26.12.2012 Views

Valerie Joyce Pony Boy's Day Out Festival Preview ... - Earshot Jazz

Valerie Joyce Pony Boy's Day Out Festival Preview ... - Earshot Jazz

Valerie Joyce Pony Boy's Day Out Festival Preview ... - Earshot Jazz

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

On Music, from page 17<br />

had known at that point. Music came in<br />

even closer because of the ache; then it<br />

was connected with something that gave<br />

reason to living. As bare in need as food<br />

and water it seemed. Language functions<br />

like music does but fails where song succeeds<br />

until this something happens.<br />

She sat in front of me in math class, 8th<br />

grade. If heaven is softer than black velvet<br />

than it was her face. First love notes in<br />

class, she would tear up in my face and<br />

tell me I was crazy. The notes said things<br />

about how there was no doubt she was<br />

sent to earth to be with me. It did not occur<br />

to me that she’d dismiss them. Actually<br />

believed she’d read them and understand<br />

we were fated to be together. The<br />

teacher saw I wasn’t paying attention and<br />

would put my name in math problems<br />

where I was always the cat losing acres of<br />

land or money. Didn’t like Mr. Johnson,<br />

but to be fair, I was allergic to math at<br />

this level in formal education. A good two<br />

years (and a whole lot of music!) later, she<br />

granted me our first date.<br />

Saxophone and trumpet became friends<br />

in my young ear. Trane died and Uncle<br />

Donnie said: so did music. He continued<br />

to listen to music because he loved it too<br />

much, but nothing as serious as John<br />

Coltrane. Funny, because I was only<br />

getting closer and closer to Trane. Still,<br />

almost always through the kitchen door,<br />

not the front. Didn’t really get into all<br />

the Prestige recordings he did with Miles<br />

22 • <strong>Earshot</strong> <strong>Jazz</strong> • September 2006<br />

until much later. Thank God I didn’t<br />

miss out on Dexter Gordon, but hadn’t<br />

connected the two sounds, the influence<br />

or school. Of Coleman Hawkins and<br />

Lester Young I heard, but didn’t know<br />

it. Cracked up when I realized the cat<br />

soloing on tenor with Count on Billie<br />

Holiday records I adored (and played<br />

regularly) was the great Prez everybody<br />

worshipped. Fletcher Henderson records<br />

were funky to me.<br />

Bought my first <strong>Jazz</strong> album – Charles<br />

Lloyd’s Forest Flower. Heard the metaphor<br />

of the opening petals in the power<br />

of nature in his tenor sax. Listened to it<br />

over and over. Mom loved Lee Morgan’s<br />

hit “The Sidewinder” and so did I. The<br />

man we called The Cooker became a<br />

favorite early on. Never thinking I’d<br />

become so familiar with those unique<br />

artists on Bluenote recordings like this<br />

one, more and more sophisticated Motown<br />

arrangements and string sections of<br />

vocal stylists like Carmen McRae, Gloria<br />

Lynne and Johnny Hartman fed a thirsty<br />

imagination. This, other senses, dimensions<br />

the nocturnal doe that sat in front<br />

of me in math class opened ears wider to<br />

stretched a borderless ranch where lyrics<br />

jumped gates and rhythm bucked high.<br />

Something to rhyme with something<br />

dramatic in the sky became a mission,<br />

in a way... with the radio.<br />

On the big black and white tiled floor<br />

in the red stucco walled basement of<br />

the cocoa-shingled house is where we<br />

all danced. Played The Five Stairsteps’<br />

“World of Fantasy” between James<br />

Brown’s “Let Yourself Go” and Junior<br />

Walker’s “Shotgun.” Partied with everybody<br />

we went to school with. No longer<br />

melting banana split candies on the radio,<br />

still patiently awaiting certain songs to<br />

come on. No more loneliness. Sat one day<br />

with pad and pen in my new bedroom<br />

listening to the radio. Don’t know why<br />

what happened did.<br />

A Smokey Robinson-penned song came<br />

through the humble little speaker. In that<br />

languid harmony that was as original as<br />

it was lyrically romantic, if Soul Music<br />

sought a charismatic Shakespearean, the<br />

mystique of The Miracles would fit. I<br />

didn’t know the words. Maybe that poetic<br />

plea in “Choosey Beggar.” Don’t know<br />

why. The melody lassoed me. Words<br />

began to ride. Run in form, in a rhythm<br />

on paper. Do recall my title but not The<br />

Miracles’ song. Even the date. Don’t<br />

know why or how it came out; was very<br />

conscious of feeling very natural making<br />

up my own words to the melody. I<br />

knew one thing: whatever I’d just done<br />

I’d be doing the rest of my life. Written,<br />

naturally, for the one who sat in front of<br />

me in math class.<br />

The same one the most beautiful night<br />

on earth was jealous of. The same one<br />

who before I finished tenth grade, made<br />

me (without warning) aware I was a black<br />

man. The one the puppy first saw Miles<br />

and Wayne with.<br />

To be continued: “Mama’s Mission”

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!