Hilary Tann - Anecdote
for solo cello and full orchestra A soliloquy for cello and full orchestra, Tann was initially influenced by the poem Anecdote of the Jar by Wallace Stevens. The cello is ‘surrounded and complemented by the various orchestral textures (especially those of the central string quartet).’
for solo cello and full orchestra
A soliloquy for cello and full orchestra, Tann was initially influenced by the poem Anecdote of the Jar by Wallace Stevens. The cello is ‘surrounded and complemented by the various orchestral textures (especially those of the central string quartet).’
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41<br />
Fl. 1<br />
Fl. 2<br />
Ob.<br />
1<br />
2<br />
151<br />
&<br />
&<br />
&<br />
4<br />
3<br />
4<br />
3<br />
4<br />
3<br />
˙.<br />
˙.<br />
∑<br />
4<br />
4<br />
4<br />
3<br />
œ<br />
J ‰ ‰ Œ<br />
f<br />
3<br />
œ<br />
J ‰ ‰ Œ<br />
f<br />
Cadenza ad libitum<br />
Cadenza ad libitum<br />
to Piccolo<br />
Cadenza ad libitum<br />
∑<br />
Ó<br />
Ó<br />
4<br />
3<br />
4<br />
3<br />
4<br />
3<br />
∑<br />
∑<br />
∑<br />
Cl. (Bb) 1<br />
2<br />
Bn. 1<br />
2<br />
&<br />
4<br />
3<br />
?<br />
4<br />
3<br />
˙.<br />
∑<br />
4<br />
4<br />
3<br />
j<br />
œ ‰ ‰ Œ<br />
f<br />
Cadenza ad libitum<br />
Cadenza ad libitum<br />
∑<br />
Ó<br />
4<br />
3<br />
4<br />
3<br />
∑<br />
∑<br />
1<br />
2<br />
&<br />
4<br />
3<br />
∑<br />
4<br />
Cadenza ad libitum<br />
∑<br />
4<br />
3<br />
∑<br />
Hn. (F)<br />
3<br />
4<br />
&<br />
4<br />
3<br />
∑<br />
4<br />
Cadenza ad libitum<br />
∑<br />
4<br />
3<br />
∑<br />
Tpt. (C) 1<br />
2<br />
&<br />
4<br />
3<br />
∑<br />
4<br />
Cadenza ad libitum<br />
∑<br />
4<br />
3<br />
∑<br />
T. Tbn. 1<br />
2<br />
?<br />
4<br />
3<br />
∑<br />
4<br />
Cadenza ad libitum<br />
∑<br />
4<br />
3<br />
∑<br />
B. Tbn.<br />
Tuba<br />
?<br />
4<br />
3<br />
∑<br />
4<br />
Cadenza ad libitum<br />
∑<br />
4<br />
3<br />
∑<br />
Timp.<br />
1<br />
Perc.<br />
2<br />
?<br />
4<br />
3<br />
÷<br />
&<br />
4<br />
3<br />
4<br />
3<br />
bœ<br />
œ œ<br />
∑<br />
∑<br />
4<br />
4<br />
4<br />
3<br />
b œ<br />
J<br />
‰ ‰ Œ Ó<br />
f<br />
∑<br />
Cadenza ad libitum<br />
Cadenza ad libitum<br />
Cadenza ad libitum<br />
∑<br />
4<br />
3<br />
4<br />
3<br />
4<br />
3<br />
∑<br />
∑<br />
∑<br />
Vc. solo<br />
1<br />
Vln.<br />
2<br />
Vla.<br />
Vc.<br />
Cb.<br />
for online perusal only<br />
& 4<br />
3 bœ<br />
bœ<br />
bœ<br />
bœ<br />
151<br />
&<br />
&<br />
B<br />
?<br />
?<br />
4<br />
3<br />
4<br />
3<br />
4<br />
3<br />
4<br />
3<br />
4<br />
3<br />
bœ<br />
5<br />
œ bœ<br />
bœ<br />
œ œ œ œ<br />
6<br />
6<br />
œ œ œ œ 5<br />
5<br />
bœ<br />
œ œ œ œ<br />
œ œ œ œ œ œ œ œ œ œ œ œ<br />
6<br />
bœbœ<br />
œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ<br />
6<br />
6<br />
6<br />
bœbœ<br />
œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ<br />
6<br />
6<br />
6<br />
div.<br />
b˙.<br />
b˙.<br />
unis.<br />
b˙.<br />
P<br />
4<br />
4<br />
4<br />
4<br />
4<br />
4<br />
Cadenza ad libitum<br />
a tempo ($ = 84)<br />
3<br />
3<br />
j j<br />
bœ<br />
‰ ‰ 3<br />
bœ<br />
bœ<br />
œ bœ<br />
bœ<br />
j<br />
bœ<br />
‰ ‰ ƒ optional<br />
◊<br />
b<br />
b<br />
œ<br />
J ‰ ‰ Œ Ó<br />
f<br />
div. 3<br />
b œ ‰ ‰ Œ<br />
J<br />
f<br />
Ó<br />
3<br />
j<br />
b œ ‰ ‰ Œ<br />
f<br />
Ó<br />
3<br />
œ<br />
œ<br />
J<br />
‰ ‰ Œ<br />
f<br />
Ó<br />
div. 3<br />
3<br />
œ<br />
J<br />
‰ ‰ Œ<br />
f<br />
bœ<br />
Cadenza ad libitum<br />
Cadenza ad libitum<br />
Cadenza ad libitum<br />
Cadenza ad libitum<br />
Cadenza ad libitum<br />
Ó<br />
j<br />
œ bœ<br />
3<br />
œ ‰ ‰<br />
bœ<br />
4<br />
3<br />
4<br />
3<br />
4<br />
3<br />
4<br />
3<br />
4<br />
3<br />
4<br />
3<br />
bœ<br />
bœbœ<br />
bœ<br />
3<br />
∑<br />
∑<br />
∑<br />
∑<br />
∑<br />
œ œ œ œ œ<br />
5
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