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2010 ANNUAL REPORT OVERVIEW OF THE gROUP - 3rd quarter ...

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Women’s ready-to-wear<br />

autumn-winter <strong>2010</strong> collection.<br />

REAdy-TO-WEAR<br />

Ready-to-wear and accessories is Hermès’<br />

second-largest business line, accounting<br />

for 19% of consolidated sales. In <strong>2010</strong>,<br />

it generated €445 million in sales, a rise of 18%<br />

at constant exchange rates.<br />

WOMEN’S READY-TO-WEAR<br />

Jean-Paul Gaultier drew his inspiration for the spring-summer<br />

<strong>2010</strong> collection from 1930s tennis and seaside costumes, as<br />

immortalised in the photographs of Jacques-Henri Lartigue.<br />

A rounded take on the tennis collar was featured in fluid jersey<br />

for tops lengthened into dresses or jumpsuits.<br />

Skirts, tops and dresses boasted pleats reminiscent of the 1930s.<br />

Wide-striped borders on pullovers recalled the “four musketeers”<br />

of the 1926 Davis Cup. Overcoats evoked the memory of seaside<br />

boardwalks in Biarritz. The earthy red of clay tennis courts<br />

contrasted with crisp blues and whites.<br />

This breezy collection featured H en fil and brides rebelles<br />

pop prints with airy materials such as seersucker in a sleeveless<br />

shirt or baby-doll dress. Graphic and fluid, the après-match was<br />

embodied in a shawl-collar jacket and pantsuit in viscose jersey<br />

with contrasting edging.<br />

Autumn-winter <strong>2010</strong> adopted the “London City” style of the<br />

1960s. The spirit of The Avengers ran through the collection, and<br />

in particular the iconic allure of Emma Peel with her razor-sharp<br />

silhouette and tailored, Savile Row look. Leather featured in<br />

three-piece suits, collars and frock coats. Trapeze coats<br />

shimmered in roomy, supple fabrics, such as double-faced<br />

hammered cashmere or bison. Mohair was showcased<br />

in ultra-light coats, outdoor cardigans, and – the ultimate in<br />

refinement – a silk-lined pullover. The colourful sheen of printed<br />

panther accentuated the fluidity of dobby-loomed silk and the<br />

volume of printed taffetas.<br />

After seven years of fruitful cooperation, Hermès and Jean-Paul<br />

Gaultier decided to part ways, as Jean-Paul Gaultier wished to<br />

focus on his own projects. The spring-summer 2011 collection,<br />

presented in October of <strong>2010</strong>, was his last collection for Hermès.<br />

Hermès wishes to express its deepest appreciation to Mr Gaultier<br />

for his remarkable design contributions over the past seven years.<br />

Christophe Lemaire took over as artistic director of Hermès<br />

women’s ready-to-wear for the autumn-winter 2011 collection,<br />

presented in March 2011.<br />

35

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