Lessons from Gulam: Asian Music in Bradford - Documentary ...

D O C U M E N T A R Y E D U C A T I O N A L R E S O U R C E S study guide
Shot 25. Gulam’s grand-daughter plays with
the tabla. 26 April 1986.
This and the succeeding shot were filmed on
the first day of the shoot, in Gulam’s front
room. Fazeela is the daughter of Gulam’s
eldest son, Farook (a trainee chartered accountant),
who lives in Gulam’s house. The narration
introduces this scene thus:
“Gulam believes his family is naturally musical.
His father worked all his life as a tabla
player, two of his sons play in his qawwali
group, and his grand-daughter already shows
an interest in music.”
During a filmed interview not included in the
film Gulam said: “My father is a musician,
born musician indeed, it is automatically that
I am a musician, well, not professionally, but,
you know, born in music like. “ And he told me
on several occasions, “Music is in our blood*”.
Gulam says to Fazeela, “They’re taking the
photographs, you play it, watch them!” She
says: “Do you have powder?” Although Fazeela
seems more interested in putting on the talcum
powder used to “lubricate” the drum heads,
she shows remarkable understanding of tabla
technique. Notice the way she rotates the wrist
of her right hand. At one point we also see
Gulam grasp her wrist and guide it in making
strokes. One sees here the way in which children
in such hereditary musician families first
acquire their musical skills. In the background
sits Gulam’s father, Kasem, who has a serious
disease of the lungs; his wheezing is clearly
audible.
Shot 26. Kasem plays the tabla.’ 26 April
1986.
Gulam’s elderly father, formerly a professional
tabla player in India and Kenya, was some-
GUIDE: Lessons from Gulam 18
times present at my meetings with Gulam.
He spoke seldom but still enjoyed music and
came to listen to the qawwali rehearsals in the
house, encouraging the musicians and sometimes
drumming with his fingers on his knees.
On this day we had taken the camera for the
first time, and I had been playing rubab with
Gulam on tabla. While we played Kasem became
very animated and when we stopped he
took the tabla and started to tune it. Sensing
that something was about to happen we hurriedly
set up and filmed as he started to play.
At the end of his performance he was quite
breathless and we feared for his life, but he
soon recovered, and played again when Gulam
tried to get Fazeela to dance. While his
tabla, playing is comparatively simple he has
a wonderfully crisp style. He plays in Tin Tal,
providing a demonstration of how the tabla
should be played. A brief closeup of his face
(Shot 26a) is inserted at one point, covering
up a confused bit of action after Fazeela walks
past. This insert is taken from an earlier part
of the shot and has been cut in so that he nods
his head on the first beat of the cycle. Afterwards
he talked a lot in English, which I had
never heard him use before.