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Wendell Castle - The Arts and Cultural Council for Greater Rochester

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Melanie. I guess I should have understood<br />

who it was. But I hadn’t. It wasn’t until minutes be<strong>for</strong>e<br />

her arrival in my office, with John Haldoupis<br />

<strong>and</strong> her son Beau, that I realized who she was from<br />

the background materials that I finally opened<br />

<strong>and</strong> read.<br />

I remember being all of eleven years old, hanging<br />

out at the Limelight off Christopher Street <strong>and</strong><br />

Sheridan Square in the Village with my parents,<br />

drinking real American Coke with ice in a glass,<br />

ordering burgers <strong>and</strong> fries, playing What have they<br />

done to my song, Ma? on the jukebox, sung by Claudine<br />

Longet—years be<strong>for</strong>e she would be arrested <strong>for</strong><br />

killing her boyfriend, Spyder. It was a lovely, happy<br />

time <strong>for</strong> me, <strong>and</strong> nothing brings it back more<br />

18 Fall 2012 |<br />

By Sarah E. Lentini<br />

quickly than this particular piece of music—music<br />

I’ve since learned that was one of many songs written<br />

by Melanie.<br />

Her most famous song, of course, came right after<br />

<strong>and</strong> was emblazoned on the national psyche—it<br />

was played so very much on the radio. Br<strong>and</strong> New<br />

Key was everywhere. Much as Adele has taken over<br />

the airwaves in the last 12 months, Melanie ruled in<br />

1972. In fact, Billboard named her the #1 Top Female<br />

Vocalist of the year. Br<strong>and</strong> New Key, a sweet tune<br />

filled with what some saw as sexual innuendo, was<br />

a bit shocking—at least <strong>for</strong> the radio stations of the<br />

time, many of which banned the song. It charmed<br />

audiences with a youthful romantic directness <strong>and</strong><br />

simplicity that ultimately verged on feminism.<br />

Melanie Safka, one of the original<br />

32 Woodstock per<strong>for</strong>mers, seen<br />

here in a 1973 per<strong>for</strong>mance<br />

at Carnegie Hall in a moment<br />

of connection with her<br />

audience, captured by leading<br />

international photographer<br />

<strong>and</strong> photo editor Maddy Miller<br />

(maddymillerphoto.com).

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