Reflections

By the mid-'70s, this phase of architecture in India had run its course. A period of
introspection and re-assessment began. One set of architects, fascinated by the forms,
images and symbols of our traditional architecture, started looking for a new form of
expression and this process of the 'Sanskritization' of architecture is evident in some of
the works of the later '70s at the exhibition. Yet another set of architects, concerned
with the problems of growing cities and the homeless, have started looking towards
vernacular architecture – which is as rich and varied as formal architecture – for
solutions to some of the problems facing the built environment. The search is on. And,
some time, the two must coalesce to form the truly Indian architecture. And what
better example can there be, than the Mahatma himself; who would read the Gita as
well as look through a microscope!
Recalling the images of Gandhiji's possessions almost four decades later, one hopes, is
not just a matter of the form of the exhibition, but an assertion for the very content of
our architecture. If this is to be so, we shall indeed move on to a new Vistara, which
will have a far greater impact on the lives and culture of our people than all the
architectural monuments put together.
DEBONAIR – December '86
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