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The First Child

Landmark Productions in association with Irish National Opera, Ireland It all began with the child. Following the sensational success of their first two operas, The Last Hotel and The Second Violinist, Donnacha Dennehy and Enda Walsh join forces once again on the final instalment in their explosive trilogy of suburban horror. The production brings together a world-class creative team with a cast of five singers, an actor, a dancer, a small children’s choir and Crash Ensemble, to imagine a terrifying story of lost innocence—a baby on a beach—and the sea.

Landmark Productions in association with Irish National Opera, Ireland

It all began with the child.

Following the sensational success of their first two operas, The Last Hotel and The Second Violinist, Donnacha Dennehy and Enda Walsh join forces once again on the final instalment in their explosive trilogy of suburban horror.

The production brings together a world-class creative team with a cast of five singers, an actor, a dancer, a small children’s choir and Crash Ensemble, to imagine a terrifying story of lost innocence—a baby on a beach—and the sea.

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THE FIRST CHILD PAGE 23<br />

Symphony Orchestra, Cork Fleischmann<br />

Orchestra and the Fleischmann Choir.<br />

She was also assistant conductor for<br />

Opera Collective Ireland’s production<br />

of Handel’s Agrippina with the Irish<br />

Chamber Orchestra, in association<br />

with Northern Ireland Opera. She is<br />

a graduate of the CIT Cork School<br />

of Music (CSM). She completed her<br />

BMus Degree in 2011 and continued her<br />

studies in CSM, achieving a <strong>First</strong> Class<br />

Honours Masters Degree in Conducting.<br />

EOGHAN CARRICK<br />

Associate Director<br />

Eoghan Carrick is a theatre and<br />

opera maker working in Ireland and<br />

internationally. He works on new<br />

and established texts with a focus<br />

on innovative interpretations and<br />

interdisciplinary collaboration. He<br />

is an associate artist with Once Off<br />

Productions. Previous associate and<br />

assisting credits for opera include<br />

Donnacha Dennehy’s <strong>The</strong> Hunger<br />

(Tom Creed/Abbey <strong>The</strong>atre), Bartók’s<br />

Bluebeard’s Castle (Enda Walsh/Irish<br />

National Opera), Donnacha Dennehy<br />

and Enda Walsh’s <strong>The</strong> Second Violinist<br />

(Enda Walsh/Landmark Productions<br />

and INO); Handel’s Acis and Galatea,<br />

Wolf-Ferrari’s Susanna’s Secret and<br />

Poulenc’s <strong>The</strong> Human Voice (Tom<br />

Creed/Opera <strong>The</strong>atre Company); and<br />

Puccini’s Suor Angelica and Mozart’s<br />

<strong>The</strong> Magic Flute (Tom Creed/Royal Irish<br />

Academy of Music). He was dramaturg<br />

on Opéra national de Paris Académie/<br />

Opera Collective Ireland’s production<br />

of Britten’s Owen Wingrave directed<br />

by Tom Creed. Recent directing<br />

credits include: Rescue Annie (Dublin<br />

Fringe Festival, 2021), 14 Voices from<br />

the Bloodied Field (Abbey <strong>The</strong>atre,<br />

2020), Bodies of Water (Dublin Fringe<br />

Festival, 2019; DFF Best Design<br />

Nomination), Midsummer (Project Arts<br />

Centre, 2019), <strong>The</strong>atre for One (Cork<br />

Midsummer Festival, 2019; Irish Times<br />

<strong>The</strong>atre Nomination Best Ensemble);<br />

INFINITY (Dublin Fringe Festival,<br />

2018; <strong>First</strong> Fortnight Award, DFF Best<br />

Design Award, DFF Best Performer<br />

Nomination), and Nora (Dublin <strong>The</strong>atre<br />

Festival, 2017).<br />

SINÉAD DISKIN<br />

Associate Sound Designer<br />

Sinéad Diskin is a sound designer<br />

and composer based in Dublin,<br />

Ireland. She is a graduate of the<br />

SEEDS programme with Rough Magic<br />

<strong>The</strong>atre Company, Dublin, a recipient<br />

of the Next Generation Artists Award<br />

2019 from the Arts Council of Ireland<br />

and a commission award from ANU<br />

Productions and the Arts Council of<br />

Ireland 2020. Recent theatre credits<br />

include Minseach [Sibéal Davitt, Dublin<br />

Fringe Festival]; Aftertaste [National<br />

Youth <strong>The</strong>atre]; Boland: Journey of<br />

a Poet [Druid]; Medicine [associate<br />

sound designer], Happy Days, Blood<br />

in the Dirt [Landmark Productions];<br />

Eclipsed, Serious Money, Love and<br />

Information, Pornography [<strong>The</strong> Lir

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