Notes
1 Shakespeare, Othello, III.iii. l. 165-7. 2 Ian Watt, <strong>The</strong> Rise of the Novel: Studies <strong>in</strong> Defoe, Richardson <strong>and</strong> Field<strong>in</strong>g (Harmondsworth: Pengu<strong>in</strong>, 1970), 154. 3 Narrative <strong>and</strong> Its Discontents (Pr<strong>in</strong>ceton, New Jersey: Pr<strong>in</strong>ceton University Press, 1981), 4. 4 Kelly Hager, Dickens <strong>and</strong> the Rise of Divorce: <strong>The</strong> Failed-Marriage Plot <strong>and</strong> the Novel Tradition (Farnham, Surrey: Ashgate, 2010). 5 Wilkie Coll<strong>in</strong>s, <strong>The</strong> Woman <strong>in</strong> White (Ware, <strong>He</strong>rtfordshire: Wordsworth, 1993), 174. 6 Virg<strong>in</strong>ia Woolf <strong>and</strong> the N<strong>in</strong>eteenth-century Domestic Novel (Albany: State of New York Press, 1997), 9. 7 John Galsworthy, In Chancery, <strong>The</strong> Forsyte Saga (Oxford: Oxford University Press, 2008), 514. 8 Hager, Dickens <strong>and</strong> the Rise of Divorce, 8. 9 James Eli Adams. D<strong>and</strong>ies <strong>and</strong> Desert Sa<strong>in</strong>ts (Ithaca, New York: Cornell University Press, 1995), 3. 10 Eve Kosofsky Sedgwick. Epistemology of the Closet (Berkeley <strong>and</strong> Los Angeles: University of California Press, 1992), 145). 11 Burton, Robert. <strong>The</strong> Anatomy of Melancholy (New York: New York Review of Books, 2001).