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Ghost town Spooks, hauntings and tall tales - the University Offices ...

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College. These nine stories recount <strong>the</strong><br />

adventures of <strong>the</strong> ghost-hunting rector of<br />

Stoneground, Reverend Rol<strong>and</strong> Batchel.<br />

The <strong>tales</strong> are set on <strong>the</strong> edge of <strong>the</strong> Fens,<br />

where Swain was vicar for many years.<br />

Jon gifford, owner of Ole<strong>and</strong>er<br />

Press, says he is interested in publishing<br />

any genre of ‘lost’ book that has close<br />

associations with <strong>the</strong> <strong>University</strong> <strong>and</strong> <strong>the</strong><br />

local area but is delighted to be able to<br />

bring back <strong>the</strong>se books. “gray has been<br />

unavailable in <strong>the</strong> UK since 1919 <strong>and</strong><br />

Swain since 1912,” he says.<br />

haunted garden<br />

Ano<strong>the</strong>r recently republished ghost story<br />

is AP Baker’s A College Mystery, a tale of<br />

intra-collegiate rivalry at Christ’s in <strong>the</strong><br />

mid-nineteenth century. It was originally<br />

brought out in 1918 <strong>and</strong> is now available<br />

through Back-in-Print Books.<br />

ALL IMAgES COPYRIgHT OF ISSAM KOURBAJ<br />

Baker was an undergraduate <strong>and</strong><br />

lecturer at Christ’s at <strong>the</strong> turn of <strong>the</strong><br />

20th century, <strong>and</strong> his book purports to<br />

explain <strong>the</strong> true <strong>and</strong> grisly story of two<br />

college Fellows – Christopher Round <strong>and</strong><br />

Philip Collier. The ghost of <strong>the</strong> former,<br />

it is said, walks through <strong>the</strong> garden<br />

every year on 29 May <strong>and</strong>, on <strong>the</strong> same<br />

night, unsettling noises echo through<br />

<strong>the</strong> Fellows’ Building, where Round <strong>and</strong><br />

Collier had rooms.<br />

The strength of A College Mystery<br />

lies in its ability to convince <strong>the</strong> reader<br />

that what passes in its pages is a true<br />

<strong>and</strong> accurate report of a terrible real-life<br />

incident (Baker’s novella is made up of an<br />

extended confession, excerpts from local<br />

newspapers <strong>and</strong> first-h<strong>and</strong> accounts from<br />

contemporary witnesses).<br />

Richard Reynolds, who works at<br />

Heffers on Trinity Street, <strong>and</strong> was<br />

<strong>Ghost</strong> <strong>town</strong>: <strong>the</strong>se<br />

atmospheric images of<br />

Cambridge were taken by<br />

Christ’s artist in residence<br />

Issam Kourbaj using a<br />

camera obscura<br />

instrumental in bringing <strong>the</strong> story back<br />

into print, says he hears stories of people<br />

who stay in <strong>the</strong> Fellows’ Building <strong>and</strong><br />

suffer a frightening <strong>and</strong> sleepless night,<br />

only to later find out about <strong>the</strong> story <strong>and</strong><br />

<strong>the</strong> book.<br />

Whe<strong>the</strong>r <strong>the</strong> gruesome incident at<br />

its heart is true, <strong>the</strong> Fellows’ Building at<br />

Christ’s, <strong>and</strong> its garden towards <strong>the</strong> back<br />

of <strong>the</strong> college, are certainly two of <strong>the</strong><br />

more atmospheric places in collegiate<br />

Cambridge.<br />

Baker’s story is fairly well known across<br />

<strong>the</strong> <strong>University</strong> – but it was one of his<br />

academic contemporaries who brought<br />

Cambridge <strong>and</strong> <strong>the</strong> supernatural to mass<br />

public attention. That man was MR James<br />

(1862-1936), former Provost of King’s<br />

<strong>and</strong> Director, from 1893 to 1908, of <strong>the</strong><br />

Fitzwilliam Museum.<br />

James wrote more than 30 ghost<br />

stories in total, <strong>and</strong> his best work still<br />

has <strong>the</strong> ability to disturb <strong>and</strong> scare.<br />

While nearly all of his stories are set<br />

outside Cambridge – typically in a small<br />

Continental village, or an overlooked<br />

corner of <strong>the</strong> Suffolk coast – his<br />

protagonists are often Cambridge men<br />

from a still-recognisable world of colleges<br />

<strong>and</strong> academia.<br />

readings by <strong>the</strong> fire<br />

The best way to experience ghost<br />

stories is to hear <strong>the</strong>m read aloud. It<br />

was something that James did himself,<br />

inviting a select audience of friends to<br />

his King’s study every Christmas, where<br />

he would treat <strong>the</strong>m to his latest spinechilling<br />

composition.<br />

It is a tradition that survives. Up<br />

<strong>the</strong> road from James’s alma mater in St<br />

John’s, Patrick Boyde, Emeritus Professor<br />

of Italian, organises a programme of<br />

events throughout <strong>the</strong> year for graduate<br />

students <strong>and</strong> Fellows of <strong>the</strong> college.<br />

The most popular single event, he says,<br />

are <strong>the</strong> ghost stories he puts toge<strong>the</strong>r<br />

in December, read by <strong>the</strong> fire in <strong>the</strong><br />

16th-century Combination Room.<br />

After seven successful years, Professor<br />

Boyde has a good idea of how to transfix<br />

an audience. “get <strong>the</strong> atmosphere right<br />

– c<strong>and</strong>les <strong>and</strong> a glowing fire – <strong>and</strong> have a<br />

good reader,” he says. “A skilled reader can<br />

convey all <strong>the</strong> necessary psychological<br />

detail in seconds. The listeners will be<br />

kept sitting on <strong>the</strong> edge of <strong>the</strong>ir seats<br />

<strong>and</strong> <strong>the</strong> slightest pause may lead <strong>the</strong>m to<br />

think <strong>the</strong> next sentence will hit <strong>the</strong>m in<br />

<strong>the</strong> stomach.”<br />

Fans of James – or those looking to<br />

witness <strong>the</strong> power of his storytelling –<br />

might also consider actor Robert Lloyd<br />

november/deCember 2009 | UNIVERSITY OF CAMBRIDGE NEwSlETTER | 9

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