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The Indian Weekender, 30 September 2022

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6<br />

NEW ZEALAND<br />

Friday, <strong>30</strong> <strong>September</strong>, <strong>2022</strong><br />

Read online www.iwk.co.nz<br />

Yeh Dil Chahta Hai more<br />

DEV NADKARNI<br />

Rachit, Dil Chahta Hai afforded generous<br />

billing to Auckland’s talented voices<br />

Quite expectedly, popular Auckland<br />

Ankita Ghatani and Arpita Chanda who<br />

singer Rachit Bhatia’s ‘Dil chahta<br />

contributed handsomely to the show’s<br />

hai – Unforgettable melodies<br />

overall appeal.<br />

to modern classics’ left a rapturous<br />

Ankita is clearly a rapidly rising star<br />

audience asking for more last Friday (24<br />

on Auckland’s musical horizon. Arpita<br />

Sep) at the Dorothy Winstone Centre.<br />

excelled herself on the night. Raul<br />

Featured regularly in most Hindi film<br />

Cardoza, who completed the quartet<br />

music concerts over several years now,<br />

of singers, performed adequately in his<br />

this was Rachit’s maiden gig under his<br />

comparatively narrow range of lessmelody-more-rhythm<br />

own banner Rachit Music.<br />

type numbers.<br />

It was a dream first gig: a sellout, as it<br />

As well as Rachit’s dynamism on<br />

should have been, given both the superb<br />

stage complemented by Raul’s own<br />

quality of the product (Rachit) and the<br />

energetic manner, the show was a visual<br />

packaging (the slick promos). It marked<br />

delight with frequent and interesting<br />

the twentieth anniversary of Rachit’s<br />

costume changes by the four singers<br />

first stage performance.<br />

against Chai Rajapurkar’s quick-changing<br />

<strong>The</strong> show had a lot going for it. <strong>The</strong><br />

digital backdrops.<br />

repertoire, which aimed to cover six<br />

<strong>The</strong> complement of musicians was<br />

decades of popular melodies, was<br />

exquisite, praised by Rachit throughout<br />

an excellent mix representative of<br />

the show.<br />

the varied flavours of different eras,<br />

Don Dilantha’s violin and guitar<br />

composers and singers.<br />

electrified the interludes while the<br />

Selections from the decade of the<br />

experienced and talented Hemant<br />

1990s resonated particularly well<br />

Thakar and Cloyd D’Mello’s keys<br />

with the audience, given the dominant<br />

suffused the soundscape.<br />

demographic at the event.<br />

Deeksha on her Saxophone was<br />

Blessed with an incredibly versatile<br />

excellent and so were the percussion<br />

voice, the ever-smiling, thigh-slapping,<br />

duo Nigel and Kris.<br />

cavorting and prancing Rachit<br />

<strong>The</strong> characteristic resounding richness<br />

has an alluringly energizing stage<br />

of the tabla and dholak wielded by<br />

presence that would be the envy of<br />

the super-talented Navneel, though,<br />

many an entertainer.<br />

sounded rather subdued by the louder<br />

He is equal parts singer and<br />

and flatter sounds of the drums.<br />

entertainer; the complete<br />

Unlike several recent Hindi film music<br />

audio+visual package.<br />

shows, the sound at Dil Chahta Hai was<br />

He straddles the stage with the<br />

superbly balanced.<br />

paced but is a raagmalika of four broad canvas to choose songs from,<br />

same ease, dexterity, energy and<br />

Junoo was the show’s MC.<br />

classical raags – Khamaj, Bihag, Des picking the right mix would have been a<br />

finesse as he traverses through a range<br />

Those who left Friday night’s show<br />

and Chhaya Nat in sequence. What’s daunting task and Rachit’s team did an<br />

of musical genres.<br />

wanting more, take heart. Rachit has<br />

more, it’s sung in both the Hindustani excellent job of it.<br />

His excellent rendition of just one<br />

announced another show in early 2023.<br />

and Carnatic styles in quick, alternating <strong>The</strong> selection was both popular<br />

iconic but extremely complex number<br />

sequences by Dey and Kumar with all and eclectic from a range of eras and<br />

proved his awesome talent beyond<br />

manner of voice inflections.<br />

composers. A particularly clever way of<br />

doubt: Ek chatur naar from the popular<br />

Rachit nailed it exceedingly well singing extending the range of selection was<br />

1968 film Padosan.<br />

for both the original voices – something through medleys, of which there were at<br />

This R.D. Burman-composed song,<br />

not for the fainthearted.<br />

least three – all executed with aplomb<br />

sung by the legendary Manna Dey<br />

While ‘unforgettable melodies to and with multiple singers.<br />

and Kishore Kumar, is not only fast-<br />

modern classics’ gives one a very Though designed primarily around<br />

Twenty organisations attend HOTA Forum meeting<br />

IWK BUREAU<br />

Hindu Organisations, Temples<br />

and Associations (HOTA)<br />

Forum hosted a meeting of<br />

over 20 organisation executives<br />

and representatives in Auckland on<br />

Sunday (<strong>September</strong> 25) at the Shree<br />

Swaminarayan (ISSO) Temple Complex<br />

in Papatoetoe.<br />

An invitation only meeting, which was<br />

postponed due to Covid-19 pandemic in<br />

2020 and 2021, was hosted by Hindu<br />

Council of New Zealand.<br />

HOTA Forum brings together leaders,<br />

executives, and volunteers of multiple<br />

Dharma-based organisations to have<br />

an in-depth discussion about the<br />

success, challenges, and big issues<br />

facing the community.<br />

<strong>The</strong> HOTA Forum was launched at<br />

the third NZ National Hindu conference<br />

held in May 2010. It acts as a platform<br />

to bring together multiple Hindu<br />

organisations, temples, and associations<br />

throughout NZ.<br />

Since its start, a Hindu organisation,<br />

temple or association voluntarily<br />

takes lead in hosting the HOTA<br />

forum for a year.<br />

<strong>The</strong> host holds on to the Ekta Shankh<br />

(a symbol of unity) as the baton<br />

symbolising their lead of the programmes<br />

“Strong focus on youth<br />

enables our next generation<br />

to actively participate in<br />

shaping the inclusive future<br />

of Aotearoa. We need the<br />

next generation to start<br />

visualising and working<br />

towards to building a<br />

pluralistic society in New<br />

Zealand,”<br />

for the year. Over 55 organisations have<br />

been active members of HOTA since<br />

its inception and the interest to work<br />

together have been growing.<br />

<strong>The</strong> focus this year was youth<br />

leadership along with the standard<br />

discussions that occur during the Forum.<br />

“Strong focus on youth enables our<br />

next generation to actively participate<br />

in shaping the inclusive future of<br />

Aotearoa. We need the next generation<br />

to start visualising and working towards<br />

to building a pluralistic society in New<br />

Zealand,” said Nitika Sharma, General<br />

Secretary, Hindu Council of NZ.<br />

<strong>The</strong> day resulted in several discussions<br />

that have been grouped into high level<br />

themes by the host with action plans in<br />

place to implement and bring to fruition<br />

the discussions.<br />

At a high level, social cohesion,<br />

belonging, inclusion, Hindu phobia,<br />

misinformation, support from<br />

government agencies, engagement with<br />

politicians and government agencies<br />

stood out as key themes.<br />

<strong>The</strong> successes of the Hindu community<br />

as contributing citizens of NZ also<br />

formed a large part of the discussions<br />

<strong>The</strong> day concluded with politicians,<br />

government agencies and public<br />

representatives attending the day to<br />

hear about the discussions, deliberations,<br />

and outcomes of the day.<br />

<strong>The</strong> chairperson of the Religious<br />

Diversity Centre, Jocelyn Armstrong,<br />

attended the open session commenting,<br />

“Everyone I have spoken to told me<br />

that it was a good day of discussions<br />

and diving into important issues<br />

for the community.”<br />

A full report will be compiled and<br />

circulated. Membership to HOTA Forum is<br />

open to all Hindu organisations, temples,<br />

and associations in New Zealand.<br />

Contact Nitika Sharma on forum@hota.<br />

org.nz for details.

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