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Savanta: Advertising in a recession

During a recession it’s can be tempting to look at your advertising budget as a ‘nice to have’ rather than an essential. Our research shows that it’s absolutely imperative that brands maintain their advertising spends during a recession. To understand why, this report looks in more detail at the purpose of advertising, how recessions impact advertising spend, and the risks and opportunities for brands navigating these choppy waters.

During a recession it’s can be tempting to look at your advertising budget as a ‘nice to have’ rather than an essential. Our research shows that it’s absolutely imperative that brands maintain their advertising spends during a recession. To understand why, this report looks in more detail at the
purpose of advertising, how recessions impact advertising spend, and the risks and opportunities for brands navigating these choppy waters.

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It’s tempt<strong>in</strong>g to reduce advertis<strong>in</strong>g spend <strong>in</strong> a <strong>recession</strong>...<br />

...here’s why you shouldn’t<br />

WHAT IS THE PURPOSE OF<br />

ADVERTISING?<br />

INTRODUCTION<br />

In February, the UK entered a technical <strong>recession</strong>,<br />

with GDP figures show<strong>in</strong>g the economy contract<strong>in</strong>g<br />

by 0.3% <strong>in</strong> Q4 2023.. This will have major implications<br />

for policymakers, consumers and bus<strong>in</strong>esses.<br />

Those <strong>in</strong> market<strong>in</strong>g departments across the country<br />

will be look<strong>in</strong>g at severe economic headw<strong>in</strong>ds, and<br />

potentially be<strong>in</strong>g asked to further squeeze already<br />

tight budgets. It’s tempt<strong>in</strong>g at this time to look at<br />

your advertis<strong>in</strong>g budget as a ‘nice to have’ rather<br />

than an essential.<br />

However, our research shows that it’s absolutely<br />

imperative that brands ma<strong>in</strong>ta<strong>in</strong> their advertis<strong>in</strong>g<br />

spend dur<strong>in</strong>g a <strong>recession</strong>. The risk is, if you don’t,<br />

consumers will forget your brand and it will take<br />

a long time (and more budget) to become front of<br />

m<strong>in</strong>d once more.<br />

By advertis<strong>in</strong>g, we really mean any market<strong>in</strong>g<br />

communications which direct attention to a product,<br />

offer<strong>in</strong>g or service. Its core purpose is to <strong>in</strong>fluence<br />

the behaviour of a target audience, whether that is<br />

coax<strong>in</strong>g tangible, commercial actions, like mak<strong>in</strong>g a<br />

purchase, or more abstract and emotional responses,<br />

such as adopt<strong>in</strong>g a specific viewpo<strong>in</strong>t about a<br />

brand. The role of market<strong>in</strong>g communications is to<br />

establish, ma<strong>in</strong>ta<strong>in</strong>, and grow a relationship between<br />

the advertiser and consumers. That relationship is<br />

not unlike all other relationships <strong>in</strong> life: the more a<br />

personal relationship is <strong>in</strong>vested <strong>in</strong>, the stronger it<br />

becomes, be it with friends, family or your partner.<br />

Understand<strong>in</strong>g the dynamic between the audience<br />

and a brand is therefore equally crucial. Much like<br />

many of our personal relationships <strong>in</strong> life, the strength<br />

of the brand-consumer relationship is impacted by<br />

the time, effort, and attention <strong>in</strong>vested <strong>in</strong> it. It’s no<br />

co<strong>in</strong>cidence that <strong>in</strong>dividuals often cite a breakdown<br />

<strong>in</strong> communication as a reason for relationships<br />

weaken<strong>in</strong>g; the same holds true for market<strong>in</strong>g.<br />

This is particularly important over longer-time<br />

periods. In the 1989s Gordon Brown, co-founder<br />

of Millward Brown, expla<strong>in</strong>ed that long-term<br />

memory lets advertis<strong>in</strong>g exert <strong>in</strong>fluence over brand<br />

<strong>in</strong>teractions across an extended period. Brown<br />

claims a strong advertis<strong>in</strong>g execution will associate<br />

“relevant messages and images with the brand <strong>in</strong><br />

a memorable way so that they are carried forward<br />

through time to imbue the brand with <strong>in</strong>terest and<br />

status”.<br />

But more than this, there is an opportunity for brands<br />

to lean <strong>in</strong>. If you ma<strong>in</strong>ta<strong>in</strong> your advertis<strong>in</strong>g spend<br />

while many others don’t, there aren’t many easier (or<br />

cheaper) ways to <strong>in</strong>crease your share of voice <strong>in</strong> the<br />

market.<br />

HOW DO ECONOMIC RECESSIONS<br />

IMPACT ADVERTISING SPEND?<br />

To understand why, let’s look <strong>in</strong> more detail, at the<br />

purpose of advertis<strong>in</strong>g, how <strong>recession</strong>s impact<br />

advertis<strong>in</strong>g spend, and the risks and opportunities<br />

for brands navigat<strong>in</strong>g these choppy waters.<br />

Accord<strong>in</strong>g to HM Treasury, <strong>in</strong> the UK, a <strong>recession</strong><br />

is def<strong>in</strong>ed as negative economic growth, i.e.<br />

contraction <strong>in</strong> national GDP for two or more<br />

consecutive quarters. In the last 50 years, the UK has<br />

experienced six <strong>recession</strong>s – the most recent (and<br />

dramatic) tak<strong>in</strong>g place at the height of the COVID-19<br />

pandemic <strong>in</strong> 2020.<br />

So, what happens to advertis<strong>in</strong>g when <strong>recession</strong><br />

does hit? Simply put, market<strong>in</strong>g & advertis<strong>in</strong>g<br />

budgets are often cut back significantly – and this<br />

presents both risk and opportunity.<br />

A closer look at the global annual advertis<strong>in</strong>g<br />

expenditure over the past 20+ years reveals a<br />

consistent upward trend, with the only year-on-year<br />

decl<strong>in</strong>es occurr<strong>in</strong>g <strong>in</strong> 2008 and 2020. It’s not by<br />

chance that these contractions co<strong>in</strong>cide with the<br />

world’s most recent f<strong>in</strong>ancial crises; this alignment<br />

underscores the very real hits market<strong>in</strong>g budgets<br />

face across all sectors.<br />

savanta.com 2 3 savanta.com


It’s tempt<strong>in</strong>g to reduce advertis<strong>in</strong>g spend <strong>in</strong> a <strong>recession</strong>...<br />

...here’s why you shouldn’t<br />

WHAT SHOULD ONE CONSIDER<br />

WHEN RECESSIONS DO HIT?<br />

Actually, the options are probably very similar to when<br />

the economy is healthy. They essentially boil down to:<br />

HOW MUCH TO SPEND<br />

ON ADVERTISING<br />

Should you cut, ma<strong>in</strong>ta<strong>in</strong>, or<br />

<strong>in</strong>crease?<br />

WHERE TO DEPLOY<br />

THAT SPEND<br />

What are the best channels<br />

dur<strong>in</strong>g f<strong>in</strong>ancial crises, and<br />

what’s best for your brand?<br />

EXECUTIONAL<br />

STRATEGY<br />

How are you address<strong>in</strong>g<br />

your audience’s needs<br />

(<strong>in</strong>fluential messag<strong>in</strong>g), and<br />

are you us<strong>in</strong>g the right tone?<br />

“The sales of a brand are<br />

like the height at which an<br />

airplane flies. <strong>Advertis<strong>in</strong>g</strong><br />

spend is like its eng<strong>in</strong>es: while<br />

the eng<strong>in</strong>es are runn<strong>in</strong>g,<br />

everyth<strong>in</strong>g is f<strong>in</strong>e, but, when<br />

the eng<strong>in</strong>es stop, the descent<br />

eventually starts.”<br />

Simon Broadbent<br />

How much to spend<br />

Spend<strong>in</strong>g more or ma<strong>in</strong>ta<strong>in</strong><strong>in</strong>g: opportunity<br />

We believe advertis<strong>in</strong>g & market<strong>in</strong>g costs dur<strong>in</strong>g a<br />

<strong>recession</strong> should be regarded as ‘good costs’.<br />

A significant amount of opportunity is created<br />

because of the tendency to cut budgets; when<br />

budgets are scaled back to such an extent, it creates<br />

a vacuum <strong>in</strong> the market.<br />

But this vacuum is not as om<strong>in</strong>ous as it sounds.<br />

It’s an arena of opportunity where agile brands can<br />

strategically <strong>in</strong>crease their Share of Voice, or <strong>in</strong>deed<br />

achieve Excessive Share of Voice.<br />

When compet<strong>in</strong>g brands reduce their activity,<br />

those that ma<strong>in</strong>ta<strong>in</strong> it become more noticeable to<br />

consumers, creat<strong>in</strong>g a positive side-effect. This can<br />

also make a smaller brand appear to be a much<br />

larger player <strong>in</strong> its category than it really is.<br />

This is the pr<strong>in</strong>ciple of Excessive Share of Voice,<br />

which has long been regarded as a pre-requisite<br />

for share <strong>in</strong> market growth. But <strong>in</strong> a <strong>recession</strong>, this<br />

pr<strong>in</strong>ciple is another reason for a brand to hold its<br />

nerve and cont<strong>in</strong>ue <strong>in</strong>vest<strong>in</strong>g <strong>in</strong> advertis<strong>in</strong>g.<br />

Mark Ritson’s explanation of the Excessive Share of<br />

Voice concept can help us understand these effects:<br />

“It is the closest we have to a scientific law of<br />

advertis<strong>in</strong>g, and it says an equilibrium exists<br />

between a brand’s share of voice and its share of<br />

market. If a company <strong>in</strong>creases its relative share<br />

of voice above its share of market, the equilibrium<br />

will eventually restore itself and market share will<br />

also grow.”<br />

Mark Ritson<br />

Spend<strong>in</strong>g less: risk<br />

Cutt<strong>in</strong>g spend completely: tempt<strong>in</strong>g but don’t do it<br />

– it carries significant risk and as such represents<br />

mak<strong>in</strong>g a false economy.<br />

Aga<strong>in</strong>st the backdrop of economic turmoil amid<br />

COVID, Peter Field reflected on cutt<strong>in</strong>g ad-spend:<br />

“What is certa<strong>in</strong> from the 2008 experience and<br />

earlier <strong>recession</strong>s is that ‘go<strong>in</strong>g dark’ by pull<strong>in</strong>g<br />

all brand advertis<strong>in</strong>g br<strong>in</strong>gs the real risk of<br />

permanently weakened bus<strong>in</strong>ess performance.<br />

It is sensible to debate the tone and nature of<br />

brand advertis<strong>in</strong>g to <strong>recession</strong>-hit customers,<br />

but not the importance of it.”<br />

Peter Field<br />

<strong>Savanta</strong>’s own campaign evaluation research attests<br />

to this. We’ve found that ma<strong>in</strong>ta<strong>in</strong><strong>in</strong>g momentum<br />

is critical to our clients’ brand equity build<strong>in</strong>g -<br />

<strong>in</strong>terrupt<strong>in</strong>g a campaign, even for just two weeks, can<br />

be detrimental to brand health. We also see <strong>in</strong>stances<br />

where remov<strong>in</strong>g spend for any length of time not only<br />

weakens the brand but allows competitors to exploit<br />

the situation and steal share of mental availability.<br />

As Simon Broadbent put it: “when the eng<strong>in</strong>es stop,<br />

the descent eventually starts.”<br />

In fact, this was demonstrated recently <strong>in</strong> London,<br />

via a bizarre example of the impact of remov<strong>in</strong>g<br />

confectionery advertis<strong>in</strong>g, claimed <strong>in</strong> 2022 by The<br />

Mayor of London’s office. In February 2019, The<br />

Mayor of London directed Transport for London<br />

to <strong>in</strong>troduce advertis<strong>in</strong>g restrictions on certa<strong>in</strong><br />

food types, especially confectionery. A test vs<br />

control study (monitor<strong>in</strong>g London aga<strong>in</strong>st a region<br />

with similar purchas<strong>in</strong>g trends, but without such<br />

restrictions) found that consumption <strong>in</strong> London was<br />

reduced by the equivalent of one and a half milk<br />

chocolate bars less per week.<br />

Another fallout from pack<strong>in</strong>g <strong>in</strong> the ad spend is the<br />

cost of acquir<strong>in</strong>g new customers to replace any who<br />

abandoned the brand <strong>in</strong> the absence of advertis<strong>in</strong>g.<br />

Acquisition cost is easy to forget when there are<br />

more immediate demands to save money.<br />

S<strong>in</strong>ce length of a <strong>recession</strong> can vary significantly,<br />

brands should refra<strong>in</strong> from the temptation to “go<br />

dark” dur<strong>in</strong>g these times. Instead, they should seize<br />

the opportunity to rem<strong>in</strong>d consumers they are still<br />

there for them. This carries significant weight <strong>in</strong><br />

an <strong>in</strong>stance like a <strong>recession</strong>, when consumers are<br />

already concerned about their f<strong>in</strong>ances. A simple<br />

rem<strong>in</strong>der that familiar and beloved brands are still<br />

present can offer a surpris<strong>in</strong>g sense of reassurance.<br />

It’s like a reliable anchor amid turbulent times,<br />

provid<strong>in</strong>g comfort and stability - a subtle reaffirmation<br />

which holds more significance than we may realise<br />

at first glance. Just as good friends would be for<br />

someone go<strong>in</strong>g through a difficult time.<br />

savanta.com 4 5 savanta.com


It’s tempt<strong>in</strong>g to reduce advertis<strong>in</strong>g spend <strong>in</strong> a <strong>recession</strong>...<br />

...here’s why you shouldn’t<br />

Deploy<strong>in</strong>g spend<br />

If you are obliged to reduce spend, certa<strong>in</strong> hacks can<br />

help with efficiency of effect. Product placement can<br />

be particularly effective. In many cases, it is a more<br />

budget-friendly option.<br />

From 2018-2021, <strong>Savanta</strong> ran a project for a lead<strong>in</strong>g<br />

high-street coffee shop cha<strong>in</strong>. The client, <strong>in</strong> the face<br />

of the COVID-19 pandemic, ma<strong>in</strong>ta<strong>in</strong>ed a relationship<br />

with both current and prospective customers thanks<br />

to consistent market<strong>in</strong>g communications. Forced to<br />

close its outlets on the high street, the brand used<br />

product placement <strong>in</strong> a popular TV show to keep the<br />

brand present <strong>in</strong> hearts and m<strong>in</strong>ds dur<strong>in</strong>g the 2020<br />

lockdown. In do<strong>in</strong>g so, it became well positioned <strong>in</strong><br />

the category as consumers emerged from stay<strong>in</strong>g at<br />

home.<br />

The brand experienced positive growth <strong>in</strong> both<br />

explicit and implicit brand image. Trust <strong>in</strong> the brand<br />

<strong>in</strong>creased to 91% (8 percentage-po<strong>in</strong>t <strong>in</strong>crease).<br />

The percentage of those agree<strong>in</strong>g the brand is<br />

“for someone like me” also <strong>in</strong>creased to 76% (12<br />

percentage-po<strong>in</strong>t <strong>in</strong>crease). The brand boosted its<br />

Brand Likeability, which averaged 77% before the<br />

pandemic, but <strong>in</strong>creased to 85% after.<br />

The approach rem<strong>in</strong>ded UK consumers of the brand’s<br />

value to them, and the significant place it had <strong>in</strong> their<br />

lives, and which it would do aga<strong>in</strong>. The placement<br />

ensured people kept the brand <strong>in</strong> their heads and<br />

hearts when they couldn’t have it <strong>in</strong> their hand.<br />

Once outlets reopened, they were more “go ready” to<br />

welcome back their customers, who couldn’t wait to<br />

purchase from them aga<strong>in</strong>.<br />

Be<strong>in</strong>g faced with a challenge is often the time when<br />

people are most <strong>in</strong>ventive and when <strong>in</strong>genuity and<br />

creativity thrive. What comes to m<strong>in</strong>d here is to<br />

“improvise, adapt, overcome” - an unofficial slogan<br />

among the U.S. Mar<strong>in</strong>es popularised by Cl<strong>in</strong>t<br />

Eastwood’s character, Sergeant Thomas Highway <strong>in</strong><br />

the movie, Heartbreak Ridge.<br />

If TV advertis<strong>in</strong>g is not an option for a brand, or if only<br />

a reduced level of TV activity can be afforded, there<br />

are still options. Radio, for example, can successfully<br />

be used to prolong the memories of TV advertis<strong>in</strong>g<br />

by rem<strong>in</strong>d<strong>in</strong>g people of more memorable ads, cost<br />

effectively extend<strong>in</strong>g campaign frequency. One of the<br />

best examples of this goes back almost 20 years to<br />

Nescafé’s “Funky Old Cort<strong>in</strong>a” ad which transitioned<br />

so well from TV to Radio, thanks to its earworm of a<br />

soundtrack. The one caveat here, is that it must be<br />

sympathetic to any current Zeitgeist.<br />

Executional strategy<br />

In the midst of a <strong>recession</strong>, precision <strong>in</strong> executional<br />

strategy becomes paramount. Craft<strong>in</strong>g messages<br />

that resonate amid rapidly chang<strong>in</strong>g priorities<br />

requires leverag<strong>in</strong>g your brand’s dist<strong>in</strong>ctive assets,<br />

and a deep understand<strong>in</strong>g of audience needs. A<br />

robust executional strategy, rooted <strong>in</strong> these pr<strong>in</strong>ciples,<br />

forms the bedrock for strong and effective creatives.<br />

Dist<strong>in</strong>ctive assets<br />

One effective strategy is to exploit the brand’s<br />

heritage by referenc<strong>in</strong>g or emphasis<strong>in</strong>g a brand’s<br />

dist<strong>in</strong>ctive assets that may have been developed<br />

over time.<br />

When we talk about a brand’s dist<strong>in</strong>ctive assets,<br />

we really mean anyth<strong>in</strong>g consumers associate<br />

with a brand that they don’t associate with others.<br />

Essentially, these are shortcuts to draw on previous<br />

advertis<strong>in</strong>g memories and <strong>in</strong>vestment. This could<br />

be slogans, products, logos, characters, or even<br />

colours. For example, LV’s “dum di di dum” j<strong>in</strong>gle,<br />

McDonald’s Golden Arches, or Deliveroo’s dist<strong>in</strong>ctive<br />

teal blue colour.<br />

In the world of FMCG, for example, an advantage<br />

of dist<strong>in</strong>ctive assets is that they make products<br />

easy to spot – not just <strong>in</strong> advertis<strong>in</strong>g, but on the<br />

crowded shelves of supermarkets – or perhaps on<br />

another brand’s product as part of a collaboration,<br />

for example, Cadbury x Oreo bars.<br />

They’re particularly effective s<strong>in</strong>ce they rem<strong>in</strong>d<br />

consumers of previous advertis<strong>in</strong>g memories and<br />

experiences. Psychologists suggest there are three<br />

types of long-term memory: semantic, procedural<br />

and episodic. Understand<strong>in</strong>g how these memory<br />

systems work can provide a w<strong>in</strong>dow <strong>in</strong>to how<br />

advertisers can create content that resonates and<br />

stays <strong>in</strong> consumers’ long-term memory.<br />

Address<strong>in</strong>g the needs and behaviours of your<br />

audience<br />

It is also important to note, <strong>recession</strong>s do come to a<br />

close. But just because the economy is gett<strong>in</strong>g back<br />

to normal, it doesn’t mean consumers’ purchas<strong>in</strong>g<br />

patterns will.<br />

“In decid<strong>in</strong>g which market<strong>in</strong>g tactics to<br />

employ, it’s critical to track how customers are<br />

reassess<strong>in</strong>g priorities, reallocat<strong>in</strong>g budgets,<br />

switch<strong>in</strong>g among brands and product categories,<br />

and redef<strong>in</strong><strong>in</strong>g value. It’s therefore essential to<br />

cont<strong>in</strong>ue <strong>in</strong>vest<strong>in</strong>g <strong>in</strong> market research.”<br />

John Quelch, Kather<strong>in</strong>e E. Jocz<br />

savanta.com 6 7 savanta.com


It’s tempt<strong>in</strong>g to reduce advertis<strong>in</strong>g spend <strong>in</strong> a <strong>recession</strong>...<br />

...here’s why you shouldn’t<br />

When people face adversity, they respond<br />

<strong>in</strong> different ways and will have different<br />

needs, motivations, and priorities.<br />

Dur<strong>in</strong>g a <strong>recession</strong>, understand<strong>in</strong>g these<br />

needs becomes even more imperative<br />

as competition for consumers’ mental<br />

availability hots up.<br />

Gett<strong>in</strong>g the message right is critical:<br />

consumers’ chang<strong>in</strong>g emotional needs<br />

will go some way <strong>in</strong> <strong>in</strong>fluenc<strong>in</strong>g their<br />

behaviours, as emotions and motivations<br />

are drivers <strong>in</strong> most decision-mak<strong>in</strong>g.<br />

The message must truly resonate with a<br />

consumer and will do so better, as long as<br />

it meets a need.<br />

The COVID-19 pandemic provided us with<br />

an example of a supermarket (Tesco)<br />

which successfully addressed these<br />

needs from a brand perspective, and<br />

itscompetitor (Sa<strong>in</strong>sbury’s), which did so<br />

less successfully.<br />

When essential food shopp<strong>in</strong>g was one<br />

of the few permitted reasons to leave the<br />

house <strong>in</strong> early 2020, many shoppers were<br />

afraid to leave for fear of contract<strong>in</strong>g the<br />

virus. While both brands understood this<br />

pa<strong>in</strong>-po<strong>in</strong>t, only one executed it well.<br />

Tesco responded to this shared sentiment<br />

aptly, and fast. An ad depict<strong>in</strong>g “little helps<br />

for safer shopp<strong>in</strong>g” <strong>in</strong>cluded real staff<br />

members who demonstrated how to<br />

shop safely <strong>in</strong>-store, thereby reassur<strong>in</strong>g<br />

shoppers that their visit to Tesco would<br />

be as smooth as possible. Smil<strong>in</strong>g,<br />

uniformed staff members demonstrated<br />

how to queue us<strong>in</strong>g social distanc<strong>in</strong>g,<br />

and progress around the store, until they<br />

were ready to pay, where they’d be met by<br />

a friendly cashier tucked away beh<strong>in</strong>d a<br />

Perspex screen.<br />

The ad was big on human <strong>in</strong>teraction and<br />

adopted just the right tone, draw<strong>in</strong>g on<br />

humanity through compassion, and warm<br />

customer service. This created strong<br />

empathy.<br />

By contrast, the equivalent Sa<strong>in</strong>sbury’s<br />

ad did not feature actual humans.<br />

Instead, Sa<strong>in</strong>sbury’s opted for animated<br />

“matchstick” figures to depict all the same<br />

experiences. However, without real human<br />

be<strong>in</strong>gs, the human response to their ad<br />

was not nearly as strong.<br />

Data from BrandVue Retail - <strong>Savanta</strong>’s<br />

daily brand track<strong>in</strong>g and market <strong>in</strong>telligence<br />

tool - shows that for this period, Positive<br />

Buzz for Tesco <strong>in</strong>creased <strong>in</strong> tandem with<br />

<strong>Advertis<strong>in</strong>g</strong> Awareness. In turn, Brand Love<br />

for the supermarket soared, and ultimately<br />

slowed the decrease <strong>in</strong> store visits. Data<br />

for Sa<strong>in</strong>sbury’s suggests its ad did help the<br />

brand, but its efficacy did not nearly match<br />

that of Tesco.<br />

Tesco succeeded <strong>in</strong> humanis<strong>in</strong>g its<br />

brand by connect<strong>in</strong>g emotionally with its<br />

audience. The brand positioned itself as<br />

one that could be trusted – and consumers<br />

were reassured enough to quite literally put<br />

their health <strong>in</strong> Tesco’s hands!<br />

SO, WHAT DO WE ADVISE?<br />

Don’t ghost your consumers<br />

Avoid the temptation to “go dark” – organisations and brands need to<br />

keep close control of their spend<strong>in</strong>g but fail<strong>in</strong>g to support brands can be<br />

detrimental to future brand health, equity and even their survival.<br />

Make your voice heard<br />

Use the opportunity to shout louder than you might previously have been<br />

able to. Recessions are the unique <strong>in</strong>stances where this is possible to do<br />

even if one ma<strong>in</strong>ta<strong>in</strong>s exist<strong>in</strong>g ad spend.<br />

Use your brand heritage<br />

Exploit your brand’s dist<strong>in</strong>ctive assets. Rem<strong>in</strong>d consumers of what<br />

your brand stands for. These facets help brands stand out, and rem<strong>in</strong>d<br />

us of previous advertis<strong>in</strong>g memories and experiences, thereby driv<strong>in</strong>g<br />

advertis<strong>in</strong>g efficiency.<br />

Invest <strong>in</strong> research<br />

Market research will help you keep tabs on chang<strong>in</strong>g consumer needs,<br />

how they th<strong>in</strong>k and what they feel. Know<strong>in</strong>g these will let you address<br />

needs and concerns efficiently and empathetically.<br />

Prepare <strong>in</strong> advance<br />

Outside of <strong>recession</strong>s, pay attention to your brand’s relationship with<br />

its customers. Ensure you’re always available and respond<strong>in</strong>g to your<br />

customers’ evolv<strong>in</strong>g needs and desires – and reward your customers<br />

for their loyalty. A brand that has been successfully and consistently<br />

supported <strong>in</strong> the run up to an economic downturn is likely to be better<br />

placed when one does hit.<br />

savanta.com 8 9 savanta.com


It’s tempt<strong>in</strong>g to reduce advertis<strong>in</strong>g spend <strong>in</strong> a <strong>recession</strong>...<br />

...here’s why you shouldn’t<br />

...here’s why you shouldn’t<br />

ABOUT US<br />

<strong>Savanta</strong> is a lead<strong>in</strong>g full-service market research agency renowned for its excellence <strong>in</strong> campaign<br />

evaluation research.<br />

Our media team are experienced <strong>in</strong> help<strong>in</strong>g brands and agencies navigate <strong>recession</strong>s and economic<br />

downturns. From <strong>in</strong>form<strong>in</strong>g media plans to optimis<strong>in</strong>g creatives, we help our brand & agency clients<br />

identify opportunities to exploit and build their resilience. <strong>Savanta</strong> will fuel your success - even <strong>in</strong><br />

tough economic climates.<br />

Get <strong>in</strong> touch here to elevate your advertis<strong>in</strong>g strategy and give your brand or agency the maximum<br />

chance of success.<br />

Paul Baker<br />

Senior Director<br />

Paul is a Senior Director <strong>in</strong> our media team and has specialised <strong>in</strong><br />

brand & comms research for over 30 years, <strong>in</strong>clud<strong>in</strong>g ad test<strong>in</strong>g, ad &<br />

brand track<strong>in</strong>g and multi-media modell<strong>in</strong>g. Paul looks after much of<br />

<strong>Savanta</strong>’s sponsorship evaluation and product placement research, as<br />

well as advertis<strong>in</strong>g funded programm<strong>in</strong>g. Paul has worked with <strong>in</strong>dustry<br />

giants across the FMCG, f<strong>in</strong>ance, energy and transport sectors, work<strong>in</strong>g<br />

alongside media owners and agencies to help guide them through the<br />

last three <strong>recession</strong>s.<br />

paul.baker@savanta.com<br />

Shaun Aust<strong>in</strong><br />

SVP, Media<br />

With over fifteen years of experience <strong>in</strong> media, advertis<strong>in</strong>g and<br />

market<strong>in</strong>g communications research, Shaun currently works with some<br />

of the world’s largest media owners and brands, conduct<strong>in</strong>g research<br />

on brand, marcomms and the evolv<strong>in</strong>g media landscape. Shaun is an<br />

experienced conference speaker, present<strong>in</strong>g at many events <strong>in</strong>clud<strong>in</strong>g<br />

MRS Data AnalyticsConference, WARC’s Measur<strong>in</strong>g <strong>Advertis<strong>in</strong>g</strong><br />

Performance symposium, the Chartered Institute of Market<strong>in</strong>g’s Digital<br />

Summit, Qual360 and the Media Research Group’s annual conferences.<br />

shaun.aust<strong>in</strong>@savanta.com<br />

better.decisions@savanta.com<br />

London<br />

60 Great Portland Street<br />

London<br />

W1W 7RT<br />

UK<br />

New York<br />

666 Third Ave.<br />

7th Floor<br />

New York NY 10017<br />

USA<br />

Amsterdam<br />

Grote Bickersstraat 74-78<br />

1013 KS<br />

Amsterdam<br />

Netherlands<br />

savanta.com<br />

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savanta.com

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