New and recent sacred titles - October 22
a sampler for new and recently published pieces which are suited for church service use as well as concert.
a sampler for new and recently published pieces which are suited for church service use as well as concert.
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<strong>New</strong> & Recent Sacred <strong>titles</strong><br />
<strong>October</strong> 20<strong>22</strong><br />
Contents<br />
David Bednall – Assumpta est Maria<br />
SATB (divisi) More info<br />
A reflection on the plainchant 'Assumpta est Maria' this setting<br />
tenders a festal feel through its dance-like metre <strong>and</strong> expansive<br />
unaccompanied<br />
Page<br />
5<br />
melismas.<br />
Bob Chilcott – An Affirmation<br />
An Affirmation is a setting of an elegiac text by Richard Brett<br />
conveying the themes of grief <strong>and</strong> remembrance.<br />
Bob Chilcott – O Lord, make thy servant Elizabeth<br />
our Queen<br />
A reflection on the 16th-century piece of the same title by<br />
William Byrd. Chilcott uses melodic ideas from Byrd's original<br />
SATB (divisi)<br />
unaccompanied<br />
SATB<br />
unaccompanied<br />
More info 19<br />
More info 30<br />
piece, while developing <strong>and</strong> embellishing them.<br />
George Dyson – Evening Service in C minor, arr.<br />
SATB & organ More info 39<br />
Simon Biazeck<br />
Simon Biazeck has artfully arranged Dyson's Evening Service in<br />
C minor for mixed voices, transposing the work up a tone to<br />
better suit the SATB vocal ranges.<br />
Edward Elgar- O salutaris Hostia (Nimrod) arr.<br />
Michael Higgins<br />
In this sensitive choral arrangement of 'Nimrod' from<br />
Elgar's Enigma Variations the familiar melody passes seamlessly<br />
between the voice parts.<br />
Cecilia McDowall – Crucifixus Reimagined<br />
A response to Lotti's Crucifixus: use of suspensions, decorated<br />
melodies, <strong>and</strong> counterpoint feel reminiscent of Lotti's original<br />
work, while retaining McDowall's distinctive contemporary style.<br />
SSATB<br />
unaccompanied<br />
SSAATTBB<br />
unaccompanied<br />
More info 54<br />
More info 60
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