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Victorian Botanicals - P&B Textiles

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T<br />

he prints in this collection were selected for<br />

reproduction from several quilts in Pam’s<br />

collection that date between 1875 and 1900.The late<br />

<strong>Victorian</strong>s loved color and texture and delighted in<br />

large-scale as well as small-scale printed cottons.<br />

The New England textile mills produced high<br />

quality printed cottons in a multitude of patterns,<br />

and printed each in many colors, as we do today.<br />

The quilt that this pattern is copied from was made<br />

in about 1880, and was probably made from salesmen’s<br />

samples. It has squares set in squares, set in<br />

rows with strips of scraps, all set with vertical bars<br />

of fabric. It is a vibrant collection of fabrics, many<br />

of which are the same pattern, printed in different<br />

colorways. Quilts still exist that use the cheater<br />

cloth (also called pre-printed patchwork) in the<br />

vertical bars, as does this pattern.<br />

Cheater cloth has probably been printed for as long<br />

as we have used patchwork to decorate clothing and<br />

quilts.A cheater cloth pocket exists in a museum<br />

collection and is dated as early as 1790. Cheater cloth<br />

is available in many quilt shops today. It can be used<br />

for borders, backings, bar or strip quilts or cut up<br />

for patchwork blocks. The cheater cloth in this collection<br />

was copied from a whole cloth quilt c.1870.<br />

The quilt is comprised of three simple 6" blocks and<br />

multiple width stripes, making for quick piecing.<br />

Yardage is based on fabric 44/45" wide.This is<br />

designed to be a very scrappy quilt, so don’t be shy<br />

about mixing up the fabrics. Use it to showcase the<br />

entire collection, or keep your fabric choices to just<br />

one of the colorways, being careful to use darks and<br />

lights in the same places as in the pattern.<br />

The yardage amounts and fabric codes for the dark<br />

large-scale floral print and for the cheater cloth are<br />

for the black and red colorway only, but feel free to<br />

mix and match for a more scrappy look.<br />

<strong>Victorian</strong> Bar quilt<br />

by Pam Weeks for P&B <strong>Textiles</strong><br />

Finished Quilt: 61" x 71 1 /2" (approximately)<br />

Finished Block: 6"<br />

FABRIC<br />

NOTE: The yardage amounts for the large-scale<br />

floral print and the cheater cloth will allow for<br />

“fussy cutting” birds and butterflies in the floral<br />

print and for matching the stripes in the outer<br />

border.<br />

Blocks, sashing strips and borders<br />

3 1 /2 yards of Cheater Cloth stripe - VBOT 381K<br />

1 yard of large-scale floral print - VBOT 380K<br />

1 yard of VBOT 386K<br />

1 /2 yard each of VBOT 382D and VBOT 386R<br />

1 fat quarter each of VBOT 380Z,VBOT 382K,VBOT<br />

382Z,VBOT 383KR,VBOT 383PZ,VBOT 384KR,<br />

VBOT 384ZP,VBOT 385K,VBOT 386P,VBOT 386X,<br />

VBOT 386Z,VBOT 386E,VBOT 387P, and VBOT 387Y<br />

Backing<br />

3 3 /4 yards of any <strong>Victorian</strong> <strong>Botanicals</strong> fabric (Pam<br />

likes to use the cheater cloth for backings, too!)<br />

CUTTING<br />

Block A - “Diamond in the Square”<br />

From the large-scale floral print, cut (18)<br />

4 3 /4" squares<br />

From the assorted light-value fat quarters,<br />

cut (36) 3 7 /8" squares; cut each square once<br />

diagonally to yield 72 triangles<br />

Block B - “Rail Fence” (3 bars)<br />

From the assorted light, medium, and dark<br />

fat quarters, cut a total of (27) 2 1 /2" x 6 1 /2"<br />

rectangles<br />

Block C “Rail Fence II” (4 bars) and<br />

Half-Block C (2 bars) -<br />

From the assorted light, medium, and dark fat<br />

quarters, cut a total of (36) 2" x 6 1 /2" rectangles

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