Gill Roberts - The Liverpool 08 Tapestry
Gill Roberts - The Liverpool 08 Tapestry
Gill Roberts - The Liverpool 08 Tapestry
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<strong>The</strong> Individual Pieces of the<br />
<strong>Tapestry</strong>.<br />
<strong>The</strong> stories behind each piece of work, and what<br />
inspired and prompted them, are shown with each<br />
photograph. As far as possible, these are the word<br />
of the stitchers/designers, and where these were<br />
not available for any reason, I have tried to give a<br />
glimpse as to why these pieces were worked and<br />
included. For the sake of fairness, after the central<br />
panel, each stitcher is listed in alphabetical order,<br />
with their pieces, as we felt this was the best way to<br />
allow a more rounded commentary by those who<br />
had stitched more than one piece and meant we did<br />
not have to repeat the stories of why individuals had<br />
taken part in the project.<br />
<strong>The</strong> Central Panel<br />
<strong>The</strong> central panel is slightly different from the two<br />
side panels, as it was originally conceived as having<br />
larger than average pieces that would be completed<br />
by experienced embroiderers’ from the Merseyside<br />
Branch of the Embroiderers’ Guild. This is broadly<br />
what happened, although with some stitchers only<br />
becoming members of the Guild during the course<br />
of the workshops, when they became well and truly<br />
addicted to the project and more ambitious in what<br />
they wished to portray. This panel, as far as its subjects<br />
were concerned, did have planned items. We felt that<br />
at the centre of the piece, there were subjects that<br />
ought to be represented, and so most of the designs<br />
were suggested to the stitchers, but not the actual<br />
layouts themselves that we left to their interpretation.<br />
<strong>The</strong> <strong>Liverpool</strong> <strong>Tapestry</strong>: People, Places and Passions | 15