Merrily-We-Roll-Along

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—30—That Frank& b b b b109∑& b b (ALL)b bœœœ œJœJ& b b b bœ œ œ .œ œ œ œ ‰ œ œ ‰?b b b b œ Œ Œœ110mov - ie that suc - cess -œJœœœ∑œ œ œ œJful, what can youœœœœ œ. ‰ œ œ ‰œ Œ Œœ111œ .∑(to Frank)J ¿ J ¿ ¿ J ¿say? Con - grat - u - la -œœœœœœ.œœ Œ Œ‰ œ œ ‰œ112Ó¿ ¿ Œ Ótions.FRANK:¿ ¿Thank You.jœœ ‰ œœ ‰ œ ‰ œ ‰JJJœ Œ Œœ&&?n n n n # # # #b b b bMARY:œ œ œ œ œ 114J œ .œ œ œ œ j115œ œ .œ œ œ œ œ 116œ œœ œJ Jœ œb b b b œ Œ Œœœ Œ Œœœ Œ Œœœ Œ Œœn n n n # # # #These are the mov - ers, these are the shap - ers, these are the peo - ple that give you vap - ors…b b b bœ œ œ œœ œ œ ‰ Óœ œ œ J œœ‰ Óœ œ œ jJœ œ œ ‰ ÓœJ œ ‰ œœ ‰ œœœ ‰ œ ‰JJJn n n n # # # #117&# ## #FRANK:jœœjœ œ œ œ118jœ œ œ J œ Œ119jœ œ œ J ˙120œJœœ œJœ œ&&?# ## ## ## ## ## #√Twen - ty yearsa-goPianoœ œ œ œ œ œ œ œ.WWsœ œœ œ ‰ JPiano‰œœœ œ œ œ ‰œ œ œ œ œ œ œ œœ Œ Œ œwho'd have guessed,œœœ œ œ œ œ œ œœ.œ ‰ œJ‰œœ œ œ ‰œœœ œ œ œ œœ œŒ Œ œwho'd have guessedœ œ œ œ œ œ œ œœ.œ œœ ‰ J‰œœ œ œ œ ‰œ œ œ œ œ œœ œœ Œ Œ œwe'd be stand - ing here?œ œ œ œ œ œ œœ. œ. . .œ œœœ œœ œœœ œ œ œ œ œœ Œ Œ œœœ
—31—That Frank#& ## #jœ œ121 (FRANK)jœ œ œ œ122jœ œ œ J œ Œ123œJœœ œJœ œ124œŒÓGod, we wouldhave beenso im - pressed.Now we're herewith themost&# ## #∑∑∑ÓGROUP 1:œ œ œ&&?# ## ## ## ## ## #√œ œ œ œ œ œ œ œœ.œ œ ‰ œJ‰ œ œ œ œ œ œ ‰œ œ œ œ œ œ œ œœ Œ Œ œœ œ œ œ œ œ œ œœ. œ. . .œ œœœ œœ œœœ œ œ œ œ œ œ œœ Œ Œ œœ œ œ œ œ œ œ œœ.œ œœ ‰ J‰ œ œ œ œ œ œ ‰œ œ œ œ œ œ œ œœ Œ Œ œMex - i - co…œ œ œ œ œ œ œœœ. œ. . .œ œœœ œœ œœœ œ œ œ œ œ œ œœ Œ Œ œ&&&&?# ## #n n n #125126127128œ œœ œJJœ œœŒ Œ œ œœ œœJJœ œœŒten.Óbril - liant minds on the coastand no - tice who is their host.# ## #GROUP 2:ten.∑Œ ‰ jn n n #œ œ œ œ œœ œ œ Ó∑Mov - ing back to Par - a - mount…√# ## #œ œ œ œ œ œ œ œœ œ œ œ œ œ œœœ œ œœ œ œœ œten.∑n n n #.# ## #œ œn n nœ#œ ‰ J ‰ œ œ œ œ œœ ‰. œ. œ . œ ..œœ œœ œœ œ œœ œ ‰ J ‰ œ ten.œ œ œ ‰∑# # # # œ œ œ œ œ œ œ œn n n #œ œ œ œ œ œ œœ œ œ œ œ œ œ œŒ Œ œœ œten.∑Œ Œ œœ Œ Œ œ
Page 1: Piano Conductor Score Act 1Music an
Page 6 and 7: 15A.TRANSITION 6...................
Page 8 and 9: —2—Overture23&&?###ŒŒŒ˙ .24
Page 10 and 11: 53Synth.—Bells& b b b b œŒ?b b
Page 12 and 13: —6—Overture&&?92&b b b b88b b b
Page 14 and 15: —8—Overture&&?b b125b bb b‰ j
Page 16 and 17: —10—Merrily We Roll Along& b??b
Page 18 and 19: —12—Merrily We Roll Along& b41w
Page 20 and 21: —14—Merrily We Roll Along58#&Pi
Page 22 and 23: —16—Merrily We Roll Along86#& #
Page 24 and 25: —18—Merrily We Roll Along#& ##
Page 26 and 27: 128& b b b b b b&&?b b b b b bb b b
Page 28 and 29: —22—That Frank17&P Babble.(SCOT
Page 30 and 31: —24—That Frank&37ÓŒTERRY:œ
Page 32 and 33: —26—That Frank61&FRANK:˙˙62j
Page 34 and 35: —28—That Frank85 (GROUP 1)&œ
Page 38 and 39: —32—That Frank129#&&&&?&&&####G
Page 40 and 41: —34—That Frank153&FRANK:˙˙154
Page 42 and 43: 177&&?(ALL)œ œ œ œ œ œ œhad
Page 44 and 45: Piano / Conductor—38—Incidental
Page 46 and 47: Piano / Conductor—40—Incidental
Page 48 and 49: 21& b?&?&?Fmarcatobbbbbb-œbœ-23.b
Page 50 and 51: Piano / Conductor—44—Transition
Page 52 and 53: —46—Transition 120& b(SOLO 1)w2
Page 54 and 55: Piano / Conductor—48—Old Friend
Page 56 and 57: 32Moderato—In 4 (q = 112)—50—
Page 58 and 59: 52& b b& b b& b b?b bœ ˙ .Char-le
Page 60 and 61: —54—Old Friends—Like It Was&
Page 62 and 63: Piano / ConductorCHARLEY: May I ans
Page 64 and 65: #& ## #18#& ## ##& ## #n œÓ ‰ j
Page 66 and 67: 34& b&b?bœ œ œ œœœœ œ œtel
Page 68 and 69: &&46œJœœ œ œJœ œThat's the s
Page 70 and 71: —64—61A Tempo? # ## n œ#n œ
Page 72 and 73: —66—Franklin Shepard, Inc.77#&#
Page 74 and 75: &89œJœœ œ œJœ œStart with no
Page 76 and 77: —70—Franklin Shepard, Inc.106#&
Page 78 and 79: —72—Franklin Shepard, Inc.&&&11
Page 80 and 81: Piano / Conductor—74—Transition
Page 82 and 83: —76—Transition 216#& ## #(SOLO
Page 84 and 85: #& ## #&&&?# ## ## ## #26jœ(GROUP
Page 86 and 87:
—80—Old Friends15#&(FRANK)˙Tim
Page 88 and 89:
—82—Old Friends47#&&?&&?55&&?&#
Page 90 and 91:
75& b b b b b&?b b b b bb b b b bp(
Page 92 and 93:
89#& ##&?&&?&&?&&&?# ### ##(MARY)˙
Page 94 and 95:
104 Più Mossoo (h = 100)& b b b bA
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128& b b b b&?&&?134&&&?&&&?b b b b
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#& ##&&?158&&?&&?# ### ### ### ###
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& b b 14& b b?b bmarcatoœF˙œœœ
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33#&&?&&?##œ œ œ n œ œŒ# œMa
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#& ##&&?# ### ### ##53œ œ œ œ
Page 106 and 107:
65#& ###& ##? # ##A Tempoœ œ œ
Page 108 and 109:
—102—Growing Up—Part 211#& ##
Page 110 and 111:
—104—Growing Up—Part 2& b&&?b
Page 112 and 113:
53A Tempo—LanguidlySynth.—106
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—108—Transition 313& b b b b b
Page 116 and 117:
—110—Not a Day Goes By18& b bw1
Page 118 and 119:
—112—Not a Day Goes By&&&?45&&&
Page 120 and 121:
#& ## #(TYLER)7œ œ œ œœ œ œ
Page 122 and 123:
—116—Now You Know#& ## #CHARLEY
Page 124 and 125:
—118—Now You Know#&36œn œ˙37
Page 126 and 127:
—120—Now You Know56#&#&#&? #n
Page 128 and 129:
#&&&?###79Ó ‰ j œœAll right,
Page 130 and 131:
—124—Now You Know#& ## #&&?# ##
Page 132 and 133:
—126—Now You Know119#& ## #GROU
Page 134 and 135:
& b&&bb(FRANK)135œ œ œ œœlit -
Page 136 and 137:
#151&œ œ œ œ œ œ œ&&&###best
Page 138 and 139:
—132—Now You Know167& b b&&?&&&
Page 140 and 141:
187188& b bœœ œ ˙w& b b œœœ
Page 143 and 144:
Music Theatre International421 West
Page 145:
Piano Conductor Score Act 2Music an
Page 148 and 149:
15A.TRANSITION 6...................
Page 150 and 151:
—137—Entr'acte13& b?bw. . . œ
Page 152 and 153:
43&b b^BrassÓ ‰ bœ œœœœ^J^b
Page 154 and 155:
Piano / Conductor& b b&?b bb bVamp
Page 156 and 157:
28#& ## #&&?‰ ‰ j œ œ j œ# #
Page 158 and 159:
Piano / Conductor#& ## # # 8 3 1 JO
Page 160 and 161:
27& b b b&?LargoPoco a Poco Accel.b
Page 162 and 163:
—149—It's a Hit51& b b b&&?54&&
Page 164 and 165:
—151—It's a Hit#& ## #78(BETH)
Page 166 and 167:
104#& ##&&?&&&?109&&&&# ##Agitato (
Page 168 and 169:
—155—It's a Hit116& b b& b bFRA
Page 170 and 171:
Pesante—In 3134 (ALL)& b&?bbœhit
Page 172 and 173:
—159—It's a Hit(FRANK & CHARLEY
Page 174 and 175:
#& ##&?# ### ##182(ALL)œ># œœlin
Page 176 and 177:
9& b& b& b?bPiù Mosso(SOLO)wdream.
Page 178 and 179:
Piano / Conductor—165—The Blob
Page 180 and 181:
&&&&&&&?&&&&&&&?1315œseen?…ŒŒ
Page 182 and 183:
—169—The Blob—Part 128& b b?&
Page 184 and 185:
—171—The Blob—Part 2&b b9∑1
Page 186 and 187:
—173—The Blob—Part 229&&??(GU
Page 188 and 189:
—175—The Blob—Part 245&?(GUSS
Page 190 and 191:
—177—The Blob—Part 2 (Undersc
Page 192 and 193:
—179—Growing Up—Act 210& bœ3
Page 194 and 195:
—181—Growing Up—Act 228& b b
Page 196 and 197:
—183—Growing Up—Act 2&&&?b bb
Page 198 and 199:
Piano / Conductor—185—Good Thin
Page 200 and 201:
—187—Good Thing Going& b22˙ œ
Page 202 and 203:
Piano / Conductor& b&?bbLarghetto (
Page 204 and 205:
—191—The Blob—Part 4& b&?&&bb
Page 206 and 207:
—193—The Blob—Part 4& b24f‰
Page 208 and 209:
—195—The Blob—Part 4#& ## #32
Page 210 and 211:
—197—Transition 5#&&?##(ALL)11
Page 212 and 213:
Piano / Conductor—199—Merrily W
Page 214 and 215:
& b b b&?b b bb b b(œ .n œ œ œ
Page 216 and 217:
—203—Bobby and Jackie and Jack&
Page 218 and 219:
85 Poco Rubato (h. = 60)& b b b b b
Page 220 and 221:
—207—Bobby and Jackie and Jack&
Page 222 and 223:
147#&Molto RubatoFRANK:œ # œ .jœ
Page 224 and 225:
—211—Bobby and Jackie and Jack1
Page 226 and 227:
—213—Bobby and Jackie and Jack2
Page 228 and 229:
Piano / Conductor—215—Merrily W
Page 230 and 231:
—217—Not a Day Goes By—Act 21
Page 232 and 233:
—219—Not a Day Goes By—Act 23
Page 234 and 235:
Piano / Conductor—221—Transitio
Page 299 and 300:
Music Theatre International421 West
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