Wendell Castle - The Arts and Cultural Council for Greater Rochester
Wendell Castle - The Arts and Cultural Council for Greater Rochester
Wendell Castle - The Arts and Cultural Council for Greater Rochester
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Melanie. I guess I should have understood<br />
who it was. But I hadn’t. It wasn’t until minutes be<strong>for</strong>e<br />
her arrival in my office, with John Haldoupis<br />
<strong>and</strong> her son Beau, that I realized who she was from<br />
the background materials that I finally opened<br />
<strong>and</strong> read.<br />
I remember being all of eleven years old, hanging<br />
out at the Limelight off Christopher Street <strong>and</strong><br />
Sheridan Square in the Village with my parents,<br />
drinking real American Coke with ice in a glass,<br />
ordering burgers <strong>and</strong> fries, playing What have they<br />
done to my song, Ma? on the jukebox, sung by Claudine<br />
Longet—years be<strong>for</strong>e she would be arrested <strong>for</strong><br />
killing her boyfriend, Spyder. It was a lovely, happy<br />
time <strong>for</strong> me, <strong>and</strong> nothing brings it back more<br />
18 Fall 2012 |<br />
By Sarah E. Lentini<br />
quickly than this particular piece of music—music<br />
I’ve since learned that was one of many songs written<br />
by Melanie.<br />
Her most famous song, of course, came right after<br />
<strong>and</strong> was emblazoned on the national psyche—it<br />
was played so very much on the radio. Br<strong>and</strong> New<br />
Key was everywhere. Much as Adele has taken over<br />
the airwaves in the last 12 months, Melanie ruled in<br />
1972. In fact, Billboard named her the #1 Top Female<br />
Vocalist of the year. Br<strong>and</strong> New Key, a sweet tune<br />
filled with what some saw as sexual innuendo, was<br />
a bit shocking—at least <strong>for</strong> the radio stations of the<br />
time, many of which banned the song. It charmed<br />
audiences with a youthful romantic directness <strong>and</strong><br />
simplicity that ultimately verged on feminism.<br />
Melanie Safka, one of the original<br />
32 Woodstock per<strong>for</strong>mers, seen<br />
here in a 1973 per<strong>for</strong>mance<br />
at Carnegie Hall in a moment<br />
of connection with her<br />
audience, captured by leading<br />
international photographer<br />
<strong>and</strong> photo editor Maddy Miller<br />
(maddymillerphoto.com).