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Vanguard Newspaper 22 February 2021

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34 — Vanguard, MONDAY, FEBRUARY 22, 2021<br />

I’ve never been<br />

passionate about<br />

any other thing in<br />

my life—Donna Duke, Artist<br />

By Prisca Sam-Duru<br />

DONNA Duke, a self-taught<br />

mixed media portrait painter<br />

based in Lagos, is passionate about<br />

the African narrative. Her paintings<br />

which primarily involve the<br />

interpretation of black portraiture,<br />

exhibits countless narrative within<br />

human existence.<br />

Donna’s works explore mixedmedia<br />

through the use of acrylic, oil,<br />

metal and 24k gold leaf and resin, a<br />

technical style which at times, is<br />

combined with a collage of<br />

traditional West African fabric on<br />

wooden panels.<br />

Professionally, Donna who is the<br />

daughter of the <strong>for</strong>mer Cross River<br />

State Governor, Donald Duke,<br />

started her creative activities over a<br />

year ago but began drawing and<br />

painting at the age of five when she<br />

was also involved in other creative<br />

activities. She, however, stopped<br />

making art when she got to<br />

secondary school. According to her,<br />

“After I graduated from the<br />

university, I just decided to try the<br />

hobby again.”<br />

Donna Duke read history which is<br />

completely unconnected to art but<br />

her raw talent and supportive<br />

parents, she noted, are responsible<br />

<strong>for</strong> her achievements in the art<br />

industry. “I am incredibly lucky. I’ve<br />

always had very supportive parents.<br />

They’ve supported me more than I’ve<br />

supported myself. When I thought<br />

about where my creativity could go,<br />

they backed me completely and gave<br />

me the resources and tours. Their<br />

words and encouragement more<br />

than anything brought me this far<br />

and in such an isolating profession<br />

like art; because you work all by<br />

yourself with your materials all the<br />

time, it’s really nice to know there<br />

are people who support what you are<br />

doing.”<br />

The artist was at the Noire<br />

Exhibition which was one of the few<br />

events that rounded off activities in<br />

2020. It was her very first exhibition<br />

as an artist but the pieces she<br />

displayed were classy and did not<br />

present her as a first-timer. “The<br />

Noire Exhibition was my first<br />

outing. By the grace of God I plan to<br />

hold a solo exhibition. The Noire<br />

Exhibition was like a dream come<br />

true. It was a great opportunity <strong>for</strong><br />

me to have people see what I’ve been<br />

doing. It was daunting actually and<br />

I was nervous all through but, I’m<br />

happy it turned out well”.<br />

Definitely, no other way to describe<br />

her ex<strong>per</strong>ience at the exhibition other<br />

than that it ended beyond her<br />

imagination. Donna took to her<br />

Instagram page where she has over<br />

4,000 followers after that ex<strong>per</strong>ience<br />

and wrote; “The last few months have<br />

been an overwhelming and<br />

exhilarating few, culminating in my<br />

first art exhibition last weekend. I am<br />

beyond grateful to my family, friends<br />

and everyone who came to support<br />

me and the five amazing<br />

@thenoireexhibition artists, without<br />

whom none of this would have been<br />

possible. Thank you to everyone that<br />

bought a piece, feeling incredibly<br />

blessed to have sold out at my first<br />

exhibition.”<br />

The works she exhibited in the<br />

Noire Exhibition were all produced<br />

in 2020 and they took her between<br />

two and six months to complete. “I<br />

work on multiple pieces at a time so,<br />

some works took me two months,<br />

others between four and six months”,<br />

she explained.<br />

Donna is unapologetically<br />

fascinated by African narrative and<br />

By Chukwuma Ajakah<br />

IN his collection of poems titled A<br />

Booktiful Love, UK-based<br />

Nigerian poet, Tolu’ Akinyemi,<br />

explores the vicissitudes of life from<br />

diverse <strong>per</strong>spectives. The 63-page<br />

book published by Roaring Lions<br />

Newcastle (2020) features 48<br />

poems that focus on topical issues<br />

such as the phenomenal<br />

Coronavirus pandemic scare and<br />

its aftermath, sex <strong>for</strong> marks scandals<br />

in the ivory tower, domestic<br />

violence, election rigging, ethnic<br />

profiling and politics of exclusion,<br />

revolution and xenophobia.<br />

The anthology is divided into three<br />

broad parts. Part 1 features 16 poems<br />

•Donna Duke standing in front of her art works<br />

achieves more by projecting the<br />

aspects easily ignored by most<br />

creatives. “I’m very passionate about<br />

telling the black ex<strong>per</strong>ience not<br />

necessarily the ex<strong>per</strong>ience of<br />

suffering, or ex<strong>per</strong>ience of the entire<br />

negative price that come with being<br />

black in this world. I tell stories even<br />

if it's mundane things such as love<br />

and I want to make sure we are<br />

represented and our voices and<br />

conversations are part of the topic.”<br />

That was the objective of The Noire<br />

exhibition in the first place;<br />

encouraging black women to<br />

represent themselves better in the<br />

Life lessons from Tolu<br />

Akinyemi’s Booktiful’love<br />

NTA, NCAC join <strong>for</strong>ces to combat rape<br />

THE Nigerian Television<br />

Authority, NTA, and the National<br />

Council <strong>for</strong> Arts and Culture,<br />

NCAC, have resolved together to<br />

tackle the menace of rape in Nigeria.<br />

The Director-General, NCAC,<br />

Otunba Segun Runsewe and the<br />

Director-General, NTA, Mallam<br />

Yakubu ibn Mohammed made this<br />

resolution when the NCAC boss<br />

paid a courtesy call on his<br />

counterpart in NTA headquarters<br />

Abuja.<br />

Runsewe said the ef<strong>for</strong>ts of NTA<br />

on the issues of rape in Nigeria has<br />

drastically reduced rape cases as<br />

indicated by statistics from other<br />

states of the federation.<br />

He added that the sustained<br />

dissemination of in<strong>for</strong>mation and<br />

condemnation of rape by NTA has<br />

gone a long way to sensitize rape<br />

victims and their families on what to<br />

do and whom to complain to when<br />

they fall victim to rape.<br />

Runsewe said as the custodian of<br />

culture in Nigeria and Africa, he<br />

knows that no aspect of Nigerian or<br />

African custom or tradition supports<br />

which include Isolation, Bury Me<br />

in a Library, It’s Okay Not to feel<br />

Okay, Write <strong>for</strong> Rights, Your Dreams<br />

Are Valid, Trial and Error, A Date<br />

with Hope and Life Lessons. Part 2<br />

contains Pertinent Questions, Say<br />

No to Xenophobia, I Belong to<br />

Nobody, Aso the Death Post, Erect a<br />

Statue <strong>for</strong> Me in Imo, Saints, Cold<br />

Room, Strange Dance of Chickens,<br />

Body Language, Ignoramus and<br />

Revolution Now. The poems<br />

featured in Part 3 include A Booktiful<br />

Love, Beauty & Brains, Beauty and<br />

Priceless, Beauty and Queening,<br />

Beauty & Fierce, Beauty& Virtuous,<br />

Portarait of a fake Fie Love, Fairy,<br />

Loud Voices, Grief in Solitude,<br />

Starved, Foundational Mess and a<br />

The D-G, NCAC, Otunba Segun Runsewe (r) and the D-G, NTA,<br />

Mallam Yakubu Ibn Mohammed.<br />

rape and as such, he will throw his synergy needed to fight the<br />

weight behind any institution that scourge.<br />

is ready to fight rape and rapists in The DG of NTA affirming his<br />

Nigeria.<br />

support to the Federal Government<br />

According to Runsewe, he finds in eradicating the scourge of<br />

in the NTA a <strong>for</strong>midable ally in banditry, kidnapping and rape,<br />

sensitizing Nigerians on the stated that NTA has decided to be in<br />

dangers of rape and the the <strong>for</strong>efront of the fight against<br />

consequences of rape on the victims. rapists and other social vices in<br />

He added that his organisation Nigeria.<br />

strongly believes that NTA and<br />

Continues<br />

NCAC can <strong>for</strong>m the much-needed @www.vanguardngr.com<br />

creative space.<br />

Asked what her next step after the<br />

Noire Exhibition would be, Donna<br />

said: “By God’s grace after the Noire<br />

Exhibition, I want to make sure that<br />

everything I create is authentic to me,<br />

and how I see the world. I never want<br />

to feel as though I’m mass producing<br />

something which is a feeling that I’m<br />

rushed to produce something. I<br />

would really love to keep doing this<br />

because I’ve never been passionate<br />

about anything else in my life.”<br />

Continues<br />

@www.vanguardngr.com<br />

Booktiful Love Story.<br />

The thematic treatment of A<br />

Booktiful Love encompasses love,<br />

marriage, beauty, relationships,<br />

hope, mental health, human rights,<br />

academics, politics, culture,<br />

economy, dreams, disillusionment,<br />

hatred and death. The poet explores<br />

the central theme of love <strong>for</strong><br />

education in many of the poems,<br />

including the title poem, A Booktiful<br />

Love, Beauty and Brains, A Date<br />

with Hope, Neophyte, Your Dreams<br />

Are Valid, Writers, Write <strong>for</strong> Rights<br />

and Ignoramus. This thematic focus<br />

is clearly depicted in each of the six<br />

stanzas of A Booktiful Love as in the<br />

following lines where the poet plays<br />

on literary terms: Our love was<br />

layered in similes and metaphors/<br />

Your love language was erotica/<br />

And meeting you was non-fiction/<br />

I tell you stories coloured in fantasy/<br />

And send you to dreamland with<br />

poetry/ Rhymes, and free-flowing<br />

verses/ This isn’t science fiction or<br />

historical fiction/ This was us/ There<br />

are days I am buried in the pit of<br />

self-help books.<br />

Continues<br />

@www.vanguardngr.com<br />

Artpedia<br />

Nigeria holds<br />

'The<br />

Persistence<br />

of Time'<br />

exhibition<br />

By Adesina Wahab<br />

ARTPEDIA Nigeria is set to<br />

launch a new gallery space<br />

with The Persistence of Time, a<br />

group art exhibition featuring top<br />

Nigerian contemporary artists and<br />

opening on Saturday, 20 February<br />

to Friday, 30 April 2021.<br />

The Persistence of Time brings<br />

together 28 paintings from the<br />

gallery’s expansive collection<br />

featuring artists Ada Godspower,<br />

Elizabeth Ekpetorson, Frederick<br />

Idele, Ikechukwu Ezeigwe,<br />

Habeeb Andu and Sejiro Avoseh.<br />

The title of the exhibition borrows<br />

from the iconic painting of Spanish<br />

artist, Salvador Dalí, one of the<br />

remarkable artists of the<br />

Surrealism art movement named<br />

The Persistence of Memory (1931).<br />

Tallying with the movement, it<br />

presents a school of artistry that<br />

has been shaped by time —<br />

through individual ex<strong>per</strong>iences<br />

and social events — and<br />

distinctively marked by the<br />

capricious <strong>for</strong>ms and precise<br />

reflections of the unconscious<br />

mind.<br />

The show is a walk through the<br />

socio-political connotations of<br />

Avoseh easily identified <strong>for</strong> his<br />

style of fusing collage and painting<br />

techniques to create dissimilar<br />

<strong>for</strong>ms layered in a complex manner<br />

to the hasty yet measured<br />

brushstrokes of Elizabeth<br />

Ekpetorson who logs time and<br />

allows its resulting elements such<br />

as emotions and reactions fuel her<br />

artistic production.<br />

It is almost always a prerequisite<br />

in many art shows to create a<br />

concept that introduces a<br />

completely fresh meaning and<br />

sense to a collection. The<br />

exhibition, The Persistence of<br />

Time, theorises the influence of<br />

time in artistic innovation. This is<br />

reflected in the<br />

interconnectedness of the 28<br />

randomly selected and displayed<br />

artworks by six artists who have<br />

independently produced each<br />

body of work at different times<br />

(dating from 2017 to 2021). It also<br />

realises other sub-themes totalled<br />

as creative inspirations and range<br />

from sociopolitical influences to<br />

identity that indicate the actuality<br />

— accurately serving as a<br />

repository where evidences of the<br />

now will be stored <strong>for</strong> posterity.<br />

Established in November 2020<br />

by Onomen “Nomzky” Onohi, a<br />

familiar name in the Nigerian<br />

music scene as well as an avid<br />

collector of art, this exhibition will<br />

be the first in the Artpedia gallery<br />

space, officially launching it into<br />

the art community and sector. The<br />

Persistence of Time is curated by<br />

Lagos-based curator, Kennii<br />

Ekundayo.<br />

Participating artists are Ada<br />

Godspower, Elizabeth<br />

Ekpetorson, Frederick Idele,<br />

Ikechukwu Ezeigwe, Habeeb<br />

Andu and Sejiro Avoseh

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