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Gill Roberts - The Liverpool 08 Tapestry

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<strong>The</strong> Individual Pieces of the<br />

<strong>Tapestry</strong>.<br />

<strong>The</strong> stories behind each piece of work, and what<br />

inspired and prompted them, are shown with each<br />

photograph. As far as possible, these are the word<br />

of the stitchers/designers, and where these were<br />

not available for any reason, I have tried to give a<br />

glimpse as to why these pieces were worked and<br />

included. For the sake of fairness, after the central<br />

panel, each stitcher is listed in alphabetical order,<br />

with their pieces, as we felt this was the best way to<br />

allow a more rounded commentary by those who<br />

had stitched more than one piece and meant we did<br />

not have to repeat the stories of why individuals had<br />

taken part in the project.<br />

<strong>The</strong> Central Panel<br />

<strong>The</strong> central panel is slightly different from the two<br />

side panels, as it was originally conceived as having<br />

larger than average pieces that would be completed<br />

by experienced embroiderers’ from the Merseyside<br />

Branch of the Embroiderers’ Guild. This is broadly<br />

what happened, although with some stitchers only<br />

becoming members of the Guild during the course<br />

of the workshops, when they became well and truly<br />

addicted to the project and more ambitious in what<br />

they wished to portray. This panel, as far as its subjects<br />

were concerned, did have planned items. We felt that<br />

at the centre of the piece, there were subjects that<br />

ought to be represented, and so most of the designs<br />

were suggested to the stitchers, but not the actual<br />

layouts themselves that we left to their interpretation.<br />

<strong>The</strong> <strong>Liverpool</strong> <strong>Tapestry</strong>: People, Places and Passions | 15

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