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4ST EDITION Vol. 2 Technique

4ST Edition is an informal infographic. In our second issue, our contributors approach the theme Technique. This magazine is made by students at the Arts University Bournemouth. For more information, please contact us on 4stmaga@gmail.com

4ST Edition is an informal infographic. In our second issue, our contributors approach the theme Technique. This magazine is made by students at the Arts University Bournemouth. For more information, please contact us on 4stmaga@gmail.com

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The Renaissance Ninjas:

Did they know something we don’t?

The majority of university students are either

part of generation X or are a 90s kid, so you’re

probably aware of the Teenage Mutant Ninja

Turtles (TMNT); the comic book, turned animated

90s show, turned merchandising

empire that makes superheroes

out of giant, musclebound

turtles. They are, of course,

based on four of the leading

Renaissance masters:

Donatello, Leonardo,

Michelangelo and

Raphael. Donatello

is credited with

being a part

of the ‘Early

Renaissance’,

in the break

away from the

Gothic style,

paving the way

for the ‘High

Renaissance’,

which many art

historians consider

to be dominated

by the latter three

masters. The unprecedented fame of these four is a

mixed blessing. The widespread distribution of, say,

The Mona Lisa, onto postcards, keychains and even

adverts (and magazines) means that we are all aware

of the “work of art”, but how often do we actually

look at it with fresh eyes, understanding what we see?

The same can be said for any of the work of these

Renaissance ninjas. It’s too easy to forget that the

magic produced at their hands was not miraculous.

The artists were absolutely aware of every vice

used to construct the great illusions on the following

pages: nothing was for free. We need to remember

that the great art is paid for in relentless work by real

artists.

The sculptor Donatello (1386-1466) was a major

creative force behind the Florentine Renaissance,

which then inspired much of Early Renaissance art

throughout Italy. Sculpture was reinvented in that

period. Prior to the Renaissance, a Gothic sculptor

did not aim at the realism we are often accustomed

to today; Gothic art has been described as “otherworldly”.

Donatello broke away from the Medieval

formula, as his sculptures were some of the first since

antiquity to present anatomy correctly.

The marble statue of St. George (1416) is human,

and from our world; the face of his saint shows

evidence of study of real human anatomy, using

14

St. George (1416)

Pazzi Madonna (1430)

David (1416)

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