Adams, Doug - Dance Collection Danse

Dance Collection Danse Library List
Acocella, Joan and Lynn Ager Wallen. 1987. Dance Research Annual. A Spectrum of
World Dance. New York: Congress on Research in Dance.
Adams, Doug and Diane Apostolos-Cappadona. 1990. Dance as Religious Studies. New
York: The Crossroad Publishing Company. (Donated by James Pape.)
Adams, Lawrence. 2004. Building Your Legacy: An Archiving Handbook for Dance.
Toronto: Dance Collection Danse Press/es.
Adams, Lawrence, Amy Bowring, Clifford Collier. 2008. Canadian Integrated Dance
Database Standards Manual and Collier Descriptor Thesaurus. Toronto: Dance
Collection Danse Press/Presse.
Adams, Miriam and Lynn Rotin. 1979. Photographs Dance. Toronto: 15 Dance Lab.
Alberti, Luigi. 1923. Art of Terpsichore. New York: De Vinne Press. (Donated by Gail
Grant.)
Allan, Mauryne. 1990. Running in Rhythm Footsteps in Time: Creative Dance for
Primary Classes. North Vancouver: Creative Curriculum.
Alonzo, Anne-Marie. 1993. Margie Gillis – La Danse Des Marches. Boisbriand: Éditions
Du Noroît.
Amberg, George. 1949. Ballet in America. New York: Duell, Sloan and Pearce. (Donated
by Bert Anderson.)
Amberg, George. 1954 ed. Ballet in America. New York: Mentor Books. (One copy
donated by Gail Grant, one copy donated by Alison Sutcliffe.)
Ambrose, Kay. c. 1946. Ballet Impromptu. London: Golden Galley.
Ambrose, Kay. 1949. The Ballet-Lover’s Companion. London: Adam and Charles Black.
(One copy donated by John Faichney, one copy donated by Eva Goldman.)
Ambrose, Kay. 1950 ed. The Ballet-Lover’s Pocket-Book. London: Adam and Charles
Black. (One copy donated by John Faichney, one copy donated by Cheryl Smith, one
copy donated by Janet Truckenbrodt.)
Ambrose, Kay. 1953. Beginners, Please! London: Adam and Charles Black.
Anderson, Carol. 1993. Judy Jarvis Dance Artist: A Portrait. Toronto: Dance Collection
Danse.
1

Anderson, Carol. 1998. This Passion: for the love of dance. Toronto: Dance Collection
Danse Press/es.
Anderson, Carol. 1999. Rachel Browne: Dancing Toward the Light. Winnipeg: J. Gordon
Shillingford.
Anderson, Carol. 1999. Chasing the Tale of Contemporary Dance, Part 1. Toronto:
Dance Collection Danse Press/es.
Anderson, Carol. 2002. Chasing the Tale of Contemporary Dance, Part 2. Toronto:
Dance Collection Danse Press/es.
Anderson, Carol. 2008. Unfold: A Portrait of Peggy Baker. Toronto: Dance Collection
Danse Press/Presse.
Anthony, Gordon. 1935. Markova: A Collection of Photographic Studies. London: Chatto
& Windus. (Donated by Joseph E.J. Beasley.)
Anthony, Gordon. 1945. Ballerina: Further Studies of Margot Fonteyn. London: Home
and Van Thal Ltd. (Donated by Joseph E.J. Beasley.)
Anthony, Gordon. 1946. Robert Helpmann. London: Home & van Thal. (Donated by Eva
Goldman.)
Anthony, Gordon. 1950. Margot Fonteyn. London: Phoenix House. (Donated by
Gweneth Lloyd, Box 8.)
Anthony, Gordon. 1952. Beryl Grey. London: Phoenix House.
Anthony, Gordon. 1952. Dancers of the World. London: Phoenix House. (Donated by
Eva Goldman.)
Arbeau, Thoinot and Cyril W. Beaumont, trans. 1925. Orchesography: A Treatise in the
Form of a Dialogue. London: C.W. Beaumont. (Donated by Alison Sutcliffe.)
Arbeau, Thoinot and Mary Stewart Evans, trans. 1948. Orchesography. New York:
Kamin Dance. (Donated by Gail Grant.)
Armitage, Merle, ed. 1937. Martha Graham. Los Angeles: Merle Armitage. (Donated by
Alison Sutcliffe.)
Armstrong, Lucile. 1948. Dances of Portugal. London: Max Parish & Co. (Donated by
Gweneth Lloyd, Box 7.)
Armstrong, Lucile. 1950. Dances of Spain: South Centre and North-West. London: Max
Parish & Co. (Donated by Gweneth Lloyd.)
2

Aschenbrenner, Joyce. 1980. Katherine Dunham. Reflections on the Social and Political
Contexts of Afro-American Dance. New York: Cord Inc.
Astaire, Fred. 1959. Steps in Time. New York: Harper & Brothers. (Donated by Joysanne
Sidimus.)
Atkinson, Margaret F. and Nancy Draper. 1951. Ballet for Beginners. New York: Alfred
A. Knopf. (Donated by Gail Grant.)
Aubel, Hermann and Marianne. 1928. Der Kunstlerische Tanz Unserer Zeit.
Verlag/Konigstein im Taunus & Leipzig: Karl Robert Langewiesche. (Donated by Alison
Sutcliffe.)
Augustyn, Frank and Barbara Sears. 2000. Dancing From the Heart: A Memoir. Frank
Augustyn. Toronto: McClelland & Stewart.
Ayrton, Michael, E. J. Dent and Constant Lambert. 1948. Purcell’s The Fairy Queen.
London: John Leeman. (Donated by Gail Grant.)
Balcar, J. Alexander and Vowort von Professor Pavel Ludikar. 1957. Knaurs Ballett
Lexikon. Zurich: Groemersche Verlagsanstalt. (Donated by Eva Goldman.)
Balkind, Alvin and R.A. Gledhill. 1979. Living Art. Vancouver: Western Front, Pumps,
Video Inn.
Banes, Sally. 1994. Writing Dance in the Age of Postmodernism. Hanover: Wesleyan
University. (Donated by Joysanne Sidimus.)
Barnes, Clive. 1977. Inside American Ballet Theatre. New York: Hawthorn.
Barrett, W.A. and J. Stainer, eds. A Dictionary of Musical Terms. London: Novello, Ewer
and Co. (Donated by Eva Goldman.)
Baryshnikov, Mikhail with Charles Engell France . 1980. Baryshnikov at Work: Mikhail
Baryshnikov Discusses His Roles. New York: Alfred A. Knopf. (Donated by Alison
Sutcliffe.)
Baum, Vicki. 1958. Theme for Ballet. New York: Dell. (Donated by Gail Grant.)
Beatty, Patricia. 1985. Form Without Formula. Toronto: Underwhich Editions.
Beatty, Patricia. 1994. Form Without Formula. Toronto: Dance Collection Danse.
3

Beaumont, Cyril W. and Stanislas Idzikowski. 1922. A Manual of The Theory and
Practice of Classical Theatrical Dancing (Méthode Cecchetti). London: C.W. Beaumont.
(Donated by Alison Sutcliffe.)
Beaumont, Cyril W. 1930. A History of Ballet in Russia (1613-1881). London: C.W.
Beaumont. (Donated by Joseph E.J. Beasley.)
Beaumont, Cyril. W. 1931. A French-English Dictionary of Technical Terms used in
Classical Ballet. London: C.W. Beaumont. (Donated by Alison Sutcliffe.)
Beaumont, Cyril W. 1933. Diaghilev. London: C.W. Beaumont. (Donated by Gail Grant.)
Beaumont, Cyril W. 1935. A Second Primer of Classical Ballet. London: C.W.
Beaumont. (Donated by Eva Goldman.)
Beaumont, Cyril W. 1938. Complete Book of Ballets: A Guide to the Principal Ballets of
the Nineteenth and Twentieth Centuries. New York: Grosset & Dunlap. (One copy
donated by Joseph E.J. Beasley, one copy donated by Gweneth Lloyd, Box 7.)
Beaumont, Cyril W. 1941 ed. Complete Book of Ballets: A Guide to the Principal Ballets
of the Nineteenth and Twentieth Centuries. New York: Garden City Publishing. (Donated
by Alison Sutcliffe.)
Beaumont, Cyril W. 1944. The Ballet Called Giselle. London: C.W. Beaumont. (Donated
by Joseph E.J. Beasley.)
Beaumont, Cyril W. 1944 ed. Supplement to Complete Book of Ballets. London: C.W.
Beaumont. (Donated by Joseph E.J. Beasley.)
Beaumont, Cyril W. 1945 ed. Michel Fokine and His Ballets. London: C.W. Beaumont.
(Donated by Joseph E.J. Beasley.)
Beaumont, Cyril W. 1945 ed. The Diaghilev Ballet in London: A Personal Record.
London: Putnam. (Donated by Joseph E.J. Beasley.)
Beaumont, Cyril W. 1946. The Sadler’s Wells Ballet: A detailed Account of Works in the
Permanent Repertory with Critical Notes. London: C.W. Beaumont. (Donated by Joseph
E.J. Beasley.)
Beaumont, Cyril W. 1946. Ballet Design: Past & Present. London: The Studio; New
York: Studio.
Beaumont, Cyril W. 1952. Supplement to Complete Book of Ballets. London: Putnam.
(Donated by Gail Grant.)
4

Beaumont, Cyril W. 1953 ed. A Primer of Classical Ballet for Children. London: C.W.
Beaumont.
Bedells, Phyllis. 1954. My Dancing Days. London: Phoenix House Ltd. (Donated by
Alison Sutcliffe.) (mentions Bettina Byers, Alison Sucliffe and Verity Sweeney)
Béjart, Maurice, Lincoln Kirstein, Marcia B. Siegal, Clement Crisp, John Percival, Rudi
Van Dantzig, Nadia Nerina and John Lanchbery. 1974. Ballet and Modern Dance.
London: Octopus.
Belknap, S. Yancey. 1941. Ballet Close-Ups. New York: Kamin. (Donated by Gail
Grant.)
Bell, Ken and Celia Franca. 1978. The National Ballet of Canada. Toronto: University of
Toronto Press. (Donated by F.A. Truckenbrodt.)
Bellingham, Susan. 1983 ed. A Catalogue of the Dance Collection in the Doris Lewis
Rare Book Room. Waterloo: University of Waterloo Library.
Benesh, Rudolph and Joan. 1955. An Introduction to Benesh Dance Notation. London:
Adam and Charles Black. (Donated by Gweneth Lloyd, Box 8)
Benois, Alexandre and Mary Britnieva, trans. 1945. Reminiscences of the Russian Ballet.
London: Putnam. (Donated by Joseph E.J. Beasley.)
Bentley, Toni. 1982. Winter Season. New York: Vintage Books. (One copy donated by
F.A. Truckenbrodt, one copy donated by Joysanne Sidimus.)
Berchoux, J. La Danse. Paris: Chez Giguet et Michaud. (Donated by Eva Goldman.)
Bevan, Donald and Edmund Trzcinski. 1951 (2 nd ed.). Stalag 17. New York: Dramatists
Play Service. (Donated by Gweneth Lloyd, Box 7.)
Bland, Alexander. 1976. The Nureyev Image. Montréal: Optimum.
Blewchamp, Anna. 1992. “Gweneth Lloyd and the Wise Virgins, the Development of an
Artist: The Reconstruction of the Ballet.” Toronto: Graduate Programme in Dance, York
University.
Bocharnikova, Yelena, Mikhail Gabovich and K. Danko, trans. Undated. Ballet School of
the Bolshoi Theatre. Moscow: Foreign Languages Publishing House. (Donated by Alison
Sutcliffe.)
Bogdanov Veresovsky, V. and Stephen Garry and Joan Lawson, trans. 1952. Ulanova
and the Development of the Soviet Ballet. London: MacGibbon & Kee. (Donated by
Alison Sutcliffe.)
5

Bonham Carter, Mark, Arnold L. Haskell and Michael Wood. 1955. Gala Performance.
London: Collins.
Borodin, George. 1940. This Thing Called Ballet. London: Macdonald & Co. (One copy
donated by Eva Goldman, one copy donated by Joseph E.J. Beasley.)
Bradly, Lionel. 1946. Sixteen Years of Ballet Rambert. London: Hinrichsen Edition.
(Donated by Joseph E.J. Beasley.)
Brahms, Caryl. 1944 ed. Footnotes to the Ballet. London: Peter Davies Ltd. (One copy
donated by Eva Goldman, one copy donated by Joseph E.J. Beasley.)
Brahms, Caryl. 1945 ed. Robert Helpmann: Choreographer. London: B.T. Batsford, Ltd.
(Donated by Joseph E.J. Beasley.)
Brahms, Caryl and S.J. Simon. 1946. Six Curtains for Natasha. Philadelphia: J.B.
Lippincott.
Brahms, Caryl. 1952 ed. A Seat at the Ballet. Great Britain: Evans Brothers Ltd.
(Donated by Alison Sutcliffe.)
Brillarelli, Livia. 1995. Cecchetti: A Ballet Dynasty. Toronto: Dance Collection Danse.
Brockett, Oscar G. 1968. History of Theatre. Boston: Allyn & Bacon.
Brooke, Iris. 1930 (2 nd ed.). English Children’s Costume. London: A. & C. Black.
(Donated by Gweneth Lloyd, Box 7)
Buckle, Richard. 1982. In the Wake of Diaghilev: Autobiography. London: Collins.
(Donated by Joysanne Sidimus.)
Buckman, Peter. 1979. Let’s Dance. New York: Penguin.
Buckroyd, Julia. 2000. The Student Dancer. London: Dance Books. (Donated by
Joysanne Sidimus.)
Buday, George. 1950. Dances of Hungary. London: Max Parrish & Company. (Donated
by Gail Grant.)
Cabrera, Miguel. 1978. Orbita del Ballet Nacional de Cuba 1948-1978. Ciudad de la
Habana: Editorial ORBE. (Donated by Alison Sutcliffe.)
Campbell, George. 1985. Performance. Thunder Bay: Link.
6

Carpenter, Bernadette. 1995. Spotlight Newsletters, 1951-1956. Toronto: Dance
Collection Danse.
Cartwright, Hilary. 1974. Dancing for a Living: Ballet and Contemporary Dance.
Reading: Educational Explorers. (Donated by Joysanne Sidimus.)
Case, Arthur E., George H. Nettleton. 1939. British Dramatics from Dryden to Sheridan.
Cambridge: The Riverside Press.
Chalif, Louis H. 1921. Russian Festivals and Costumes for Pageant and Dance. New
York: Chalif Russian School of Dancing. (Donated by Bettina Byers.)
Cherniavsky, Felix. 1991. The Salome Dancer. Toronto: McClelland & Stewart.
Cherniavsky, Felix. 1998. Maud Allan and Her Art. Toronto: Dance Collection Danse
Press/es.
Cherniavsky, Felix. 2001. The Cherniavsky Trio. Vancouver: Felix Cherniavsky.
Chujoy, Anatole and P.W. Manchester. The Dance Encyclopedia. 1967 ed. New York:
Simon and Schuster. (Donated by Gweneth Lloyd, CR.)
Clarke, Mary and Peter Revitt. 1949. Ballet Guyed. London: Ballet To-Day. (Donated by
Gail Grant.)
Clarke, Mary and Clement Crisp. 1974. Making a Ballet. London: Studio Vista. (Donated
by Gweneth Lloyd, Box 7.)
Clarke, Mary and David Vaughan. 1977. The Encyclopedia of Dance & Ballet. London:
Peerage. (Donated by Gweneth Lloyd, Box 8.)
Clarke, Mary and Clement Crisp. 1978. Ballet Art: From the Renaissance to the Present.
New York: Clarkson N. Potter. (One copy donated by Joysanne Sidimus, one copy
donated by Gweneth Lloyd, Box 7, one copy donated Linda Stearns.)
Coe, Robert. 1985. Dance in America. New York: E.P. Dutton.
Cohan, Robert. 1986. The Dance Workshop. London: Gaia. (Donated by Joysanne
Sidimus.)
Cohen, Selma Jeanne, ed. 2004 ed. International Encyclopedia of Dance. New York:
Oxford University Press. (Donated by Selma Odom.)
Coleman Lemieux & Co. Reconstructing/La Reprise de 15 Heterosexual Duets by/de
James Kudelka. 2006. Toronto: Dance Collection Danse Press/es.
7

Colin, Paul, Henry Louis Gates Jr. and Karen C.C. Dalton. 1998. Josephine Baker and la
Revue Nègre: Paul Colin’s Lithographs of le Tumulte Noir in Paris, 1927. New York:
Harry N. Abrams.
Collier, Clifford and Pierre Guilmette. 1982. Dance Resources in Canadian Libraries.
Ottawa: Canadian Government.
Como, William, ed. 1964. Raoul Gelabert’s Anatomy for the Dancer. New York: Danad.
(Donated by Dorothy Gordon.)
Como, William, ed. 1966. Raoul Gelabert’s Anatomy for the Dancer, Volume 2. New
York: Danad. (Donated by Dorothy Gordon.)
Conyn, Cornelius. 1948. Three Centuries of Ballet. Sydney: Australasian Publishing
Company. (Donated by Alison Sutcliffe.)
Cooper Garey, Carol, Jack Vartoogian and Linda Vartoogian. 1997. The Living World of
Dance. Rowayton: Saraband.
Cornell, Katherine and Nadine Saxton. 1998. Toronto Dance Theatre 1968-1998: Stages
in a Journey. Toronto: Captus Press.
Couillard, Paul. 2002. la Dragu. Toronto: Fado Performance.
Cousineau, Yves L-Ph. and Pierre Guilmette. 1983. Collection canadienne de gravures
en danse/Canadian Collection of Dance Prints. Montreal: Québec Été Danse. (Donated
by Linda Stearns.)
Crabb, Michael and Andrew Oxenham. 1977. Dance Today In Canada. Toronto: Simon
& Pierre.
Crabb, Michael. 1978. Visions: Ballet and Its Future. Toronto: Simon and Pierre. (One
copy donated by Joysanne Sidimus, one copy donated by Gweneth Lloyd, Box 7.)
Crabb, Michael. 2002. An Instinct for Success: Arnold Spohr and the Royal Winnipeg
Ballet. Toronto: Dance Collection Danse Press/es.
Crickmay, Anthony. 1982. Dancers. New York: William Morrow and Company.
(Donated by Alison Sutcliffe.)
Crisp, Clement and Peter Brinson. 1970. Ballet for All. London: Pan Books. (Donated by
Gweneth Lloyd, Box 7.)
Croce, Arlene. 1977. After-Images. New York: Alfred A. Knopf. (Donated by Gweneth
Lloyd, Box 7.)
8

Crosland, Margaret. 1957 edition. Ballet Carnival: A Companion to Ballet. London:
Arco. (Donated by Eva Goldman.)
Crowle, Pigeon. c. 1950. Moira Shearer: Portrait of a Dancer. London: Faber and Faber.
(Donated by Gweneth Lloyd, Box 7.)
Crowle, Pigeon. c. 1957. Come to the Ballet. New York: Pitman.
Dafoe, Christopher. 1990. Dancing Through Time. Winnipeg: Portage & Main.
Darling, Christopher and John Fraser. 1977. Kain & Augustyn. Toronto: The Macmillan
Company of Canada.
Davidson, Gladys. 1953 ed. Stories of the Ballets. London: Werner Laurie. (Donated by
Eva Goldman.)
Davies, Robertson, Tyrone Guthrie and Grant Macdonald. 1953. Renown at Stratford.
Toronto: Clarke, Irwin & Company.
Davis, Jesse. 1978. Classics of the Royal Ballet. London: Macdonald and Jane’s.
(Donated by Joysanne Sidimus.)
Davis, Mike. 1965. The Wonderful World of Ballet. London: Odhams Long Acre.
(Donated by Gweneth Lloyd, Box 8.)
Davis, Mike and Fernau Hall. 1970. The World of Ballet and Dance. London: Hamlyn.
(Donated by Gweneth Lloyd, Box 8.)
Davis, Prof. J.F. 1878. The Modern Dance Tutor; or Society Dancing. Toronto: Hawkins.
(Donated by Selma Odom.)
Delarue, Allison. 1976. Fanny Elssler in America. New York: Dance Horizons.
De Goncourt, Edmond. La Guimard. Paris: Ernest Flammarion. (Donated by Eva
Goldman.)
De Ménil, F. c.1905. Histoire de la Danse. Paris: Librairie d’Éducation Nationale.
(Donated by Eva Goldman.)
De Mille, Agnes. 1952 ed. Dance to the Piper. Boston: Little, Brown and Company.
(Donated by Alison Sutcliffe.)
De Mille, Agnes. 1954 ed. Dance to the Piper. New York: Bantam Books. (Donated by
Alison Sutcliffe.)
9

De Mille, Agnes. 1956 (2 nd ed.). Martha, The Life and Works of Martha Graham. New
York: Random House. (Donated by Joysanne Sidimus.)
De Mille, Agnes. 1958 ed. And Promenade Home. Boston: Little, Brown and Company.
(Donated by Alison Sutcliffe.)
De Mille, Agnes. 1963. The Book of the Dance. New York: Golden Press. (One copy
donated by Alison Sutcliffe, one copy donated by Gweneth Lloyd, Box 7.)
De Mille, Agnes. 1973. Speak to Me, Dance with Me. New York: Popular Library.
De Valois, Ninette. 1957 (2 nd ed.). Come Dance With Me. London: Reader’s Union.
(Donated by Joysanne Sidimus.)
Demery, Felix and Ruth French. 1950 ed. First Steps. Great Britain: Rush & Warwick.
Demery, Felix and Ruth French. 1950. Advanced Steps in Ballet. Great Britain: Rush &
Warwick. (Donated by Gweneth Lloyd, Box 8.)
Denby, Edwin. 1968. Looking at the Art of Dance. New York: Horizon. (Donated by F.A.
Truckenbrodt.)
Desti, Mary. 1929. The Life of Isadora Duncan 1921-1927: The Untold Story. New York:
Horace Liveright. (Donated by Alison Sutcliffe.)
Dewey, V. Persis. 1918. Tips to Dancers: Good Manners for Ballroom and Dance Hall.
Unknown publisher. (Donated by Alison Sutcliffe.)
Dodd, Craig. 1980. Ballet in Colour. London: Cathay.
Dolin, Anton. 1931. Divertissement. London: Sampson Low, Marston & Co. (Donated by
Eva Goldman.)
Dolin, Anton. 1950. Pas de Deux: The Art of Partnering. London: Adam and Charles
Black. (Donated by Gweneth Lloyd, Box 8.)
Dolin, Anton. 1953. Alicia Markova: Her Life and Art. New York: Hermitage House.
(Donated by Gweneth Lloyd, Box 8.)
Dolin, Anton. 1966. The Sleeping Ballerina. London: Frederick Muller. (Donated by
Joysanne Sidimus.)
Dolin, Anton. 1985. Last Words: A Final Autobiography. London: Century. (Donated by
Joysanne Sidimus.)
10

Dominic, Zoë and John Selwyn Gilbert. 1971. Frederick Ashton, a choreographer and
his ballets. London: George G. Harrap.
Doyle, Robert. 1999. Laundry, The Wits and Hows of Cleaning Clothes. Halifax:
Sartorial.
Draper, Nancy and Margaret F. Atkinson. 1951. Ballet For Beginners. New York: Alfred
A. Knopf. (Donated by Gail Grant.)
Dreier, Katherine S. 1933. Shawn The Dancer. London: J.M. Dent & Sons Ltd. (Donated
by Alison Sutcliffe.)
Du Boulay, Christine and Richard Ellis. 1955. Partnering. The Fundamentals of Pas de
Deux. London: C. W. Beaumont. (Donated by Gail Grant.)
Dublin, Anne. 2009. Dynamic Women Dancers. Toronto: Second Story Press, The
Women’s Hall of Fame Series. (Donated by Anne Dublin.)
Duncan, Isadora. 1927. My Life. New York: Garden City.
Duncan, Isadora. August 1928 ed. My Life. New York: Boni and Liveright. (Donated by
Alison Sutcliffe.)
Dyer, Philip and Charles Spencer. 1979. The World of Serge Diaghelev. New York:
Penguin.
Eaton, Flora McCrea. 1956. Memory’s Wall: The Autobiography of Flora McCrea Eaton.
Toronto: Clarke Irwin.
Ellenwood, Ray. 1985. Refus Global/Total Refusal. Toronto: Exile Editions. (Donated by
Ray Ellenwood.)
Ellis, Havelock. 1923. The Dance of Life. London: Constable.
Époque, Martine. 1999. Le Groupe Nouvelle Aire. Sainte-Foy: Presses de l’Université du
Quebec. (Donated by Martine Époque.)
Ernst, Earle. 1956. The Kabuki Theatre. New York: Grove.
Etting, Emlen. 1944. Drawing the Ballet. New York: The Studio.
Faukner, T.A. 1916. The Lure of the Dance. Los Angeles: T.A. Faulkner.
Febvre, Michèle, Laurier Lacroix, Pierre Ouellet and Thérèse Saint-Gelais. 2001. Jean-
Pierre Perreault; Regard Pluriel. Montréal: Les Heures bleues. (Donated by Michèle
Febvre with dedication by Jean-Pierre Perreault.)
11

Febvre, Michèle, Laurier Lacroix, Pierre Ouellet and Thérèse Saint-Gelais. Translated by
Steven Sacks. 2004. Jean-Pierre Perreault: Alternate Visions. Montréal: Blue Dawn
Press.
Fehl, Fred and Doris Hering. 1981. Giselle & Albrecht. New York: Dance Horizons.
Fisher, Hugh. 1955. Michael Somes. London: Adam and Charles Black.
Fisher, Hugh, ed. 1956. The Sadler’s Wells Theatre Ballet. London: Adam and Charles
Black. (Donated by Alison Sutcliffe.)
Fisher, Jennifer. 2003. Nutcracker Nation. New Haven: Yale University.
Fonteyn, Margot. 1976. Margot Fonteyn: Autobiography. New York: Alfred A. Knopf.
(Donated by Alison Sutcliffe.)
Fonteyn, Margot. 1980. A Dancer’s World. London: W. H. Allen. (Donated by Gweneth
Lloyd, Box 7.)
Fonteyn, Margot. 1980. The Magic of Dance. London: British Broadcasting Corporation.
Fonteyn, Margot. 1984. Pavlova Impressions. London: Weidenfeld and Nicolson.
Fonteyn, Margot. 1984. Pavlova: Portrait of a Dancer. New York: Viking. (Donated by
Gweneth Lloyd, Box 8.)
Fradkin, Herman. 1956. Raisa Struchkova. Moscow: Foreign Languages Publishing
House. (Donated by Alison Sutcliffe.)
France, Charles Engell and Martha Swope. 1976. Baryshnikov at Work. New York:
Alfred A. Knopf. (Donated by Gweneth Lloyd, Box 8.)
Frank, Elizabeth. 1958. Margot Fonteyn. London: Chatto & Windus. (Donated by Bert
Anderson.)
Franks, A.H. 1954. Twentieth Century Ballet. London: Burke. (Donated by Alison
Sutcliffe.)
Fraser, John. 1988. Private View. Toronto: Bantam Books.
Fyfe, Agnes. 1951. Dances of Germany. London: Max Parish. (Donated by Gweneth
Lloyd, Box 8.)
Galanti, Bianca M. 1950. Dances of Italy. London: Max Parrish. (Donated by Gail
Grant.)
12

Gale, Joseph. 1982. I Sang For Diaghilev: Michel Pavloff’s Merry Life. Brooklyn: Dance
Horizons.
Garafola, Lynn. 1989. Diaghilev’s Ballets Russes. New York: Oxford University.
Garcia-Márquez, Vicente. 1990. The Ballets Russes. New York: Alfred A. Knopf.
Garling, Jean. c. 1950. Australian Notes on the Ballet. Sydney: The Legend. (Donated by
Gail Grant.)
Gaston, Anne-Marie. 1996. Bharata Natyam: From Temple to Theatre. New Delhi:
Manohar.
Gautier, Theophile. 1947. The Romantic Ballet as Seen by Theophile Gautier. London:
C.W. Beaumont.
Geddes, Murray and Alec Tebbutt. 1980. European Summer Music Festivals. Toronto:
Concert Connection.
Geddes, Murray, Pamela Grundy, Sallie Lyons and Greg Parks. 1980. The Canadian
Dancers’ Survival Manual. Toronto: The Dancer’s Forum of the Dance Canada
Association.
Gehrkens, Karl W. c.1923. The Fundamentals of Music. Boston: Oliver Ditson. (Donated
by Gweneth Lloyd.)
Gélinas, Aline, ed. 1991. Jean-Pierre Perreault, Choréographe. Montréal: Les Herbes
Rouges.
Gélinas, Aline, ed. Translated by Lynn Carson. 1992. Jean-Pierre Perreault,
Choreographer. Toronto: Dance Collection Danse.
Getz, Leslie. 1995. Dancers and Choreographers. Wakefield: Moyer Bell.
Gherman, Beverly. 1990. Agnes de Mille: Dancing Off the Earth. New York: Macmillan.
(Donated by Joysanne Sidimus.)
Ginner, Ruby. 1960. Gateway to the Dance. London: Newman Neame.
Glotz, Michel and Robert Laffont. 1955. Serge Golovine. Paris: Robert Laffont. (One
copy donated by Eva Goldman, one copy donated by Alison Sutcliffe.)
Gould Lundy, Kathleen, Christine Jackson, Glenys McQueen Fuentes, Lorraine White
Sutherns and Lorna Wilson. 1999 ed. The Treasure Chest. Story, Drama and
Dance/Movement in the Classroom. Toronto: Toronto District School Board.
13

Graham, Martha. 1991. Blood Memory, An Autobiography. New York: Doubleday.
(Donated by Joysanne Sidimus.)
Grant, Gail. 1950. Technical Manual and Dictionary of Classical Ballet. New York:
Kamin Dance.
Grant, Gail. 1967 ed. Technical Manual and Dictionary of Classical Ballet. New York:
Dover. (Donated by John Faichney.)
Grant, Gail. 1982 ed. Technical Manual and Dictionary of Classical Ballet. New York:
Dover.
Gray, Felicity. 1952. Ballet for Beginners. London: Phoenix House. (Donated by
Gweneth Lloyd, Box 8.)
Gray, Judith A. 1992. Research in Dance IV: 1900-1990. Reston: American Alliance for
Health, Physical Education, Recreation and Dance.
Greco, José. 1977. The Gypsy in My Soul: An Autobiography. New York: Doubleday.
(Donated by Joysanne Sidimus.)
Gregory, John and Alexander Ukladnikov. 1990. Leningrad’s Ballet. Croesor: Zena.
Green, Michele. 2006. David Earle: A Choreographic Biography. Toronto: Dance
Collection Danse Press/Presses.
Grey, Beryl. 1965. Through the Bamboo Curtain. London: Collins. (Donated by Bert
Anderson.)
Griffiths, Trevor R. 1998. Stagecraft. New York: Knickerbocker.
Grigoriev, Serge Leonidovich and Vera Bowen, trans. 1960 ed. The Diaghilev Ballet
1909-1929. Harmondsworth, Middlesex: Penguin Books. (Donated by Alison Sutcliffe.)
Grindea, Miron and Carola. 1952. Dances of Rumania. London: Max Parish & Co.
(Donated by Gweneth Lloyd, Box 7.)
Gropius et Servane. 1947. A la Rencontre de Serge Lifar. Paris: Tous Droits. (Donatedby
Eva Goldman.)
Grove, Mrs. Lilly. 1901 ed. The Badminton Library of Sports and Pastimes – Dancing.
London: Longmans, Green, and Co. (Donated by Alison Sutcliffe.)
Gruen, John. 1979. Erik Bruhn: Danseur Noble. New York: The Viking Press.
14

Gruen, John. 1981. The World’s Great Ballets. New York: Harry N. Abrams.
Guest, Ivor. 1960. The Dancer’s Heritage. London: Morrison and Gibb. (Donated by Eva
Goldman.)
Guest, Ivor. 1982. Adventures of a Ballet Historian. An Unfinished Memoir. New York:
Dance Horizons.
Guillot, Genevieve and Germaine Prudhommeau. 1969. Grammaire de la Danse
Classique. Paris: Hachette. (Donated by Eva Goldman.)
Guilmette, Pierre. 1970. Bibliographie de la Danse Théâtrale au Canada. Ottawa:
Bibliothèque National du Canada.
Häger, Bengt. 1948. Alverdens Ballet. Copenhagen: Chr. Erichsens Forlag. (Donated by
Eva Goldman.)
Häger, Bengt. 1990. The Swedish Ballet. New York: Harry N. Abrams.
Hall, Fernau. 1947. Ballet. London: The Bodley Head. (Donated by Alison Sutcliffe.)
Hall, George A., ed. 1957. London’s Festival Ballet Annual 1956-57. London: The Grays
Inn. (Donated by Gweneth Lloyd, Box 8.)
Handley-Taylor, Geoffrey. 1947. Mona Inglesby: Ballerina and Choreographer. London:
Vawser & Wiles Ltd. (Donated by Joseph E.J. Beasley.)
Hansen, Henny Harald. 1956. Costumes and Styles. New York: E. P. Dutton.
Harris, Kristin, ed. 2008. Ethnologies: Dance in/Danse au Canada. Volume 30:1.
Ottawa: Canadian Heritage. (Donated by Kate Cornell.)
Hart, John. 1956. Ballet and Camera. London: Chatto & Windus.
Haskell, Arnold L. 1928. The Artists of the Dance: Vera Trefilova, A Study in Classicism.
London: British-Continental Press. (Donated by Alison Sutcliffe.)
Haskell, Arnold L. 1929. The Artists of the Dance: Anton Dolin, The “First Chapter”.
London: British-Continental Press. (Donated by Alison Sutcliffe, signed by Dolin and
Haskell.)
Haskell, Arnold L. 1931. The Artists of the Dance: Penelope Spencer and other studies.
London: British-Continental Press. (Donated by Alison Sutcliffe.)
Haskell, Arnold L. 1931 ed. The Artists of the Dance: The Marie Rambert Ballet.
London: British-Continental Press. (Donated by Alison Sutcliffe.)
15

Haskell, Arnold L. c. 1932. The Artists of the Dance: Our Dancers, 50 Photographic
Studies. London: British-Continental Press. (Donated by Alison Sutcliffe.) (signed by
Phyllis Bedells)
Haskell, Arnold L. 1935. Diaghileff: His Artistic and Private Life. London: Victor
Gollancz Ltd. (Donated by Joseph E.J. Beasley.)
Haskell, Arnold L. 1938. Ballet. Harmondsworth: Penguin. Illustrations by Kay
Ambrose. (One copy donated by Gail Grant, one copy donated by John Faichney, one
copy donated by F.A. Truckenbrodt, one copy donated by Alison Sutcliffe, one copy
donated by Gweneth Lloyd, Box 7.)
Haskell, Arnold L. 1938 (3 rd ed.). Ballet Panorama. London: Batsford. (Donated by
Joysanne Sidimus.)
Haskell, Arnold L. and Merlyn Severn. 1938. Ballet in Action. London: The Bodley
Head.
Haskell, Arnold L., ed. 1940. Ballet—To Poland. London: Adam and Charles Black.
(Donated by Eva Goldman.)
Haskell, Arnold L. 1946. Ballet Since 1939. London: Longmans Green.
Haskell, Arnold L. 1947. The Ballet Annual: A Record and Year Book of the Ballet, First
Issue. London: Adam and Charles Black. (One copy donated by Joseph E.J. Beasley, one
copy donated by Linda Stearns.)
Haskell, Arnold L. 1947 ed. Prelude to Ballet: An Analysis and a Guide to Appreciation.
London: Thomas Nelson & Sons Ltd. Illstrations by Mtislav Doboujinsky. (Donated by
Alison Sutcliffe.)
Haskell, Arnold L. 1948. The Ballet Annual: A Record and Year Book of the Ballet,
Second Issue. London: Adam and Charles Black. (Donated by Linda Stearns.)
Haskell, Arnold L., Dilys Powell, Rollo Myers and Robin Ironside. 1948. Since 1949.
London: Readers Union. (Donated by Eva Goldman.)
Haskell, Arnold L. 1949 ed. Ballet. Harmondsworth: Penguin.
Haskell, Arnold L. 1950. Baron at the Ballet. St James Place, London: Collins.
Haskell, Arnold. L. 1950. The Ballet Annual 4. London: Adam and Charles Black.
Haskell, Arnold L. 1951. Ballet 1945-1950. London: Longmans, Green and Co. (One
copy donated by Eva Goldman, one copy donated by Gweneth Lloyd, Box 8.)
16

Haskell, Arnold. L. 1951. The Ballet Annual 5. London: Adam and Charles Black.
(Donated by Gweneth Lloyd, Box 8.)
Haskell, Arnold L. 1952. Baron Encore. London: Collins. (One copy donated by Eva
Goldman, one copy donated by Gweneth Lloyd, Box 7.)
Haskell, Arnold L. 1953. The Ballet Annual: A Record and Year Book of the Ballet,
Seventh Issue. London: Adam and Charles Black. (Includes article by Celia Franca on
The National Ballet of Company of Canada.) (Donated by Alison Sutcliffe.)
Haskell, Arnold. 1954. A Picture History of Ballet. London: Hulton.
Haskell, Arnold L. 1954. Ballet Panorama by Baron. New York: Rinehart.
Haskell, Arnold L., ed. 1958. World Ballet. London: Hulton Press. (Donated by Alison
Sutcliffe.)
Haskell, Arnold L. 1961. The Beauty of Ballet. London: Max Parrish.
Haskell, Arnold L. 1972. Balletomane at Large. London: Heinemann. (Donated by
Joysanne Sidimus.)
Haskins, James. 1990. Black Dance in America: A History through its People. New
York: HarperCollins. (Donated by Joysanne Sidimus.)
Hellsen, Henry. 1944. Harlekin Og Columbine. Copenhagen: Carit Andersens Forlag.
(Donated by Eva Goldman.)
Herman, Michael. 1947. Folk Dances For All. New York: Barnes & Noble. (Donated by
Arthur Potvin.)
Highland Dancing. 1955. London: Thomas Nelson and Sons. (Donated by Gweneth
Lloyd, Box 8.)
Hill, Ralph, ed. 1948. The Penguin Music Magazine. Harmondsworth, Middlesex:
Penguin Books.
Hoare, Phillip. 1997. Wilde’s Last Stand. London: Duckworth. (Donated by Phillip
Hoare.)
Humphrey, Doris. 1959. The Art of Making Dances. New York: Grove.
Hurok, Sol. 1946. Impresario. New York: Random House. (Donated by Eva Goldman.)
17

Hussey, Dyneley, Sacheverell Sitwell, Joy Newton and Tamara Karsavina. 1949. The
Sleeping Beauty. London: The Bodley Head.
Hutchison, Ann. 1954. Labanotation. New York: New Directions.
Hyden, Walford. 1931. Pavlova. London: Constable & Co. (Donated by Eva Goldman.)
Jacob, Ellen. 1993. Dancing. New York: Variety Arts.
Jackson, Graham. 1978. Dance as Dance. Scarborough: Catalyst. (Donated by Joysanne
Sidimus.)
Jackson, Naomi M. 2004. Right to Dance: Dancing for Rights. Banff: Banff Centre Press.
Jeppesen, Jeppe and Poul Lorenzen. 1950. Dances of Denmark. London: Max Parrish.
(Donated by Gweneth Lloyd, Box 8.)
Johnson, A.E. 1913. The Russian Ballet. London: Constable & Co. (Donated by Gweneth
Lloyd, Box 8.)
Jowitt, Deborah. 2004. Jerome Robbins. His Life, His Theatre, His Dance. New York:
Simon & Schuster.
Kaeja, Allen, Karen Kaeja and Carol Oriold. 2000. Express Dance. Toronto: Dance
Collection Danse Press/es.
Kahane, Martine. 2006. Bêtes de Scène. Paris: Bibliothèque Nationale de France.
(Donated by Centre national du costume de scène.)
Kahane, Martine. 2006. Théodore de Banville et le Théâtre. Paris: Sogomy Editions
D’art. (Donated by Centre national du costume de scène.)
Kahane, Martine. 2007. Christian Lacroix Costumier. Paris: Les Editions du Mécène.
(Donated by Centre national du costume de scène.)
Kahane, Martine. 2008. Costumes des Mille et une Nuits. Paris: Bleu Autour. (Donated
by Centre national du costume de scène.)
Kahn, Albert E. 1962. Days with Ulanova: An Intimate Portrait of the Legendary Russian
Ballerina. New York: Simon and Schuster. (Donated by Alison Sutcliffe.)
Kain, Karen. 1994. Karen Kain. Movement Never Lies: An Autobiography. Toronto:
McClelland and Stewart.
Kaplan, Larry and Edward Villella. 1992. Prodigal Son. New York: Simon & Schuster.
18

Karsavina, Tamara. 1931 ed. Theatre Street: The Reminiscences of Tamara Karsavina.
London: William Heinemann Ltd. (Donated by Alison Sutcliffe.)
Katsarova, Raina. 1951. Dances of Bulgaria. London: Max Parish & Co. (Donated by
Gweneth Lloyd, Box 7.)
Kellermann, Heinz H. 1957. Gert Reinholm. Berlin: Rembrandt-Verlag. (Donated by
Bettina Byers.)
Kibler, M. Alison. 1999. Rank Ladies. Chapel Hill: The University of North Carolina.
Kirkland, Gelsey and Greg Lawrence. 1986. Dancing On My Grave. Garden City:
Doubleday.
Kirstein, Lincoln. 1935 (2 nd ed.). The Book of the Dance: A Short History of Classical
Theatrical Dancing. New York: Garden City. (Donated by Joysanne Sidimus.)
Kirstein, Lincoln. 1939. Ballet Alphabet, A Primer for Laymen. New York: Kamin
Publishers.
Kislan, Richard. 1987. Hoofing on Broadway. New York: Prentice Hall.
Kochno, Boris, Jane Pritchard, Shelly Tobin and Nancy Lassalle. 1987. Les Ballets 1933.
Brighton: The Royal Pavillion, Art Gallery & Museums.
Kostrovitskaya, V. and A. Pisarev. 1978. School of Classical Dance. Moscow: Progress.
(Donated by Gweneth Lloyd, Box 8.)
Kragh-Jacobsen, Svend. 1945. Balletens Blomstring Ude Og Hjemme. Copenhagen:
Rasmus Navers Forlag. (Donated by Eva Goldman.)
Kragh-Jacobsen, Svend. 1953. Balletten 1945-52. Copenhagen: Areté. (Donated by Eva
Goldman.)
Kuklin, Susan. 1987. Reaching for Dreams. New York: Lothrop, Lee & Sheppard.
Kurth, Peter. 2001. Isadora. A Sensational Life. Boston: Little, Brown and Company.
La Meri. 1933. Dance as an Art-Form: Its History and Development. New York: A.S.
Barnes and Company. (Donated by Alison Sutcliffe.)
L’art de Ballet. Paris: Éditions du Tambourinaire. (Donated by Eva Goldman.)
Lacroix, Paul. 1971. Moeurs, Usages et Costumes au Moyen Usage et a l’Époque de la
Renaissance. Paris: Librairie de Firmin Didot Freres. (Donated by Eva Goldman.)
19

Lämmel, Rudolf. Der Moderne Tanz. Berlin: Peter J. Oestergaard. (Donated by Eva
Goldman.)
Lane, Janet. 1934. Your Carriage, Madam! A Guide to Good Posture. New York: John
Wiley & Sons, Inc. (Donated by Alison Sutcliffe.)
Lapointe, Pierre. 1999. Trois danseurs intrépides. Montréal: Les Éditions Francine
Breton.
Lawrence, Robert. 1940. Petrouchka. New York: Random House. (Donated by Gail
Grant.)
Lawrence, Robert. 1940. The Three-Cornered Hat by Manuel De Falla. New York:
Random House.
Lawrence, Robert. 1950. The Victor Book of Ballets and Ballet Music. New York: Simon
and Schuster. (Donated by Gweneth Lloyd, Box7.)
Lee, Betty. 1951. Dancing. United States: Pioneer.
Lee, Elliott. 1947. Paintings of the Ballet. London: Collins.
Leeper, Janet. 1944. English Ballet. London: Penguin Books. (One copy donated by Gail
Grant, one copy donated by Eva Goldman, one copy donated by Alison Sutcliffe.)
Leeper, Janet. 1944, ed. English Ballet. London: Penguin Books. (Donated by Linda
Stearns.)
Legat, Nicolas and Sir Paul Dukes, KBE, trans. 1931. The Artists of the Dance: The Story
of the Russian School. London: British-Continental Press. (Donated by Alison Sutcliffe.)
Leifer, Fred. 1951. The Folk Dance Memorizer. New York: Fred Leifer, Tex Lighting
Dance Enterprises.
Leigh Foster, Susan. 1986. Reading Dancing: Bodies and Subjects in Contemporary
American Dance. Los Angeles: University of California. (Donated by Joysanne Sidimus.)
Leighton, David and Peggy Leighton. 1982. Artists, Builders and Dreamers. Toronto:
McClelland and Stewart.
Lewis, Daniel. 1971. The Illustrated Dance Technique of José Limón. New York: Harper
and Row.
Lido, Serge. 1950. Sauts: Photographies de Serge Lido. New York: Editions A. De
Milly. (Donated by Linda Stearns.)
20

Lido, Serge. 1954. Ballet 4. New York: Editions A. De Milly. (Donated by Linda
Stearns.)
Lido, Serge. 2000. Ballet Horizon 2000. New York: VILO. (Donated by Alison
Sutcliffe.)
Lieven, Prince Peter. 1936. The Birth of Ballets-Russes. London: George Allen & Unwin.
(Donated by Joseph E.J. Beasley.)
Lifar, Serge. 1945 ed. Serge Diaghilev, His Life, His Work, His Legend: An Intimate
Biography. London: Putnam. (Donated by Joseph E.J. Beasley.)
Lifar, Serge. 1947. Carlotta Grisi. London: John Lehmann. (One copy donated by Eva
Goldman, one copy donated by Gweneth Lloyd, Box 8.)
Lifar, Serge. 1950. Auguste Vestris: le Dieu de la Danse. Paris: Nagel. (Donated by Eva
Goldman.)
Lifar, Serge. 1951. On Ballet. London: Allan Wingate. (Donated by Eva Goldman.)
Lindgren, Allana. 2003. From Automatism to Modern Dance: Françoise Sullivan with
Franziska Boas in New York. Toronto: Dance Collection Danse Press/es.
Lindsay, John C. 1983. Turn Out The Stars Before Leaving. Erin: The Boston Mills
Press.
Lloyd, Margaret. 1949. The Borzoi Book of Modern Dance. New York: Knopf. (Donated
by Joysanne Sidimus.)
Lobet, Marcel. c. 1958. Le Ballet Français d’Aujourd’hui. Brussels: Goemaere. (Donated
by Eva Goldman.)
Loney, Glenn. 1984. Unsung Genius: The Passion of Dancer-Choreographer Jack Cole.
New York: Franklin Watts. (Donated by Joysanne Sidimus.)
Lubinova, Mila. 1949. Dances of Czechoslovakia. London: Max Parrish & Co. (Donated
by Gweneth Lloyd, Box 7.)
Lvov-Anokhin, B. 1956. Galina Ulanova. Moscow: Foreing Languages Publishing
House. (Donated by Alison Sutcliffe.)
Lynham, Deryck. 1947. Ballet Then and Now. London: Sylvan. (Donated by Gweneth
Lloyd, Box 8.)
Macaulay, Alastair. 1998. Margot Fonteyn. Gloucestershire: Sutton. (Donated by
Joysanne Sidimus.)
21

Macdonald, Grant. 1945. Sailors. Toronto: The Macmillan Company of Canada.
Macdonald, Nesta. 1975. Diaghelev Observed: By Critics in England and the United
States 1911-1929. London: Dance Books; New York: Dance Horizons.
Macgeorge, Norman. 1947. Borovansky Ballet in Australia and New Zealand.
Melbourne: F.W. Cheshire.
MacLennan, D.G.C. and Jean Milligan. 1958 ed. Dances of Scotland. London: Max
Parish. (Donated by Gail Grant.)
Macpherson, Susan, ed. 1996. Dictionary of Dance: Words, Terms and Phrases. Toronto:
Dance Collection Danse Press/es.
Macpherson, Susan, ed. 1997. 101 from the Encyclopedia of Theatre Dance in Canada.
Toronto: Dance Collection Danse Press/es.
Macpherson, Susan, ed. 2000. Encyclopedia of Theatre Dance in Canada/Encyclopédie
de la Danse Théâtrale au Canada. Toronto: Dance Collection Danse Press/es.
Magriel, Paul. 1977. Nijinsky, Pavlova, Duncan. New York: Da Capo.
Makarova, Natalia. 1979. A Dance Autobiography. New York: Alfred A. Knopf.
(Donated by Alison Sutcliffe.)
Manchester, P.W. 1942. Vic-Wells: A Ballet Progress. London: Victor Gollancz Ltd.
(Donated by Alison Sutcliffe.)
Manchester, P.W. 1943 ed. Vic-Wells: A Ballet Progress. London: Victor Gollancz Ltd.
(One copy donated by Gail Grant, one copy donated by Eva Goldman.)
Mann, George. 1993. Theatre Lethbridge. Calgary: Detselig Enterprises.
Mann, George A. 2004. Sterndale Bennett: A Man for All Theatre. Lethbridge:
Lethbridge Historical Society.
Mara, Thalia and Lee Wyndham. 1955. First Steps in Ballet. Garden City: Garden City.
(Donated by Gail Grant.)
Mara, Thalia. 1956. Second Steps in Ballet. Garden City: Garden City. (Donated by Gail
Grant.)
Mara, Thalia. 1957. Third Steps in Ballet. Garden City: Garden City. (Donated by Gail
Grant.)
22

Markova, Alicia. 1960. Giselle and I. New York: The Vanguard Press.
Markova, Dame Alicia. 1986. Markova Remembers. Boston: Little, Brown and
Company.
Martin, John. 1933 (1st ed.). The Modern Dance. New York: Dance Horizons. (Donated
by Alison Sutcliffe.)
Martin, John. 1933 (5 th ed.). The Modern Dance. New York: Dance Horizons.
Martin, John. 1936. America Dancing: The Background and Personalities of the Modern
Dance. New York: Dodge Publishing Company. (Donated by Alison Sutcliffe.)
Martin, John. 1946. The Dance. New York: Tudor.
Martin, John. 1952. World Book of Modern Ballet. Cleveland: The World Publishing
Company. (One copy donated by Bert Anderson, one copy donated by Fred
Truckenbrodt.)
Martin, John. 1963. John Martin’s Book of the Dance. New York: Tudor.
Masefield, John and Edward Seago. 1938. Tribute to Ballet. London: Collins. (Donated
by Eva Goldman.)
Massine, Leonide. 1976. Massine on Choreography. London: Faber & Faber.
Mavor, James. 1898. Victorian Era Ball. Toronto: Roswell & Hutchison.
Mazo, Joseph H. 1974. Dance is a Contact Sport. New York: Saturday Review Press/E.P.
Dutton. (Donated by Gweneth Lloyd, Box 7.)
McCallum, Heather. 1973. Research Collections in Canadian Libraries: Theatre
Resources in Canadian Collections. Ottawa: National Library of Canada.
McCann, Colum. Dancer. 2003. London: Weidenfeld & Nicolson. (Donated Joysanne
Sidimus.)
McConnell, Joan. 1977. Ballet as Body Language. New York: Harper & Row. (Donated
by Joysanne Sidimus.)
McDonagh, Don. 1973. Martha Graham. New York: Popular Library.
McGowan, Margaret M. 1963. L’art du Ballet de Cour en France. Paris: Quai Anatole-
France. (Donated by Eva Goldman.)
23

McGuinness-Scott, Julia. 1983. Movement Study and Benesh Movement Notation.
London: Oxford University.
McIntyre, Patrick. 2003. Once A Dancer. Spennymoor: The Memoir Club.
Meek, Thomas S. and Frances Putnam Pogle. 1901. The Standard Canadian Speaker and
Entertainer. Chicago: John C. Winston. (Donated by Eva Goldman.)
Meerloo, Joost A.M. 1960. The Dance: From Ritual to Rock and Roll – Ballet to
Ballroom. Philadelphia and New York: Chilton Company – Book Division. (Donated by
Alison Sutcliffe.)
Mendelsohn, Felix. 1913. The Story of a Hundred Operas. New York: Grosset & Dunlap.
(Donated by Gweneth Lloyd, Box 7.)
Metropolitan Museum of Art, The. 1978. Diaghilev. New York: The Metropolitan
Museum of Art.
Micheli, Lyle, Ruth Solomon and John Solomon. 1991. Soviet-American Dance
Medicine. Erston: American Alliance for Health, Physical Education, Recreation and
Dance.
Millar Grant, Janet. 1991. Moving Into Language Arts. Richmond Hill: Scholastic
Canada.
Millar Grant, Janet. 1992. Creativity in Motion. Holmes Beach: Learning Publications.
Millar Grant, Janet. 1995. Shake, Rattle & Learn. Markham: Pembroke.
Mitchell, Lillian Leonora. 1982. Boris Volkoff: Dancer, Teacher, Choreographer. Ann
Arbour: University Microfilms International.
Moore, Lillian. 1938. Artists of the Dance. New York: Thomas Y. Crowell Company.
(Donated by Alison Sutcliffe.)
Monahan, James. 1957. Fonteyn. A Study of the Ballerina in her Setting. New York:
Pitman. (Donated by John Herbert.)
Money, Keith. 1982. Anna Pavlova: Her Life and Art. New York: Alfred A. Knopf.
(Donated by Alison Sutcliffe.)
Montagu-Nathan, M. 1932. The Artists of The Dance: Mlle. Camargo. London: British-
Continental Press. (Donated by Alison Sutcliffe.)
Morley, Carl and Ezra Schabas. 2000. Opera Viva. Canadian Opera Company: The First
Fifty Years. Toronto: Dundurn.
24

Morley, Iris. 1945. Soviet Ballet. London: St. James Place. (One copy donated by Alison
Sutcliffe, one copy donated by Eva Goldman.)
Neufeld, James. 1996. Power to Rise: The Story of the National Ballet of Canada.
Toronto: University of Toronto.
New York Public Library, The. 1962. Stravinsky and the Dance. New York: The Dance
Collection of The New York Public Library.
Nicolaeva-Legat, N. 1953. Preparation For Ballet. London: Gerald Duckworth. (Donated
by Gail Grant.)
Nikolayev, V., ed. 1954. Soviet Literature. (chapter by Galina Ulanova) Moscow: Soviet
Writer Publishing House. (Donated by Alison Sutcliffe.)
Nijinsky, Romola. 1933. Nijinsky. London: Victor Gollancz Ltd. (Donated by Joseph E.J.
Beasley.)
Noverre, Jean-Georges and C.W. Beaumont, trans. 1930. Letters on Dancing and Ballets.
London: C.W. Beaumont. (Donated by Alison Sutcliffe.)
Odom, Selma and Mary Jane Warner. 1994. Canadian Dance Studies 1. North York:
Graduate Programme in Dance. Department of Dance, Faculty of Fine Arts. York
University.
Odom, Selma and Mary Jane Warner. 1997. Canadian Dance Studies 2. North York:
York University.
Odom, Selma Landen and Mary Jane Warner. 2004. Canadian Dance: Visions and
Stories. Toronto: Dance Collection Danse Press/es.
Oliphant, Betty. 1996. My Life in Dance. Winnipeg: Turnstone.
Owen, Norton. 1997. A Certain Place: The Jacob’s Pillow Story. Becket: Jacob’s Pillow
Dance Festival.
Perugini, Mark Edward. 1946. A Pageant of the Dance & Ballet. London: Jarrolds.
(Donated by Gweneth Lloyd, Box 7.)
Pasoli, Robert. 1970. A Book on Open Theatre. New York: Avon.
Pepper, Kaija. 2000. Theatrical Dance in Vancouver: 1880’s-1920’s. Toronto: Dance
Collection Danse Press/es.
25

Pepper, Kaija. 2001. The Dance Teacher: A Biography of Kay Armstrong. Toronto:
Dance Collection Danse Press/es.
Pepper, Kaija. 2007. The Man Next Door Dances: The Art of Peter Bingham. Toronto:
Dance Collection Danse Press/Presse.
Pepper, Kaija. Winter 2008. “Resurrecting Étude.” Queen’s Quarterly. Vol. 115, No. 4,
548-557.
Percival, John. 1975. Nureyev: Aspects of the Dance. New York: G.P. Putnam’s Sons.
(Donated by Natalia Butko.)
Plant, Richard and Anton Wagner. 1978. Canada’s Lost Plays Volume One. Toronto:
CTR Publications.
Plant, Richard and Ann Saddlemyer. 1997. Later Stages. Toronto: University of Toronto
Press.
Pollock, John. 1958. Curtain Up. London: Peter Davies. (Donated by Gweneth Lloyd,
Box 7.)
Pomer, Janice. 2002. Perpetual Motion. Windsor: Human Kinetics.
Pougin, Arthur, ed. 1885. Dictionnaire du Théâtre. Paris: Librairie de Firmin-Didot.
(Donated by Eva Goldman.)
Potts, Nadia with illustrations by Rhonda Ryman. 2007. Betty Oliphant: The Artistry of
Teaching – A Series of Ballet Classes. Toronto: Dance Collection Danse Press/Presse.
Prichard Moor, Arthur. 1938. The Library-Museum of Music and Dance: A Study of
Needs and Resources, Leading to Suggestions for an Educational Program. New York:
Bureau of Publications, Teachers College, Columbia University. (Donated by Alison
Sutcliffe.)
Princess Ballet Book no 3. 1964. Fleetway. (Donated by Eva Goldman.)
Proceedings of the First National Dance Congress & Festival. 1936. New York: Joint
Committee of the First National Dance Congress & Festival. (Donated by Alison
Sutcliffe.)
Ptak, Andrew. 1984. The Ballet Book, A Young Dancer’s Guide. Toronto: Key Porter.
Racster, Olga. 1923. The Master of the Russian Ballet: The Memoirs of Cav. Enrico
Cecchetti. New York: E.P. Dutton and Company. (Donated by Alison Sutcliffe.)
Raider, Ruth. 1944. Modern Dance, For the Youth of America. New York: A.S. Barnes.
26

Rainer, Yvonne. 1974. Yvonne Rainer, Work of 1961-73. New York: New York
University.
Rambert, Marie. 1972. Quicksilver. London: Macmillan. (Donated by Gweneth Lloyd,
Box 8.)
Red Detachment of Women. 1972. Peking: Foreign Languages Press. (Donated by Alison
Sutcliffe.)
Redgrave, Michael. 1983. An Actor’s Autobiography. New York: The Viking Press.
Reiss, Françoise. 1957. Nijinsky. London: Adam & Charles Black.
Renaudeau, Olivier. 2007. Jaime les Militaires! Paris: Somogy Editions d’art.
Rennie, Karen. 1992. Moon Magic, Gail Grant and the 1920s Dance in Regina. Toronto:
Dance Collection Danse.
Reyna, Ferdinando. 1964. Histoire du Ballet. Paris: Éditions Aimery Somogy. (Donated
by Eva Goldman.)
Reynolds, Nancy, ed. 1979. The Dance Catalog: A Complete Guide to Today’s World of
Dance. New York: Harmony. (Donated by Dorothy Gordon.)
Rice, Cyril. 1931. The Artists of the Dance: Dancing in Spain (Argentina and Escudero).
London: British-Continental Press. (Donated by Alison Sutcliffe.)
Richard, Alain-Martin and Clive Robertson. 1991. Performance Au·In Canada 1970-
1990. Québec: Éditions Intervention; Toronto: Coach House.
Roger-Marx, Claude. 1956. Degas Dancers. London: Methuen and Co. Ltd. (Donated by
Linda Stearns.)
Rosavleva, Natalia. 1966. Era of the Russian Ballet. London: Victor Gollancz. (Donated
by Eva Goldman.)
Rosenburg, Harold. 1972. The De-definition of Art. New York: Collier.
Roslavleva, N. 1956. Maya Plisetskaya. Moscow: Foreign Languages Publishing House.
(Donated by Alison Sutcliffe.)
Ross, Malcolm. 1958. The Arts in Canada. Canada: The Macmillan Company. (Donated
by Gweneth Lloyd, Box 7.)
27

Rossi, Luigi. c. 1970. Il Ballo Alla Scala. Italy: Edizioni Della Scala. (Donated by Eva
Goldman.)
Royal Academy of Dancing, The. 1993. Step By Step Ballet Class. London: Ebury.
Royal Academy of Dancing, The. 1997. The Foundations of Classical Ballet Technique.
London: The Royal Academy of Dancing.
Royal Commission on National Development in The Arts, Letters & Sciences. 1951.
Report. Ottawa: Edmund Cloutier.
Ryan, Toby Gordon. 1981. Stage Left: Canadian Theatre in the Thirties. Toronto: CTR.
Ryman, Rhonda. 1998. Ryman’s Dictionary of Classical Ballet Terms: Cecchetti.
Toronto: Dance Collection Danse Press/es.
Ryman, Rhonda S. 2000. Reading Southeast Asian Dance: Selected Labanotation Scores.
Singapore: UniPress for SPAFA.
Ryman, Rhonda with Lawrence Adams. 2003. DanceForms 1.0 Software for Visualizing
and Chronicling Choreography: A Practical Guide. Toronto: Dance Collection Danse
Press/es.
Saddlemyer, Ann. 1990. Early Stages: Theatre in Ontario, 1800-1914. Toronto: OHSS.
Saillard, d’Olivier. 2007. Jean Paul Gaultier, Régine Chopinot, Le Défilé. Paris: Les Arts
Décoratifs.
Sayers, Dorothy L. Lord Peter Views the Body. London: Victor Gollancz. (Donated by
Gweneth Lloyd, Box 7.)
Schouvaloff, Alexander. 1997. The Art of Ballets Russes. New Haven: Yale University.
(Donated by John Faichney.)
Schwezoff, Igor. 1935. Borzoi. London: Hodder and Stoughton.
Semb, Klara. 1951. Dances of Norway. London: Max Parish & Co. (Donated by Gweneth
Lloyd, Box 7.)
Seymour, Maurice. 1947. Seymour on Ballet: 101 Photographs. Chicago: Pellegrini and
Cudahy. (Donated by Alison Sutcliffe.) (includes Anna Istomina/Audree Thomas)
Shaw, Lloyd. 1939 (2 nd ed.). Cowboy Dances. Caldwell: Caxton.
Shawn, Ted. 1935. Fundamentals of a Dance Education. Kansas: Haldeman-Julius
Publications. (Donated by Alison Sutcliffe.)
28

Shawn, Ted. 1954. Every Little Movement. Ted Shawn. (Donated by Gweneth Lloyd,
Box 8.)
Shead, Richard. 1989. Ballets Russes. New Jersey: The Wellfleet Press.
Silvester, Victor. 1952. Modern Ballroom Dancing. London: Herbert Jenkins.
Slominsky, Yuri. 1957. The Bolshoi Theatre Ballet. Moscow: Foreign Languages
Publishing House. (Donated by Alison Sutcliffe.)
Slominsky, Yuri. c. 1963 ed. The Bolshoi Ballet. Moscow: Foreign Languages Publishing
House.
Solway, Diane. 1994. A Dance Against Time. New York: Pocket Books.
Sorell, Walter. 1967. The Dance Through the Ages. New York: Grosset & Dunlap.
(Donated by Gweneth Lloyd, Box 7.)
Sotheby. 1969. Sergei Diaghilev, Boris Kniasseff, Max Reinhardt. London: Sotheby.
Sparger, Celia. 1952. Anatomy and Ballet. London: Adam & Charles Black. (Donated by
Alison Sutcliffe.)
Sparger, Celia. 1952. Beginning Ballet. London: Adam and Charles Black. (Donated by
Alison Sutcliffe.)
Sparger, Celia. 1970. Anatomy and Ballet. London: Adam & Charles Black. (Donated by
Gweneth Lloyd, Box 7.)
State Academic Bolshoi Theatre of the U.S.S.R. 1956. Opera. Ballet. Moscow: State
Academic Bolshoi Theatre of the U.S.S.R. (Donated by Gail Grant.)
Stokes, Adrian. 1935. Russian Ballets. London: Faber & Faber Ltd. (Donated by Alison
Sutcliffe.) (signed by author)
Stokes, Adrian. 1945 ed. To-night the Ballet. London: Faber & Faber Ltd. (Donated by
Alison Sutcliffe.)
Streatfield, Noel. 1959. Noel Streatfield’s Ballet Annual. London: Collins.
Streatfield, Noel. 1959. The Royal Ballet School. London: Collins. (Donated by Joysanne
Sidimus.)
Strate, Grant. 1996. Guide to Career Training in the Dance Arts. Toronto: Dance
Collection Danse.
29

Strate, Grant. 1997. China Dance Journal. Toronto: Dance Collection Danse Press/es.
Strate, Grant. 2002. Grant Strate: A Memoir. Toronto: Dance Collection Danse Press/es.
Swinson, Cyril. 1950. Dancers and Critics. Bristol: Adam and Charles Black. (One copy
donated by Joysanne Sidimus, one copy donated by Gweneth Lloyd, Box 8.)
Swope, Martha. 1977. A Midsummer Night’s Dream. New York: Dodd, Mead &
Company. (Donated by Joysanne Sidimus.)
Tallchief, Maria. 1997 ed. Maria Tallchief: America’s Prima Ballerina. Gainesville:
University Press of Florida. (Donated by Joysanne Sidimus.)
Taplin, Diana Theodores. 1979. New Directions in Dance. Toronto: Pergamon.
Taylor, Paul. 1987. Private Domain, An Autobiography. New York: Knopf. (Donated by
Joysanne Sidimus.)
Tembeck, Iro. 1991. Danser à Montréal. Sillery: Presses de l’Université du Québec.
Tembeck, Iro. 1994. Studies in Dance History: Dancing in Montreal. Madison: The
Society of Dance History Scholars. (Donated by Linda Stearns.)
Tembeck, Iro Valaskakis. 2001. La danse comme paysage. Saint-Nicholas: Les Presses
de l’Université Laval.
Tembeck, Iro Valaskakis, ed. 2002. Estivale 2000: Canadian Dancing Bodies Then and
Now/Les corps dansants d’hier à aujourd’hui. Toronto: Dance Collection Danse Press/es.
Terry, Walter. 1959. Ballet: A New Guide to the Liveliest Art. New York: Dell. (Donated
by Gail Grant.)
Théatre Serge De Diaghilew. 1924. Les Facheux. Paris: Éditions Des Quatre Chemins.
Thomas, Bob. 1984. Astaire: The Man, The Dancer. New York: St. Martin’s. (Donated
by Joysanne Sidimus.)
Thomas, Tony. 1984. That’s Dancing. New York: Harry N. Abrams.
Thompson, Oscar. 1940. Debussy Man and Artist. New York: Tudor.
Tierney, Tom. 1983. Isadora Duncan, Martha Graham and Other Stars of the Modern
Dance: Paper Dolls in Full Color. New York: Dover.
Thiess, Frank. 1920. Dertanz Als Kunstwerk. Munich: Dephin-Verlag. (Donated by Eva
Goldman.)
30

Tippet, Maria. 1990. Making Culture: English-Canadian Institutions and the Arts Before
the Massey Commission. Toronto: University of Toronto.
Tomalonis, Alexandra. 2002. Henning Kronstam, Portrait of a Danish Dancer.
Gainesville: University Press of Florida. (Donated by Joysanne Sidimus.)
Tracy, Robert and Sharon DeLano. 1983. Balanchine’s Ballerinas: Conversations with
the Muses. New York: Linden Press/Simon Schuster. (Donated by Linda Stearns.)
Turner, W.J. 1944. English Ballet. London: William Collins. (Donated by Joseph E.J.
Beasley.)
Turner, W.J. c. 1967. The English Ballet. London: William Collins. (One copy donated
by Eva Goldman, one copy donated by Gail Grant.)
Twysden, A.E. 1945. Alexandra Danilova. London: C.W. Beaumont. (Donated by Joseph
E.J. Beasley.)
Ulanova, Galina. c. 1950. Galina Ulanova. The Making of a Ballerina. Moscow: Foreign
Languages Publishing.
Vaganova, Agrippina. 1969. Basic Principles of Classical Ballet. New York: Dover.
Varley, Gloria and Peter Varley. 1971. To Be a Dancer: Canada’s National Ballet
School. Toronto: Peter Martin Associates.
Vaughan, David. 1977. Frederick Ashton and His Ballets. London: Adam and Charles
Black. (Donated by Gweneth Lloyd, Box 7.)
Voaden, Herman. 1945. On Stage. Toronto: The Macmillan Company of Canada.
Von Tiedemann, Cylla. 1991. The Dance Photography of Cylla Von Tiedemann. Ottawa:
National Arts Centre.
Wagner, Anton. 1979. Canada’s Lost Plays Volume Two. Toronto: CTR.
Wagner, Anton. 1980. Canada’s Lost Plays Volume Three. Toronto: CTR.
Wagner, Anton. 1993. A Vision of Canada: Herman Voaden’s Dramatic Works 1928-
1945. Toronto: Simon & Pierre.
Wagner, Anton. 1999. Establishing Our Boundaries: English-Canadian Theatre
Criticism. Toronto: University of Toronto.
31

Walker, Hugh. 1991. The O’Keefe Centre: Thirty Years of Theatre History. Toronto: Key
Porter.
Walker, Kathrine Sorley. 1957. Robert Helpmann. London: Salisbury Square. (Donated
by John Faichney.)
Ward, Eric. 1930. A Book of Make-Up. London: Samuel French Ltd. (Donated by Alison
Sutcliffe.)
Ward, Natalie, trans. 1975. Bolshoi’s Young Dancers. Moscow: Progress. (Donated by
Eva Goldman.)
Warner, Mary Jane. 1995. Toronto Dance Teachers 1825-1925. Toronto: Dance
Collection Danse Press/es.
Warren, Larry. 1991. Anna Sokolow. The Rebellious Spirit. Princeton: Dance
Horizons/Princeton Book Company.
Webb, Brian, ed. 2002. The Responsive Body. Banff: The Banff Centre.
West Kinney, Troy and Margaret. 1914. The Dance: Its Place in Art and Life. New York:
Frederick A. Stokes Company. (Donated by Alison Sutcliffe.)
Whittaker, Herbert. 1967. Canada’s National Ballet. Toronto: McClelland and Stewart.
Whittaker, Herbert. 1993. Whittaker’s Theatricals. Toronto: Simon & Pierre.
Whittaker, Herbert. 1999. Setting the Stage. Montreal & Kingston: McGill-Queen’s
University.
Williams, Peter. 1981. Masterpieces of Ballet Design. Oxford: Phaidon Press. (Donated
by Alison Sutcliffe.)
Williamson, Audrey. 1946. Contemporary Ballet. London: Salisbury Square. (Donated
by Joseph E.J. Beasley.)
Williamson, Audrey. 1948. Old Vic Drama. London: Rockliff. (Donated by Gweneth
Lloyd, Box 7.)
Willis, John. 1974. Dance World 1973. Volume 8. New York: Crown. (Donated by John
Faichney.)
Wilson, G.B.L. 1957. A Dictionary of Ballet. London: Penguin Books. (Donated by
Linda Stearns.)
32

Wilson, G.B.L. 1974. A Dictionary of Ballet. London: A & C Black. (Donated by
Gweneth Lloyd, Box 7.)
Willson, Robina Beckles. 1981. Anna Pavlova, A Legend Among Dancers. London:
Hodder and Stoughton.
Windreich, Leland, ed. 1996. Dancing for de Basil – Letters to her Parents from
Rosemary Deveson. Toronto: Dance Collection Danse.
Windreich, Leland. 1998. Dance Encounters: Leland Windreich Writing on Dance.
Toronto: Dance Collection Danse Press/es.
Windreich, Leland. 1999. June Roper: Ballet Starmaker. Toronto: Dance Collection
Danse Press/es.
Wolska, Helen. 1952. Dances of Poland. London: Max Parrish & Company. (One copy
donated by Gail Grant, one copy donated by Gweneth Lloyd, Box 8.)
Wood, Roger with John Hall. 1952. The Theatre Ballet of Sadler’s Wells in Photographs.
London: Phoenix House Ltd. (Donated by Alison Sutcliffe.)
Wyman, Max. 1978. The Royal Winnipeg Ballet: The First Forty Years. Toronto:
Doubleday Canada.
Wyman, Max. 1989. Dance Canada: An Illustrated History. Vancouver: Douglas &
McIntyre.
Wyman, Max. 1991. An Intimate Portrait, Evelyn Hart. Toronto: McClelland & Stewart.
Wyman, Max. 2001. Max Wyman Revealing Dance. Toronto: Dance Collection Danse
Press/es.
Zorina, Vera. 1986. Zorina. New York: Farrar Straus Giroux.
33