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SONOCRAFT - technicalaudio.com - technical audio

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Preamplifiers, Arms<br />

SHURE STEREO AMPLIFIERS, PREAMPLIFIERS AND EQUALIZER<br />

MODEL SA-1 "SOLO-PHONE" STEREO HEADPHONE AMPLIFIER<br />

Permits two sets of stereo headphones to be used, allowing private listening from mag<br />

netic phono, tape or tuner. Broad frequency response; low distortion; low hum and<br />

noise. Switch on front panel permits two program sources to be plugged In and switched<br />

Instantly; clutched concentric control allows separate adjustment of each stereo channel<br />

to provide proi>er balance; volume adjustment can be made without rebalancing channels.<br />

On-Off switch and pilot light on front panel; AC outlet on back panel for record changer or<br />

tuner (when amplifier Is turned on. turntable, tuner, etc.. Is also turned on). Walnut finished<br />

cabinet, with beige metal panel. Size, lOtf* w. x 3* d. x 3M* h. Weight, 2 lbs.<br />

Shure Model SA-1 Headphone Amplifier—Net Each $45-00<br />

MODEL SA-10 "SOLO-PHONE" STEREO HEADPHONE SYSTEM<br />

Exciting new concept In superior quality, private hl-n listening, the Solo-Phone System Is<br />

a fully self-contained record playing unit. Combines the Garrard Model 50 automatic<br />

4-speed turntable with a Shure all-transistor Solo-Phone ampllller and Shure M44C<br />

Stereo Dynetlc Cartridge. Only three controls: On-Off. Volume and Turntable Speed<br />

selector, <strong>com</strong>plete with sturdy, scuff-reslstant, luggage type case (Illustrated with cover<br />

detached). Size. 8* xl7H'i 13*4*.<br />

Shure Model SA-10 Headphone Amplifier System—Less headphones. Net Each.$99.95<br />

MODEL M60 STEREO LINE PREAMPLIFIER<br />

High quality, low noise, stereo line preamplifier provides extra gain for use with magnetic<br />

stereo phono cartridges and microphones. Additional gain can bIbo be provided from<br />

tape recorder outputs on standard preamplifler to Improve recording quality Output<br />

response is flat. Low output impedance permits ubc of longer cable lengths (up to 50 ft)<br />

without loss of gain or deterioration In response. Frequency Response: * y, db, 30-80,000<br />

Hz. Gain: 17 db per channel, or 7:1 (5 mV Input gives 35 mV output): circuit change<br />

information provided to give Vi and % output. Channel Separation: Better than 30 db.<br />

Impedance: 47.000 ohms, input; 5,000 ohms, output. Hum and Noise: 64 db below rated<br />

output. Size: 6%' w. x 2W d. x 'AH' h. Net Weight. 2 lbs. s«l 096<br />

Shure Model M60 Stereo Preamplifier—Net Each —^«j«»w<br />

MODEL M66 BROADCAST STEREO EQUALIZER<br />

Permits radio stations to <strong>com</strong>pensate the recorded frequency of stereo as well as mono<br />

phonlc recordings. Provides choice of RIAA, flat and roll-off characteristics. A second<br />

control lever provides a selection of monophonlc or stereo positions. Used between the<br />

cartridge and first-line preamplifier, It is a passive type with no controls for volume, bass or<br />

treble; these adjustments are made on the broadcast console. Wired for 250-ohm output<br />

Impedance: 150 and 500 ohms obtained by a simple single-wire change on terminal Inside<br />

shield. Matches Impedance of cartridge to low Impedance of the line transformer without<br />

loss of high frequencies. Nominal Frequency Response: Within * 1 db, 30-20,000 Hz of<br />

the three playback characteristics. Channel Separation: Better than 30 db over entire fre<br />

quency range Output Level: -67 dbm using Shure M3D or M7D cartridges from ItCA<br />

test record 12-5-71A: 28 db Insertion loss on these conditions. Case: Steel, maximum<br />

s h i e l d i n g ; 3 " ^ ' w . x 5 H " d . x 3 * h . S i f n o o<br />

Shure Model M6G Broadcast Stereo Equalizer—Net Each "*0"J<br />

MODEL M61 TRANSISTORIZED STEREO PREAMPLIFIER<br />

S!*°J.C0 £'AC Une or battery powcr supply. Gain: Phono, 46 db; Tape, 41 db; Microphone.<br />

G?<br />

Io.OOO<br />

,?,& T.1HencX<br />

Hz;. Equalization:<br />

Response:<br />

Phono,<br />

±2.5<br />

RIAA;<br />

db of<br />

Tape,<br />

each<br />

NAB,<br />

function's<br />

Microphone,<br />

nominal<br />

Hat<br />

characteristic,<br />

response, ±3<br />

25<br />

db<br />

to<br />

20 to 15,000 Hz. Input Impedance: Phono and tape, approx. 60,000 ohms at 1000 Hz;<br />

wwm,!'1;?'"3, 10,000 Hz. phono ,aPProx- and ,20,000 tape. Channel ohms. Output Separation: Impedance: At least Low, 50 db less at than 1000 1000 Hz. Channel ohms at<br />

x ■ ?flce:,2. 4 dD y k at " louo Hz' x Pn°no 2 M and » * . tape. Hum: W t . , 50 db 1below H rated l b s output. . Size: S t T5 SVi" r i<br />

S h u r e M o d e l M 6 1 - 1 — F o r 1 0 5 - 1 2 5 V A C . N e t E a c h Z /<br />

Shure Model M61-3—30 V battery Included. Net Each $26-50<br />

MODEL M65 STEREO CONVERSION PREAMPLIFIER<br />

Provides equalization with amplification to convert ceramic inputs to magnetic luputa<br />

Assure smoother, more natural sound. Delivers additional 60 db amplification without<br />

equalization. Permits use of magnetic cartridge wltli consoles provided with ceramic<br />

units. Also permits preampllflcatlon and equalization for other inputs such as phono<br />

tape and microphone. Gain: 44 db, phono; 45 db, special: 40 db, tape; 63 db mike'<br />

Frequency Response: ±1.5 db of each function's nominal characteristic 25-15,000 Hz.<br />

Equalization: RIAA phono with extra treble boost 3 db at 10 kHz to <strong>com</strong>plement mag<br />

netic cartridges: special equalization for use with hl-Z amplifiers normally used with<br />

ceramic cartridges; NAB tape head; mike, ±3 db. 20-12.000 Hz. Input: 47,000 ohms.<br />

Output: Less than 5000 ohms at 10 kHz. Channel Separation: 40 db. Hum and Noise: 50<br />

db below rated output Size: G%" w. x3H4" d. x 3_i* h. Net Wt., 1 lb. 14 oz. SO A 00<br />

M65 Shure Model M65 Conversion Preamplifier—Net Each 24<br />

SHURE TONE ARMS<br />

SHURE-SME PRECISION TONE ARMS<br />

s.h£.r?.M,*?5Ae.1<br />

of SME 3009 on Thorens<br />

A33M—Precut<br />

TD-121.<br />

mounting<br />

-124 turntables.<br />

board for easy<br />

Net.<br />

Installation<br />

.$1 B.OO<br />

Shure Model A30M—Same, but for SME 3012 arm. Net. 1 5.00<br />

Series 2 of the renowned SME tone arm, made for Shure In Eng<br />

land. Precision, professional arm features: New lightweight Shell,<br />

tracking from H to C grams, antl-skatlng control, precision ball<br />

races and knife edge, bearings, accurate longitudinal and lateral<br />

balance control, minimal tracking error, sulmudlblo resonance,<br />

convenient overhnnd adjustment, ievcr-opcrated cuing device to<br />

provide automatic slow descent. Accepts all standard cartridges.<br />

Shure Model SME 3009—12* tone arm. Less car- S1 m**-50<br />

ridge. Shipping Weight, 1 lb., 5 oz. Net Each "HJO<br />

Shure Modal SME 3012—16* tone arm. less cartridge. Shipping<br />

Weight. 1 lb., 7 oz. Net Each : «1 1 &.50<br />

Shure Model S2 Shell—Separate extra light weight shell.<br />

Net Each S7.50<br />

20<br />

PROFESSIONAL UNIVERSAL TONE ARM<br />

Independent tone arm accepts practically all cartridges, stereo<br />

or monophonlc. Micrometer counterweight and direct-reading<br />

stylus force gauge maintain perfect balance and tracking<br />

at all times. Precision ball bearings at pivot points. Plug-In<br />

head with positive alignment lock. Plug-In cable, between arm<br />

and amplltter, installs from turntable top without soldering.<br />

Brushed chrome and black finish. Includes arm rest, mounting<br />

template, , , . . . . . hardware . . . . . . . . . . . . . and » v . 4 . . . ft. . I ' , cable , , . . . . . . assembly.<br />

, 1 1 , 1 , , .<br />

Shure<br />

"<br />

Model M232 Professional Arm—For 12' records;<br />

$ 2 9<br />

12'lti'<br />

long. Weight, 1 lb. Without cartridge. Net Each<br />

. 9 6<br />

Shure Model M236 Professional Arm—For 16* recon<br />

long. Weight, \\i lbs. Without cartridge. Net Each<br />

Shure Model A23H Extra Plug-In Head—Net Each....

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