Valerie Joyce Pony Boy's Day Out Festival Preview ... - Earshot Jazz
Valerie Joyce Pony Boy's Day Out Festival Preview ... - Earshot Jazz
Valerie Joyce Pony Boy's Day Out Festival Preview ... - Earshot Jazz
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On Music, from page 17<br />
had known at that point. Music came in<br />
even closer because of the ache; then it<br />
was connected with something that gave<br />
reason to living. As bare in need as food<br />
and water it seemed. Language functions<br />
like music does but fails where song succeeds<br />
until this something happens.<br />
She sat in front of me in math class, 8th<br />
grade. If heaven is softer than black velvet<br />
than it was her face. First love notes in<br />
class, she would tear up in my face and<br />
tell me I was crazy. The notes said things<br />
about how there was no doubt she was<br />
sent to earth to be with me. It did not occur<br />
to me that she’d dismiss them. Actually<br />
believed she’d read them and understand<br />
we were fated to be together. The<br />
teacher saw I wasn’t paying attention and<br />
would put my name in math problems<br />
where I was always the cat losing acres of<br />
land or money. Didn’t like Mr. Johnson,<br />
but to be fair, I was allergic to math at<br />
this level in formal education. A good two<br />
years (and a whole lot of music!) later, she<br />
granted me our first date.<br />
Saxophone and trumpet became friends<br />
in my young ear. Trane died and Uncle<br />
Donnie said: so did music. He continued<br />
to listen to music because he loved it too<br />
much, but nothing as serious as John<br />
Coltrane. Funny, because I was only<br />
getting closer and closer to Trane. Still,<br />
almost always through the kitchen door,<br />
not the front. Didn’t really get into all<br />
the Prestige recordings he did with Miles<br />
22 • <strong>Earshot</strong> <strong>Jazz</strong> • September 2006<br />
until much later. Thank God I didn’t<br />
miss out on Dexter Gordon, but hadn’t<br />
connected the two sounds, the influence<br />
or school. Of Coleman Hawkins and<br />
Lester Young I heard, but didn’t know<br />
it. Cracked up when I realized the cat<br />
soloing on tenor with Count on Billie<br />
Holiday records I adored (and played<br />
regularly) was the great Prez everybody<br />
worshipped. Fletcher Henderson records<br />
were funky to me.<br />
Bought my first <strong>Jazz</strong> album – Charles<br />
Lloyd’s Forest Flower. Heard the metaphor<br />
of the opening petals in the power<br />
of nature in his tenor sax. Listened to it<br />
over and over. Mom loved Lee Morgan’s<br />
hit “The Sidewinder” and so did I. The<br />
man we called The Cooker became a<br />
favorite early on. Never thinking I’d<br />
become so familiar with those unique<br />
artists on Bluenote recordings like this<br />
one, more and more sophisticated Motown<br />
arrangements and string sections of<br />
vocal stylists like Carmen McRae, Gloria<br />
Lynne and Johnny Hartman fed a thirsty<br />
imagination. This, other senses, dimensions<br />
the nocturnal doe that sat in front<br />
of me in math class opened ears wider to<br />
stretched a borderless ranch where lyrics<br />
jumped gates and rhythm bucked high.<br />
Something to rhyme with something<br />
dramatic in the sky became a mission,<br />
in a way... with the radio.<br />
On the big black and white tiled floor<br />
in the red stucco walled basement of<br />
the cocoa-shingled house is where we<br />
all danced. Played The Five Stairsteps’<br />
“World of Fantasy” between James<br />
Brown’s “Let Yourself Go” and Junior<br />
Walker’s “Shotgun.” Partied with everybody<br />
we went to school with. No longer<br />
melting banana split candies on the radio,<br />
still patiently awaiting certain songs to<br />
come on. No more loneliness. Sat one day<br />
with pad and pen in my new bedroom<br />
listening to the radio. Don’t know why<br />
what happened did.<br />
A Smokey Robinson-penned song came<br />
through the humble little speaker. In that<br />
languid harmony that was as original as<br />
it was lyrically romantic, if Soul Music<br />
sought a charismatic Shakespearean, the<br />
mystique of The Miracles would fit. I<br />
didn’t know the words. Maybe that poetic<br />
plea in “Choosey Beggar.” Don’t know<br />
why. The melody lassoed me. Words<br />
began to ride. Run in form, in a rhythm<br />
on paper. Do recall my title but not The<br />
Miracles’ song. Even the date. Don’t<br />
know why or how it came out; was very<br />
conscious of feeling very natural making<br />
up my own words to the melody. I<br />
knew one thing: whatever I’d just done<br />
I’d be doing the rest of my life. Written,<br />
naturally, for the one who sat in front of<br />
me in math class.<br />
The same one the most beautiful night<br />
on earth was jealous of. The same one<br />
who before I finished tenth grade, made<br />
me (without warning) aware I was a black<br />
man. The one the puppy first saw Miles<br />
and Wayne with.<br />
To be continued: “Mama’s Mission”