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NC Music Educator Journal - Conference 2023

NCMEA Music Educator Journal – Prepare for the Professional Development Conference with this October 2023 Conference edition.

NCMEA Music Educator Journal – Prepare for the Professional Development Conference with this October 2023 Conference edition.

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Sessions<br />

Make Your Orff-Schulwerk Pop<br />

Learn how popular music can be used as a resource with Orff-<br />

Schulwerk activities to benefit student learning in the elementary<br />

music classroom. We will explore how to choose popular music<br />

for use in Orff-Schulwerk activities, how to design Orff-Schulwerk<br />

arrangements with classroom instruments using popular music,<br />

and discuss ideas for incorporating creativity, improvisation, and<br />

composition into Orff-Schulwerk lessons with popular music.<br />

Attendees will engage in performing popular music Orff arrangements<br />

and activities.<br />

Grab Your Uke and Orff We Go<br />

Engage in activities illustrating how the ukulele can be used<br />

as a resource with Orff-Schulwerk activities and can benefit<br />

student learning in the general music classroom. The presenter<br />

will demonstrate activities that utilize the ukulele, both as a music<br />

educator’s resource and as a classroom instrument for music students.<br />

Ideas for ways to incorporate the ukulele into Orff-Schulwerk general<br />

music lessons will be demonstrated and presented. Attendees are<br />

encouraged to bring their ukuleles!<br />

Dr. Karen S. Thomas<br />

Dr. Karen S. Thomas is a visiting assistant professor of music<br />

education at Appalachian State University. She earned a Ph.D. in<br />

music education, Post-Baccalaureate certificate in ethnomusicology,<br />

M.M. in music education, and B.A. in music from U<strong>NC</strong> Greensboro.<br />

She taught general music in the North Carolina public schools for<br />

13 years. She holds Level 1 certification in music learning theory,<br />

elementary general music, and Orff-Schulwerk certification (Levels<br />

I, II, and III). Thomas was previously an assistant professor of<br />

general music education at the University of Utah, and served as an<br />

adjunct instructor of music at Winston-Salem State University and at<br />

Appalachian State University.<br />

Stomp, Drum, & Dance<br />

Everyone can drum, and everyone can dance! Experience this<br />

unique integration of body and mind while exploring movements,<br />

rhythm, and creative self-expression, with the celebration of music at<br />

its core. The innovative activities presented in this session are based<br />

on lessons and games from the Drums Alive original brain-and-body<br />

drumming fitness program and its Rhythm in Motion module. Learn<br />

how to combine music, movement, and dance to illustrate musical<br />

form, layer instrumental ostinati, demonstrate dynamics, and more!<br />

In addition, discover how to hold space for creativity, honoring the<br />

process of exploration and collaboration as students experience<br />

creative self-expression through movement and music.<br />

interpretation with kinesthetic awareness, neuromuscular skills,<br />

and socialization and wellness activities. Discover how to adapt and<br />

modify music and movement drumming activities and games to<br />

accommodate physiological, emotional, and cognitive needs that<br />

support everyone, regardless of age or ability.<br />

DRUMTASTIC<br />

Experience the joy of drumming and movement while improving<br />

physical, cognitive, and social-emotional health! Using music, stability<br />

balls, and drumsticks, DRUMTASTIC lessons follow a cross-curricular<br />

design that ignites creativity, encourages self-expression, and promotes<br />

active engagement and teamwork. Participate in brain and body games<br />

and activities for all ages and abilities and learn how to integrate<br />

DRUMTASTIC into your classrooms!<br />

Kelly Jackson<br />

Kelly Jackson, a retired music educator from the metro Atlanta<br />

public school system, spent her career teaching general/choral music,<br />

voice, piano, music theory, and musical theater to students ages 4<br />

through 70. She received her B.M. in music education from Furman<br />

University, M.M. in choral conducting from Eastman School of<br />

<strong>Music</strong>, and Ph.D. in music education from Northwestern University.<br />

She maintains qualifications in the fields of ESOL, gifted, elementary<br />

education, and English (6 – 12); holds Level III Orff Schulwerk<br />

certification; and served on the editorial board of the national peerreviewed<br />

journal, The Orff Echo. She is sought after as an accompanist<br />

at the regional and state level; serves as an adjudicator in choral music,<br />

piano, and theater; and has been involved in numerous productions as<br />

a director and performer. She currently resides in Jackson County.<br />

Expanding the Toolbox for Classroom<br />

Management Using a Brain-Based Approach<br />

Teachers need to know content and classroom management<br />

strategies to run a successful elementary general music classroom that<br />

promotes learning, exploration, creativity, and collaboration. Using<br />

the metaphor of content as the train and classroom management as<br />

the tracks, the train will be able to run only as well as the tracks are<br />

properly laid and maintained. Between limited classroom management<br />

strategies provided for teachers and challenging student behaviors,<br />

it’s all too easy to find the best planned lesson with the most engaging<br />

content derailed and the most enthusiastic teacher feeling deflated.<br />

Strengthen the train tracks of classroom management by learning<br />

the basic neuroscience behind common student behaviors, as well as<br />

simple strategies to reduce stress, promote connection, and increase<br />

emotional regulation in the elementary general music classroom.<br />

TRANSFORM. EXPLORE. INSPIRE.<br />

The School of <strong>Music</strong> is pleased to welcome to the faculty:<br />

Prof. Janinah Burnett Visiting Asst. Professor of Voice<br />

Dr. Luke Ellard Visiting Asst. Professor of Clarinet<br />

Prof. Lindsay Kesselman Visiting Asst. Professor of Voice<br />

Dr. Jungho Kim Director of Orchestras and Assoc. Professor<br />

of Conducting<br />

Prof. Emily Milius Visiting Asst. Professor of <strong>Music</strong> Theory<br />

Dr. Courtney Miller Asst. Professor of Oboe<br />

Dr. Stephanie Ycaza Asst. Professor of Tuba and Euphonium<br />

AUDITION DATES FOR <strong>2023</strong>-24<br />

December 2, <strong>2023</strong> February 10, 2024<br />

January 27, 2024 February 24, 2024*<br />

*priority deadline for scholarship/assistantship consideration<br />

DEGREE PROGRAMS<br />

Bachelor of Arts Doctor of <strong>Music</strong>al Arts<br />

Bachelor of <strong>Music</strong> Doctor of Philosophy<br />

<strong>Music</strong> Minor<br />

Post-Baccalaureate Certificate<br />

Master of <strong>Music</strong> Post-Masters Certificate<br />

Prof. Janinah Burnett<br />

Visiting Asst. Professor of Voice<br />

Dr. Luke Ellard<br />

Visiting Asst. Professor of Clarinet<br />

Prof. Lindsay Kesselman<br />

Visiting Asst. Professor of Voice<br />

Jen Lerma<br />

Jen Lerma is a licensed clinical social worker and relational<br />

therapist who works in private practice with children and families to<br />

increase connection, improve emotional regulation, and help families<br />

create more meaningful moments together. She frequently collaborates<br />

with teachers, occupational therapists, speech therapists, pediatricians,<br />

psychologists, psychiatrists, and school counselors to best support<br />

Ability Beats: From Impossible to I’M Possible<br />

children across environments. Upon graduating from Shepherd<br />

Drums Alive Ability Beats’ multi-sensory, all-inclusive, interactive<br />

University with a Bachelor of <strong>Music</strong> Education, and prior to becoming<br />

program empowers participants with the ability to achieve healthy<br />

a therapist, she was a military musician in the U.S. Navy Band. After<br />

and happy lives through a “No Limitations” social-emotional health<br />

being stationed in Naples, Italy and observing how children from all<br />

and wellness experience. Learn how to foster creativity through<br />

over the world can be moved by music and respond to it more openly<br />

comprehensive brain and body exercises that integrate musical<br />

and freely than adults, she was eager to create a classroom atmosphere<br />

Dr. Jungho Kim<br />

Prof. Emily Milius<br />

Dr. Courtney Miller<br />

Dr. Stephanie Ycaza<br />

Director of Orchestras<br />

Visting Asst. Professor of <strong>Music</strong> Theory Asst. Professor of Oboe<br />

24 | NORTH CAROLINA MUSIC EDUCATOR NORTH Asst. CAROLINA Professor MUSIC of Tuba EDUCATOR & Euphonium | 25

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