06.06.2023 Views

Hidden Cities: A Photobook

Introducing "Hidden Cities: A Photobook," a book editorial design that draws inspiration from Italo Calvino's "Invisible Cities." Created as an assignment for Editorial Design (IID3002) at Yonsei University during the Spring Semester of 2023, this photobook combines curated photographs and evocative texts to offer a unique perspective on urban landscapes. Beyond its aesthetic appeal, this project serves as a catalyst for social awareness, encouraging readers to explore the hidden layers of cities and cherish the rare and underrated moments that unfold within them. By capturing these fleeting glimpses, the photobook invites viewers to reevaluate their surroundings and foster a deeper appreciation for the cities they inhabit or pass by.

Introducing "Hidden Cities: A Photobook," a book editorial design that draws inspiration from Italo Calvino's "Invisible Cities." Created as an assignment for Editorial Design (IID3002) at Yonsei University during the Spring Semester of 2023, this photobook combines curated photographs and evocative texts to offer a unique perspective on urban landscapes. Beyond its aesthetic appeal, this project serves as a catalyst for social awareness, encouraging readers to explore the hidden layers of cities and cherish the rare and underrated moments that unfold within them. By capturing these fleeting glimpses, the photobook invites viewers to reevaluate their surroundings and foster a deeper appreciation for the cities they inhabit or pass by.

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BERENICE ABBOTT

July 17, 1898 – December 9, 1991

BIOGRAPHY

Berenice Abbott was an American photographer best known for her portraits of cultural figures of the

interwar period, New York City photographs of architecture and urban design of the 1930s, and science

interpretation of the 1940s to the 1960s.

Abbott was born in Springfield, Ohio and brought up in Ohio by her divorced mother, née Lillian Alice

Bunn (m. Charles E. Abbott in Chillicothe OH, 1886).

She attended Ohio State University for two semesters, but left in early 1918 when her professor was

dismissed because he was a German teaching an English class. She moved to New York City, where she

studied sculpture and painting. In 1921 she traveled to Paris and studied sculpture with Emile Bourdelle.

While in Paris, she became an assistant to Man Ray, who wanted someone with no previous knowledge of

photography. Abbott took revealing portraits of Ray’s fellow artists.

Her university studies included theater and sculpture. She spent two years studying

sculpture in Paris and Berlin. She studied at the Académie de la Grande Chaumiere in

Paris and the Prussian Academy of Arts in Berlin. During this time, she adopted the French

spelling of her first name, “Berenice,” at the suggestion of Djuna Barnes. In addition to

her work in the visual arts, Abbott published poetry in the experimental literary journal

transition. Abbott first became involved with photography in 1923, when Man Ray hired

her as a darkroom assistant at his portrait studio in Montparnasse. Later, she wrote:

“I took to photography like a duck to water. I never wanted to do anything else.” Ray

was impressed by her darkroom work and allowed her to use his studio to take her own

photographs. In 1921 her first major works was in an exhibition in the Parisian gallery Le

Sacre du Printemps. After a short time studying photography in Berlin, she returned to

Paris in 1927 and started a second studio, on the rue Servandoni.

Berenice Abbott, West Street, 1938, Silver Gelatin Photograph

Berenice Abbott is an American

photographer known for her documentary

and street photography. Abbott’s work

played a significant role in capturing the

essence of New York City during the 1930s.

The quote reflects Abbott’s belief in the

power of photography as a medium to

enhance perception and understanding.

She saw photography as a tool that could

not only capture the visible world but

also reveal hidden truths and encourage

viewers to engage more deeply with their

surroundings. Through her photographs,

Photography helps people to see.

Abbott aimed to provide a fresh

perspective and to awaken people’s

awareness of the world around them.

Abbott’s statement emphasizes the

ability of photography to uncover and

communicate stories, to shed light on

aspects of life that may otherwise go

unnoticed. It suggests that photography

has the capacity to open people’s

eyes, to encourage them to observe

and appreciate the world in a more

meaningful and perceptive way.

HIDDEN CITIES INVISIBLE CITIES | Page 22 HIDDEN CITIES INVISIBLE CITIES | Page 23

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