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Angelus News | February 23, 2024 | Vol. 9 No. 4

On the cover: A painting depicting Jesus in the Garden of Gethsemane by 19th-century artist Carl Heinrich Bloch. For Christians, Lent can be compared to the time Jesus spent praying in the desert. But we may also find ourselves this time of year in the agony of the garden, going through our own Gethsemane of personal suffering. On Page 10, Msgr. Richard Antall reflects on two traditional prayers to the same angel that comforted Christ on the Mount of Olives.

On the cover: A painting depicting Jesus in the Garden of Gethsemane by 19th-century artist Carl Heinrich Bloch. For Christians, Lent can be compared to the time Jesus spent praying in the desert. But we may also find ourselves this time of year in the agony of the garden, going through our own Gethsemane of personal suffering. On Page 10, Msgr. Richard Antall reflects on two traditional prayers to the same angel that comforted Christ on the Mount of Olives.

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Heather King is an award-winning<br />

author, speaker, and workshop leader.<br />

food, shelter, clothing, security, order,<br />

warmth, bolted?<br />

Was he crying? Had we made dad<br />

cry?<br />

At last he straightened up. His<br />

beat-up hands dropped to his knees.<br />

His face, unthinkably, was wet with<br />

tears, and so red we thought he might<br />

have had a heart attack. He was still<br />

trembling. He was gasping. But finally<br />

we realized he wasn’t crying. He was<br />

laughing.<br />

“Janet, get me a napkin,” he choked<br />

out, and moved to high-five Ross.<br />

“Don’t spill … HANH HAH … don’t<br />

drop … Lindy Gilman’s kids will<br />

eat even if we’re in the poorhouse!”<br />

… but he was laughing so hard he<br />

couldn’t go on.<br />

Suddenly we sprang into action.<br />

One of us ran for rags. Someone else<br />

started picking out the biggest chunks<br />

of glass. Someone, maybe me, passed<br />

behind the back of dad’s chair and<br />

patted his thinning hair.<br />

But in a way, I am still sitting at that<br />

table with my father: head in hands,<br />

face hidden, present physically, yet a<br />

million miles away.<br />

Sitting with him while he perhaps<br />

contemplated the years stretching<br />

behind and ahead: of waking in the<br />

dark, of driving 40, 60, 90 miles to his<br />

job laying bricks, of standing all day<br />

in bitter cold or scorching heat, of<br />

constant anxiety, constant frustration,<br />

constant fatigue.<br />

Sitting with him knowing that when<br />

he opened his eyes his family —<br />

whose entire purpose, it sometimes<br />

must have seemed, was to break his<br />

heart — was going to be looking back<br />

at him: waiting, bereft, refusing to<br />

leave.<br />

Sitting with him while all that was<br />

good and kind and decent in him, and<br />

all that was fearful and weak and in<br />

pain had perhaps met, and clashed,<br />

and in some place that was unknown<br />

to us, where we could not follow, on<br />

some terrible battlefield in which our<br />

fates hung in the balance, he had<br />

chosen us over himself; had chosen<br />

the spark of life that is humor over<br />

despair, over death.<br />

In a way, that is who I write to. My<br />

father, in that moment before he<br />

lifted his head — and stayed.<br />

For weeks, we’d be finding splinters<br />

of glass under the sewing table, the<br />

desk, the radiators. There would be<br />

more anxiety. There would be more<br />

imaginary — and several real — catastrophes.<br />

But for now, God was in<br />

his heaven and all was right with the<br />

world. Until the next broken bottle of<br />

milk, or window, or leg, or spirit, life<br />

could go on.<br />

Because dad had laughed. Daddy —<br />

our rock — had laughed.<br />

The author and her<br />

father in 1952. | COUR-<br />

TESY HEATHER KING<br />

<strong>February</strong> <strong>23</strong>, <strong>2024</strong> • ANGELUS • 31

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