ROBERT MacGIMSEY - American Society of Music Arrangers and ...
ROBERT MacGIMSEY - American Society of Music Arrangers and ...
ROBERT MacGIMSEY - American Society of Music Arrangers and ...
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New <strong>Music</strong> Literature<br />
MUSIC<br />
L. A. PUBLIC LIBRARY<br />
Moore-Devil <strong>and</strong> Daniel VC'ebster (opera)<br />
Grieg—Autumnal Gale (min.score)<br />
Rahev—Tes Yeux ( min.score )<br />
MacDowell — Piano Concerto N. 2<br />
JOHN DE KEYSER<br />
Prokorieff—Lieutenant Kije (orrh. score)<br />
Copl<strong>and</strong> —Billy the Kid (orcli.score )<br />
Schoenberp—Transti.eured Night ( orcli.score)<br />
\Yiiliam Grant Still-Bells: ( 1 > Phantom<br />
Chapel. (2 > fairy Knoll (piano)<br />
SCH1RMER<br />
Kroll —l:our Bagatelles for String Quartet<br />
Debussy—Beau Soir (Arrangement Viol, <strong>and</strong><br />
piano i<br />
Faure—Aurore i Arrangement violin an.I piano)<br />
Bach—<strong>Music</strong>al Offering ( Instrumental)<br />
FREEMAN<br />
Blakeney—Flight <strong>of</strong> the Earls (String Orji.)<br />
Cherniavsky— Night Intermezzo (String. Orciu<br />
Lubin-Suite in Olden Style (String. Orch.)<br />
Mills-Harp Cues tor Radio<br />
BOOKS<br />
L. A. PUBLIC LIBRARY<br />
Stumpt—Antange dcr Musik<br />
Tauhnian—<strong>Music</strong> on My Beat -<br />
Sachs-Rise <strong>of</strong> <strong>Music</strong> in the Amient World<br />
JOHN Di: KEYSER<br />
Finn—The Conductor Raises His Baton<br />
Ct<strong>of</strong>lin—Jazz from the Congo to the<br />
Metropolitan<br />
Lmvenherp-Annals <strong>of</strong> Opera 159~-19-fU<br />
Spalamg-Rise to lollovv.<br />
Membership in the <strong>American</strong> <strong>Society</strong> <strong>of</strong><br />
<strong>Music</strong> <strong>Arrangers</strong> is open to pr<strong>of</strong>essional composer-arrangers<br />
in all fields. Membership applications<br />
"ill be forwarded by Secretary Vernon<br />
Letnvich upon request.<br />
THE SCORE<br />
BOOK REVIEW<br />
By RUTH DE SAKE<br />
THIS MODERN <strong>Music</strong>, by John Tasker Howard.<br />
(Thomas Y. Crowell Co., New York.)<br />
Written especially for people who listen to<br />
music, this book can be accepted by the pr<strong>of</strong>essional<br />
musician as well. Modern music may<br />
be appreciated only when it is understood, <strong>and</strong><br />
Mr. Howard's description <strong>and</strong> analysis <strong>of</strong> dissonances<br />
<strong>and</strong> discords brings the reader to that<br />
underst<strong>and</strong>ing. <strong>Music</strong> progresses from year to<br />
year, <strong>and</strong> with new rhythms, new harmonies<br />
<strong>and</strong> new ideas constantly being discovered, the<br />
listener must have an insight into what modern<br />
music represents if he is to comprehend what<br />
contemporary composers are attempting to do.<br />
Beginning with the i»il>ri BuiKilnf. I .'IN \V
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