08.12.2023 Views

Mack Wilberg A Cloud of Witnesses

for SATB and piano four-hands or orchestra This dramatic choral work sets a text by David Warner that artfully weaves together multiple witnessing stories of Christ's Resurrection into a single narrative. Wilberg employs an effective array of musical techniques to depict the protagonists' experiences: from rapid figurations that move through the orchestra creating a sense of momentum and breathless astonishment to pairings of voicings to convey an act of collective witnessing and declamatory exclamations of praise. The work is scored for mixed voices without soloists, conveying a universal perspective on this story, and accompaniment is by piano four-hands or orchestra.

for SATB and piano four-hands or orchestra
This dramatic choral work sets a text by David Warner that artfully weaves together multiple witnessing stories of Christ's Resurrection into a single narrative. Wilberg employs an effective array of musical techniques to depict the protagonists' experiences: from rapid figurations that move through the orchestra creating a sense of momentum and breathless astonishment to pairings of voicings to convey an act of collective witnessing and declamatory exclamations of praise. The work is scored for mixed voices without soloists, conveying a universal perspective on this story, and accompaniment is by piano four-hands or orchestra.

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

This dramatic choral work, with text by David Warner, artfully<br />

weaves together multiple witnessing stories <strong>of</strong> Christ’s Resurrection<br />

into a single narrative. <strong>Wilberg</strong> employs an effective array <strong>of</strong> musical<br />

techniques to depict the protagonists’ experiences: from rapid<br />

figurations that move through the orchestra creating a sense <strong>of</strong><br />

momentum and breathless astonishment, to pairings <strong>of</strong> voicings to<br />

convey an act <strong>of</strong> collective witnessing and declamatory exclamations<br />

<strong>of</strong> praise. The work is scored for mixed voices without soloists,<br />

conveying a universal perspective on this story, and accompaniment<br />

is by piano four-hands or orchestra.<br />

<strong>Mack</strong> <strong>Wilberg</strong> was appointed Music Director <strong>of</strong><br />

the Mormon Tabernacle Choir in 2008, having<br />

served as Associate Music Director since 1999.<br />

He is a former pr<strong>of</strong>essor <strong>of</strong> music at Brigham<br />

Young University, where he received his bachelor’s<br />

degree; his master’s and doctoral degrees are from<br />

the University <strong>of</strong> Southern California. Alongside<br />

<strong>Wilberg</strong>’s conducting responsibilities he is active<br />

as a pianist, choral clinician, composer, arranger,<br />

and guest conductor throughout the United States<br />

and abroad. In addition to the many compositions<br />

he has written for the Mormon Tabernacle Choir,<br />

his works have been performed by artists such as<br />

Renée Fleming, Frederica von Stade, Bryn Terfel, Rolando Villazón, Deborah Voigt,<br />

and The King’s Singers. <strong>Wilberg</strong>’s arrangements and compositions are performed<br />

and recorded all over the world.<br />

Also by <strong>Mack</strong> <strong>Wilberg</strong>:<br />

<strong>Mack</strong> <strong>Wilberg</strong> Anthems (978–0–19–339819–1)<br />

<strong>Mack</strong> <strong>Wilberg</strong> Carols (978–0–19–387016–1)<br />

The Prodigal (978–0–19–341337–5)<br />

Requiem (978–0–19–380454–8)<br />

Cover image: Robert Zünd, The road to Emmaus, 1887<br />

© Christie’s Images Limited (2011)<br />

1<br />

www.oup.com<br />

ISBN 978-0-19-353201-4<br />

9 780193 532014

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!