Alan Bullard A Light in the Stable vocal score
for SATB (with opt. solos) and organ or piano, or with small orchestra or chamber group A Light in the Stable tells the Christmas story through a blend of original settings and well-known carols, and is suitable for both concert and church choirs. The familiar Gospel words (which may be spoken, sung, or replaced with other appropriate readings) are interspersed with a range of new material, including the lively 'Glory to God'; 'Sing Lullaby', in which Mary foreshadows the events of Jesus' life; and the reflective 'A Light for Today', an evocation of the Nativity tableau. The audience/congregation are encouraged to join in for some carols, and choir and listeners will delight in the new settings of familiar words. A range of soloists may optionally take some of the vocal lines, and the accompaniment is equally flexible. A wonderful companion to Bullard's Advent celebration, O Come, Emmanuel, this work is perfect for anyone looking for a new take on familiar Christmas words and melodies.
for SATB (with opt. solos) and organ or piano, or with small orchestra or chamber group
A Light in the Stable tells the Christmas story through a blend of original settings and well-known carols, and is suitable for both concert and church choirs. The familiar Gospel words (which may be spoken, sung, or replaced with other appropriate readings) are interspersed with a range of new material, including the lively 'Glory to God'; 'Sing Lullaby', in which Mary foreshadows the events of Jesus' life; and the reflective 'A Light for Today', an evocation of the Nativity tableau. The audience/congregation are encouraged to join in for some carols, and choir and listeners will delight in the new settings of familiar words. A range of soloists may optionally take some of the vocal lines, and the accompaniment is equally flexible. A wonderful companion to Bullard's Advent celebration, O Come, Emmanuel, this work is perfect for anyone looking for a new take on familiar Christmas words and melodies.
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43<br />
14. S<strong>in</strong>g lullaby!<br />
Sab<strong>in</strong>e Bar<strong>in</strong>g-Gould (1834–1924)<br />
<strong>Alan</strong> <strong>Bullard</strong><br />
563<br />
° 3<br />
¢ & 4<br />
Expressively, <strong>in</strong> time, but almost like an improvisation q = c.63<br />
SOPRANO SOLO or SEMI-CHORUS<br />
p semiquavers always relaxed<br />
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1. S<strong>in</strong>g<br />
lul<br />
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ba- by, now re - cl<strong>in</strong> - <strong>in</strong>g, S<strong>in</strong>g lul - la -<br />
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for onl<strong>in</strong>e perusal only<br />
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Expressively, <strong>in</strong> time, but almost like an improvisation q = c.63<br />
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do not wake <strong>the</strong> In-fant<br />
K<strong>in</strong>g.<br />
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* In <strong>the</strong> divisi sections, Bass 2 may omit <strong>the</strong> small notes if necessary, jo<strong>in</strong><strong>in</strong>g Bass 1 on <strong>the</strong> upper notes
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