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Angelus News | August 27, 2021 | Vol. 6 No. 17

On the cover: Sept. 14 will mark the 700th anniversary of the death of Dante Alighieri. Around the world, the milestone is sparking renewed attention to his legacy and even a “Year of Dante” in the poet’s native Italy. On Page 10, art historian Elizabeth Lev argues that today’s language-obsessed culture needs Dante’s faith in the beauty of words more than ever before. On Page 14, Dante scholar Enzo Arnone explains the spiritual lessons “The Divine Comedy” can offer Christians and wandering souls alike.

On the cover: Sept. 14 will mark the 700th anniversary of the death of Dante Alighieri. Around the world, the milestone is sparking renewed attention to his legacy and even a “Year of Dante” in the poet’s native Italy. On Page 10, art historian Elizabeth Lev argues that today’s language-obsessed culture needs Dante’s faith in the beauty of words more than ever before. On Page 14, Dante scholar Enzo Arnone explains the spiritual lessons “The Divine Comedy” can offer Christians and wandering souls alike.

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His status allowed him to pursue his<br />

passion for philosophy and poetry, so<br />

he continued his studies at the University<br />

of Bologna. where he joined the<br />

poets of the “sweet new style,” a term<br />

coined by Dante to describe the courtly<br />

love poems written in new types of<br />

verse, spiced with lofty allegories and<br />

symbols.<br />

The idyllic existence of these young<br />

artists, absorbed in love and letters,<br />

was set against a backdrop of violence<br />

and uncertainty. Italy, a political<br />

patchwork of republics, dukedoms,<br />

and turf claimed by the emperor of<br />

the Holy Roman Empire, was in a<br />

constant state of armed conflict.<br />

Pope Celestine V, the spiritual glue<br />

of Europe, had shocked Christendom<br />

by resigning after only a few months,<br />

followed by his death under suspicious<br />

circumstances. His successor,<br />

Pope Boniface VIII, appeared more<br />

interested in<br />

influencing<br />

temporal affairs<br />

than shepherding<br />

souls.<br />

The lack of unity<br />

was exacerbated<br />

by the chaos<br />

of language, with<br />

differing dialects<br />

evolving according<br />

to each<br />

region’s geopolitical<br />

reality<br />

and with Latin<br />

increasingly<br />

reserved for the<br />

learned and the clergy.<br />

Artwork entitled "Dante<br />

Meditating on 'The<br />

Divine Comedy,' 1843,"<br />

in an undated photo.<br />

"The Divine Comedy"<br />

is perhaps the most<br />

powerful depiction of the<br />

transcendent in Western<br />

literature. | CNS/GIFT<br />

OF THE CHRISTIAN<br />

HUMANN FOUNDATION<br />

VIA NATIONAL GALLERY<br />

OF ART<br />

All the while, Dante and his band<br />

of erudite troubadours sang of love in<br />

their catchy rhythms. Dante hit a sour<br />

note, however, when his diplomatic<br />

activities brought him into conflict<br />

with the opposing political faction in<br />

Florence. Once his enemies rose to<br />

power through a violent takeover of<br />

the city, they turned on the poet in<br />

absentia, sentencing him to exile for<br />

life.<br />

The banished bard responded to the<br />

injustice, humiliation, and penury by<br />

creating a masterpiece designed to<br />

transcend politics. Written during his<br />

exile, Dante’s “The Divine Comedy”<br />

was an epic tale to unite Italy under a<br />

common language, to bring together<br />

Christendom’s classical roots with its<br />

contemporary saints, and so to join<br />

souls, past and present, on their common<br />

journey to the Lord.<br />

Words were the bricks and mortar of<br />

his opus. The fragmented Latin-derived<br />

dialects reflected the factions<br />

and tribes that sprang up after the fall<br />

of the Roman Empire. Tainted with<br />

Arabic in Sicily and with Greek in<br />

Venice, dialects formed verbal fences<br />

limiting communication. Thanks to<br />

his wide-ranging experience of poetry<br />

throughout the Italian peninsula,<br />

Dante could select the perfect words<br />

to craft his verses.<br />

His poetry painted pictures and<br />

stimulated the senses. One can almost<br />

hear the sighing of the unbaptized in<br />

limbo or feel the cold of the frozen<br />

Lake Cocytus where traitors are<br />

imprisoned. Anticipating St. Ignatius’<br />

composition of place in the spiritual<br />

exercises, Dante awakens the senses<br />

during his extraordinary voyage<br />

through hell, purgatory, and heaven.<br />

His literary images are knit together<br />

by Dante’s invention of “terza rima”<br />

(“third rhyme”), an interlocking<br />

rhyme system that propels the story<br />

stanza by stanza. Dante’s epic took<br />

words, and instead of using them to<br />

divide and wound, he employed them<br />

as a means to unify a divided people.<br />

The poem offered readers the chance<br />

to revel in the pleasure of speech,<br />

an anomaly for today’s world where<br />

communicating can seem more like<br />

stepping into a minefield.<br />

“The Divine Comedy” deftly melded<br />

pagan references with the most recent<br />

Christian theology, creating a blend<br />

of the finest Mediterranean vintages.<br />

Mythological creatures populate<br />

“Inferno,” while Emperor Trajan<br />

exemplifies humility in “Purgatorio.”<br />

<strong>August</strong> <strong>27</strong>, <strong>2021</strong> • ANGELUS • 11

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