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6<br />
NEW ZEALAND<br />
Friday, <strong>30</strong> <strong>September</strong>, <strong>2022</strong><br />
Read online www.iwk.co.nz<br />
Yeh Dil Chahta Hai more<br />
DEV NADKARNI<br />
Rachit, Dil Chahta Hai afforded generous<br />
billing to Auckland’s talented voices<br />
Quite expectedly, popular Auckland<br />
Ankita Ghatani and Arpita Chanda who<br />
singer Rachit Bhatia’s ‘Dil chahta<br />
contributed handsomely to the show’s<br />
hai – Unforgettable melodies<br />
overall appeal.<br />
to modern classics’ left a rapturous<br />
Ankita is clearly a rapidly rising star<br />
audience asking for more last Friday (24<br />
on Auckland’s musical horizon. Arpita<br />
Sep) at the Dorothy Winstone Centre.<br />
excelled herself on the night. Raul<br />
Featured regularly in most Hindi film<br />
Cardoza, who completed the quartet<br />
music concerts over several years now,<br />
of singers, performed adequately in his<br />
this was Rachit’s maiden gig under his<br />
comparatively narrow range of lessmelody-more-rhythm<br />
own banner Rachit Music.<br />
type numbers.<br />
It was a dream first gig: a sellout, as it<br />
As well as Rachit’s dynamism on<br />
should have been, given both the superb<br />
stage complemented by Raul’s own<br />
quality of the product (Rachit) and the<br />
energetic manner, the show was a visual<br />
packaging (the slick promos). It marked<br />
delight with frequent and interesting<br />
the twentieth anniversary of Rachit’s<br />
costume changes by the four singers<br />
first stage performance.<br />
against Chai Rajapurkar’s quick-changing<br />
<strong>The</strong> show had a lot going for it. <strong>The</strong><br />
digital backdrops.<br />
repertoire, which aimed to cover six<br />
<strong>The</strong> complement of musicians was<br />
decades of popular melodies, was<br />
exquisite, praised by Rachit throughout<br />
an excellent mix representative of<br />
the show.<br />
the varied flavours of different eras,<br />
Don Dilantha’s violin and guitar<br />
composers and singers.<br />
electrified the interludes while the<br />
Selections from the decade of the<br />
experienced and talented Hemant<br />
1990s resonated particularly well<br />
Thakar and Cloyd D’Mello’s keys<br />
with the audience, given the dominant<br />
suffused the soundscape.<br />
demographic at the event.<br />
Deeksha on her Saxophone was<br />
Blessed with an incredibly versatile<br />
excellent and so were the percussion<br />
voice, the ever-smiling, thigh-slapping,<br />
duo Nigel and Kris.<br />
cavorting and prancing Rachit<br />
<strong>The</strong> characteristic resounding richness<br />
has an alluringly energizing stage<br />
of the tabla and dholak wielded by<br />
presence that would be the envy of<br />
the super-talented Navneel, though,<br />
many an entertainer.<br />
sounded rather subdued by the louder<br />
He is equal parts singer and<br />
and flatter sounds of the drums.<br />
entertainer; the complete<br />
Unlike several recent Hindi film music<br />
audio+visual package.<br />
shows, the sound at Dil Chahta Hai was<br />
He straddles the stage with the<br />
superbly balanced.<br />
paced but is a raagmalika of four broad canvas to choose songs from,<br />
same ease, dexterity, energy and<br />
Junoo was the show’s MC.<br />
classical raags – Khamaj, Bihag, Des picking the right mix would have been a<br />
finesse as he traverses through a range<br />
Those who left Friday night’s show<br />
and Chhaya Nat in sequence. What’s daunting task and Rachit’s team did an<br />
of musical genres.<br />
wanting more, take heart. Rachit has<br />
more, it’s sung in both the Hindustani excellent job of it.<br />
His excellent rendition of just one<br />
announced another show in early 2023.<br />
and Carnatic styles in quick, alternating <strong>The</strong> selection was both popular<br />
iconic but extremely complex number<br />
sequences by Dey and Kumar with all and eclectic from a range of eras and<br />
proved his awesome talent beyond<br />
manner of voice inflections.<br />
composers. A particularly clever way of<br />
doubt: Ek chatur naar from the popular<br />
Rachit nailed it exceedingly well singing extending the range of selection was<br />
1968 film Padosan.<br />
for both the original voices – something through medleys, of which there were at<br />
This R.D. Burman-composed song,<br />
not for the fainthearted.<br />
least three – all executed with aplomb<br />
sung by the legendary Manna Dey<br />
While ‘unforgettable melodies to and with multiple singers.<br />
and Kishore Kumar, is not only fast-<br />
modern classics’ gives one a very Though designed primarily around<br />
Twenty organisations attend HOTA Forum meeting<br />
IWK BUREAU<br />
Hindu Organisations, Temples<br />
and Associations (HOTA)<br />
Forum hosted a meeting of<br />
over 20 organisation executives<br />
and representatives in Auckland on<br />
Sunday (<strong>September</strong> 25) at the Shree<br />
Swaminarayan (ISSO) Temple Complex<br />
in Papatoetoe.<br />
An invitation only meeting, which was<br />
postponed due to Covid-19 pandemic in<br />
2020 and 2021, was hosted by Hindu<br />
Council of New Zealand.<br />
HOTA Forum brings together leaders,<br />
executives, and volunteers of multiple<br />
Dharma-based organisations to have<br />
an in-depth discussion about the<br />
success, challenges, and big issues<br />
facing the community.<br />
<strong>The</strong> HOTA Forum was launched at<br />
the third NZ National Hindu conference<br />
held in May 2010. It acts as a platform<br />
to bring together multiple Hindu<br />
organisations, temples, and associations<br />
throughout NZ.<br />
Since its start, a Hindu organisation,<br />
temple or association voluntarily<br />
takes lead in hosting the HOTA<br />
forum for a year.<br />
<strong>The</strong> host holds on to the Ekta Shankh<br />
(a symbol of unity) as the baton<br />
symbolising their lead of the programmes<br />
“Strong focus on youth<br />
enables our next generation<br />
to actively participate in<br />
shaping the inclusive future<br />
of Aotearoa. We need the<br />
next generation to start<br />
visualising and working<br />
towards to building a<br />
pluralistic society in New<br />
Zealand,”<br />
for the year. Over 55 organisations have<br />
been active members of HOTA since<br />
its inception and the interest to work<br />
together have been growing.<br />
<strong>The</strong> focus this year was youth<br />
leadership along with the standard<br />
discussions that occur during the Forum.<br />
“Strong focus on youth enables our<br />
next generation to actively participate<br />
in shaping the inclusive future of<br />
Aotearoa. We need the next generation<br />
to start visualising and working towards<br />
to building a pluralistic society in New<br />
Zealand,” said Nitika Sharma, General<br />
Secretary, Hindu Council of NZ.<br />
<strong>The</strong> day resulted in several discussions<br />
that have been grouped into high level<br />
themes by the host with action plans in<br />
place to implement and bring to fruition<br />
the discussions.<br />
At a high level, social cohesion,<br />
belonging, inclusion, Hindu phobia,<br />
misinformation, support from<br />
government agencies, engagement with<br />
politicians and government agencies<br />
stood out as key themes.<br />
<strong>The</strong> successes of the Hindu community<br />
as contributing citizens of NZ also<br />
formed a large part of the discussions<br />
<strong>The</strong> day concluded with politicians,<br />
government agencies and public<br />
representatives attending the day to<br />
hear about the discussions, deliberations,<br />
and outcomes of the day.<br />
<strong>The</strong> chairperson of the Religious<br />
Diversity Centre, Jocelyn Armstrong,<br />
attended the open session commenting,<br />
“Everyone I have spoken to told me<br />
that it was a good day of discussions<br />
and diving into important issues<br />
for the community.”<br />
A full report will be compiled and<br />
circulated. Membership to HOTA Forum is<br />
open to all Hindu organisations, temples,<br />
and associations in New Zealand.<br />
Contact Nitika Sharma on forum@hota.<br />
org.nz for details.