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Angelus News | September 23, 2022 | Vol. 7 No. 19

On the cover: The logo used for the Catechism of the Catholic Church, published in 1992, is adapted from an image found in the Catacombs of Domitilla in Rome thought to symbolize “the rest and the happiness that the soul of the departed finds in eternal life.” Ahead of the 30th anniversary of the catechism’s release next month, Russell Shaw explains on Page 10 what prompted the Church to undertake such an immense project. On Page 26, Greg Erlandson offers a perspective on the text’s relevance to ordinary Catholics — like his own mother.

On the cover: The logo used for the Catechism of the Catholic Church, published in 1992, is adapted from an image found in the Catacombs of Domitilla in Rome thought to symbolize “the rest and the happiness that the soul of the departed finds in eternal life.” Ahead of the 30th anniversary of the catechism’s release next month, Russell Shaw explains on Page 10 what prompted the Church to undertake such an immense project. On Page 26, Greg Erlandson offers a perspective on the text’s relevance to ordinary Catholics — like his own mother.

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NOW PLAYING RINGS OF POWER<br />

TOYING WITH TOLKIEN?<br />

The beauty of Amazon’s ‘Rings of Power’<br />

captivates, but its philosophy does not.<br />

BY STEFANO REBEGGIANI<br />

Morfydd Clark as the elven<br />

queen Galadriel in “The Rings<br />

of Power.” | COURTESY<br />

AMAZON PRIME VIDEO<br />

Christopher Tolkien died in<br />

2020. He was the son of J.R.R.<br />

Tolkien, the author of “The<br />

Lord of the Rings” and “The Hobbit.”<br />

A longtime collaborator of his father’s<br />

and editor of many of his posthumously<br />

published works, he lived to be 96,<br />

long enough to see the production of<br />

Peter Jackson’s blockbuster “The Lord<br />

of the Rings” trilogy. His reaction to<br />

the New Zealander’s phenomenally<br />

successful adaptation of his father’s<br />

oeuvre was not favorable.<br />

“The chasm between the beauty and<br />

seriousness of the work, and what it<br />

has become, has gone too far for me,”<br />

he told French newspaper Le Monde<br />

in 2012. “Such commercialization has<br />

reduced the aesthetic and philosophical<br />

impact of this creation to nothing.<br />

There is only one solution for me:<br />

turning my head away.”<br />

A decade after that stinging review,<br />

another Tolkien-inspired production<br />

has arrived: Amazon Prime Video’s<br />

“The Lord of the Rings: The Rings of<br />

Power,” available on streaming Sept. 2.<br />

The series brings to screens for the<br />

first time the heroic legends of the<br />

Second Age of Middle-earth, set<br />

thousands of years before the events of<br />

“The Lord of the Rings”: a time that<br />

saw the rise and fall of the great island<br />

kingdom of Numenor, the return and<br />

first defeat of the evil Lord Sauron,<br />

and the forging of the titular Rings of<br />

Power.<br />

This monumental production (with<br />

a $715 million price tag, according to<br />

The Wall Street Journal) is garnering<br />

lots of attention, along with scorching<br />

criticism from Tolkien experts and<br />

diehards. Should we turn our heads<br />

away?<br />

I previewed the first two episodes of<br />

“The Rings of Power.” It is visually<br />

impressive, with gorgeous scenery;<br />

the soundtrack is almost at the level<br />

of Howard Shore’s legendary score for<br />

the Peter Jackson trilogy, and the story<br />

is told with an engaging script.<br />

How close is the show to Tolkien’s<br />

original writing? That’s impossible to<br />

say. The history of the Second Age is<br />

sketched out briefly in the appendices<br />

to “The Lord of the Rings,” and some<br />

additional elements from the era are<br />

supplied by a few other of Tolkien’s<br />

works.<br />

That gave Amazon plenty of blanks to<br />

fill, and filled them it has. While the<br />

bare bones of the story and some of its<br />

core characters (including the “Rings”<br />

trilogy’s Galadriel, Elrond, Sauron)<br />

are Tolkien’s, the rest is all up for<br />

invention: events, individual plotlines,<br />

28 • ANGELUS • <strong>September</strong> <strong>23</strong>, <strong>2022</strong>

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