Fall 2023
Ten Most-Produced Shows; The intertwined history of AACT and Iowa’s Des Moines Community Playhouse; the development of VROOM! Mobile Sensory Theatre; photos from AACTFest 2023 and AACT YouthFest National Companies; National Directors Conference; AACT NewPlayFest 2024; AACT Member Benefits; Spotlight Goes Quarterly; ASCAP/BMI.
Ten Most-Produced Shows; The intertwined history of AACT and Iowa’s Des Moines Community Playhouse; the development of VROOM! Mobile Sensory Theatre; photos from AACTFest 2023 and AACT YouthFest National Companies; National Directors Conference; AACT NewPlayFest 2024; AACT Member Benefits; Spotlight Goes Quarterly; ASCAP/BMI.
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November Conference is “Game-Changer”<br />
and “Best Form of Self-Care”<br />
The National Directors Conference, November 16-18,<br />
is AACT’s biannual, three-day conference, where full-time<br />
theatre directors (artistic, managing, or administrative) gather<br />
to share their challenges and successes, learn about other<br />
theatres’ operations, and network with colleagues from across<br />
the country.<br />
“There were ideas in abundance.”<br />
While the new perspectives and vital insights the National<br />
Directors Conference provides are important, Goes stressed that<br />
the experience is much bigger—it’s personal, too. She found that<br />
attending the conference and reconnecting with other community<br />
Based on pre-conference<br />
surveys, sessions at the San<br />
Antonio, Texas, conference<br />
will include in-depth<br />
conversations about audience<br />
development, community<br />
engagement, financing the<br />
organization, production hits<br />
and misses, and much more.<br />
Attendees are guaranteed to<br />
leave this conference with<br />
practical tools to take back to<br />
their theatres.<br />
David Cockerell<br />
Susan Goes, Executive<br />
Director of Oregon’s Cottage<br />
Theatre, agrees: “My key<br />
takeaways were pragmatic in San Antonio, Texas<br />
ones—software tools to<br />
investigate, ticket-pricing strategies to consider, and new ideas<br />
for community partnerships, among other things,” she said.<br />
AACT Past President Chris Serface address attendees at the 2021 National Directors Conference<br />
theatre people was “the best form of self-care I could imagine. [It]<br />
reminded me of the joy and importance of live theatre.”<br />
Sara Phoenix, Vice President of Development at Tulsa Performing<br />
Arts Center, who previously attended the conference<br />
as Artistic Director of Theatre Tulsa, said that the most important<br />
part of attending the conference is “talking to others who<br />
do what I do, and who understand the unique nature of our<br />
roles. We build relationships.”<br />
Scot MacDonald, the newly appointed Managing Director<br />
of Theatre Charlotte, previously attended the conference as<br />
a representative of Memorial Opera House in Valparaiso,<br />
Indiana. He is impressed by how, while “we all come from our<br />
many scattered points on the map, each time we come together<br />
we pick right back up where we left off..”<br />
Most important, he says, “We celebrate each other when<br />
we succeed, we grieve our losses together. Conferences like this<br />
are incredible, and they can be game changers.”<br />
28<br />
AACT SPOTLIGHT