Field Guide to Sponsored Films - National Film Preservation ...
Field Guide to Sponsored Films - National Film Preservation ...
Field Guide to Sponsored Films - National Film Preservation ...
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Enterprise<br />
<strong>to</strong> Teach Here Lesson of Life,” Atlan Con, Mar. 22, 1919, 10; “Sex <strong>Film</strong> Used by Small as Bait <strong>to</strong> Women,”<br />
CT, Mar. 26, 1924, 6; Sex Ed, 10, 21, 31–34; Exploitation, 27–36. HOLDINGS: LC, NARA.<br />
Wartime venereal disease prevention film intended primarily for female audiences. <strong>Sponsored</strong><br />
by a public health organization devoted <strong>to</strong> eradicating syphilis, The End of the Road tells the<br />
parallel s<strong>to</strong>ries of two women, one of whom receives instruction in sexual hygiene from her<br />
mother, while the other does not. NOTE: The End of the Road was originally produced for use<br />
by the military. Sometimes referred <strong>to</strong> as The S<strong>to</strong>ry of Life, the popular film was also put in<br />
theatrical release but withdrawn in 1919.<br />
127. ENTERPRISE (1948, sound, 32 min, color, 16mm)<br />
SPONSOR: Cluett, Peabody & Co. Inc. PRODUCTION CO.: Caravel <strong><strong>Film</strong>s</strong>. RESOURCES: Copyright not registered;<br />
“Enterprise: The S<strong>to</strong>ry of a Town,” Bus Scrn 9, no. 8 (1948): 21; “S<strong>to</strong>ry ‘Natural’ Makes Company <strong>Film</strong>,”<br />
Mod Ind 16 (Nov. 15, 1948): 88; J. Austin Burkhart, “Big Business and the Schools,” The Nation, Nov. 10,<br />
1951, 400–402; Ec Ed, 15. HOLDINGS: AAFF, Orgone.<br />
<strong>Film</strong> sponsored by the Troy, New York–based manufacturer of Arrow shirts <strong>to</strong> explain its<br />
reasons for moving its business down south. Enterprise tells the true s<strong>to</strong>ry of how two World<br />
War II veterans invited the company <strong>to</strong> occupy an industrial plant that they had built in the<br />
hope of revitalizing Buchanan, Georgia. Five hundred residents signed a pledge stating that<br />
they were willing <strong>to</strong> work in the new fac<strong>to</strong>ry. Cluett, Peabody & Co. eventually employed<br />
one-third of the <strong>to</strong>wnspeople. Note: Received a Freedoms Foundation award in 1950.<br />
128. AN EQUAL CHANCE (1949, sound, 10 min, b&w, 35mm)<br />
SPONSOR: New York State Commission Against Discrimination. PRODUCTION CO.: March of Time. RESOURCES:<br />
Copyright 15Aug49 MP4608; EFG (1951), 286; “<strong>Film</strong> Tells How <strong>to</strong> Integrate Minorities in<strong>to</strong> Workforce,” Mod<br />
Ind 23 (Jan. 15, 1952): 62. HOLDINGS: LC.<br />
<strong>Film</strong> produced <strong>to</strong> acquaint minority workers with the sponsor’s services and promote a diverse<br />
workplace. In the s<strong>to</strong>ry a laborer threatens a walkout after his foreman hires an African American<br />
but learns acceptance after he observes the on-the-job skills of the new hire. An Equal<br />
Chance also illustrates the process through which the commission resolves bias complaints.<br />
NOTE: The film was shown in theaters throughout New York State. For more about the sponsor’s<br />
work, see “State Anti-Bias Unit Ready <strong>to</strong> Aid Young Persons If Lay-offs Begin,” NYT,<br />
Mar. 16, 1950, 33.<br />
129. AN EVENING WITH EDGAR A. GUEST (1938, sound, 15 min, b&w, 35mm)<br />
SPONSOR: Household Finance Corp. PRODUCTION CO.: Jam Handy Organization. DIRECTOR: Louis Marlowe.<br />
MUSIC: Samuel Benavie. EDITOR: W. Kislingbury. RESOURCES: Copyright 12May39 LU8833; “Advertisers’ <strong><strong>Film</strong>s</strong><br />
Draw Huge Crowds at Nation’s Two Big Fairs,” Sales Mgmt 45 (July 1, 1939): 34–47. HOLDINGS: LC/Prelinger.<br />
<strong>Film</strong> for the Household Finance Corporation featuring its spokesperson Edgar A. Guest, the<br />
popular poet and radio personality. Guest performs without making any explicit reference <strong>to</strong><br />
the sponsor or its products. NOTE: The short was shown under the title A Heap o’ Livin’ at<br />
the 1939–40 New York World’s Fair. Also released in 16mm. For more about the sponsor’s<br />
films, see E.A. Petrtyl, “After Giving 5,330 Shows, Here’s What Advertiser Learned about<br />
<strong><strong>Film</strong>s</strong>,” Pr Ink 184 (July 21, 1938): 50–56.<br />
130. THE EYES OF SCIENCE (1930, sound, 15 min, b&w, 35mm)<br />
SPONSOR/PRODUCTION CO.: Bausch and Lomb Optical Co. DIRECTOR/CAMERA: James Sibley Watson. RESOURCES:<br />
Copyright 11Aug30 MP2501; Living <strong><strong>Film</strong>s</strong>, 35; EFG (1945), 332; J.S. Watson Jr., “My <strong><strong>Film</strong>s</strong>,” in Unseen Cinema,<br />
113–15. HOLDINGS: GEH.<br />
His<strong>to</strong>ry of optical instruments and survey of their modern applications. The Eyes of Science<br />
illustrates the capacity of precision optics through the use of dramatic pho<strong>to</strong>graphy and visual<br />
30