Art_of_caricaturin_pdf
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44 _ - Caricaturing<br />
the foot, and drawing it in other awkward positions. The shoes should<br />
be in keeping with the other clothing. That is, a well dressed man has<br />
shined shoes, while a hobo has ragged, worn out shoes. The rich man<br />
is<br />
usually represented with patent leather shoes with white spats as<br />
Figure 6, Plate 9.<br />
CfllTOEtL //<br />
V^V \-TfT-<br />
COFFIN<br />
Qothing is really a little difficult, but much diligent study gets<br />
fine results here as everywhere else. It should fit the body and should<br />
drape naturally to get a good<br />
effect. Wrinkles and folds are used for<br />
this purpose at the shoulders, elbows, knees, and elsewhere. See<br />
examples <strong>of</strong> this on Plates 9, 10,<br />
1 1 and 12. Note also how the tie and<br />
collar are drawn, the lapels* buttons, button'holes and pockets.<br />
However, a good comic figure must have action and proper<br />
shading. These will be treated in the two succeeding chapters.
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