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BRITISH BOOK DESIGN AND PRODUCTION AWARDS 2008

BRITISH BOOK DESIGN AND PRODUCTION AWARDS 2008

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Once again, the panel made its way to Oxford<br />

Brookes University for two days of judging<br />

frenzy. Our thanks, as ever, are extended to<br />

Adrian Bullock and his team for all their hard work in<br />

administering the Awards. Thanks should also be extended<br />

to Heena Bulsara and her colleagues at the BPIF who have<br />

orchestrated the Awards event.<br />

As far as the judging process is concerned, a few<br />

changes were made over previous years. It was felt that<br />

the category including both Photographic Books and<br />

Exhibition Catalogues attracted an extremely high number<br />

of entries, so this year they were separated into two.<br />

This did not make the judging any easier, however, as the<br />

standard of entries in both categories was incredibly high.<br />

The judging panel included specialists from print,<br />

production and design companies as well as from the retail<br />

sector, ensuring input from widely differing ends of the<br />

industry. It should be noted that a judge who had active<br />

participation in the production of an entry was obliged not<br />

to comment on that book. Any subsequent shortlisting<br />

of a title connected to any member of the panel was as<br />

6<br />

INTRODUCTION<br />

the result of the judging process by the remaining panel<br />

members only.<br />

As in previous years competition was fierce and<br />

challenging with a record number of entries, especially in<br />

the Best Jacket / Cover Design section. Publishers are very<br />

aware that their covers need to work extremely hard in a<br />

challenging retail environment and they are committing<br />

ever-increasing resources to ensure that cover designs<br />

are distinctive and eye-catching. It is pleasing to see that<br />

in many cases spines are also receiving the attention they<br />

deserve – for the vast majority of books the spine is the<br />

only portion visible to the browsing public.<br />

The panel was excited to see that finally strides are<br />

being made in the field of digital print enabled book<br />

production. Here digital print technology is being used to<br />

great effect to offer new, old, niche and even personalised<br />

titles to the consumer. Overall this enriches and in some<br />

instances revolutionises the supply and production of books.<br />

The digital revolution can only increase as the years pass.<br />

A new category added this year was the Environmental<br />

Award. Here judges were looking for publications that

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