Reconstructing
Yale Logos Fall 2022 Issue
Yale Logos Fall 2022 Issue
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her life to Christ. When I read Mary
Oliver’s poetry now, I experience not
only the exaltation of reading truth
written beautifully, but also a profound
sorrow. How could I not when I see
someone so close to the truth that they
are capable of writing about it, but
never reaching that point of grace?
Inside our hearts as Christians, we
eternally yearn to see the thirsting man
drink and the blind man see, precisely
because we know too well this hunger
that can only be satisfied by Jesus.
Oliver, even in her resistance to Him,
writes about her own yearning to see
Jesus “on the shore, / just walking, /
beautiful man.” [1] Ultimately, only
God knows the state of her heart
when her last breath came, but I am
hopeful that in her final moments of
life, Oliver finally witnessed the full
radiant beauty of Jesus that she had so
long sought after.
If Christians limit themselves to
consuming art that is exclusively made
by other Christians, then we run the
risk of missing the beauty that can be
found in art made by non-believers.
There is beauty in both Christian and
secular works if we strive to realize
the full splendor of the Gospel in the
half-truths of the world. Perhaps in our
vocal appreciation and admiration of
Christian art, secular artists may find
an unexpected deeper meaning within
their own works. Only by seeking
out the beauty, goodness, and truth
in the world do we seek out God’s
face and only by calling it out can we
turn ourselves and others towards the
loveliness and light of His glory.
[1] Mary Oliver, “ The Vast Ocean Begins Just
Outside Our Church: The Eucharist.” 2006.
Reconstructing: Fall 2022