page 150 and 151:
Aughrim - Barley, tea, seed, whiske
- Page 152 and 153:
Grown Home is a digital cabinet of
- Page 154 and 155:
ContextFrom 2017-2020 Grown Homepar
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154-155NatureRxKaetheBurt-O’Dea,B
- Page 159 and 160:
NATURERX 156-157In 2009, Kaethe pre
- Page 161 and 162:
NATURERX158-159BiographyNestled in
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160-1611916: ARevolutionaryCabaret!
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1916: A REVOLUTIONARY CABARET! 162-
- Page 167 and 168:
1916: A REVOLUTIONARY CABARET! 164-
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166-167City of DublinWinter Solstic
- Page 171 and 172:
SMASHING TIMES: WINTER SOLSTICE FES
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SMASHING TIMES: CENTENARY VOTE FOR
- Page 175 and 176:
SMASHING TIMES: BREAKING DOWN THE W
- Page 177 and 178:
174-175To be.To wallow.To wonder.Ma
- Page 179 and 180:
TO BE. TO WALLOW. TO WONDER. 176-17
- Page 181:
TO BE. TO WALLOW. TO WONDER. 178-17
- Page 184 and 185:
Late in 2016, Brian approached us w
- Page 186 and 187:
Anthony Haughey is an artistand a l
- Page 188 and 189:
Joe Stokes, Cattle Market, 2020. Co
- Page 190 and 191:
We talked about several other thing
- Page 192 and 193:
What does it mean, to write about t
- Page 194 and 195:
Dorothy Smith, For Now, 2020, 56 ×
- Page 196 and 197:
The water moves from the well or ri
- Page 198 and 199:
Dorothy Smith, Slippage, 2020, 56
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DrawnTogetherConor SreenanDirector
- Page 202 and 203:
IndexAesthetics Group, The 106-109A
- Page 204 and 205:
Acknowledgements‘…the lives we
- Page 206 and 207:
Grangegorman Today, October 2020. P
- Page 208:
A Note to the Reader Jenny Haughton
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