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Reconstructing

Yale Logos Fall 2022 Issue

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her life to Christ. When I read Mary

Oliver’s poetry now, I experience not

only the exaltation of reading truth

written beautifully, but also a profound

sorrow. How could I not when I see

someone so close to the truth that they

are capable of writing about it, but

never reaching that point of grace?

Inside our hearts as Christians, we

eternally yearn to see the thirsting man

drink and the blind man see, precisely

because we know too well this hunger

that can only be satisfied by Jesus.

Oliver, even in her resistance to Him,

writes about her own yearning to see

Jesus “on the shore, / just walking, /

beautiful man.” [1] Ultimately, only

God knows the state of her heart

when her last breath came, but I am

hopeful that in her final moments of

life, Oliver finally witnessed the full

radiant beauty of Jesus that she had so

long sought after.

If Christians limit themselves to

consuming art that is exclusively made

by other Christians, then we run the

risk of missing the beauty that can be

found in art made by non-believers.

There is beauty in both Christian and

secular works if we strive to realize

the full splendor of the Gospel in the

half-truths of the world. Perhaps in our

vocal appreciation and admiration of

Christian art, secular artists may find

an unexpected deeper meaning within

their own works. Only by seeking

out the beauty, goodness, and truth

in the world do we seek out God’s

face and only by calling it out can we

turn ourselves and others towards the

loveliness and light of His glory.

[1] Mary Oliver, “ The Vast Ocean Begins Just

Outside Our Church: The Eucharist.” 2006.

Reconstructing: Fall 2022

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